Not everything is Black & White but in these strange times, it helps polarize your brain and when these Londoner’s plugin and turn it up with their sharp angular chords thrashed out with much anger and frustration along with some pissed off rhythms that embrace modern technology these post-punks seem to love hiding in the bleak grey corners of your mind and jump out with loud overdriven, often intense songs that lack any colour and do so with the intension of making everything seem just a little out of focus.

 

I get the impression Girls In Synthesis aren’t for compromising and their views are clear as daylight.  The politically charged and perfectly delivered ‘They’re Not Listening’ fits with the angst and rage of the times when politicians only work inside their own echo chamber and fuck the rest of us, never apologising for mistakes nor recognising when they might be wrong.  The delivery is at times in keeping with the likes of Sleaford Mods but the music is born from real instruments and not an apple mac book being Londoners I guess the concrete jungle has played a part in creating the music they play.  The sounds they create are aggressive, jarring and every void is filled to the brim.

They waste no time as they soundtrack the worst of times like a nuclear bomb going off ‘Arterial Movements’ could be what it sounds like in your head. from the frantic feedback being wrestled like a giant anaconda.  the chorus has gang vocals from a concrete bunker in response to the dry vocal its chaos but never is it too fucked up and it certainly gets the blood pumping.

It’s a pretty unrelenting album as well as uncompromising and it’s not until halfway when the pace eases up but not the tension as ‘Human Frailty’ is a moment for you to catch your breath. the solo is mental and the bleakness of the music is intense.

 

If you might think that side two is going to get any easier then forget it ‘Cause For Concern’ is pounding whilst that industrial concrete bass throb is on the attack on ‘Coming Up For Air’ which is a short sharp foray into carpet-bombing using the medium of audio.  Perhaps a bit out of step with the shorter songs you then get ‘Set Up To Fail’ with its five-plus minutes beginning with a cleaner sound reminding me of PIL meets crass as it gains momentum but never does take off preferring to ease back and hammer on with a more jazz vibe with the brass flittering around the speakers.

To close this one down there’s the buzz of ‘Tirades Of Hate And Fear’ with its flat delivery of the lyrics from a low chat in your ear it gets more and more intense before signing off.  Better to burn out than fade away for sure Girls in Synthesis deliver an album that will keep on giving and is totally in keeping with these strange times.  Post Punk, noisy, aggressive and digging you on the temple to shut up and just listen.  Check it out.

 

Buy Heres An Echo Here

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Another week comes to a crashing end and another week of pretty impressive singles get dumped on the RPM Singles Club dancefloor. The finest in wax, digital and video are here to tickle your taste buds and hopefully inspire you into finding your new favourite band.  From all corners and alleyways of the world we search

Jenny – ‘Same’ (Wanda Records) When we saw that this band was fronted by LA Drugz Justin Maurer we had to go and crack it open and crank up the volume and from the first clashing chords of the harmonious ‘Stupid Band’ we smiled knowing we were in the presence of a power pop genius. But with five tunes on this release, it could only get better as the dreamy ‘Rose City’ took us in an upwards trajectory as far as moods go towards that layered vocal chorus it was already a must-have new record. ‘Cockroach Tea’ is more power-pop goodies leaning more towards the pop and then the 60s infused acoustic Thunders melodic ‘Alright With Me’ it has a really early Who mod like quality if it’s possible to mash up some Thunders, meets The Who if it’s not possible then it has just been invented.

To round it off there’s the acoustic ‘Song For Sadie’ an old Suspect PArts track but redone here making this a more eclectic offering than Maurers LA Drugz or Suspect Parts but none the less desirable.  Don’t dilly dally as they say in the olden days  get it here or on one sided vinyl 12″ from Wanda Records Here

Stiff Richards – ‘Going Numb’ (Legless Records) With two albums in the bag Australias Stiff Richards are hot property.  If you managed to get a hold of their debut album first time around then you’re good if you managed to pick up a repress then, well-done pat yourself on the back.  Then came ‘Dig’ which was also pretty spectacular to be fair and seemingly unable to do any wrong they sneak out this digital single to let us all know they’re still alive and ready to go (hopefully) with album number three due in October it looks like a winter assault from Melbourne’s finest and we can’t get enough from the southern hemisphere who are leading the way with some awesome punk rock.

