Who are Thee HeadShrinkers?
We’re a 3 piece garage band playing garage punk with a bit of proto-punk thrown in

Where are the band from?
South Coast, UK (Hastings area)

How did the band get together?
Me and Gino were looking to play in a similar style, and didn’t want to play covers .. We found Stiv along the way

What’s With The Name?
We had a song called Headshrinker, and we thought it sounded OK as a band name. The ‘thee’ was just to differentiate between any other band with a similar name, and it was a nod to the Medway scene bands

What are your recordings to date?
We’ve done some in an analogue only studio, and some just in a our practice room/garage. We’re gagging to do some more in a studio but need to save some money up

What are your post-pandemic plans?
Hopefully, get gigs and play to lots of sweaty people

Who are your influences?
60s garage bands, proto-punk bands like the Stooges, Velvet Underground, MC5, as well as the Pistols,  the Jesus and Mary Chain, the Meteors, 80s Matchbox b line disaster

Where can people get hold of your music?
We upload our tunes onto Bandcamp.. Free download. As well as vinyl sold from there

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It’s been over a decade since I first discovered that even when Mommy Sez No you can still get your musical kicks from a trashy, crypt-cool beat combo souring airwaves with its self-soiled brand of “Spook ‘n’ Roll.”
From debut splatter platter, ‘Hotwaterburnbaby’, via the putrid poetry of follow-up, ‘Eeeeeeeeep!!!’, to the 2-4-5 Trioxin-addled new album, ‘The Dwellers Below’, the Saint Paul, Minnesota ghouls Mommy Sez No have traversed the gutters and gateways of the punk rock underground for so long that you’d probably be excused for thinking that this was a band destined to be stumbled across when lovingly fingering your wholly unfashionable physical media collection; the cobwebs blown from a disc or two decaying in the creepy corner labelled ‘Where Are They Now?’ But, no – this six-legged monstrosity (Jeff Arndt on guitar and vocals; Alex Smith on drums; Thomas White on bass) is back in the hunt; better, stronger, faster than it was before.
Okay, the enhancement might not be bionic, but it’s by some other ungodly advancement that finds the horror punk veterans kicking lumps out of the opposition with a thirteen-track (what else?!) long player that, actually, doesn’t play for that long given its frenetic pace, but oozes with a gooey, unexpected slap of, dare I say it, maturity.
Looking cooler-than-thou wearing its wraparound artwork skin courtesy of fellow Minnesota mayhem maker, artist Bill Hauser (creator of many a striking punk rock album cover), ‘The Dwellers Below’ takes the lowbrow splatter punk of Mommy Sez No out of the garage and into, well, at least the garage forecourt. With better production, better artwork, better just about everything to be honest, this is the band’s most accomplished work to date… but fear not horror punk purists, this record is still a wretched hive of scum and villainy.
From opening cut, ‘Take Me To The Hospital’, to the power ballad, ‘Maggots In Yer Guts’, via the chaos of ‘Hahahahahahaha’, Mommy Sez No is still as subtle as a killing spree and as manic as a final girl chase scene. The big difference is that the band doesn’t stumble at all throughout the entirety of this album.
Even when introducing more straight-ahead rock ‘n’ roll strut to the tracklisting with the likes of ‘Lil Bit Of Voodoo’, ‘Rock And Roll Death Patrol’ and the alternate reality KISS riff-led ‘Uh Oh… I Think…’ the band still has that unnerving way of making the listener feel like they need a good wash after partaking in an auditory exercise; the songs to die for (possibly literally) rather than a diversion.
The aforementioned artwork may give off a sense of the post-apocalyptic (doesn’t everything these days?!) but the album still has a hoof or two in the band’s tried, tested, and tortured peculiar amalgam of straight-to-video horror and no-budget punk rock… except there is a budget these days, but that shouldn’t put you off; think the upgrade from The Evil Dead to Dead By Dawn – better everything, but with that same, fierce independent spirit. ‘The Dwellers Below’ is a crazed, ass-kicker of an album that will easily force its way into my Top Ten albums list of a crazy, asshole of a year. Recommended.
Buy the album Here
Author: Gaz Tidey

