Vancouver’s hard-rock icons ART OF DYING are set to release a new studio album, “Armageddon”, on the 4th October 2019. The album will be preceded by a new title track single taken from the album

The Art Of Dying story starts with their talismanic front man Jonny Hetherington. From hours busking on the corners of frozen streets to gatecrashing some of North America’s biggest venues, to writing and recording records of truly earth-shattering proportions, the trajectory of the quartet’s career has astonished both fans and industry insiders alike.

ART OF DYING have been able to create muscular, vivacious hard-rock bursting with lung-shattering choruses and a sincerity that is impossible to fake. Equally at home with a lead-fingered riff or a deft slow-burner, there is an ease of breadth in AOD’s repertoire.

“I was blown away when I first heard their independent record,” enthuses DISTURBED guitarist Dan Donegan. “I lived with it for quite a while and I was so impressed with the quality of the songwriting that I had a feeling there was something special going on. David (DISTURBED vocalist David Draiman) and I had been looking for someone to sign to our imprint for a while, but I wanted to make sure the guys could do it live – it’s hard to find a band that are the complete package these days. So, we invited them out on a DISTURBED tour of America, we really threw them in the deep end!”

The band introduced guitarist Tavis Stanley and bassist Cale Gontier to their ranks on the eve of the run with DISTURBED – the quartet playing onstage together for the very first time during the soundcheck of the opening show of the tour. But suddenly, everything clicked. “The moment I knew that we had it right was when our voices started harmonizing,” says Hetherington, of the band’s now-trademark three-way vocals for which David Draiman has dubbed them “Eagles in Chains” referencing a blend of 70s supergroup The Eagles and 90s grunge rockers Alice In Chains.

Now, with two critically-acclaimed and widely-played major label releases under their belts, Art Of Dying are returning with Full Length Album “Armageddon”, their most imperious effort to date. “It’s a dark record.” Says Jonny. “Even the cover art (featuring NYC artist Stefano Losi’s painting of Pharaoh Thutmose III) is inspired by the album title. Thutmose lead the historic battle in Megiddo, (aka Armageddon) the first war in history where proper records were kept and a body count was taken.”

Themes like “No One Ever Wins”, “Dark Days” and “Unoriginal” take the listener down to visit the depths of the deep end. But no Art of Dying record would be complete without the inspirational balance of spine-tingling anthems like new single “Armageddon”, “Cut It All Away” and “ShatterProof”.

Of first single “Armageddon” Jonny Hetherington says, “Life sucks. Life is beautiful. Writing Armageddon got me through a tough time and helped shake a few of the demons off my back. If you feel like your world is caving in, like you’re trapped in your own personal Armageddon, I hope you will find the strength to get out.”

If ARMAGEDDON is about one thing above all else it is a study on the power of human will and the uplifting capacity of one’s own self belief. This is rip-snorting rock ’n’ roll that will smash your self-doubt into a million pieces.

 

“Armageddon” is released through Get A Grip on the 4th October 2019. The new album is available to preorder now, including a limited transparent red vinyl pressing:
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This really is a huge one for the HRH family – the very best in sleaze rock all under one roof for a weekend of bands and booze over the 29th and 30th of August 2020

 

Tickets: Here

HRH Sleaze Cycle IV has gone into overdrive – we are bringing you one of the most exciting lineups ever, with bands from around the globe descending on The O2 Academy in Sheffield! Tracii Guns and Phil Lewis return to HRH Sleaze with the classic lineup of L.A. Guns – every time this iconic L.A. band hit the HRH stage we are treated to a masterclass in sleazy hard rock and Sleaze IV will be no different. Take a listen to their latest live album “Electric Gypsy Live” and you’ll soon hear why this legendary band are back to the very top of their game. https://youtu.be/hdpRskEqsgo

A firm favourite of the HRH family, former Hanoi Rocks frontman Michael Monroeimpressed everyone present at HRH AOR V with an incendiary performance that will be long remembered.  The latest single by Finland’s finest – “One Man Gang” – is testament to his seemingly un-faltering talent.

