From debut album ‘WE ARE THE PLAGUE’ released July 31st
on Negative Prophet Records / Cargo Records
As Autumn creeps through the door, Suzie Stapleton has unveiled a timely new film clip for the appropriately titled track ‘September’. ‘September’ is the fourth single from the Brighton-based artist’s self-produced debut album ‘We
Are The Plague’ which was released on July 31st via Negative Prophet Records. The album, which weaves it’s way through alternative rock to gothic-blues and dark-folk, has been stacking up praise with Stapleton being compared to Patti Smith, Nick Cave, Emma Ruth Rundle, and Mark Lanegan. ‘We Are The Plague’ was voted into Louder Than War’s Top 22 Albums of 2020 So Far in July and tracks from the album have been played on BBC6, Radio Eins,
Double J and more.
Whilst ‘We Are The Plague’ is the defiant call of a generation sold down the river, ‘September‘ takes a more introspective turn. Stapleton’s band – bassist Gavin Jay (who also filmed and edited the video) of Jim Jones & The Righteous Mind and drummer Jim Macaulay of The Stranglers – rumble beneath Stapleton’s driving guitar lines which are reminiscent of an unhinged Thurston Moore. Lyrically Stapleton doesn’t disappoint with a feverish shamanistic outpouring as the song crescendos and her dry-wit shining through with lines such as ‘Muses don’t
It seems Stapleton is keeping up the pace on other fronts, recently making a cameo on backing vocals on Crippled Black Phoenix’s single ‘Cry of Love’ from their forthcoming album ‘Ellengæst’ . Stapleton also contributes guitar to a Bauhaus rendition on the album which is set for release on October 9th via Season of Mist. Stapleton met Crippled Black Phoenix via their 2014 collaboration on The Jeffrey Lee Pierce Sessions Project which Stapleton
contributed to whilst still based in Australia.
Stapleton’s next live dates are in February supporting Humanist in London, Manchester, and Brighton.
Suzie Stapleton is touring the UK Feb 2021 supporting Humanist
6th Yes (The Pink Room) MANCHESTER (solo)
8th The Prince Albert, BRIGHTON (full band)
9th The Lexington, LONDON (solo)
BUY TICKETS HERE
Not everything is Black & White but in these strange times, it helps polarize your brain and when these Londoner’s plugin and turn it up with their sharp angular chords thrashed out with much anger and frustration along with some pissed off rhythms that embrace modern technology these post-punks seem to love hiding in the bleak grey corners of your mind and jump out with loud overdriven, often intense songs that lack any colour and do so with the intension of making everything seem just a little out of focus.
I get the impression Girls In Synthesis aren’t for compromising and their views are clear as daylight. The politically charged and perfectly delivered ‘They’re Not Listening’ fits with the angst and rage of the times when politicians only work inside their own echo chamber and fuck the rest of us, never apologising for mistakes nor recognising when they might be wrong. The delivery is at times in keeping with the likes of Sleaford Mods but the music is born from real instruments and not an apple mac book being Londoners I guess the concrete jungle has played a part in creating the music they play. The sounds they create are aggressive, jarring and every void is filled to the brim.
They waste no time as they soundtrack the worst of times like a nuclear bomb going off ‘Arterial Movements’ could be what it sounds like in your head. from the frantic feedback being wrestled like a giant anaconda. the chorus has gang vocals from a concrete bunker in response to the dry vocal its chaos but never is it too fucked up and it certainly gets the blood pumping.
It’s a pretty unrelenting album as well as uncompromising and it’s not until halfway when the pace eases up but not the tension as ‘Human Frailty’ is a moment for you to catch your breath. the solo is mental and the bleakness of the music is intense.
If you might think that side two is going to get any easier then forget it ‘Cause For Concern’ is pounding whilst that industrial concrete bass throb is on the attack on ‘Coming Up For Air’ which is a short sharp foray into carpet-bombing using the medium of audio. Perhaps a bit out of step with the shorter songs you then get ‘Set Up To Fail’ with its five-plus minutes beginning with a cleaner sound reminding me of PIL meets crass as it gains momentum but never does take off preferring to ease back and hammer on with a more jazz vibe with the brass flittering around the speakers.
To close this one down there’s the buzz of ‘Tirades Of Hate And Fear’ with its flat delivery of the lyrics from a low chat in your ear it gets more and more intense before signing off. Better to burn out than fade away for sure Girls in Synthesis deliver an album that will keep on giving and is totally in keeping with these strange times. Post Punk, noisy, aggressive and digging you on the temple to shut up and just listen. Check it out.
