Beat City Tubeworks have gone and recorded the long lost follow up the Paul Stanley’s  ’78 solo album. I shit you not …..

No sooner has album opener “Road Runner” kicked in, a voice from the back seat of the car says “cool album daddy,” and kids know best.

We’ve got Slade, we’ve got Mud and we’ve even got a bit of Quo….. and okay there’s a little bit of Hellacopters in there too. In fact, Beat City Tubeworks may have succeeded where Nicke Andersson didn’t quite hit the spot in melding the sounds of Hellacopters and KISS together with his own currently dormant quartet, Imperial State Electric ( ooohh did I say that out loud?).

 

Next up is the lead video track for the album, “Succumbs” and it’s classic KISS. “Ivory Wave” is a little more British glitter, with more lead guitar than you could shake two sticks at. This is rock”n” roll and I like it. Love it. Like it. Love it.

“Fading to Grey” is probably the most ‘copters track on offer here tonight but with enough swagger to hold it head up high.

Paul Stanley would suck the chrome off bed knobs to get hold of tunes like “Estranged” and “Archaic Approach”. I tell you people, “Top Rock” is so good that continued listening demands wank breaks. Too much???

“The Joke’s On You” is glam rock perfection, like the bastard son of Paul Stanley and Noddy Holder. It’s so jam-packed with energetic 70’s glamtastic rock’n’roll and super sleazy garage rocky-ness that it demands to be played at every party, pub and club the world over.

 

While “Idiot Savant” has a little bit of a laid back groove, “Take Two Of These And Call Me In The Morning” is another tribute to early KISS and all the other cool records of the early 70’s that you nicked of your older brother and cool uncle.

Okay, we’ve come to the end of the show and Beat City Tubeworks play us out the door with the fast and furious “80’s Forest Treasure = Hands Of Sin”. Top marks, 10 out of 10. Gold star.

 

The “Top Rock” is available from the band’s Band Camp page at the bargain price of 199 SEK (or 21 Yankee dollars or even 16 quid to you and me) but the shipping from Sweden is a little eye-watering at about the same money on top again to us non-Swedes. But don’t despair, demand that the band play your town and pick it up at their merch stand.

 

Spend big and buy both “Top Rock” and the band’s debut LP “I Cannot Believe Its the Incredible…Beat City Tubeworks” at the same time or just download it for a small fee like the cool kids do. Just get hold of it somehow and make your world a better place, at least in 30-minute chunks.

Is January too early to declare the winner of the album of the year?

Buy ‘Top Rock’ Here

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Bandcamp

Author: Fraser Munro

 

Some of the writers managed to send in their list of the top ten live shows they went to in 2019.  they attended hundreds of shows all over the place via trains, planes and automobiles.  On another day I’m sure these lists would change many times over.  RPM Online supports Rock and Roll and loves a live show and as you browse through the lists there are many genres covered as well as some familiar suspects there are many new entries this year.  We’d love to take this opportunity to thank all the bands who toured and played shows all over the UK and continue to do so, All the festivals that supported independent music from Rebellion Festivals and Camden Rocks to Steelhouse Festival in South Wales and all the festivals around Europe and wider thank you.  Continue to look after independent Rock and Roll and help it thrive and reach a wider audience if you want to get involved get in touch we always welcome fresh eyes and ears to spread the word: rpmonlinetcb@yahoo.com

 

 

Leigh Fuge 


John Mayer –  02 Arena London

Ryan Roxie –  The Asylum, Birmingham

Michael Monroe –  The Fleece, Bristol

The Cult –  University Great Hall, Cardiff

Kenny Wayne Shepherd –  City Hall, Salisbury

Kiss –  The Arena, Birmingham

Alice Cooper –  Motorpoint Arena, Cardiff

Paul Gilbert –  The Fleece, Bristol

The Wildhearts  – The Tramshed, Cardiff

FM & The Quireboys  – The Globe, Cardiff

Nev Brooks 
Pulled Apart By Horses – Newport Le Pub (Reviewed Here)