The HRH Family surely need no introduction to The Quireboys – suffice to say that their latest album, the critically acclaimed Amazing Disgrace, is making waves in the music world.  Spike, Guy and the gang are as busy – if not busier than they have ever been, with the quality of their recorded and live work still as vibrant and strong as it was back in 1990 when they took the world by storm with “A Bit of What You Fancy”.

Another welcome return to the HRH fold is the legendary Jizzy Pearl – one of the most recognisable voices in rock, he brings his Love/Hate to the O2 Academy Sheffield to treat us to classics from timeless albums such as Blackout in the Red Room and Wasted in America.

True veterans of the sleaze rock scene, Californians Jetboy were formed in 1983, and are in their second active spell having re-formed in 2006.  Their latest album – 2019’s Born to Fly – is a staple on Hard Rock Hell Radio and is the band’s first full album of brand new music since 1990.

Hollywood leather boyz Pretty Boy Floyd have been playing with their electric toyz since 1987 with just a 5-year break in the ‘90’s – and a minor spat in the 2000s.  Although they have only released 3 studio albums (the latest being 2017’s “Public Enemies”) the band are still very much active on the sleaze circuit playing iconic venues such as The Whisky and Rainbow Bar in Hollywood – the capital of sleaze.

Set to deliver a huge kick in the balls for HRH Sleaze IV next year will be Americans Kickin’ Valentina.  With ex-Jetboy singer D.K. Revelle now on board the band are going from strength to strength as one of the leading lights of the new wave of sleaze rock.

The quality of bands at HRH Sleaze IV is beyond compare – in addition to L.A. Guns, Michael Monroe, Jizzy Pearl’s Love/Hate, The Quireboys, Jetboy, Pretty Boy Floyd and Kickin’ Valentina we are stoked to announce a further 15 incredible bands:

Sweden’s Confess are making their HRH debut and we can’t wait – also hailing from Sweden are Pretty Wild as they continue their goal of taking over the world with their “in your face” live set, having just released their latest album “Interstate 13” this year.

Now based in L.A., Bullets and Octane have toured with the very best from Avenged Sevenfold to Stone Sour, releasing 6 albums in almost 20 years.

One of the most active bands on the UK sleaze rock circuit are Midnite City.  Formed by Tigertailz frontman Rob Wylde, the band are filling rock clubs around the country on a regular basis, and have just announced a tour of Japan.

Also joining us for HRH Sleaze IV are 3-piece The Spangles, featuring members of The Main Grains and The Idol Dead – they list cider as the band’s main interest, so that could get messy.  Self-proclaimed bastards of rock’n’roll, RanKelson are back after a 32-year break – and ready to carry on where they left off.  Circus Junkie Rebels make the short hop from Stoke, and Bare Knuckle Messiahs – led by former Tigertailz frontman Kim Hooker – make the trek from Wales.

Playing on their home turf at HRH Sleaze IV are Sheffield based Silverjet, while Londoners Paradise Alley have been active in one form or another since 1992.  Finland are represented by veterans Plastic Tears, formed in 1992 and making a rare UK appearance while Nottingham’s Todd Michaels and the Screamin’ Heartstake a short ride up the M1 to join us in Sheffield.

Last but not least, we welcome Southampton’s The Smokin Prophets, The Suicide Notes who describe themselves as the “illegitimate sons of punk and sleaze”, and hard rockers Liberty Slaves from nearby Huddersfield.

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Distill – verb – to extract the essential meaning of or most important aspects of

On their eight studio “album” Gothenburg Hard Rock Motherfuckers, The Chuck Norris Experiment have managed to do just that.  Distill everything they’ve done to date into ten blistering rock work-outs in the space of twelve minutes.  With a statistic that would make you think you’ve stumbled across a long-lost Ramones release or a new Grindcore masterpiece, you really have got to hear Shortcuts to appreciate just what a Hard Rock masterstroke CNE have pulled.

As the sampled intro to “Back It Up” warns you to “fasten your seatbelts, it’s going to be a bumpy night” you can only sit back and let it all wash over you and wonder what the fuck has hit you as the last strains of “Begging For More” leave you doing just that.