Kurt Baker (Kurt Baker Combo, The Leftovers, etc) Delivers New “Over You ” Video That’s “A Total Spoil of Riches For Any Fan Off 80’s Culture.”  New Solo Album ‘After Party’ Out October 23 on Wicked Cool Records

Melbourne, Australia’s The Mercy Kills are back, with the release of their newly remastered single, ‘Fall’ and accompanying video. Fall comes from their upcoming EP X, which will be released by Golden Robot Records on October 2nd.  Facebook  / Instagram / Twitter

Finally this Monday we bring you the brand new video from Dinosaur Pile-Up and their take of the classic ‘It’s tricky’ from Run DMC.  The band have announced rescheduled live dates, which include their largest headline show yet to take place at London’s O2 Forum Kentish Town on February 26th 2021, with a warm up show at The Wardrobe, Leeds on February 20th. Dinosaur Pile-Up will be completing a full UK tour with Enter Shikari throughout May and June 2021, which finishes with a London show at Alexandra Palace on June 12th. The band are also set to perform at festivals including Mad Cool and Burn It Down next summer. All tickets are available via The bands Website

 

 

Seemingly untouched by the global crisis as much as any passing trend, Billy Childish continues to swell his catalogue at an amazing rate. After CTMF’s ‘Last Punk Standing’, comes the first of four albums by his latest project, The William Loveday Intention. Yes; four albums, already in the can. Joined by James Taylor and Dave Tattersall, “People Think…” has the flavour of a western-themed record. The Medway Delta is augmented by tales from the saddle, while Billy’s voice remains firmly in the Kent marshlands.

 

The production is lush, as befits the ‘widescreen’ feel of most of the songs here. Violins and mariachi trumpets enhance songs like ‘My Love For You’, which has the richness of The Urban Voodoo Machine, while ‘Again And Again’ and ‘This Wondrous Day’ reminds me of Dan Sartain’s recent ‘Blue Prairie’ album, though I imagine that Billy has cast an influence on them already.

 

The richer sound suits the songs and the cinematic feel throughout, but there are still the Lo-Fi elements you’d expect; the insistent, monotone keyboard riff of the title track, which manages to name check Kylie Minogue, and the fiddle led lament of ‘The Bitter Cup’.

 

I’m guessing that it’s Julie singing on ‘You’re The One I Idolise’, though I don’t have all the details to hand. A sweet song that echoes some slower T Rex tunes. Then there’s the skeletal blues riff of ‘My Father Was A Railroad Man’, one of the oldest riffs, that John Lee Hooker must have heard as a child.

 

This is an interesting side-step from Billy, and bears repeated listens. What the next three albums will bring, only he knows, but this is very promising.

Damaged Goods Records

Buy ‘People Think They Know Me’ Here

Author: Martin Chamarette

Richard Davies & the Dissidents – ‘Echo Road’ (Bucketful Of Brains)  Excellent grower from a really impressive album ‘Echo Road’ builds via a really earthy swirling keyboard and great barroom vocals the song is excellent for dusty road trips but the real gem here is the B Side and the bands take of the classic Lords tune penned by Tony James and Tory Crimes and whilst I have the Lords on a pedestal this is a pretty impressive take on a classic song and well worth checking out.  To be fair whilst you’re at it go the full hog and bag yourself the album ‘Human Traffic’. Great band great songs.

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ReMission International – ‘TOS2020′ (SPV Records) Wayne Hussey and friends release classic Mission ‘Tower Of Strength’ anthem with Proceeds to charities personally chosen by each contributor. There’s nothing not to like about a classic song being reinvented for a bunch of great causes and it features a glittering line up with people like Andy Rourke, Billy Duffy, Budgie, Evi Vine, Gary Numan, James Alexander Graham, Jay Aston, Julianne Regan, Kevin Haskins, Kirk Brandon, Lol Tolhurst, Martin Gore, Michael Aston, Michael Ciravolo, Midge Ure, Miles Hunt, Rachel Goswell, Richard Fortus, Robin Finck, Steve Clarke, Tim Palmer, Trentemøller.