Primal Scream –  Great Hall Cardiff

Alice Cooper, MC50, The Stranglers – Motorpoint Arena Cardiff

Nick Cave – Millenium Centre Cardiff

Mighty Mighty Bosstones, Bar Stool Preachers – O2 Bristol

The Hip Priests, DC Spectres, Deathtraps – Le Pub Newport

The Wildhearts, Towers Of London – SWX Bristol

Wonk Unit – Drogonfly Pontypool

Frank Carter & The Rattlesnakes – Sin City Swansea

Holy Holy – Tramshed Cardiff

 

 Gareth Hooper
Duncan Reid, Cyanide Pills, Bruno – Louisiana Bristol

Ginger & The Sinners – St John’s church Cardiff

Clowns, BBSC – The Exchange Bristol

Amyl And The Sniffers – Louisiana Bristol

Rich Ragany & The Digressions, The Speedways, More Kicks, The Spangles – The Blackheart London

The Wildhearts, Janus Stark – Komedia Bath

The Hip Priests – Le Pub Newport

Bar Stool Preachers, Rich Ragany & The Digressions – Clwb Ifor Bach Cardiff

Jim Jones & The Righteous Mind – Jacs Aberdare

The Stray Cats, Selector, The Living End – Hammersmith Eventime London

Johnny Hayward
Bar Stool Preachers, Rich Ragany & The Digressions, Social Experiment –  Clwb Ifor Bach, Cardiff (Reviewed Here)

The Hip Priests, Rotten Foxes, Flash House, Glitter Piss –  The Pipeline, Brighton

Rebellion Festival 2019 – Winter Gardens, Blackpool

Jim Jones & The Righteous Minds, Heavy Flames, Deathtraps –  Jacs, Aberdare

Death By Unga Bunga, Seek Warmth –  Hy Brasil, Bristol

Dboy, The Vega Bodegas, Nigel –  Clwb Ifor Bach, Cardiff

The Stray Cats, The Selector, The Living End –  Hammersmith Apollo, London

Grave Pleasures – The Fleece, Bristol

Pulled Apart By Horses, Baba Naga, Dactyl Terra –  Le Pub, Newport

Clowns, Broken Bones Gentleman’s Club, Glug – The Exchange, Bristol

Fraser Munro
Adam Ant – St Davids Hall Cardiff

Kiss – Kiss Kruise, Miami

Michael Monroe, Electric Eel Shock – The Fleece, Briatol

The Hip Priests – The Drippers, Deathtraps – JT Soar, Nottingham

Alice Cooper, MC50, Motorpoint Arena, Cardiff

Turbonecro, The Hip Priests – The Chameleon, Nottingham

Dboy – Clwb Ifor Bach, Cardiff

The Damned – KK’s Steel Mill. Wolverhampton

Skidrow, Backyard Babies – The Forum, London

the Wildhearts, Towers Of London – Tramshed, Cardiff

Ben Hughes
Michael Monroe – Brudenell Social Club, Leeds (Reviewed Here)

Duff McKagan/Shooter Jennings – Academy 3, Manchester

The Wildhearts – Stylus, Leeds

Frank Carter & The Rattlesnakes – Brudenell Social Club, Leeds

Low Cut Connie – The Fulford Arms, York

Amyl & The Sniffers – Brudenell Social Club, Leeds

Ryan Hamilton Songs & Stories Show – Bloomfield Square, Otley

Tyla’s Dogs D’amour – The Fulford Arms, York

Levellers – The Minack Theatre, Cornwall

Hands Off Gretel – The Fulford Arms, York

Nigel Taylor 

The Stray Cats – O2, Birmingham

Saint Agnes – Plymouth Junction, Plymouth

The Wildhearts – Cavern, Exeter

Motörgoblin (Orange Goblin plays Motörhead) – St Moritz Club, London

Ginger Wildheart – St Johns Church, Cardiff

Queensryche – Islington Assembly Hall, London

Mother Vulture – End of the World Festival, Plymouth

Uriah Heep – Steelhouse Festival, Wales

Cradle of Filth – London Palladium, London

Ghost – Motorpoint Arena, Cardiff

Blaze Bayley – The Junction, Plymouth

Dom Daley
Rebellion Festival – Winter Gardens, Blackpool (Reviewed Here)