Whether it’s the low slung swagger of “One Hand On The Hip”, the gnawing melody of the aforementioned “Begging For More” or the chest-beating singalong that is “Whatever You Say I Am” it’s like all the best bits of their debut album, Right Between The Eyes and Dead Central have had all the fat stripped off them (and lets be honest they were pretty fucking lean already) and been given a huge dose of steroids and a ton of adrenalin.  And you’d think an album with the longest track of 1:27 might be lacking in melody and intricacy, yeah?  Well, think again, because Chuck The Ripper’s leads are all over the likes of “All Your Bridges Are Burning” and “Little Demon II”. With the rest of the band on peak form and with production as crisp and punchy as you’d expect this is the best twelve minutes you’ll subject your ears to this year.

With a release as a 7 inch record (which as I write this has already sold out on pre-order), cassette and a CD in can (as well as the usual digital sources) you’ll hopefully have heeded the social media adverts and snapped up a physical copy already, but regardless, you need a copy of this in any form.  It’s a little piece of hard rock genius.

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Author: Darrel Sutton

FEATURING 6 UNRELEASED BONUS TRACKS, INCLUDING 2019 VERSION OF ‘WAIT FOR YOU

REMASTERED AUDIO

REVISED & EXPANDED ARTWORK as the band head out on tour to support Black Star Riders.

Stone Broken officially re-issue ‘All In Time’, the debut album that started it all back in 2016.

Previously only available as a low-key digital release and limited CD merch item, ‘All In Time’ will now finally be available with revised artwork and lovingly remastered audio, along with expanded liner notes and premium physical packaging, including song lyrics and band reflections.

Additionally, fans will receive 6 never-before-released bonus tracks, including a stunning 2019 recording of fan anthem ‘Wait For You’, featuring strings by The Bristol EnsembleSB chose to re-visit ‘Wait For You’ to spotlight its significance to their ever-growing fan-base, The Broken Army, who have effectively taken ownership of both the sentiment and the song, using it to celebrate key moments of happiness and as a source of hope in more reflective times.

All In Time 2019 will be released by Spinefarm on CD / DL / LP, with the vinyl version carrying a download card so all of the bonus content can be included.

 

Stone Broken frontman, Rich Moss, says: – 

‘All In Time’ wasn’t just a stepping stone for us, it wasn’t just our debut record… it literally changed our lives! When we were writing the album, I don’t think any of us realised just how important it was going to be. We released it independently, and within the first couple of hours, the CD stocks had all sold out! We managed to tour right across the UK and Europe and gain some incredible fans and friends along the way! We feel now is the right moment to put ‘All In Time’ back into production and to let people have a piece of our history”

Pre-order your copy Here:

Having just completed a highly successful run of European shows with Black Stone Cherry, Stone Broken – completed by Chris Davis (lead guitars), Kieron Conroy (bass) & Robyn Haycock (drums) – will play a 14-date tour of the UK & Ireland this October as Special Guests to Black Star Riders. Wayward Sons are also on the bill.