UK punk rock band, VICE SQUAD featuring legendary Punk Vocalist and writer BEKI BONDAGE, have announced the release of their new album “Battle of Britain“, out on October 16h, 2020 via LAST ROCKER RECORDS/CARGO RECORDS. The album will be available digital, on CD and limited 250 copies on white vinyl / 250 copies on black vinyl can be pre-ordered: Here
The first rule of Punk is there are no rules and VICE SQUAD ably illustrate this with ‘Battle of Britain’. Written, Recorded and Mixed by Beki Bond and Paul Rooney in their home studio. The 13 track album opens with the blistering ‘Ruination’ which cuts through the bullshit of small time promoters and blaggers with consummate swagger and melody while ‘I Dare To Breathe’ is an amphetamine driven anthem to paranoia. ‘When You Were 17’ is almost-tender and tells of first tattoos and under age booze whilst the more chilling ‘Ignored To Death’ rails against isolation and homelessness.
The explosive ‘Born In A War’ rages along like a missile ravaging a third world country and warns ‘See how they treat refugees? That’s how they’ll treat you and me’. Elgar’s ‘Nimrod’ reworked with a pulsating industrial bass segues into title track, ‘Battle Of Britain‘ where Beki‘s vocals soar like a Spitfire over the crunching de-tuned riff and spit fury over the hypocrisy of putting war memorials before people.
The dystopian ‘Poverty Face’ hits you with the opening line ‘Disinheriting the meek, slyly killing off the weak’ and is counter balanced by the more upbeat ‘How The Other Half Lives’. ‘No Evil’ is a relentless attack on the normalisation of the suffering and death of billions of animals for the meat industry. Battle of Britain’s hard hitting collection of anger and riffage pulls no punches in covering topics from austerity and factory farming to the pernicious influence of the Mainstream Media – ‘Led by lies lambs to the slaughter, tax exiles say who you vote for’. Brexit, fake patriotism and cognitive dissonance all get a good kicking too.
The penultimate track, ‘You Can’t Fool All Of The People‘ mixes baritone guitar with violin and Celtic rhythms climaxing in an epic James Bondesque heavy guitar/orchestral blend and breaks every rule in the Punk Police hand book whilst pleading for unity against a rigged political system. ‘Pulling Teeth’ with its ominous riff and hilariously frustrated lyrics ‘Dithering jibbering solid as jam, is it fair I’m both the woman and the man’ closes the album in manic style.
VICE SQUAD are a UK Punk Rock band who’s first single releases included the classic ‘Last Rockers’ 7” in 1981. This was followed by the landmark albums ‘No Cause For Concern’ in the same year and ‘Stand Strong Stand Proud’ in 1982 which were both released on EMI.
Since then VICE SQUAD have delivered short sharp songs with incisive political lyrics and a dash of humour spat out over a thunderous rhythm and machine gun Rock ’n’ Roll guitars. Their latest releases are the EPs ‘Born In A War’ and ‘Ignored To Death V2’ taken from the forthcoming album ‘Battle of Britain’ set for release on their own Last Rockers label in May 2020.
The band have become 100% DIY since forming Last Rockers Records in 2009. In keeping with the DIY ethic the previous albums were recorded in the band’s own ‘Sci Fidelity’ studio South London and the new album ‘Battle of Britain’ continues this with the band maintaining full artistic control with the benefit of global distribution via Cargo. Their last album ‘ Cardboard Country’ was launched on the back of a very successful Pledge campaign raising funds for the Shelter homeless charity in line with the album title which was inspired by ‘Cardboard City’, the name given to the settlement of homeless people living in cardboard boxes near London’s Waterloo station. Vice Squad is fronted by raucous voiced singer/guitarist Beki Bondage who was famed for being a teenage champion of Animal rights long before the current popularity of veganism.
VICE SQUAD’s song ’Humane’ was one of the first ever Animal Rights songs. Beki has been featured on the front cover of a number of influential music tabloids such at Melody Maker, NME, Sounds, Record Mirror and Smash Hits. After a hiatus, Beki formed a new version of Vice Squad in 1997 featuring longstanding members of her post VS outfit The Bombshells and they have released several quality albums of powerful punk songs that have been very well received across the world. VICE SQUAD are considered one of the most influential punk rock bands of all time, paving the way for other female Punk and Rock singers and influencing male performers such as Dave Grohl of Nirvana and Foo Fighters fame who was introduced to VICE SQUAD via his sister’s record collection.