The Damned – London Palladium, London

Michael Monroe, Electric Eel Shock – The Fleece, Bristol

Duncan Reid &The Big Heads, Cyanide Pills, Bruno – Louisiana, Bristol

Amyl & The Sniffers – Lousiana, Bristol

Ginger & The Sinners – St Johns Church, Cardiff

Clowns – The Exchange, Bristol

Rich Ragany & The Digressions, The Speedways, More Kicks, The Spangles – Black Heart Camden, London

New Model Army – Tramshed, Cardiff

The Wonder Stuff – O2, Bristol

Season’s greetings to all RPM-People! This time of year is prime for accumulating all manner of collectables that you really don’t need, but really must have: Christmas is coming, the goose is getting tat, and all that. With that skewed mantra in mind, for this latest of my Pop Culture Schlock columns I present a righteous rockin’ relic that I found loitering under the Xmas tree at my childhood home on December 25th, 1981…

I have extolled the virtues of the annual previously in the virtual pages of RPM; detailing the must-have Rock On! annual from Christmas 1979 in an earlier column. It would be very remiss of me, however, to not dip a cowboy-booted-toe into the waters of this hard-backed veteran of youthful gift lore at the time of year when, once upon a happier time, an annual was as Christmas as mince pie.

 

The Record Mirror Pop Club annual 1982 – released in time for Christmas 1981 – was given to my then-ten-year-old self by a cool aunt. She had once won a beauty contest, almost got scalped in a car accident, and had got the top of one of her fingers cut off at a zoo so, yeah, she was cool. The cover photo of said annual was a great live shot of The Police, the first band that I, post-childish Showaddywaddy infatuation, really got into and had posters on my bedroom wall of. I guessed that this cover was the reason why this annual had resided in a pile of now-crumpled wrapping paper under my tree. But, no; a quick finger of the pages informed me that this gift was pointed in my direction due to the inclusion of my latest (and arguably greatest) musical infatuation, KISS!

Yes, a full-page colour feature entitled “The KISS of Success” was the reason why this annual found itself in my possession, where it would remain for almost four full decades. The photograph that accompanied the article was, and remains, simply awesome. Messrs Simmons, Stanley, Frehley, and Carr, the newest band member, looking slick in the photoshoot used to promote the band’s 1980/81 ‘Unmasked’ world tour. Now, I know that the photos were taken on the day of the band’s 1980 show at the New York Palladium – the only show where Eric Carr wore the original “silver fox” version of his make-up. Then, I, like many others, I guess, was left wondering just how this great new drummer looked a little different. The photos were used for the tour books of the European and Australian legs of the ‘Unmasked’ world tour with crude touching-up of Carr’s make-up to remove all traces of the silver outlines. I wouldn’t hold an ‘Unmasked’ tour book in my hoarder hands for many a year, so this was my first experience of the original (not to be confused with Carr’s hawk make-up trial which was mocked more than Gene’s future hair hats) fox look and it felt special.

 

The feature spoke to me of enthusiastic acclaim for ‘Attack of the Phantoms’ from Australia and Germany; of how the solo albums sojourn had seen the band members return stronger, with astonishing new energy, to produce sensational albums like ‘Dynasty’ and ‘Unmasked’; and of how former member, Peter Criss, would always “remain as a member of the KISS partnership.” As frothy as the feature was, the fact that I now had a full-page colour feature to drool over rather than the minuscule black and white cuttings collected by each and every UK-based KISS Kid meant everything.

