Saturday has always felt like the most popular day over the Rebellion weekend and this year is certainly no exception with day tickets selling out a full four weeks before the event (at the time of writing day tickets for the other three days along with full weekend tickets are still available here).

The main draw this year is without doubt the return of the legendary Cock Sparrer to a UK stage following their back to basics club tour of 2017 which they undertook to promote their awesome ‘Forever’ album, and looking at the quality undercard that is also on offer this is definitely the day to get your cherry reds out of the cupboard and buffed up ready for.

When the Saturday was first announced I did detect an excited squeal originating from within RPM towers as Editor In Chief Dom Daley saw that a band called Spider are opening the Empress Ballroom at 12:35 without first realising this four-piece are gothic-tinged punk rockers from Long Beach California and not Sniffa’s straight edge boogie metallers from the eighties. This is something of a get out of jail free card for yours truly so I’ll be raising my first Dark Fruits of the day to this Spider safe in the knowledge that they don’t sound fuck all like Status Quo. Result!

With the Introducing Stage once again showcasing a further thirteen bands over the course of the Saturday our old chums and graduates of the rock ‘n’ roll high school Brocker make a very welcome early appearance at 13:15. So if high octane rock ‘n’ roll music delivered with plenty of punk rock attitude is your bag then I suggest you add this one in your laminated gig planner too.

Returning to their second home of the lavish Opera House stage glam punkers The DeRellas are next up for me at 14:20. Last year Joey, Luca, Timmy and Billy took the capacity crowd on a non-stop Rock n RollerCoaster Ride, without even playing the song by the same name that first got me into them.  This year I expect more of the same insanity with the new boys now fully gigged in across sold out European shows.

After a weekend of full force punk rock (whatever your choice of sub-genre) if you are looking for a place to chill out on a Saturday afternoon then Club Casbah from 4:20 onwards is going to be your ting as Rebellion celebrates the influence dub, reggae and ska has had on punk rock via a four hour four band line-up that kicks off with The Rhythm-ites and also includes sets by RDF, Citizen Fish and HR from Bad Brains.

The lure of Alvin Gibbs and The Disobedient Servants in The Opera House (kicking off at 5:15) where the core trio of Alvin, Leigh Heggarty and Jamie Oliver are no doubt going to be joined by a huge array of guest guitarists is always going to be enough to tempt me away from an afternoon of skanking plus when you also add the return of the mighty Giuda to the Empress Ballroom stage at 17:50 its safe to safe I’ll be doing the ‘Space Walk’ down the front ready for some ‘Ravers Rock’.

With Club Casbah celebrating all things reggae the Empress Ballroom meanwhile takes a trip down the skinhead/Oi! route with Lions Law kicking things off at 4:45 with sets following from the likes of Giuda (who I’ve already mentioned), Evil Conduct and Cockney Rejects along with a special set from The Business celebrating the life of Micky Fitz set to feature special guest vocalists (with Al Barr (Dropkick Murphys) and Roi Pearce (Last Resort) are already confirmed) all singing the songs of their fallen brother. There won’t be a dry eye in the house that’s for sure, and all of this is before Cock Sparrer hit the stage at 11pm to deliver what has become THE definitive Rebellion set of punk rock music, delivering classic tune after classic tune into the wee small hours.

Of course, if Oi! isn’t your thing then there’s still plenty to see elsewhere with Duncan Reid & The Big Heads delivering the powerpop goodies in spades over in the Opera House from 7:25 and then in the very same venue from 10pm onwards there’s the back to back awesomeness of Walter Lure’s LAMF and The Godfathers to revel in. Proper low-slung guitar punk rock ‘n’ roll just how RPM loves it, and I must admit this stage clash is one of the biggest of the weekend even extending to a third stage for me as I’d love to also be catching Wonk Unit over at Club Casbah from 21:50….and then there’s The Exploited at 11pm back to headline the Club Casbah after Wattie’s umpteenth bout of fisticuffs with the Grim Reaper, surely that alone is reason enough to raise a pint and celebrate the band’s back catalogue?

I’ll openly admit I’m really not sure how I’m going to fit all of this in folks but I’m certainly going to give it a try…ahhh you know fuck it I might just spend all day watching new bands over on the Introducing stage and say “what the hell.”

One things for sure though and that is Rebellion Festival is the place to be from the 1st to the 4th of August 2019 and you can get your tickets RIGHT HERE!!!!

 

 

Glam slammin’ this Monday morning.  slap on a scarf for the trip into work or put some glitter in your pocket.  Here are a few tunes to help the day go quicker and put a smile on your face and make your heart beat faster. Even Shit Island is wearing sun cream today so why not put some sunshine music on as you skive off and sit in the garden.

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Next up with a brand new record just released on Pink Vinyl we delve into the bands back catalogue to pull out this epic video… Enjoy! Hammered Satin

Hammered Satin Facebook

finally Giuda rock up with their Space Walk to celebrate their review going up this past week from Martin who witnessed their performance at the 100 Club.