Picture the scene; You’re the guitar player in a cool punk n roll band with a member of The Wildhearts, you release a well-received mini-album, a couple of singles, do a bunch of great support gigs with cool bands, even some great headline shows of your own. Things are looking up. Then The Wildhearts reform, your singer/bass player goes back to said band (quite rightly) to take on the world and record one of the greatest rock albums of the last decade, leaving your little band in hiatus. The drummer and guitar player form a cool as fuck pop-punk band called The Spangles and you’re left twiddling your bleedin’ thumbs until they’ve got it all out of their system.
Well, we may not have The Main Grains anymore, but that loveable rogue JJ Watt is back from the ashes with a new band and he’s only gone and roped in the likes of Kory Clarke and Tracii Guns to guest on his new project The City Kids (no, not the long gone, Cardiff based glam legends, how many times do I have to tell ya?!)
Joining JJ are guitarist Dennis Post (Warrior Soul/Flush The Fashion), Berty Burton (Tigertailz) and Dave Sanders (Falling Red). The City Kids follow the recent single release ‘Best Of You’ with their debut album ‘Things That Never Were’. Self-produced and mastered by the legend that is Dave Draper, ‘Things That Never Were’ is a collection of songs and ideas penned by the guitar player when he was still in The Main Grains. In fact, the overly catchy ‘You Get Nothing’ was a live favourite in their set.
You could say The City Kids sound is no real departure from JJ’s previous band. If anything the sound is rawer, the vocals dirtier, but the melody is still prevalent throughout. This is gritty rock ‘n’ roll with a sound that sits somewhere between Social Distortion and The Yo-Yos.
‘Best Of You’ opens the album in style with a Ramones style “one-two-free-four” count in and a blistering guitar lick. Dirty biker rock is the order of the day, JJ’s vocals as gritty as the guitars are dirty. Fat, ringing power chords fill the verse as it powers to an anthemic and upbeat chorus. A sonic guitar solo that would make Dregen proud and a Wildhearts styled mid-song breakdown gives you a hint where these guys are coming from and where the rest of the album will be taking us.
It’s no surprise the aforementioned ‘You Get Nothing’ was a Main Grains live staple. That chorus refrain is a banger, and hearing a recorded version finally does it justice. At 2 minutes 30 seconds, it’s over in a flash leaving the listener crying out for more.
And much more they give us. Mid-paced rockers such as ‘Before You Fall’ and ‘All I Want’ are all well and good, the latter taken to another level with some blistering fretwork courtesy of LA Guns guitar slinger Tracii Guns. Elsewhere, ‘No More Heroes’ is a catchy, radio-friendly slice of power pop with a punky edge, think The Replacements meets Social Distortion for reference here.
There are a couple of true standout tracks. ‘Rats’ is a killer, trashy ride featuring Billy Tee and Alex Holmes from The Suicide Notes. Their delivery adds a certain sleaziness that gives an edgy, Faster Pussycat meets Backyard Babies feel. The guitars are slung around the knees, the gang vocals spat with venom. This one is a whole lotta fun, as is album closer ‘Round And (A) Round’. A song that was co-written with Warrior Soul legend Kory Clarke and features the man himself sharing lead vocals with JJ, along with those The Suicide Notes dudes, yet again adding gang vocal goodness for the chorus. This is a killer, no-frills anthem. Upbeat, punk and belligerent just as you would expect. Kory’s unmistakable raspy vocals are on fine form and it pretty much sums up the whole feel of the album.
If you like your music, loud, proud and raw as fuck, if you like your rock with some dirt under the fingernails and extra power under the hood, then you could do no better than check out this new long-player from The City Kids.
The limited-edition 2 CD version of ‘Things That Never Were’ sold out in just 5 hours, but you can pre-order the extremely unlimited standard CD from the link below right now.
LA rock ‘n’ rollers Bullets And Octane follow up 2018’s ‘Waking Up Dead’ comeback album with a new 10 track affair entitled ‘Riot Riot Rock n Roll’. Long time frontman Gene Louis has behind him a stable and formidable line-up that has been destroying the pits and dives of the world for a couple of years now. With Felipe Rodrigo (guitar), Zachary Kibbee (bass) and Jonny Udell pounding the skins, it feels like the second coming for this band.
In the past Bullets And Octane have toured with Avenged Sevenfold and hit the festival circuits with the best of them. They have had albums produced by the likes of Gilby Clarke and Page Hamilton. But the music industry is a different beast to what it was 20 years ago and the crowds are also dwindling for everyone. It may seem like the glory days of live rock music are behind us, but Gene Louis has had to adapt to the times and Bullets And Octane have always been a band who thrive on being the underdog, and oh how we love an underdog here at RPM.