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Death By Unga Bunga – ‘Trouble’ (Jansen Records) The second in a series of new singles set to be released in the coming months.  These Norweigan Nutters have got a slice of summer sunshine in the shape of ‘Trouble’ With a great hook over that steady beat its catchier than a global pandemic.  once this one lodges itself into your head it’s not coming out and you’ll be muttering the lyrics for days wondering just who the hell it is.  That’s Death By Unga Bunga that is and with the news of more to come there is light at the end of this pandemic that’s for sure and it’s coming from Norway and not some lab in England it might be power pop it might be death metal but one thing for sure it’ll have the DBUB logo on it.  Get it here

Killer Hearts – ‘Get Some’ (Spaghetty Town Records) Houston we have a problem.  We’re not getting enough Rock and Fucking Roll and that’s a problem.  What isn’t a problem is when Killer Hearts this is the first glimpse of what’s coming on their long player ‘Skintight Electric’.  Lots of loose riffs and oohs and arghs and some of the best sleazy Rock and Roll since Flash Boys and The Adjusters were about.  Go Get some high octane Rock and Roll if you know what’s good for you! Buy Here

 

 

 

 

Guerrilla Teens – ‘Tell Me What To Do’ (Self Release) Another day another Guerrilla Teens record gets released via Bandcamp.  This week’s offering is a right thumper by the name of ‘Tell Me What To Do’ backed by ‘Hurry Up’. One is in your face and bouncing on its toes like a young hooligan the other is a more laid back confident slow burner but both ooze quality and will make for awesome tracks when these weekly offerings finally get pressed by some awesome record label onto a slab of plastic to nestle alongside Those Humpers, Lovesores records you’ve got.  buy Here

 

 

 

 

14 Units – ‘Listen’ (Self Release) This is the lockdown-busting debut release from 14 Units who cram five tunes into this debut EP, Five songs about drinking, getting old, murder, regret, not drinking and Brexit (possibly). opening with a neat uptempo twelve-bar with melody and somewhere between Frank Turner vocally and a cowpunk Quo.  They get their jig on from a sprightly ‘Can’t Unlike You’ its melodic and uptempo and carries a decent melody.  They certainly like to boogie and then they turn down for a more mellow knocking on heavens door progression for ‘Looks Like Rain’ which heads off down a Buffalo Tom wormhole and its probably the best track on offer with the sparse verse with just percussion before the guitars rejoin for the build-up to the chorus which is a catchy sing-along. A decent EP and first offering from 14 Units.  Buy Here

 

Grindhouse – ‘Ramma Damma’ (Tuff Cuff Records) Melbourne must have something in the water because over the last couple of years its turning up some smoking hot records and this summer has seen that continue with those purveyors of pounding Rock and Roll Grindhouse are back in the room with some sweaty flesh pressing high octane Rock and Roll. in the shape of ‘Ramma Damma’ and ‘City High’ with its bruising riff-a-rama and moon the loon like drumming this is the dogs bollocks. If there ever was a sleeve that best described what was going on in the grooves before you ever played it then it’s this bad boy. or should that be bad girl? Rock and Roll can get you high so fuckin high and Grindhouse has the goods baby!

Relentlessly good band and with a new album on the way these are good times for fans of high octane Rock and Fuckin’ Roll Grindhouse Style.  Bring it on. Buy it here

 

Girls In Synthesis – ‘They’re Not Listening’ (Harbinger Sound) Taken from the debut album ‘Now Here’s An Echo From Your Future’ this video will guarantee you a head fuck from the Jesus and mary chain feedback and the repetitive pounding to the strobe on the video GIS are fucking with you and that’s always a good thing. turn it up and then some more and get lost in that caustic guitar riff before the bass rumble nails you to the floor.  Extreme music for extreme times uncompromising and uncomfortable just like punk rock should be.  Like crass for the 2020s the album is due the end of the month.  Let’s hope this isn’t the soundtrack to the apocalypse like my neighbours think it is.