With pre-orders already reaching over 40K its a truly outstanding contribution. Spread the word, share, tweet, post it everywhere to tell others about it. Shout it from the rooftops and tell your friends, tell everyone. The digital bundle contains 5 awesome tracks for just £2.99, it all helps those that need it most and the proceeds will be divided and distributed equally among all the beneficiaries. It’s an awesome song always has been and always will be and now its been put to great use.  Keep up with ReMission International  Website | Mission Facebook | Mission Twitter | Mission Instagram |

Fast Eddy – ‘Game Of Love’ (Spaghetty Town Records) A couple of things struck me about this here single.  One, Ted at Spaghetty Town sure does know quality Rock and Roll. Two, Fast Eddy sure do play quality Rock and Roll. The title track is a strut and swagger down the blvd. It’s as confident and cocksure as anything you’ll hear all year these cats know they have a swag bag full of top tunes and from the great vocals to the big singalong piano-driven middle eight it’s fuckin’ huge sounding and I mean grande canyon huge sounding.  The flip side is another great tune but a little something different.  It’s hard to pigeon hole these guys it’s catchy and radio-friendly but there’s an edge and a tension in a sort of Afghan Whigs way.  The B Side gets it for me but by a whisker.  Check em out Fast Eddy will make a dent – trust me.  Facebook / Instagram

Poison Boys – ‘Mean Queen’ (Hobo Wolfman Records)  Don’t be sneaking out no new 7″ singles without consulting the RPM Singles Club with the news cmon boys that’s just not fair especially when it’s one of our favourite bands from the good ole US of A. From the opening engine roar this is a sleazy slice of punk rock n roll. Its got the Stooges fueling the engine and that guitar break sounds like they’re in the room with me it’s so alive.  Awesome tune (not that I would ever doubt it) and it’s backed by a cover of the Jerry Nolan ‘Take A Chance With Me’ so what’s not to like?  Cool cats that just ooze quality and a single you should most definitely have in your collection and hopefully a sign that an LP is on the way!

Buy Here

“Mean Queen” is a celebration of bad ass women, queens, and sex workers everywhere. Make a donation to www.swop-chicago.org to support current and former sex workers, who have been hit extra hard since the start of the covid-19 pandemic.

DEAD DIRTY DINOSAURS – ‘Revenge’ (Riot Records) A restrained, slow burner with a raw, loud, and abrasive guitar riff with a chilled vocal its a smolderer that burrows into your ear.  This Brisbane three-piece might be onto something other than having a great band name they can knock together a pretty good noise between them.  I guess the only thing now is I want to hear more. So, if you’d be so kind send over a few other tunes or the album would be nice. But as far as introductions go this is impressive. Facebook / Twitter / Instagram 

 

 

 

 

The Richmond Sluts – ‘Walkin’ Tall’ (Rock Box Records) Always a good day when The Sluts strut into your life with a new earworm. What a cocksure slab of Rock and Roll this is.  It has swagger and that early ’70s Stones strut that a lot of bands attempt but fall short of but not The Richmond Sluts.  They nail this from the solo on the geetah to the reverb-heavy vocal that sounds like too many late nights and cigarettes n whisky.  A real tonic in these tough times. Three and a half minutes of pure unadulterated Rock and Roll good times.  All hail the Richmond Sluts.

Bandcamp

 

 

Ben Wood & The Bad Ideas – ‘Black’ (Back2Forward Records) With a rapid steady beat this is a little belter.  A right ray of sunshine.  I was expecting something altogether different but this uptempo ditty came banging out of the speakers and I like it, I like it a lot.

Just when you’re waiting for something along comes a bolt out of the blue and whilst its nothing original its quality.

