US CD on Dead Beat Records
The album is also available at Amazon, iTunes, Apple Music, Deezer, Tidal, MediaNet, Napster, Spotify and other digital stores.
US CD on Dead Beat Records
The album is also available at Amazon, iTunes, Apple Music, Deezer, Tidal, MediaNet, Napster, Spotify and other digital stores.
while the European vinyl versions of both the LP and 7″ EP are available at janml-records.
The album with bonus tracks is also available at iTunes, Apple Music, Deezer, Tidal, MediaNet, Spotify and other digital stores.
Welcome, Welcome, Welcome. The 45 RPM Singles Club is open for business. It’s 2020 and a new decade is ushered in and the jukebox is positively bulging with quality. Right up till the 11th hour we were taking on new releases and this merry lot are exceptionally good so, Check out these new releases starting with –
More Kicks – ‘Blame It On The Satellite’ (Wanda Records, Snap Records, Beluga Records) BANG! More Kicks new double A-side single ‘Blame It On The Satellite’ / ‘Ain’t That Just The Way’ & ‘Your Vibration’ it’s available for pre-order now! Released 7 Feb on Wanda Records, Beluga Records and Snap Records! The band will have copies for sale on their February tour too! but if there was any justice they’d be sold out by then because its an absolutely exquisite couple of tunes all taken from their magnificent long-player released towards the end of 2019. ‘Blame It On The Satellite’ punches through with that throbbing bassline before building towards the chorus. I loved it when I first heard it live and it just got better and better on the record. to throw ‘Ain’t That Just The Way’ as another A-side is just spoiling the listener with such a memorable and lovely melodic slice of power pop. Then finally ‘Your Vibration’ is jumping like a cat on a hot tin roof it’s there to show how to get a dancefloor jumpin’. As good an EP you’ll not find released all year (as good maybe but not better) Buy It!
Pre Order from Wanda Records
Ryan Hamilton and the Harlequin Ghosts.- ‘Can I Get An Amen’ (Wicked Cool Records) I guess in answer to Ryans question the simple answer is a resounding “Hell Yeah!”. On the subject matter for the single Ryan explained about being brought up attending church which would explain the lyrics and subject matter but being co-written with Stevie Van Zandt is a feather in the cap and clearly the pair have chemistry and understanding its got a great uplifting feel to it and it oozes optimism. Then to back it up with a cover of the classic Durannies ‘Ordinary World’ seems like a no brainer now he’s recorded it beautiful song and beautiful cover. Keep on rockin’ Mr Hamilton you’ve got this and those Harlequin Ghosts aren’t too shabby either. What a Fantastic single Buy it here
Bad Sam – EP (Self Release) Always a great day when you can crack open some Bad Sam on your stereo. What better way to start a new decade than with Newport’s finest. Four tracks for your bucks and of course its the usual high-quality punk rock with something to say. It’s been mooted for a while that they had music recorded and apart from the one track that sneaked onto the Bristol Skate compilation (‘Darker Days’), there are another three tracks of pure genius for your ears to take on board beginning with ‘Alcoholic’ and the expected caustic assault from Bedis with a chorus we can all bark along to. If you want a copy you’ll have to be quick as these will go in the blink of an eye. ‘Looking Back’ is like some fucked up Sabbath trip of doom but fear not kids, of course, all hell breaks loose but a fantastic track none the less. Leaving just ‘Tag’ to rattle along and shake your core like a rag doll, of course, they’re meant to be heard live and hopefully it won’t be long before we have that pleasure as well. I’m left chuckling as Bedis signs off with a succinct message and a life-affirming satisfaction that Bad Sam is back in the room taking no prisoners just the way it should be. Great Stuff!