Tour dates w/ Black Star Riders

Thu 10th    Oct       O2 Academy, Bristol

Fri 11th      Oct       Corn Exchange, Cambridge

Sat 12th     Oct       O2 Shepherd’s Bush Empire, London

Sun 13th    Oct       William Aston Hall, Wrexham

Wed 16th  Oct       Academy, Dublin *

Thu 17th    Oct       Limelight, Belfast *

Sat  19th    Oct       O2 Academy, Newcastle

Sun 20th    Oct       Rock City, Nottingham

Tues 22nd  Oct           De La Warr Pavilion, Bexhill

Wed 23rd  Oct       O2 Academy,  Bournemouth

Thu 24th    Oct       University Great Hall, Cardiff

Fri 25th      Oct       KK’s Steel Mill, Wolverhampton

Sat 26th     Oct       O2 Academy, Leeds

Sun 27th    Oct       O2 Ritz, Manchester

“Let’s get the superlatives out of the way right off the bat: holy lord is this ever a fab record. Grade: A” – Goldmine
“I keep wondering if I went back through American Bandstand if I could find The Brothers Steve playing on the show in some weird time travel paradox. These songs are packed with hooks, diversity, and instant accessibility.” – RPM
Years ago, in the magical world of Southern California, five young rockers formed a band called The Brothers Steve. They wrote some songs, played some parties, and promptly broke up, leaving their wonderful original songs unheard by all but a handful of lucky party-goers.
Luckily for us, the legend of The Brothers Steve was not over. The band reformed, triumphantly returning to the stage at this year’s International Pop Overthrow Festival in Los Angeles.
They’ve also recorded their classic songs on a fantastic new album (#1), containing 9 hot rockin’ tracks and one acoustic jam, any of which would sound right at home blasting from the radio of a ’66 Cadillac Coup DeVille.
The band has crafted a heady mix of British Invasion, indie rock, bubblegum, and power pop, which singer Jeff Whalen described thusly: “The Brothers Steve to me is like a ‘60s meets ‘90s kind of record. I don’t think the ‘60s thing here was super-intentional. It’s more like when Os and I get together to sing and write, we very often end up in this early-Bee Gees/Association/Nilsson territory.”
The band is Jeff Whalen (vocals, guitar), Os Tyler (vocals), Dylan Champion (vocals, guitar), Jeff Solomon (bass) and Coulter (drums).
Now that these long-dormant songs have been revived, how do The Brother Steve hope to be remembered?
 
Os: Fondly. 
Jeff:  With people’s brains.
“The album will be released in mid-late September. Produced by Luke Tierney, #1 is now available for pre-order on CD.”
Dig what these cool cats are saying:
 
“…the best thing that I’ve heard this year… #1 is the shot in the arm that Guitar Pop needed so badly.” – I Don’t Hear A Single
“The Brothers Steve debut album #1 is a concentrated dose of poprock goodness. This baby is all killer, no filler, beginning to end.” – Poprock Record
“The Brothers Steve have channelled the spirits of The Banana Splits and The Monkees for this airy fun slice of California pie album.” – Full Blast Music
“3 members of Tsar play in The Brothers Steve, but the music of the band is more influenced by Teenage FanclubGuided By Voices or The Kinks. The 60s powerpop influences perfectly mix with 90s alternative Brit pop…’ – Veglam
 

TRACK LIST:

Angeline / We Got The Hits / She / Carolanne / C’mon Pappy / Songwriter / Carry Me / Good Deal Of Love / Beat Generation Poet Turned Assassin / Sunlight

Read RPMs Fantastic review HERE
UK/Europe CD Orders from Here
USA and Vinyl Here

"Angeline" by The Brothers Steve

"Angeline." The second video from the debut album by The Brothers Steve—available on vinyl July 27, 2019, at thebrotherssteve.com. #pterodactyl

Posted by The Brothers Steve on Monday, 15 July 2019

‘Peter Doherty & The Puta Madres’ will have many rushing for the exit and some will stick around and check it out whilst others are true believers that Doherty was handed the baton of real rock and rollers who always find what they’re looking for even if they don’t quite know what it is they are looking for.  They manage to write with great talents to interpret what’s coming out of their mind and who just click and make all the madness sound cohesive and at times quite beautiful,  it’s fair to say the record at times is intimate with tales of love, loss, happiness, tragedy, addiction and work on many levels. The album was recorded live to capture the essence and spirit of the Puta Madres at a family home overlooking a fishing village in Étretat, Normandy, over four days in the summer of 2018. so as the needle drops we are gently led into ‘All At Sea’ with the unmistakable wavering vocals of Doherty. The band are given the room to breathe and at times I’m reminded of albums like Dylans ‘Blood On the Tracks’ and Velvet Underground for the loose arrangments and use of instruments (ok so this might not stack up to those two albums but you get the gist).

‘Whose Been Having You Over’ has a galic flavour and once you lock into the groove its a majestic thing with some fine guitar work from Jones and Doherty and as the first track the violin of Miki Beavis is exceptional and add eastern flavours. ‘Paradise Is Under Your Nose’ is Dohertys finest five minutes and his duet with Jack Jones is on another level for a quite beautiful song.