The roaring, meaty engine introduction leads into a title track full of trademark angst and rebellion with a catchy, anthemic chorus to shout from the rooftops. With a wall of distortion and a heavy, rhythmic beat, it carries a statement of intent that rings true through the entire album. Gang vocals have been a Bullets and Octane trademark for pretty much 20 years now, and ‘Riot Riot Rock n Roll’ shows no signs of the band changing that.
Gene spits and growls the vocals with the sleazy delivery of Lemmy meets Zodiac Mindwarp. Filipe peels off killer riffs and Slash inspired solos like his life depends on it, while the rhythm section pounds like a well-oiled beast keeping it all together.
The first single ‘Ain’t Gonna Be Your Dog’ was co-written by ex Buckcherry guitar player Keith Nelson and would not sound out of place on a Buckcherry record to be fair. A mid-paced radio-friendly rocker, the subdued vocals invite you in and then rage for the chorus. It comes on with guitars slung low and a middle finger raised in salute.
Bullets and Octane have always dealt in heavy, gritty rock ‘n’ roll and this album does not stray from that path. It’s the kinda music that has dirt under the fingernails and grease in the hair. Songs for the outcasts that reek of engine oil and have last night’s whiskey on the breath, but still retain melody and an anthemic quality.
With dark and foreboding melodies that skulk like Marilyn Manson is his prime and then morph into high octane choruses, the likes of ‘Addicted To Outrage’ and ‘Heaven Can Wait’ will always have me salivating. A shout out to Filipe’s inspired and inventive guitar riffs that just gives the likes of ‘The Devil’ an extra cool factor and makes ‘Give Me A Reason’ sound like a punk rock ‘Panama’ to these ears.
Then there’s the signature stand out anthems for troubled times and disenchanted minds. ‘Chaos’ is a timely anthem and one of the strongest tracks on offer. Riding on an overly familiar, yet killer guitar refrain, the verse pumps from the speakers. “What’s that? Let’s turn it up!” suggests the frontman, before the band blasts into yet another memorable chorus. Then closer ‘Lost Crazy Psycho’ has our illustrious singer almost rapping a diatribe before exploding into a glorious and volatile refrain that stays with you long after the (virtual) disc has stopped spinning.
Its 2020 and everything we know and take for granted in this world is fucked right now. If you are reading this, then music is your escape, and maybe a new Bullets And Octane album is just what you need. ‘Riot Riot Rock n Roll’ is 10 tracks of angst-ridden rock, choc-a-bloc with attitude and themes of escapism, rebellion and generally not giving two flying fucks!
It’s fair to say Gene Louis has not mellowed with age and Bullets And Octane are here to inject rock ‘n’ roll venom straight into the jugular.
US hard rock band, BULLETS AND OCTANE, have announced the release of their new full length album “Riot Riot Rock N Roll” worldwide physical and digitally on April 24th via Bad MoFo Records/Cargo Records UK. The new single and music video for the first single ‘Ain’t Gonna Be Your Dog‘, co-written with ex Buckcherry guitarist Keith Nelson will be available on March 20th, 2020.
Riot Riot Rock N Roll is the follow up release to 2018’s “Waking Up Dead” from LA rockers Bullets and Octane and can be pre-ordered here
Riot Riot Rock N Roll is a energetic take no prisoners rock and roll album with 10 new tracks.
Bullets and Octane did extensive touring for “Waking Up Dead” that included 5 European Tours and a US tour. Opening slots for CKY and festival appearances at Malmo Festival in Sweden and Call Of The Wild in the UK helped build an already rabid fan base.
During the time on the road the band wrote the new album “Riot Riot Rock N Roll” in which guitarist Felipe Rodrigo says “This is the heaviest and best Bullets album to date”.
BULLETS AND OCTANE is:
Gene Louis – vocals
Felipe Rodrigo – guitar, backing vocals
Zachary Kibbee – bass, backing vocals
Jonny Udell – drums
Bullets and Octane exploded onto the scene in 2003 with their debut EP “One Night Stand Rock N Roll Band” on Critereon Records. 2004 saw the 2nd EP “Bullets And Octane” and their debut album “The Revelry” produced by Gilby Clarke of Guns And Roses also on Critereon Records. In 2005-2006 they Supported Avenged Sevenfold in America and Europe on the City Of Evil Tour.