Tuk Smith & The Restless Hearts – What Kinda Love (BNM) – What kinda music more like. After Tuk called time on Biters or put them on hiatus (however you look at it) he’s gotten himself some restless hearts and ‘What Kinda Love’ is the first glimpse as to what he was going to do next and those expecting a massive departure can rest easy has Tuk merely tweaks his sound but still knocks out infectious, radio-friendly rock and roll with lashings of power pop and radio-friendly tones. Check out the video and those in North America can catch him opening for Joan Jett and Def Leppard. The album will be along shortly so check out his socials for news.
Videostore – My Back (self Release) Videostore makes bedroom oriented indie songs for an imaginary eighties brat pack movie soundtrack. That’s the claim on their Bandcamp page and on this evidence who am I to disagree?
Side project from Argonaut is a lo-fi slab of alt-indie and that’s cool. Its got a hint of Sonic Youth going on and is quite addictive, you can check em out on Facebook or find em on Bandcamp and pick up the track there.
The Claws – Stumblin Around (Dead Beat Records) Yeah Haw! rock and Roll is alive and kicking folks and Dead Beat Records Recording artists The Claws have released a second single for their debut album ‘No Connection’. Sipping from the same bottle of red that The Faces and Keif n Mick once sipped from these cats have the threads and barnets to compete and most importantly they have the chops as this video will testify to. Check em out peeps its good stuff. They’re fronted by Chad Cherry (of the Last Vegas!) Facebook
Wyldlife – Neon Nightmare (Wicked Cool Records) Over the last few years there have been a number of bands who’ve blown me away with every record they release yet when I think they might crawl out of the shadows they disappear and hibernate for another year or two well put Wyldlife at the top of that list. Then hey presto up they pop with a single that just snuck out at the last knockings of 2019. This time they have a fighters chance by getting signed to the excellent Wicked Cool roster of wicked cool acts. Whats a couple of months anyway I’m including this one on the grounds of it being excellent and therefore you should check it/them out.
BBQT – Fever Rocket/Savage (Surfin Ki) You want some sleazy glam rock? Of course you do you filthy punks. This digital double is full of sleazy snotty glammed up punk rock and fuckin’ roll and don’t you forget it. The opening track is Glitterband mixed in with some fucked up bowie meets Bolan glam but if they were brought up on a steady diet of The Dolls and early ’70s Keith Richards. But it doesn’t end there, no sir. ‘Savage’ does what it says on the tin it opens up like a long lost outtake from too much too soon before going off like a speedball ricocheting off every wall it comes into contact with. Rock and Roll is still exciting kids and don’t you forget it because BBQT has the proof. Strap yourselves in and enjoy the ride I did.Facebook / Bandcamp
Prima Donna – Sing To Death (Wicked Cool Records) Its no coincidence that Prima Donna finds themselves recording on Wicked Cool as well seeing as its the magnet that pulls in these awesome rock and roll bands. Wyldlife, Prima Donna, Steve Conte, Kurt Baker, Ryan Hamilton to name a few. Well ‘Sing To Death’ came out in 2019 and it was about time we featured it and as much as it is an embarrassment that Kevin Preston and the boys haven’t been regularly on RPM (not that I haven’t asked him for an interview mind) regardless, the deal is this as long as Prima Donna keep making great music RPM will keep featuring them. Now the A-side is an ‘Eat To The Beat’ inspired slice of rock and roll whilst the B-side is not. in fact the B side is the poptastic cover of ‘Cruel Summer’ I kid you not The video is online and should be checked out. Prima Donna can do no wrong so suck it up, kids. Dancing to their own tunes (and other pop ones) this is another must-hear. Facebook
Dead Friends – Cis White Whale’ (Standby Records) “Cis White Whale” is the first single from Dead Friends’ upcoming EP ‘High, Wasted Genes’ out this month via Standby Records. This tune got right under my skin and I like it. Can’t wait to check out the full EP on this evidence its got potential. Click play and turn it up LOUD!