The autobiographical ‘Narcissistic Teen Makes First XI ‘ is classic dreamy Doherty.  I promise the payback from this album is massive if you invest a bit of time and energy into it.  sure I can see how people will play it once and call it a shambles I get that but give it a chance.  There’s a gentle hand at work here and Doherty sounds content and comfortable with the musicians he’s assembled around him for this record as they play around his relaxed skiffle on tracks like ‘A Fool There Was’ as that gypsy violin leads a merry dance.

It’s not The Libertines and its not his loudest record but it might just be his best.

Author: Dom Daley

Buy Peter Doherty & The Puta Madres Here

Hailing from Melbourne Australia Press Club is really working the hard yards and slogging it out on the world tour circuit working hard crafting their place in the scene. With Natalie Foster leaving the stage on empty night after night ably supported by Greg Rietwyk, Frank Lees and Rufio MacRae; Press Club are giving it their best shot with ‘Wasted Energy’ and those hours spent in the van and on stages everywhere are spilled into every groove and track on the album.  It seems like only a couple of months ago they were out supporting their debut album and already they’re onto album number two.  Good work ethic guys tour, write, record.  Its the evolution circle of rock and roll as it used to be.

 

There’s no easing in gently here its bang – on with the show. ‘Separate Houses’ is up and running.  It’s setting the tempo for what’s to come there’s no time like now and no time for fucking about waiting. ‘Dead Or Dying’ is sharp and rattles along with a cool bass line that punches through the melody on the verses as the sprightly tempo raises like Foster’s voice.

‘Thinking About You’ is a more melodic tune. you still have the tightness but the guitar is more chiming and its no surprise to see it as the lead single off the record as its easily accessible to a wider audience. In direct contrast ‘Chosen Ones’ is the other end of the spectrum and is a far more uptempo number.  To be fair it’s pretty much the band’s default sound and style but that’s not to say they lack variety because they don’t at times I’m reminded of bands like Joy Division with some of the cold sharp angular guitar attack and then on songs like ‘Get Better’ they just get their heads down and rock out and the album really soars when they hit that groove.

They can also just kick out the jams like on ‘New Year’s Eve’  where the rhythm section gets the job done with aplomb. As the album wears on the penultimate track is the thoughtful ‘Same Mistakes’ which starts off gently and builds towards the chorus (of Sorts) and is one of the standout tracks on a pretty impressive album.  Press Club are working hard on their chosen craft and it’s paying dividends in the studio because ‘Wasted Energy’ is a strong outing and one that will see the band reap the rewards.

 

 

Buy Wasted Energy Here

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Author: Dom Daley

THE DEAD DAISIES ARE LOCKED, LOADED AND READY TO FIRE!! on  AUGUST 23RD.

 

The Dead Daisies pride themselves on being an ass-kicking Rock band very much of today who love to celebrate the history of amazing music. In short, the band are fans of Rock and always will be.

Every one of the bands albums to date has had at least one cover song on it drawn from great songs from all eras, from the early blues greats to the classic rockers and heavy-hitters of later times. So many terrific players, so many immortal words, so many larger-than-life riffs.

 

“This is a ‘tip of the hat’ to our heroes, bands that influenced us when we use to buy their records as teenagers. Now we’ve put them all on one album and it seriously rocks!! You may think of us as ‘Rock Stars’ but at the end of the day we’re just huge music fans!” – John Corabi

This collection of covers comes together from a long list of some of our favourite tunes, some bonafide classics – or simply songs that made us all smile, sweat and scream, band and audience alike.

These are done Daisies style, with big guitars, big vocals and always a bit of dirt under our collective fingernails, just the way we like it which is why we always love to mix up the setlist and throw them into our live shows.

“Playing these songs live is a total adrenaline rush for all of us. Our audiences go nuts with our Daisified versions of these songs that come from an incredible time in music. It’s our way of paying homage to the ‘greats’ of rock.” – Doug Aldrich

 

So crank them up as they work better with generous amounts of volume and a huge smile on your face. After all, a great song is a great song. Rock is Indeed alive and well.