 

 

Wanted Noise – ‘Go Get’ (self release) San Diego what’s up?  Surf/skate punks have a brand new single for your consumption.  It’s upbeat and in keeping with the whole sound you’d expect from a bunch of young guns into skating and surfing.   Bandcamp

 

Heap – ‘EP’ (Rave On Records)  Who needs Westerberg and The Replacements? OH OK, so that’s a lie but in the absence of such an iconic Rock and Roll band the void is ably filled by the likes of Beach Slang and for a brief period Gaslight Anthem well you can throw Heap into that mix.  Coming across like a latterday Westerberg with all the right roots rock and roll moves and refrains Heap have penned three really strong tunes on this here EP. Its dive bar rock and roll from the heart its got dirt under those fingernails and a book of stories in their hearts -Well worth checking out.

 

 

 

The Jailbirds – ‘Dull My Brain’ (Golden Robot Records) This three-piece mix up some cock rock gang vocals with some big bluesy 80s influenced Hard rock chops.  Guns n Roses or more specifically Slash sound like they were a big influence.

A really confident new track from the Canadian trio will no doubt turn some heads in the classic rock circles.  Check em out here

Smarts – ‘Small World’ (Anti fade)  Australia has consistently been churning out some of the best music for quite some time now and we’re constantly turning up bands on our radar that are impressing us with their releases and Anti Fade are constantly pushing the boundaries with a lot of the cassette releases and the ever helpful Bandcamp platform who it has to be said are championing alternative music and not just beating them as a cash cow we find ourselves with another Melbourne band Smarts and their four-track cassette ‘Small World’ which is somewhere between Devo, Tubeway army and a whole host of punk rock band we love.  Don’t hang about though because the four songs run in at just a hairs breath over four minutes from the opening ‘Smart Man’ and its robotic Numan like mood to the frantic head fuck of ‘Smart World’ to their ‘Golden Arches’ and final hurrah of Devo like ‘Don’t Slap The Hand’  Smarts are smart and you should try some. Here

 

The Wake – ‘Hammer Hall’ (Blaylox Records) Get your Goth on kids this is as dark and Goth like as you could possibly get without actually being a member of the Sisters Of Mercy jammin’ with Robert Smith on a couple of Bauhaus tunes.  ME, I love a bit of Goff and this is really well done and is a really decent track.

Keep up with The Wake
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If you were looking for a touring buddy or reference comparison for Dirty Fences I’d have to go for Los Pepes because both write upbeat, melodic, punk rock n roll songs that are full to bursting with catchy tunes and they churn them out with consummate ease or at least that’s how they make it appear.

 

This the third release from the NY combo is thirteen tunes from the recess of the Fences minds and something of a compilation of what they sum up as fondest memories and strange melodies and they’re not far wrong but the one abiding feeling I have after I play a Dirty Fences record or it crops up on a playlist is – Damn, what a tune and this is no exception from the runaway grinfest of the opening track and absolute Banger ‘Sid’ I’m lost in the music. But wait it’s not all bish bash bosh! as the laid back and a more dreamy affair that is ‘Kings Cross’ is nestled in neatly on side one. But wait the more ’80s inspired ‘Judy (Don’t Go)’ reminds me of an XTC melody even if XTC never sounded this daring or punchy.

Clearly The Bruddas are a big influence on bands all over the globe but the great bands that have some Ramones running through their DNA rather than ape Joey and co and you can add The Fences to the list of those who have some of that skill and craft in their DNA and touch on the melodies that Dee Dee might have penned and their influences are deeper like the acoustic-driven ‘Tommy & CC’.  There’s a great guitar lick workout going on via the down n dirty ‘High School RIP’  but I must admit to really liking the mellow Dirty Fences like ‘I’m Here’ just as much as the punk rock ‘n’ bop of ‘Teen Angel’ which just goes to make for a varied melting pot of Rock and Roll and yet another excellent release from a really really good band.  I know its only rock and roll but I love it! When the USPS sort themselves out I’m having myself one of those Mint Green Blob and neon purple splatter records they look awesome. That is if there are any left once the world catches on to some Dirty Fences.