 

In support of their fourth album, Giuda returned to rock London. Having seen them twice before, I knew that this was going to be an unmissable gig. Last time around, they had White Trash and Cyanide Pills on the bill; one of the best line ups I’ve ever seen. Tonight, it’s the turn of Suicide Generation to open proceedings. You can’t fault their energy, though their set seems blighted by guitar/amp issues, and they are a little light on tunes, but they reminded me of the great Ray Zell’s Marionette, so I warmed to them.

 

Thee Dagger Debs were more to my tastes. Indeed, so fine was their performance that I bought their vinyl album at the end of the night, and risked it on a packed tube train. To some, ‘pub rock’ may be faint praise, but they recognise its value; there’s a whiff of good, old Canvey about them. More rhythm than solos, punchy bass lines, and tunes to get the feet moving, I hope to see them again soon.

 

So, what can be said about Giuda that hasn’t been said before? After tonight’s show, I’m running out of superlatives. You are guaranteed a great night out at a Giuda gig. While their records are fabulous, they are even better live. From the first chord, they are in control. Tenderer embodies the joy of their music, a frontman immersed in every song, urging the crowd on. And the choruses keep on coming, new songs like ‘Space Walk’ and ‘Overdrive’ fitting seamlessly into older classics.

 

As ever, they keep the gaps between songs to a minimum. If like me, you’re singing along, you barely have time to catch your breath before the next chorus hits. And, most of us were singing; it’s a celebratory atmosphere. We’re all here to forget the world and have a good time, and Giuda are built to deliver. I can’t give you a set list, as my feet were moving all night. This is music to lose yourself in. We danced, we sang, we smiled. Some of the most important things in life. What more do you want? Tonight belongs to Giuda. They were glorious. Thank you.

Author: Martin Chamarette

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Review Of Giuda album ‘E.V.A’ Here

 

 

Four years on from the band’s amazing ‘Speaks Evil’ album and Italian glam punks Giuda have produced perhaps one of their most surprising career moves to date, by signing with the UK doom metal label, Rise Above Records for the release of their fourth album ‘E.V.A’.

I’m certainly not knocking it, as I have a lot of time and respect for Lee Dorrian and his label having produced some superb doom releases over their 30 years in the business. It’s just Giuda…alongside the likes of Church Of Misery, Uncle Acid and Witchsorrow, I mean c’mon c’mon, do they really don’t wanna be in this gang?

In saying this though I do get that Rival Sons, Blackberry Smoke and The Temperance Movement signing for Earache didn’t exactly do them any harm career-wise, and seeing that Giuda will also have the recently signed Danko Jones alongside as label mates it does all kind of stack up, and as long as they continue to pen the feel-good anthems we have all goto love them for then…who cares?

‘E.V.A’ then picks up exactly where ‘Speaks Evil’ left off with ‘Overdrive’ the band’s first single from the album, cruising along on a throbbing ‘70s AC/DC rhythm complete with a glam rock hook that should have all the young Droogs screaming along at the tops of their voices when the band take the album on the road. This really is the sound of Giuda at the very top of their game.

‘Space Walk’ is the first of three glam slammers (the others ‘Space Go’ and ‘Ravers Rock’) on ‘E.V.A’ that harks back to the semi-instrumental highlights of ‘Racey Roller’ albeit here they have a touch of Space Ace sci-fi flair (rather than turned up denim flares)  just to be added to the cool factor.

Elsewhere ‘Interplanetary Craft’ has more than a hint of late ’70s Who about it, resonating on an almost New Romantic melody line that sees Ntenda and the boys adding yet another new influence to their musical melting pot sound. This influence doesn’t end here either as my favourite track on the album ‘Cosmic Love’ could very well have been an outtake from the first Duran Duran album, yes it really is that good.

I’m sure the band’s fan base will be open-minded enough to accept the band moving to a more ‘80s influence sound as the New Romantic scene wasn’t really such a seismic leap away from ‘70s glam was it?

Of course there are still plenty of the band’s trademark glamthems on ‘E.V.A’ and the pretty vacant ‘I’ve Had Enough’, ‘No Place To Hide’, ‘You’ve Got The Power’ and ‘Junk’ are all going to get you tucking your thumbs in your belt loopholes pretty damn sharpish, trust me.

With their trademark ten songs and thirty three minutes of music designed to confuse and enthuse in equal amounts, ‘E.V.A’ – just like with ‘Speaks Evil’ – demands repeat plays to fully get the tunes embedded in your cranium, but once they are in there really is no escaping them.

Oh, and before I forget one of the real bonuses of the band signing for Rise Above Records is that Giuda vinyl collecting nerds everywhere should be in seventh heaven (or should that be hell) with all the different pressings released on April 5th.

Go on…fill your (stackheel) boots.

 

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Buy E.V.A Here

Author: Johnny Hayward