Here’s a quick singles club rundown to celebrate America waking the fuck up and Biden getting the job done.  First up is the brand new video offering from those crazy mysterious kids The Network.

 

Black Spiders – ‘Fly In The Ointment’ (Self Release)  Black Spiders are back kids and they’re coming with a bit of a bang and a riff-laden banger entitled ‘Fly In The Ointment’.  It’s the first new music from the northern Rockers in Six years and it’s a pretty impressive call to arms to be fair.  Welcome back we’ve missed you!

Buy the ‘Fly in the Soup’ single HERE:

 

Find Black Spiders online at: FACEBOOK / INSTAGRAM / TWITTER / YOUTUBE / PATREON

Max Motherfucker – ‘Natural Thing’ (Self Release)  After 10 years of playing loud and snotty punk Max always wanted to do some heavy Rock n Roll music.  He mooted the idea for many years and that day has arrived!

The lyrics to the songs are more personal and less negative than at his day job with Christmas.  Max said he just needed a great guitar player with some overwhelming riffs! so he called Johnny Cobra who he’d known for over a decade and he jumped on board. On the drums is Cladymirko, the drummer of Christmas from 2018 till 2020. The bass duties are courtesy of Michel Wern. He also produced the record. I love Christmas and the attitude they exude but this is something altogether different for Max and a really impressive solo record.  Fresh sounding and big riffs you’d be daft not to get involved. If you thought the A-side was a fluke wait till you get a load of the flip. ‘Are We Alive’ is better than anything Turbonegro has recorded in donkey’s years Buy it!   Record of the week with Civic. Pick it up here but be quick it’s very limited!

 

Subliminal Landmines – ‘Wheres My Coke?’ (Independent)  The first video from their LP ‘Gibberish’ for these lafayette punks.  they lean heavily on mid period Green Day so much so that they cover ‘Brain Stew’ on the album.

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Civic – ‘Radiant Eye’ (Flightless Records) I fuckin’ love everything I’ve heard from Civic (which might not be a lot but what I have heard I’ve loved).  Outta Melbourne these cats just kick up a shit storm every time.

A no-nonsense rocker ‘Radiant Eye’ kicks up a heap of garage rock dust with the spirit of the Stooges running through their veins it’s a no-brainer for any lover of guitar Rock and Roll. Flip it over and there’s a pretty smart take on ‘Making Time’ by the Creations that up there with Stiv Bator and The Lords cover, so they’re in great company. They’ve got the Rock and the Roll and just Get it.  My advice, buy the damn thing – Here

 

 

Come At The King – ‘In My Place’ (self Release) A decent tune from Come At The King taken from their soon to be released EP.  They mix up a bit of indie with some loud guitar music and ‘In My Place’ is a very decent representation of their overall sound. There’s some heavy rock in there for sure but they clearly have an ear for some Oasis stylings as well and can turn in a decent melody to boot.

With a new EP on the horizon, this is just a taster for what’s to come.

THE KIDS  – ‘Go Back To Canberra’ (Riot Records)   Street punks The Kids playing grown-up big boys punk rock like Argy Bargy jamming on ‘No Sleep Til Brooklyn’ by The Beastie Boys. As a good cardio workout, GBTC is in yer grill up for the rumble.  All four are 17 years old and already are knocking out tunes to go toe to toe with the big boy’s Sydney Australia you have a real contender.
Stream/buy Go Back To Canberra HERE
Radio Rejects – ‘Monsters’ (Riot Records)  More street punk from Riot Records Band Radio Rejects.  ‘Monster’ is food and drink to street punks with big riffs and gang vocals.  This NSW band says The song focuses on the long term effects bullying can cause, and as in a lot of cases, the people you consider to be “Monsters” were made over the years of being treated like garbage. So it reflects the subject matter in the song. Facebook

Another week rolls by and we head towards Christmas but there are no mince pies or sherry being overindulged round here when there are records to review and Shows to see and last week was no exception as RPM brought you a diverse bunch on the live front as well as on the death decks.

 

Sadly the last seven days saw another rock n roller pass on to the next life and we said goodbye to Peter Blast.  I had the pleasure of reviewing several of his albums and spoke to him in the last twelve months.  On behalf of everyone here at RPM I’d like to offer our condolences to his family and friends and raise a glass to his memory.

 

We also brought you an interview with Phil Privilege from the  awesome kings of power punk n pop Cyanide Pills with an amazing trail of singles and albums as part of their repertoire Phil told us they were on the way to deliver the next long player as well as answer a few of our questions about the band, Catch up with it here

 

We also had some pretty diverse live reviews from the likes of hard rockin’ Junkyard Cowboy Junkies and a doubleheader from He Who Cannot Be Named and the Awesome Hip Priests. But our bread and butter has to be our album reviews and with Black Friday RSD releases in thin supply some of our favourite labels did manage to put out some quality must have records in the shape of MC5. UK Subs ‘Sub Mission’ got its first pressing on record  and we again scoured the four corners of the globe to bring you the likes of Civic from Australia, X Darlings from Switzerland, Paris’ Youth Avoiders and Californias Smash Fashion to name a few.

As for the coming week, we continue with Bens California Dreaming road trip where he visits some pretty amazing places as he skips across the USA. we also caught a few amazing live shows and bring you some fantastic records by some well-known people as well as some of the finest new performers current kicking up a storm on record players and concert halls around the planet. Remember to stick with RPM for all your alternative news and reviews. As Lux used to say “Stay Sick” www.rpmonline.co.uk its a rock n roll revolution!