Buy Here

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Author: Dom Daley


Rock veterans Alfie Agnew (Adolescents, D.I.), Sean Elliott (D.I., Mind Over Four), Paul Gray (The Damned, Eddie & the Hot Rods) & Rat Scabies (Sinclairs, The Damned) share the first video from forthcoming album Séance

 

Séance is released by Fullertone Records on November 13, 2020 – Yellow vinyl, CD and digital pre-orders are available now at the group’s new Bandcamp store and at Website

Sung by Agnew, who takes center stage in the video, “Time Machine” is a psychedelicized stroll through cultural and political events of the last century. Additionally, the clip features footage of Elliott, Gray and Scabies during PATM’s live debut at London’s 100 Club in 2018, cartoon versions of the band members designed by NYC artist Cliff Mott, a Madness-influenced “nutty boy” dancer, and a not-so-menacing plastic dinosaur. Agnew’s white lab coat isn’t merely a costuming prop; for his day job, Agnew is a mathematics professor at Cal-State Fullerton.

“’Time Machine’ says a lot about how Sean and I feel about the state of affairs in the world—all the tumult—and it’s even more relevant now than when we were writing it a year ago,” says Agnew. “The song’s title works on a couple of levels. It ties in with the concept of revisiting our youth which is at the heart of the new album, and it also references the music of the 1960s-1980s which greatly influenced our new set of songs. Although I initially thought the main muse for ‘Time Machine’ was Wings-era Paul McCartney, I quickly realized Brian Wilson was also in our heads. I guess you could say we were channeling Paul McWilson.”

Website | Artist Page | Facebook | Instagram | Twitter | Spotify | ReverbNation

Love them or loathe them, Wayne/Jayne County has been challenging musical and gender boundaries for decades. Before the dawn of punk, with the band Queen Elisabeth and giving Jools Holland his first studio job providing the ivories on ‘Fuck Off’, it’s been quite a ride. That this 4 CD collection spans a mere 3 year period is an eye opener.

 

It’s pretty much an exhaustive collection; the three Electric Chairs studio albums; a live set from Toronto 1979, plus a John Peel set and various singles. ‘The Electric Chairs’ debut includes 10 extra tracks, and holds together better than I remember. The quality of both songs and musicians is surprisingly good, from the ballad of ‘Eddie And Sheena’ onwards. There’s a hefty nod to the Dolls on the likes of ‘Bad In Bed’ and ‘Rock N Roll Resurrection’, but Wayne’s personality was always centre stage.

 

‘Storm The Gates Of Heaven’ is, for me, their strongest set of songs, though the band weren’t keen on the rushed production of Martin Birch. It doesn’t detract from the likes of ‘Trying To Get On The Radio’ or the bold ‘Man Enough To Be A Woman’. The title track is like Alice Cooper with better lyrics, while ‘Speed Demon’ is perilously close to the Count Bishops’ version of The Kinks’ ‘I Need You’. Extras include the ‘Toilet Love’ EP.

 

‘Things Your Mother Never Told You’, divided into Side Us and Side Them, is part Lou Reed observationals like ‘Wonder Woman’ and ‘Midnight Pal’, and a side step into more experimental songs such as ‘C3’ and ‘Berlin’. The title track would certainly have suited Iggy at the time. And ‘The Boy With The Stolen Face’ may have influenced pre-fame Ants. Have a listen.

 

‘Rock N Roll Resurrection’, live in Toronto 1979, is tighter than you might imagine, though, unfortunately, there’s not enough between-song berating from Wayne.

 

If it’s to your (bad) taste, and you don’t own these already, it’s a great package at a reasonable price.

Buy The Safari Years Here

author: Martin Charmarette

 

 

 

 Lead-Off Track for DC’s Upcoming

Dark Nights:  Death Metal” The Original Soundtrack

To Be Released by Loma Vista Recordings

 

Multi-Gold and Platinum-selling punk rock stalwarts RISE AGAINST will see “Broken Dreams, Inc.,” their first new song in three years, and the first as part of a new agreement with Loma Vista Recordings, released today.  Produced by Bill Stevenson, Jason Livermore, Andrew Berlin, and Chris Beeble, “Broken Dreams, Inc.” is angry, fast and furious punk rock, with ruthless drums, pounding bass, blazing guitar and impassioned vocals.  Also released today is the animated/motion comic video for the song that features art from DC’s “Dark Nights: Death Metal” drawn by the series’ artist Greg Capullo.