2006 was a big year for the band as they were signed to RCA/BMG Records. They released their first major label album “In The Mouth Of The Young“, which was produced by Page Hamilton of Helmet. They played The Download Festival and where on “The Family Values Tour” with Korn, Stone Sour, Flyleaf and Deftones. They headlined their own UK tour as well.
2007 saw them Leave RCA for Ares Records, released “Songs For The Underdog” album and tour with Unwritten Law. They had headlining UK Tour with The Knives that year as well. In 2009 they released “Bullets and Octane ” a full length album and Toured the U.K. with Gunfire 76 (Wednesday 13’s project).
In 2016 they played Lost Highway motorcycle show and concert with Social Distortion, Foghat and Eagles Of Death Metal as well as releasing a new song “Burning At Both Wicks“.
In 2017 back at it full time with a solid line up, released songs and videos for “Bad Mother Fucker” and “Waking Up Dead“, headlined a very successful tour of the U.K and Sweden. They finished the “Waking Up Dead” album and played a string of successful shows in Hollywood, Orange County and Las Vegas.
In 2018 they are looking to release the album “Waking Up Dead“. They are already slated to headline U.K. dates and Sweden dates in February to kick off the 20 Year anniversary of the band with what has been touted as the most solid line up in it’s history.
Ho Ho Ho!, Nothing Christmassy about this bunch of records except to say I’d be one happy chappy if these were hanging in my stocking come the big day. It’s always quality before quantity here at RPM Singles round-up. As we welcome back old friends and applaud like a bunch of performing seals when the music hits the airwaves… With an immense array of talent on offer we bring you the pick of the new releases because we’re like that and its the season to give, give, give…
Motherfuckin’ Motherfuckers – ‘Trillion Dollar Man’ (Lux Noise Records) Its always a pretty good bet that as soon as I get things in order to write up a compilation of new singles and videos that are about to drop Those Lovely Hip Priests boys appear as if by magic (either its coincidence or they have my house tapped) but hang on before you get carried away this is only half of the Hip Priests together with half of Bitch Queens under the umbrella of Motherfuckin’ Motherfuckers (never a more appropriate name eh?)
Following on from that glorious cacophony of noise that was the debut mini-album ‘Trillion Dollar Man’ is the fearless foursome back for more with a two-minute one-second rip ride of unadulterated punk rock and roll. from the intro tape to the snot fueled solo it hits you like a speedball if you flip it over side two is more of the same. Too much drugs, too much booze, too many amps and guitars will ki… Never be enough! we live in tough time kids so when you have a band put together as a bet that can turn up and knock these out then things aren’t all bad proving once again that they can go toe to toe with the greats and channelling their inner Motorhead, MC5, early Hellacopters you get the idea where these punks are coming from. Just buy it for fuck’s sake you know you want to. Click here and let em know your order before they all go, which they will. Then you’ll still be uncool and not even have the new Motherfuckin’ Motherfucker single in your possession either. Oh and they cover D4 as well it’s almost as if D4 knew one day it would happen and some bunch of ne’er-do-wells would turn it up and kick out the jams on their classic and bring it to a whole new generation of rock n rollas. so, what are you waiting for?
The Black Halos – Geisterbahn ii (Yeah Right! Records) A band that shouldn’t need an introduction but we’re giving them one anyway. Hailing from Vancouver and been in some sort of semi-hibernation until now. Seemingly out of nowhere this old/new single drops. the A-side is something familiar to those who pay attention as it was released a while back when they played the Black Heart in London and some shows in Spain a few years ago but the single was delayed due to one thing or another until now. the band has been writing new songs back in Canada and we are about to hear the benefits of that. Original members Billy Hopeless, Rich Jones, and Jay Millette have reunited and are joined by the rhythm section of Danni Action and John Kerns on these new recordings. These songs mixed by long-time collaborator Jack Endino C’mon folks it’s a banger from the off. Its got the wonderful vocal delivery from Billy (who else?) and a vibrant workout from a band who sound like they love to crank it up and get on with their business. I for one can’t wait for the album next year it’s going to be special and on the evidence of these samplers one, you should be interested in no question. Recorded back in Berlin by RDO TV Mork and features Rags n CC Voltage (they don’t need an introduction here do they?) just buy it! Bandcamp
THE ILLICITS ‘Left Behind / Born Slippy’ (Creation 23) The elephant in the room here is these cats have only bagged themselves a guest slot from the one and only Steve ‘Fuckin’Jones! Yeah, that’s right the lonely Boys strapped on his Les Paul and threw down a riff on ‘Left Behind’. What’s it like then you ask. Well its a pretty decent noise to be fair as is their take on ‘Born Slippy’. Terrace punk would be a fair description somewhere between the pub rock of early britpop and Jonesys Professionals these guys have a swagger cutting through their record and its impressive, maybe the time is right for some real guitar bands to kick out the jams once again and give this industry a good fuckin’ shakin’. Get on it here
Märvel – ‘Marvellous’ (The Sign) Märvels debut EP “Märvellous” claimed to be recorded in 2002 for the American label New York Powerhitters during the bands exchange semester in Colorado. Märvel returned to Sweden before the songs got a release, and the EP never got to see the light of day… Until now! After the success of their ‘Guilty Pleasures’ album, the barons of rock have re-recorded their “lost EP”. After seventeen years of making albums and touring, the band has a long tradition of writing hits while constantly developing their sound which has enabled them to re-record an almost twenty year old EP and make it sound as if it was written yesterday. ‘Märvellous’ will officially be released January 24th through The Sign Records. go check it out.