Released on August 23rd, 2019, it comes in a suite of formats including DigiPak CD, Coloured Vinyl with CD in paper sleeve, digital download and streaming.

All tracks are remastered for this project with ‘Rockin’ In The Free World (Live)’ and ‘Highway Star (Live)’ being released for the first time ever.

 The players:

 

A lot of great musicians have been part of The Dead Daisies over the years. The following musicians can be heard on this album: Doug Aldrich, Jackie Barnes, Deen Castronovo, John Corabi, Richard Fortus, David Lowy, Marco Mendoza, Dizzy Reed, Jon Stevens and Brian Tichy.

 

Rock Is Indeed Alive And Well!!!

Let me start this by painting a little image in your head.

The year is 2004. I’ve just finished school for the summer and I can’t wait to waste the rainy days indoors blasting Kerrang TV. I’ll always remember seeing the music videos for Fat Lip and In Too Deep way way back in the day, they made quite an impression on this edgy little 10-year-old.

 

It was about a year later when I managed to get the albums All Killer No Filler, Half Hour of Power and Does This Look Infected? (I say get because I had to rely on my old man buying me CD’s, No sales clerk is gonna sell an 11-year-old an album with the opening track “Grab the Devil by the Horns and **** Him up the *** … Oh the curse of parental advisory, I do not miss it.) I can’t remember how many times I had played tracks like Still Waiting, Makes no Difference and Summer but I’m sure the repeat button on my walkman hated me.

 

Sum 41 are still kicking after all these years however with Order in Decline, their most recent work. We’re greeted with the opening track Turning Away. It’s not how I expected the album to start, put it that way. Catchy riffs and sequences are present, the chorus and the guitar solo (which is killer by the way) add a bit more energy to it but it still feels a bit lackluster as an opening track.

 

Two of the more stand-out tracks for me have to be Out for Blood and A Death In The Family. Both of these songs are borrowing from the style of the 2004 album Chuck. Not to mention these songs are pretty heavy for a punk band, with double bass beats and riffs that go hard. Around the midsection of the album is where we start to get some of the more groove-oriented tracks such as Heads will Roll and 45 (A Matter of Time). Already in five or so tracks Sum 41 are really showing that they’re not afraid to branch out into a number or different styles and subgenres, showcasing how they’ve developed as musicians over the years. Albeit with the departure of Stevo 32 some years back.

 

After a brief slow down in tempo and mood with the song Never there, we’re thrust straight back into the groove-fueled Eat You Alive, and then another personal favourite from this record The People Vs… This track is an absolute beast of punk riffs and drumming, Deryck’s vocals really shine on this track due to the grimey punk aesthetic. The final track on the album Catching fire also feels a bit lackluster. I’m not gonna lie it sounds like pop music, but I’m sure there’s something there for every sort of fan, albeit new or old.

 

All in all this record showcases much of the band’s diversity and how they’ve developed their musical style over the years. There’s something here in this record for everyone, whether you’re a fast-tempo high energy punk fanatic, a groove-heavy rock and roller, or even someone who enjoys the slower types of songs. You’ll be able to find something to enjoy in this album. I do think the track listing feels a little confused, however, Personally I’d have moved some of the songs around just so the album flows a bit better, instead of the more random nature of styles bouncing back and forth as you get deeper into the record. Some might argue that the order of songs are there as “Palate Cleansers” but It’s a bit too much for me personally. As an older fan of Sum 41, I did enjoy the record in whole. It’s great to see a band I grew up with still kicking and still producing great tracks.

Buy Order In Decline Here

Author: Adam Hatherway

The good folk at Runnin’ Blue are putting on a Rock and Roll show in London Town at The Lounge in Archway. The last two shows by Warner E Hodges were sell-outs so to avoid disappointment you can book a ticket at the links provided.

 

The Warner E Hodges Band are set to play at The Lounge in Archway and this time they have Mudlow in tow and the fantastic talent that is Sarah Vista who has been reviewed in RPM (Here) Some tickets remain and can be purchased Here

 

Tickets available Here

Warner E Hodges Band Facebook 

Sarah Vista Facebook 

Mudlow Facebook 

Runnin’ Blue Promotion Facebook