 

 

 

Sometimes somewhere a band comes out of the shadows and blows your socks off. Well, Civic just about did that and had the foundations of RPM HQ shaking to its core as the reckless guitars and Moon the loonesque drum beats tour it up through the speakers.  The unrelenting evil powers of Rock and Roll came out of the Melbourne suburbs and across oceans to get to us but boy when it did it has lost none of its sheer power or excitement.  No, it’s not original but what Civic have done is captured all the excitement of Rock and Roll and slammed it down within these here grooves along with the danger and sheer adrenaline rush you sometimes get off of hearing a band for the first time.  but it’s not all crash bang wallop, no sir.

 

We don’t mind arriving at the party fashionably late sometimes it’s a necessity to let the dust settle and the important thing is your here now. Not a great deal is known about Civic we couldn’t find much if any cyber presence and our contacts down under seemed a little cakey maybe they’re dangerous to know and people are keeping their new favourite band close to their chests.  Anyway, Let’s get this show on the road and try and make sense of the seven songs carpet bombed over twenty minutes.

‘Nuclear Son’ sort of sets the tone its like many previous Australian bands that we know and so should you have a feeling that seems uniquely southern Hemisphere but there are certainly elements of The Saints and Radio Birdman going on here as well as obvious inspirations like Iggy and the Stooges but ‘Nuclear Son’ is like audio nitrogen its off like a rocket sure there is a certain amount of ‘Raw Power’ happening but damn its sounds great as it pounds toward the guitar break its not anything new but boy does it still give me a rush when its done this well.  Jim McCullough, Lewis Hodgson, Darcy Grigg, Roland Hlavka and David Forcier make up Civic and they should take a bow because this is fantastic.  It only took me a few plays and I’ve been hooked ever since.  From the thrash bang wallop of the openers to the slow burn of ‘Street Machine Dream’ and its sleazy dark pace its a fantastic collection of songs.

‘Call The Doctor’ could be a newly found Banshees song given a steady diet of Australian Beer and dragged around a bunch of dive bars as it builds and moves away from the opening guitar lick the bass is more of a stomp than a throb but the howls of Call The Doctor couldn’t be more appropriate. They finish this heart-pumping seven with ‘Burning Steel’ and just let it rip.  Like I’ve alluded to these guys don’t reinvent the wheel just spin it like a motherfucker and see where it goes and luckily for them, they’ve collided it into a bunch of awesome influences and managed to squeeze out a superb album that I really honestly suggest you should investigate.  If you’ve ever had the slightest inkling or hankering for some punk rock whatever genre or garage rock or whatever rock you like then check this bad boy out.  You can thank me later.

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Author:Dom Daley

Seven days in Rock and Roll can be a long time or if you like us then it’ll fly by.  With some exclusive interviews and a whole lot of records reviewed we hope we’ve at least shone a little light into a corner of the entertainment world we think houses the best of the best and having the likes of Rich Jones give an interview with some snippets about the new Michael Monroe album revealed ‘One Man Gang’ is now out of the bag and having the likes of Nasty Suicide and Captain Sensible playing on the record 2019 is shaping up nicely or as someone here at HQ said “that’s album of the year sorted for 2019”.

We also brought you Paul Collins interview who is the self declared king of power pop although I did get a call in to HQ saying that wasn’t quite true as Rags now holds that title but I’m not getting involved in that debate but we did announce that Rich Ragany is holding an album launch in London Town in January and the line up is a very impressive set of bands that shouldn’t be missed details can be found on RPM online News section.

There were live reviews from Japanese Garage legends King Brothers as well as acoustic platinum seller Eric Martin and on Friday we brought you a review of The Feelgood Band playing in London which rounded up a pretty diverse bunch from around the globe I’m sure you’ll agree?

For our bread and butter album reviews, we had some old new um very old and one turkey so a festive collection of records were covered by a crack team of scribes.  We previewed Black Friday RSD must own – Johnny Thunders and the Heartbreakers ‘DTK’ as well as newcomers Estrons that went down extremely well here.  We took a trip to New York for Palmyra Delran and her doppelgangers and whilst we were there Beechwood were heading out the door to Europe for a tour but left us their new long player which is also an impressive second album this year from the three-piece.  The Turkey well we couldn’t sit Idol let Billy off without mentioning his revisited best-of collection that has been given the dance remix treatment which could have worked but cutting edge it isn’t.  90’s dated Ibiza dance off it might have been but disappointing is what it is and we can only bring you the truth here at RPM even though we love William Broad we’re excited for Generation Sex but not his new collection of remixes. There were the likes of the excellent Bitterlicks and Dave Kusworth records reviewed before they hit the shops as well as Thomas Silvers much anticipated solo album.

 

Not wanting to finish on a downer we look forward to the coming week where you have to keep it RPM online because we’re bringing you The Hip Priests and He Who Cannot Be Named live and where else are you getting that and Junkyard bookending Cowboy Junkies?  Nowhere that’s where. Also, we have albums from Honest John Plain, Australians Civic, New York Sick OF It All and Europeans like Youth Avoiders and Fertile Hump.  So remember to keep it RPM online and as Lux would say Stay Sick.