Rotten Mind – Burn For You (Lövely Records) the first single taken from Rotten Minds upcoming album Rat City Dog Boy. “Burn For You” is a melody-driven, upbeat punk anthem clocking in at just under two minutes. Despite its relatively short length, it manages to capture the essence of Rotten Mind; defiant lyrics sung from the heart, accompanied by a fast drum beat and poisonous guitar melodies drenched in reverb, creating a thick yet vibrant soundscape. It’s a captivating track with a somewhat uplifting atmosphere, and yet there’s something melancholic lurking in the shadows.
Combining elements of 77’punk, post-punk and garage rock, Swedish indie- force Rotten Mind are back with their fourth full length album. With Rat City Dog Boy, Rotten Mind returns to their musical roots while embracing new influences to create an album that sounds both fresh and vintage, making Rotting Mind appealing to old-school punks as well as newfound lovers of the scene
The Doghunters – Hitchhiker (Tonzonen Records) Taken from the German Bands soon to be released album ‘Splitter Phaser Naked’. Some smooth indie rock that’s well recorded and delivered and is a bit of a grower to be fair. Bandcamp
Autogramm – ‘Bad Day’ (Self Release) Again Autogramm deliver some quality synth-driven power pop. Its got a great infectious hook on the chorus but carries a serious message. The fact that all profits go to a great worthy cause, of course, we’re going to champion this single. Check out the video below and make a donation or pick up a physical single – you know it makes sense.
All proceeds from digital sales will be donated to World Federation For Mental Health Save “Bad Day” to your preferred music service: https://orcd.co/badday Donate to The World Federation for Mental Health: https://wfmh.global
Gun – Rock The Casbah (Silver Lining Records) Lifted from their album ‘R3loaded’ this is a pretty impressive cover to be fair. Gun seem to get it (whatever it is) their take on this Clash Classic is available for you to see as well as hear below so click away kids Facebook
Bitch Queens, The Lombego Surfers, Nicole Bernegger, Luc Montini – Gimme Shelter (Lux Noise Records) – An extremely limited edition of only 100 red records here, all for a good cause the charity ‘Save Free Spaces’ sees this collaboration cover the stones classic not once but twice!