Kurt Baker Combo – Can’t Go Back (Wicked Cool Records) Come and get your fix of power pop via the immensely talented Kurt Baker and his beat Combo. they play rock and roll with lashings of Costello and the attractions inspired new wave. The lead track is polished and like a summers breeze on a winters day put your shades on to play this one whilst the other track is ‘No One’s Home’ and more in line with some sloppy Stray Cat struttin’ old school Rock n Rollin’ then when your done checking out these guys back catalogue it’ll be summer for real and hopefully time for another new record from Kurt. Facebook
Grande Royale ‘Out Of Gas’ (The Sign) Grande Royale releases a music video for their single ‘Out of Gas’. The single is taken from their album ‘Take It Easy’, released last September on The Sign Records. Its Swedish Southern Rock if there’s such a genre. Facebook
The Black Watch hails from the city of Angels and play lush pop-influenced rock in the same dark vein as Echo and the Bunnymen and The Cure and if you make a connection it’ll be a real earworm and you won’t shake it for days. Bandcamp
The Lovely Eggs – This Decision (Cargo Records) These bonkers punks are back swinging with this slab of unrepentant noise taken from their soon to be released new album ‘I Am Moron’ check this out and catch em live before (or just after) the album is released.
Jonny Polonsky –The Weeping Souls (Ghostworks Recordings) Jonny Polonsky announces the new album ‘Kingdom of Sleep’, teases first single ‘The Weeping Souls’. A melancholy single that’s laid back and has a bright production driven by big acoustic strumming. It’s easy to see why the likes of Mark Lanegan and Black Francis are fans Polonsky has a great voice and this first single is thoroughly engaging. Makes for a good appetizer for his sixth album that’s due soon. Website | Facebook | Bandcamp | Twitter | Instagram
Izzy Stradlin and the Ju Ju Hounds, The Quireboys, The Dogs D;Amour, The Jacobites, Diamond Dogs, Keif N Mick when they were looking through the ‘Fingerprint File’ and some well-timed Faces. Come with me on this one folks. Slip into your favourite shirt, undo a few buttons..one more. Pull on your black jeans and slip into a pair of your favourite cowboy boots or creepers. Put some ice in the glass, pour a shot or two of your choice. Now ruffle your hair and turn the stereo up.
Right, let’s commence take off and let the Claws be your guides for the next thirty minutes. ‘No Connection’ certainly has a connection with all of the above they all share the same blood group and were fed on the same steady diet and it shows throughout the seam of this LP.
I always appreciate a well-groomed Rock and Roll record that’s borrowed off some of my favourite albums and The Claws have done that here. They’ve not aped their forefathers or just ripped them off they’ve learnt from them and taken the lesson and put them to the correct use. The opening couple of tracks are quite restrained and not the Dolls struttin’ you might expect at all and by the third track, ‘Wastin Time’ they are cruising around the hood of Those Black Crowes brand of Rock ‘n Roll from the laid back groove to the underlying organ swirl but up from is a croaky well oiled vocal and a sweet sweet overdriven lead guitar.
Hailing from the City of Angels and fronted by the one and only Rock ‘n’ Rolla Chad Cherry (of the Last Vegas!); the Claws play from the heart. They exude confidence in what it is they’re doing and as a result, people who hear it will be delighted.
They have some time for a bit of harmonica honkin’ as they cruise down to the crossroads with this upbeat shuffle ‘Devil Of Choice’. They’re not intimidated or put off by playing out a cliche or two like the acoustic opening ‘Ghost Blood’ with its more dreamy Hangmen like tempo complete with swirling keys and castanets. They do just cut loose as well like on ‘Stumblin Around’ of course it sounds like a morning after the night before no regrets tune but hey we’ve all been there.
Gotta love the harmonica honk of ‘California M.I.A’ as the band just roll around on a traditional twelve-bar groove but it’s timeless and classy so I’m on board. I’m a sucka for some sloppy Rock and Roll and when its done properly then it hits the spot so its a bullseye for me from The Claws. oh and of course they sign off with a slowey with picked acoustics and lush piano bombs and hell they’ve gone full in with rim shots and bottleneck – Amen brothers, I’ll raise a glass to you for a really cool album full of timeless Rock and Roll that hits the spot ply after play after play.