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Cutters – ‘Cutters’ (Legless Records)   Another day another slice of punk rock from Down under.  This time labelmates of Stiff Richards Cutters are here with this tasty three-track EP.  With howls of feedback and a frantic hoof around your ears, this is relentless. ‘Chewed Up Fortune’ is first up and lead throat Al insists he wants to fuck and sleep in that order I guess.  Cutters aren’t fucking around either with their Lo-‘Fi take it to the edge of reason and give it a good fuckin’ thrashing.  If you think they would be spent after that opener then you’d obviously be wrong. ‘Robo Debt Blues’ is like Motorhead in their late 70s heyday knocking out some ANL and uk82 anthems and dragging through the Melbourne back streets before dropping them off at the studio. Nice!

But then they get all proggy on the five-minute headfuck frenzy of Twister’.  Only yanking your chain the intro is painless before they go fuckin’ ape-like Venom meets the Exploited. Its frantic, Nasty, out of control and fuckin’ champion – Buy it here

 

Zip Gun Bomber – ‘Paper Aeroplanes EP’ (Rum Bar Records) Outta Cambridge, Massachusetts Zip Gun Bombers have been a thing since 2011 and with this being a revisited yup, you guessed it its a new improved take on that EP. Sure its a Nostalgic trip for that early 90’s era Lookout! Records and all things Green Day.  ZipGun Bomber’s  ‘Paper Airplanes’ EP embraces and embodies all of that.  From the opening of ‘Chase That Feeling’ to the acoustic closing of ‘Paper Airplanes’, its easy on the ear pop-punk where the lyrics are easy to embrace and before you know it you’ll be singing the songs like they’ve always been on your playlist. Well worth checking out if any of the previous words ever meant anything to you jump in and lose yourself in the tunes.  Sure there is a familiarity here but it’s only pop-punk Rock and Roll and I like it! Oh and if you like you can download the EP for free or name your price.  Pick it up Here

 

Science Man – ‘Match Game’ (Swimming Faith Records)  Punk as fuck – a 7″ single with not 2 or 3 songs on it but nine slabs of uncompromising head mashing industrial hardcore. Science Man from Buffalo NY isn’t here to compromise he’s here to lay out his manifesto and from the opening repetitive thump of ‘Tiny Tower’ it’s game on through the frantic thirty-two seconds of ‘Steal The Street’. Don’t leave the fuckin room for gawds sake.

‘Surge’ sounds like the cassette on a Commadore 64 or finally, the aliens are coming. At times it sounds like out of control chaos but I suspect it’s far from that and the almost prog length of the final track ‘Cursed’ clocking in at almost two minutes is a challenge but industrial hardcore isn’t meant to be easy listening, I’m sure only the hearty punk amongst us will endure or even get this straight off.  But its certainly interesting as well as a challenging listen.

Pick it up here

 

S V & the Eruptions – ‘Tomorrows Promises’ (Avenue Recordz) An altogether more sombre and thoughtful SV & The Eruptions, It’s not all cheeky chappies and a bit of slap and tickle it can’t be. Here SV busts out a mid-paced thoughtful number with a big catchy chorus that drops back into the muted guitar work and into another tuneful verse.  A most excellent twist and shows how versatile and downright bloody good these gents are.  I have told him myself the tunes you aren’t expecting are some of his best work and this will grow and grow and in time will be one of those late in the set anthems you look forward to.  Excellent song with great vocals.

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Ryan Hamilton & Kay Hanley – ‘Oh No’  This dropped last minute so we thought we’d include it in the singles Club because we love some Ryan Hamilton.

The Fuzzstainz – ‘Sick! Sick! Sick!'(Beluga Records)  How could we sign off this week’s singles Club without dropping in on Scandinavia Again.  Always reliable, Always churning out quality Rock and Roll from all the corners of the world Beluga Records have released this banging 7″ platter with two tracks of sizzling Garage Punk courtesy of The Fuzzstainz. The lead track is sick – no it literally is sick! those guitars sound like razor blades trying to cut through some barbed wire.  But it’s catchy and easy to sing along to but the best is yet to come in the shape of ‘Thinkin’ ‘Bout Me’ again the same standards are set but with added floor tom and is that a buzzsaw? Gawd knows but its got swagger and I love it.  Pick it up here

Bob is back in the house and it seems like another Age when Sunshine Rock was the order of the day.  But boy, How good does this new track sound?