Whilst the fast side sort of whizzes through its got a suitably dirty guitar sound that is befitting such a classic, upping the tempo misses the dirty dangerous groove that the original delivered but hey its a cover so why try to reproduce the original right? right! Saying that its the slower version that grabbed my attention and boy do they nail such an iconic tune. Nicole Berneggers vocals are exceptional to be fair and well worth checking out if you haven’t already. Bandcamp
Stevie R Pearce & The Hooligans – ‘Rush Of Blood To The Head’ (Cargo Records) With a new album recorded live in Blackpool entitled ‘Give Me Everything’ ‘Rush Of Blood’ is a brand new track to follow on from last years studio album. You want loud guitars and Rockin’ tunes with a heap of attitude then Stevie and his bunch of Hooligans are your boys just ask Jizzy Pearl and Kory Clarke they know a thing or two about guitar players. reunited with two of the Black Bullets players Stevie has got Carl and Lance in to rock out as his new Hooligans a line up completed by Richard Jones. Stevie recons it’s the lightest of the new songs they’ve written but the chorus is a keeper and couldn’t be ignored he’s not wrong it’ll lodge itself in your noggin’ and you’ll be humming it all bloody day long. It’s gritty yet polished and if this is the lightest he’s come up with then I’m intrigued – Top tune make no mistake about that, America listen up – This could and probably should rule the FM airwaves. Facebook
The Electric Shakes – 2019 EP (self Released) Why not treat yourself to some of the digital records you know, flac or mp3. so it’s not something you can put in a jukebox but these four tracks sure do rock and fuckin’ roll. From the garage fuzz of the catchy ‘Phoney High’ Electric Shakes have got it going on. this Bournemouth three-piece make a wonderful noise and a cautionary tale about cheap narcotics. ‘Rye And Dry’ ups the tempo with some lovely Poison Ivy stylings on that six-string whilst the rhythm section holds down the backbeat to the chorus that’s like a rush of adrenaline. Cool stuff. Probably my pick of the four tracks on offer would be the spikey ‘Hound Dog’ with its distorted riff-a-rama that takes you to the holin’ chorus. Oh wait don’t jump the gun because they saved the best till last as ‘Trash’ is one angry motherfucker as it rallies against the modern world and the disdain poured onto the people at the bottom of the ladder and the homeless or those who just struggle. Good on you Electric Shakes this is a band we like and will support, a band with a moral compass and a bunch of top tunes to boot give them a shout folks and get behind them they rock. Pick up the EP Here
The Zeros – ‘In The Spotlight’ (Munster Records) The Zeros are back baby and this December sees the first new music in God knows how long (over twenty years). It’s Released on Munster Records outta Spain and this slice of Rock and Roll shows that Javier Escovedo has lost none of his spark and these two blistering tunes are full of energy and are as vibrant as anything their contemporaries can put out in 2019. I hear rumours of an album and If these tunes are an indication of what we could expect from a long-player in 2020 then bring it on brothers because these tunes are fantastic. Sleazy Rock n Roll from the heart with some wicked lead breaks mixed with some howling harmonica on the lead track whilst ‘Nowhere To Run’ has boundless energy mixed with plenty of snotty rock n roll. Welcome back boys we’ve missed ya!
THE CHERRY DOLLS – State Of Mine (Bread And Butter Records) with a brand new record Australias Cherry Dolls rock up with something that has a hint of The Strokes mixed with something darker from the origins of The Stooges for sure. ‘State Of Mind’ is a fuzzed up slice of Rock and Roll that we love around these parts and this is a welcome addition to our singles club. Go check them out on Bandcamp and Facebook and tell em RPM Sent You!
Tom Baker and the Snakes- ‘Cancel It’ (Rum Bar Records) It’s always a rockin good day when a Rum Bar Records record drops through the ether. It’s like the quality stamp of approval you don’t even need to ask who it is because chances are its gonna lodge itself in your noggin and take root. The fact its Tom Baker backed by The Snakes is something of an afterthought. (God knows who? Tom Baker has never made a bad record either) lifted from ‘Dirty Snakes’ its an absolute throwback rocker think Georgia Sats kicking it out with Mellencamp when he turned up the amps. Its a corker and in a few weeks the full album will be released Facebook
Tensheds – Goldtooth (Tensheds Music) taken from the soon to be released album ‘Deathrow Disco’ the more observant of you might notice the keyboard player from a certain Jim Jones & The Righteous Minds. This has been described as a cross between Jerry Lee and Lady Gaga but its more White Stripes with a great big dirty Rhodes organ instead of a guitar it’s like James Leg has a UK based twin but with a more style and better hair. Facebook
Beat Hotel – Feel It (Occultation Recordings) The first single off this Brighton based bands self-titled mini album with a great sense of songwriting with great lyrics and well worked arrangments it’s a great slab of noisy pop taking chunks of influence from the alternative scene of the 80s with bands like the Bunnymen and Teenage fanclub clearly having some influence as well as a most welcome dash of Jesus & Mary Chain. Great song and I look forward to hearing the full minialbum. Keep up with Beat Hotel Facebook | Bandcamp | YouTube | Twitter | Soundcloud | Spotify | Vinyl order | Press contact
Pist – Fools Gave Chase (APF Records) As we’re such a broad church here is the latest offering from those heavy as a 10000 tonne boulder Pist are in the club with the rifftastic ‘Fools Gave Chase’ in all its non-single length glory. Taken from the album ‘Hailz’ Available Here
Grande Royale / Liar Thief Bandit – Split (The Sign Records) Action Rockers strap yourself in for a royale showdown as Liar Thief Bandit lay down the challenge with some classic Action Rock riff-a-rama as they offer up ‘Virtue As A Vice’ whilst fellow Action rockers Grande Royale announce that they were ‘Saved By Rock ‘n’ Roll’ its limited to only 300 pieces its an easy chorus to remember Saved by rock n roll wohoho! so get out your tennis racket and play along and don’t spare the sweatbands
TONY HARNELL & THE MERCURY TRAIN will release their album ‘Round Trip‘ on a limited edition on white vinyl and limited to 500 copies worlwide on November 29th, 2019 via Livewire / Cargo Records UK. The album will also be available on all digital platforms. It’s the first time on LP, it was originally released on CD in 2010.