Buy ‘No Connections’ Here
Author: Dom Daley
First up is the brand new video from those Poison Boys from the good ole US of A. ‘Been Here All Night’ is taken from the bands debut album ‘Out of My Head’ out now on Dead Beat Records. Facebook
Next up we have the brand new video from RPM favourites Suicide Generation with ‘Prisoners Of Love’ its part of a five label release coming soon. They also head out around mainland Europe in October and November
The new video from Psychobabylon – ‘No Means Of Escape’ is taken from the band’s 4-track EP, ‘Is This All There Is?’, which is available on CD from the band’s wesbstore and digitally from all the usual platforms.
we’ve got an exclusive interview coming this weekend from frontman Matt but to wet those rock and roll appetites here’s their new video
Album Reviewed Here
Expectations sometimes provide shocks to the system when things prove to be quite different that what you expected. The Poison Boys have released some previous singles/ EPs and material, which I have loved, and I went into this debut album expecting the album to be a more straight forward up tempo punk n roll album. While it is definitely a punk n roll album at its core, these 12 diverse songs make up an album that is diverse, deep, accessible, and a whole lot of fun. I have been following the Poison Boys for a few years now, and I could not be happier with what they have done here. I can imagine everyone from Chuck Berry to Johnny Thunders wanting a chance to come back and guest on this one.
The title track gets the party started and hits my original expectations as it comes on like a cross between the Humpers and Electric Frankenstein. The mix allows the guitar riffs by Matt Dudzik to pop out of the speakers and the bass (mostly Adam Sheets) and drums (mostly Matt Chaney) hit just as hard. ‘Slow Down’ starts with some brief piano notes before everyone else gets in on the action. The riff in the song feels pretty standard, but the song really connects perfectly. I actually thought about old artists like the Big Bopper here as well as someone like the J. Geils Band as this song compels the listener to smile and enjoy the moment. I can picture the glasses in the air as the crowd sings along to the main hook. Another stone cold rock n roll style classic follows in ‘Cut Right Out.’ If anyone out there remembers the likes of Junk Records, this one would have fit like a glove on their roster with those backing ‘wooohs’ settling nicely in the mix. The beat here carries a great groove, guaranteed to get the hips shaking.
Starting on track four with ‘Empty Heart,’ we start to see the band really expanding the songs. The thundering groove of this epic five minute plus song initially may feel a little long, but this one has proven to be a grower with Dudzik’s charismatic vocals being stretched and pulled on the journey. ‘Downtown’ returns to a fairly basic trash rock standard approach with a simple hook that hits the spot. It feels a bit like the Stones jamming with Hanoi Rocks, especially the way some of the guitar pops in the mix where it gets some extra space. I also love the false ending but perhaps I should not give that away. Wrapping up the first half of the album, ‘Up to the Sky’ opens with some acoustic guitar reminding me of Johnny Thunders before the song kicks in at a midtempo pace on this fellow five minute rocker. The acoustic guitar touches really give this album a wonderful depth. Dudzik’s vocals on the chorus really inspire a singalong, even if you are like me and can’t sing a note.
Flip the record over and the good times show no let up with first single/ video ‘Tear Me Apart’ getting it started at breakneck speed. The vocals really take a backseat here with the verses featuring fewer words, and the electrifying guitar riffs pushed to the surface. The hook in the chorus is sharp, but it is the guitar that has stayed with me the most on this one so far. The piano that is featured here and across other songs will hopefully be replicated in the live setting. ‘Desperado’ features some awesome saxophone and again reminds me of early Hanoi Rocks, right down to Dudzik’s vocals, the tasteful backing vocals, and the way the chorus is constructed. This has been one of my early favorites from the record. Hopefully, the band will get an opportunity to make this a single at some point. Slowing the pace down a bit, ‘True Romance’ simmers along nicely with the groove getting under the skin. The backing ‘woooh’s’ are used again here to awesome effect. When the main chorus hits, it really opens up the whole song with the switch in the dynamics.