“Broken Dreams, Inc.” speaks to today’s changing landscape of American society, the opportunities that are available to some but not to others, the people who are able to benefit versus those who get left behind, who suffer and end up as casualties.  How do we level the playing field so everyone can have a real chance at attaining the American Dream?  Said Rise Against’s vocalist/lyricist Tim McIIlrath, “One word, ‘disruption.’  You have to put power into the hands of the people, not business, you have to value people and community over profit.  You can’t have a shareholder-run country or a shareholder-run world, a world that values profit above all else, because profit above all else can result in dangerous repercussions for humankind.”

Rise Against – rhythm guitarist/vocalist McIlrath, bassist Joe Principe, guitarist Zach Blair and drummer Brandon Barnes – is known for its explosive live shows, and its outspoken, socially-conscious lyrics that speak to the mood of our times:  the environment, economic injustice, forced displacement, political corruption, voter registration, animal rights, and interpersonal relationships, all delivered with big, chunky riffs and melodic post-grunge hooks.  Rise Against has amassed five top 10 albums on Billboard’s Top 200 chart, and six top ten singles on its Hot 100 chart.  The band’s gold-certified single “Savior” alone, has accumulated nearly half-a-billion streams.

RISE AGAINST – SOCIAL MEDIA – Website /  Facebook / Twitter / Instagram / Youtube

Hailing from London New Device are a band that embody the grit, attitude and good times of hard rock. Likened and influenced by rock giants such as Guns ‘n’ Roses, Metallica and Alter Bridge, their stadium sound never fails to leave audiences in awe! Without pausing for breath, they have grown as musicians and songwriters. Accompanied by an attitude that draws their growing, loyal fan base ever closer.

2020 has not been easy for anyone in the entertainment industry but New Device at the start were thriving. Lead vocalist Daniel Leigh decided one evening in March to do a live stream on the bands Facebook page, these streams quickly became a main staple and to date he has reached 1.5 million with their music.  All was going very well for the band; With the release of latest EP “KARÖSHI”, the band are as strong and creative as ever! This highly anticipated recording is the fourth instalment in a connected series of releases over the past 4 years. The video for lead single ‘Wake Up’ reached 250k within 3 days of its release and plans for a full band live stream were underway.

Unfortunately not long after this the bands Facebook page – with 34k likes and 21k followers – was hacked , one of the members had their personal and professional profiles deleted from social media and it transpired that some unscrupulous hackers had managed to get into the account and monetize it without their knowledge.

This sadly meant that New Device were – and still are – unable to communicate with the majority of their fanbase.

These streams have been a source of comfort and peer to peer support for the dedicated fans of New Device who tuned in nightly for an uplifting hour of music and positive reinforcement from Daniel. The fans and the band were devastated that these may not be able to continue due to the inability to live stream on the New Device page.

With no quick resolution in sight and further ongoing problems due to the hacking means 4 months down the line the page is still not usable. Investigation from Facebook is still ongoing.

With the help of the dedicated fan base and Daniels management team the streams were quickly moved over to his music page – albeit with a large reduction of followers and a completely different demographic.

The constant support of the fans and the positivity and happiness that these streams have given spurred them to be instrumental in regaining some of the reach that the New Device page had.  This core fan base has dedicated their time to sharing the streams, telling their friends, and promoting the band at every opportunity they can.  Meaning the band are now able to thrive again.

They have been desperate to see the band perform together again and now they are in a position to be able to do just that in a full band live streamed performance this Saturday 19th October. Streamed Live via a private link for ticket holders this show promises to be unforgettable. Filmed in full HD with multiple camera angles it will be giving the viewer a full live experience.

During the 2 hour live show New Device will be performing tracks from all their releases including ‘Karoshi’ as well as showcasing some never before heard tracks from their upcoming album, as well as interviews and a Q&A.

The band are excited to be back together performing this very special show for their fans.

Tickets for this one-off show are available – Here