This is a masterful and critically acclaimed acoustic retrospective of Tony Harnell’s prolific career. With new arrangements and a stellar production, these great songs sound fresh and vibrant with a new spark breathed into them by some of New York City’s finest musicians. This is a very special record: a stripped down, reinvented retrospective of Tony Harnell’s past classics originally recorded with his previous bands TNT, Westworld and Starbreaker, with one brand new song “Anywhere But Here” recorded especially for this release. The idea of re-recording some repertoire classics came about after Tony performed some low key shows in New York in late 2008, with some talented and accomplished musicians that were not part of the Metal/Hard Rock scene. The desire was to breathe new life into the songs with new arrangements, key changes and added parts, it’s like listening to songs you know in a whole new way.
US hard rock band, BULLETS AND OCTANE, are excited to announce the launch of their Kickstarter campaign in order to raise funds to get their new record label “Bad Mofo Records” off the ground, and raise money for PR and other marketing tools. The campaign features lots of great incentives with every donation, ranging from one-of-a-kind memoribilia to signed guitars and even Gene’s stage microphone! The new album “Riot Riot Rock N’ Roll” is slated for release early 2020 on Bad Mofo/Cargo Records UK.
BULLETS AND OCTANE is a hard rock band based in Los Angeles, California. The band has been touring in Europe, North America and Japan playing as a support band for Avenged Sevenfold, Stone Sour, The Used, Eagles of Death Metal amongst others, as well as headlining their own tours.
BULLETS AND OCTANE exploded onto the scene with their debut album “The Revelry” produced by Gilby Clarke of Guns N’ Roses and shortly after that signed with RCA/BMG Records releasing their first major label album “In The Mouth Of The Young“, produced by Page Hamilton.
Buckle Up UK Gene and the boys are heading over to Shit Island to make a noise. Also the latest album is getting a vinyl release and its a limited edition “Waking Up Dead”. This vinyl will have two unreleased tracks that will not be available anywhere else. It comes in red vinyl with only 300 copies available. Each copy will be numbered and signed by the band. Hurry as this new vinyl will only be available for a limited time. Pre-order today: Here
Find your city below and get your Tickets for the up and coming 2019 Spring UK tour at http://www.bulletsmusic.com , your normal ticket outlets or at the links below.
See you all soon
Gene Louis, Felipe Rodrigo, Zachary Kibbee and Jonny Udell
Bullets and Octane exploded onto the scene in 2003 with their debut EP “One Night Stand Rock N Roll Band” on Critereon Records. 2004 saw the 2nd EP “Bullets And Octane” and their debut album “The Revelry” produced by Gilby Clark of Guns And Roses also on Critereon Records. In 2005-2006 they Supported Avenged Sevenfold in America and Europe on the City Of Evil Tour.
2006 was a big year for the band as they were signed to RCA/BMG Records. They released their first major label album “In The Mouth Of The Young”, which was produced by Page Hamilton of Helmet. They played The Download Festival and where on “The Family Values Tour” with Korn, Stone Sour, Flyleaf and Deftones. They headlined their own UK tour as well.
2007 saw them Leave RCA for Ares Records, release “Songs For The Underdog” album and tour with Unwritten Law. They had headlining UK Tour with The Knives that year as well. In 2009 they released “Bullets and Octane ” a full length album and Toured the U.K. with Gunfire 76 (Wednesday 13’s project).
In 2016 they played Lost Highway motorcycle show and concert with Social Distortion, Foghat and Eagles Of Death Metal as well as releasing a new song “Burning At Both Wicks”. In 2017 back at it full time with a solid line up, released songs and videos for “Bad Mother Fucker” and “Waking Up Dead”, headlined a very successful tour of the U.K and Sweden. They finished the “Waking Up Dead” album and played a string of successful shows in Hollywood, Orange County and Las Vegas. In 2018 they are looking to release the album “Waking Up Dead”. They are already slated to headline U.K. dates and Sweden dates in February to kick off the 20 Year anniversary of the band with what has been touted as the most solid line up in it’s history.