Next up is more angry punk rock courtesy of Girls In Synthesis with their new video ‘The Images Agree’ taken from the forthcoming debut album ‘Now Here’s An Echo From Your Future’

How could we not include this the new video from The Dowling Poole.  ‘Deep Breath’ is the song check it out.

London trio Girls In Synthesis have today announced details of their debut album ‘Now Here’s An Echo From Your Future’, due to be released May 22nd on Harbinger Sound.

Following a steady stream of ultra-limited 7” singles, that were collated together in 2019 for the ‘Pre/Post: A Collection 2016-2018’ on Louder Than War, the bands highly-anticipated debut album, by those that know, arrives with the first bitter taste of new single ‘Pressure’; one-minute-and-fifty-four seconds of screeching feedback, tribal drums and unbridled rage that is exactly the shot in the arm and the boot up the arse this nation, if not the world, needs right now.

 

“In both music and lyrical content this song sets out to capture the unrelenting pressures of living in the modern world,” explains vocalist and guitarist Jim. “The pressures and expectations of which ‘they’ force upon you – with the apparent realisation that you will never be what they want you to be. “Pressure, the twist of the gut, as one door opens another fucking shuts”

Since forming in late 2016, Girls In Synthesis have quickly forged a fearsome reputation as one of the most exciting and volatile live acts in London. In equal parts frantic, considered, ear-splitting and melodic, the group take their cues from the early DIY punk and post-punk pioneers to keep everything in-house; artwork, videos, performances and recordings are created entirely by the group and their handful of trusted collaborators, under a bedrock of heavy, bludgeoning, dark, post-punk.

‘Now Here’s An Echo From Your Future’ is their first release for fabled experimental punk label Harbinger Sound and finds the band advancing their sound, making subtle but experimental shifts in texture and tone, helping to break free from the shackled straight-jacket of punk rock that, to be fair, never really held them down in the first place.

Across the album’s ten songs, Girls In Synthesis explore a wide range of sensations and sounds as the album detonates into life with opening track ‘Arterial Movements’ in a screeching flurry of over-driven guitar and hammering drums. The contrast between the slow, mesmerising look into aging and dying in ‘Human Frailty’ (‘The realisation that you cannot halt their impending death’), to the aggressive attack on the rise of the right-wing in ‘They’re Not Listening’ (‘The time-old tradition of the right wing accosting desperate working class people has returned’) shows a wide range of subjects and reactions aggressively tackled. Mental health in a fast-moving, unforgiving world, media control, the divide widening between the have and the have nots, the class divide, the blaming of the poor, NHAEFYF bristles with an unforgiving frustration and temper.

 

The recording of NHAEFYF started at Rockit Studio, Hull in April 2019 during days off on the UK tour to promote the ‘Pre/Post’ compilation album. The Hull sessions were engineered by studio owner and local musician Sean Tomlinson. The remainder of the album was recorded and engineered by the band throughout summer 2019 in a large rehearsal room at Gun Factory studios, Homerton. Production and finishing touches were completed at GIS bassist John’s S.I.C.K Studio in Hither Green. The album was mixed by long-time band collaborator and engineer, Max Walker (currently studying at Abbey Road). The album was mastered by Brett Shaw at 123 Studios, Peckham.

In their few years of existence, fans and critics alike have been stunned by the bands pure visceral and punishing wall of sound, as well as applauding the groups way of making a GIS show an all-inclusive experience; playing from within the crowd to create a unique and awe-inspiring spectacle.

 

Being hand-picked to support acts as diverse as Damo Suzuki, Slaves, Bad Breeding, Warmduscher and Wolf Alice has seen a widening of the groups fan base. Sold out headline shows across the UK have led to frantic and chaotic performances, and packed, sweaty venues, the word is getting out and spreading rapidly. Catch GIS while you can and witness the rise of one of the UK’s most original and unique underground bands.