‘I Won’t Look Back’ turns the tempo back towards rocket speed with the guitar licks again deserving to be highlighted, but the song itself has been the slowest to connect with me. The band hit trash rock nirvana again with the rollicking ‘Say Goodbye’ reminding me again of the Humpers with the rhythm section nailing this one. Closing song ‘Been Here All Night’ truly feels like it had to be the closer on the album and ends the record on an incredible high. The song shimmies and shakes on the beat with the guitar riffs begging to be played by the listener. Something tells me the guys worked long and hard on this one but knew exactly where it needed to be on the album. It just feels like a celebration musically.
The Poison Boys showcase that there is plenty of magic left in rock n roll over the course of these 12 songs. There has clearly been a ton of heart, sweat, and love used to create this album as these songs drip with the genuine distilled spirits of everything that makes rock n roll amazing. Are the vocals always spotless? Do the instruments hit every note perfectly? Absolutely NOT! This is pure, primal rock n roll the way nature intended. A great summer for music became even better with this album. Recommended? You should have it put it on order when you started reading my introduction.
‘Out of my Head’ is available Here
Author: Gerald Stansbury
Los Angeles California so much to answer for but thankfully one of them isn’t Hammered Satin. Taking Smash Fashion and Giuda to the next level and channeling the Gypsy Rollers. The next level is to time warp – time machine these four lifers in all their glam-tastic -high heeled stomping glittery rock n roll finery ala sweet meets Bolan meets the glitter band with extra plumes of feather boa and I might add stints in some pretty cool bands form their CV’s such as the Zeros, Flamin’ Groovies, Flytraps, S’cool Girls and Teachers Pet. this is going to be one hell of a ride!
Sure as shit stinks they have a track called ‘Dynamite’ that does indeed have sound effects of explosions with one with extra glitter for the finale and hand claps and added slap on that snare drum. Man, this is unashamed retro Rock and Roll. Fuck me song titles that include words like ‘Candy’ ‘Sugar’ ‘Velvet’ ‘Starchild’ ‘Silver’ Satin’ Stomp’ they just about tick every box that has been left unopened properly since the ’70s. ITs like every Top Of The Pops album got warped in the sun and melted into one (not so) original album. Did he just say lollipop and bubblegum in the same sentence? Of course he did the songs entitled ‘Cand Sugar Baby’ for fuck’s sake!
Sure there’s nothing remotely original here its simply glam stomping fun. a lot of that glam hasn’t been used this brazenly for decades and why not? Damn, they take huge lumps of Bolan and Glitter and make it their own in 2019 and I’m good with that the title track is pure Bolan and why not they’ve even borrowed his lyric book and backing vocal tapes. Giuda went there but with double denim and tried to tough it out with a bit of street thrown in but Hammered Satin go the full hog mog and set fire to the double denim and go straight for the thrift store bellbottoms and silver platforms.
‘Silver Streak’ is about a bike (of course it is) and what a bottleneck guitar bruiser it is too.this one is the start of the albums purple patch because ‘Baby Vampire’ has the records best backing vocals and ‘Honey Squiss’ is Hanoi Rocks cool in the melody stakes and the albums golden nugget. I would say its a hidden gem but there’s nothing hidden or under the radar on this record no Sir not for a second. By the time ‘Starchild’ has begun you realise that that’s it and the record is on its last legs and this slower acoustic led ode to Starchild is the curtain call and that a shocker because it went by so quickly. So re-apply that eye shadow pull up those satin bellbottoms are flip this bad boy over and go straight back in for another round. It’s a lot of fun and whilst its dredged the underbelly of the 70’s glam scene it’s a hoot a proper blast of glitter oh, and the last quarter of this record is excellent. Get on it and ride that white swan til the end ‘Velvet Vortex’ is addictive as hubba bubba and space dust and about as much rock and roll fun as is legally permitted.
Author: Dom Daley
Swinging straight out of the traps like they’ve been mainlining Dead Boys and DeaKennedys all their lives and had nothing but a steady diet of pissed off Rock n Roll and nothing less to suckle on. ‘Me Myself And You’ is smashing the nail right on the head with its frantic backbeat and rollicking chorus spitting bile all over the turntable from the opening lick to the frantic ripping soloing of the final hurrah! But breath quickly because the ticking time bomb tempo of ‘SOS’ is hot on the heels. If you’re not impressed with a bunch of hot sweaty lads throwing themselves about the gaff hitting things indiscriminately and making an unholy racket then quite frankly I couldn’t give a shit and I’d imagine Trash Culture aren’t for you. However, if you like to hear men shouting and screaming loudly and guitars being wielded about and hearing strings being throttled then this most certainly is for you and perhaps you should check out these boys because they have got it going on.
The title track is right off the Dead Boys press and Cheetah would be proud to have kids like this bastardising and twisting the likes of ‘Sonic Reducer’ into something equally as dangerous and uncompromising as this. It’s eight songs that don’t hang about they’ll kick you in the bollocks nut you then leg it and having Dan at the North London Bomb factory master it is like a seal of quality right there. It’s like The New York Dolls on meth and speedballs mixed with Dead Boys rolling in the dirt so its not so much of a stretch – big deal they’re not reinventing the wheel here folks they’re just rockin’ it out and making as much racket as they can whilst leaving some pretty fuckin’ good tunes in their wake.
Treat yourself, climb onboard, strap up and let yourself be taken for a ride because Trash Culture are ready and able and I fuckin’ love it!
Author: Dom Daley
No great surprise to see The Gala hailing from Boston seeing as the place seems to just ooze quality Garage punk rock and Power Pop and the Gala are all those things. Raw guitar riffs and swirling keyboard licks all wrapped up in songs with energy and melody.
Emily Doran has a rasp on her vocals they’re not sugary sweet nor are they rough as Wendy O Williams but somewhere in between as one track body slams into the next with songs like ‘Blood Orange’ having a hypnotic riff and that Captain Sensible two-fingered keyboard lick and some fine tunage is born.
Once it finishes ‘Crybaby (Dream Of Me)’ kicks in sounding like early Blondie a little which is a great place to find yourself trust me. But the Gala isn’t a one trick pony because ‘Fragile’ is a neat slice of punk rock or New Wave punk pop if you like. It fizzes along on a rock solid drum beat and the throbbing bass line is cool with just the right amount of keyboard stabs on the chorus but don’t get too comfortable because what did you expect Shes Fuckin’ Fragile. Alright, we’ll have some of that and its a great scream at the end.
‘Boy’ is sweaty and the highlight of a very enjoyable record as it builds to the chorus. To be fair as far as debut albums go this ones very decent with a great ebb and flow to the whole record, At times they have the organ stabs of The Fuzztones but the rhythm and distorted guitar is way more punk rock Ramones style at times I heard Lena Lovich fronting Da Brothers which is a weird proposition I’m sure you’d agree but that’s where this is pitching itself at times.
I like the rawness of the guitar its got plenty of punch and is often at odds with the keyboards on tracks like the Abrasive ‘Blood Orange’ it then has the keyboard melody whilst the rest of the song speeds off in another direction – that’s not to say I don’t like it because that’s not the case but it does take some getting used to. With no new video ready you’re going to have to take my word for it.
To end the record the band take you on a punky ‘Pity Party’ but end the record with a really strong song in the shape of the hard rocking ‘The Spins’ that has a great pogo riff that makes you want to curl your hand into a fist and start pumping the air as the band rocks out showing they’re most certainly not a one trick pony and can dance to a few styles and its a great vocal delivery to end on as well. So remember the name and its safe to say it’s not all ‘Bad News’ because The Gala brings some good news.
Author: Dom Daley