The annual wasn’t all about KISS, though: the pages featured many intelligent articles on all manner of (then-)current bands and artists. The Daily Mirror Pop Club was, you see, an actual club that offered money off concert tickets, free to enter rock and pop contests, and a members-only cassette lending library which boasted over 5,000 titles. Mick Jagger and the Rolling Stones were honorary presidents of the club. If proof were ever needed that the Daily Mirror once had a life beyond indentikit idiocy enabler then here it is.

 

“Things Look Good For Dire Straits” yelled a headline accompanying a two-page spread; “Go Quo in ’82!” another such piece. Cover stars The Police got a three-page article where each band member’s private life was dissected; guitarist Andy Summers revealed to have once shared an apartment with actor Paul Michael Glaser – yes, Starsky himself! Sheena Easton, Olivia Newton-John, Joan Armatrading, Kelly Marie, and Earth, Wind and Fire all got one-page features, as did Barry Manilow and Neil Diamond in a dedicated crooners section. To even things up a little, The Tourists, XTC, and Hazel O’Connor all featured, as did a lengthy John Peel article. With Elton John and Billy Joel spreads rubbing inked shoulders with features on Air Supply and Don McLean, the eclectic mix of the hit parade of the early Eighties was captured almost perfectly. But what of the rock and metal, I hear you cry over your Manowar records – full colour posters of Judas Priest and Thin Lizzy would surely quench any metalli-thirst.

Posters, you say? What kind of savage would cut up a frigging annual? Not me! If, however, you were some kind of imbecile then matt-finished photographs of Debbie Harry, Kate Bush, Rod Stewart, Madness, Sad Café, Cliff Richard, and Leo Sayer in a bike jacket could have covered up the woodchip in your boxroom.

 

I hope that an annual resides under the Xmas tree of all cool kids who have taken the time to read my retro ramblings on RPM this year. I shall return in 2020 with more tales of rock ‘n’ roll spit being swallowed by the worlds of comic books, board games, action figures, and the like. I know that the world appears to be more fucked up than it has for some time but, if you’ve ever asked the question offered by the theme tune of one of the greatest television shows of the twentieth century – “is the only thing to look forward to, the past?” – then I may be able to bring you brief moments of solace via my much-loved, well-fingered pieces of tat. Have a cool yule, y’all!

 

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Author: Gaz Tidey

                       Kiss ADD MORE EUROPEAN & SOUTH AFRICAN TOUR DATES FOR 2020

After an epic and well documented 45-year career that launched an era of rock n roll legends, KISS launched their final ever tour in 2019.

2019 saw sold out KISS shows across the globe with arguably the greatest KISS show ever! The initial tour announcement was met with huge fan demand for added shows, but the END OF ROAD TOUR will officially come to a close on July 21, 2021 at a NY location yet to be named.

KISS are delighted to announce further dates to their incredible END OF THE ROAD TOUR in June and July 2020, with more dates in Europe and South Africa announced today.

KISS will be offering VIP experiences and special KISS Army fan presales. VIP experiences may include a personal photo opportunity with the band, access to an exclusive pre-show lounge and a behind the scenes tour.  Visit www.kissonline.comfor more information.

Known for their trademark larger-than-life blistering performances, KISS has proven for decades why they are hands down the most iconic live show in rock n roll.  The Rock & Roll Hall of Famers, who have sold more than 100 million albums worldwide, have said this tour is devoted to the millions of KISS Army fans.

“All that we have built and all that we have conquered over the past four decades could never have happened without the millions of people worldwide who’ve filled clubs, arenas and stadiums over those years. This will be the ultimate celebration for those who’ve seen us and a last chance for those who haven’t. KISS Army, we’re saying goodbye on our final tour with our biggest show yet and we’ll go out the same way we came in… Unapologetic and Unstoppable,”said KISS.

KISS END OF THE ROAD 2020 European dates announced are below (newly announced dates in red including South Africa) –

Tuesday 9thJune 2020                   Accors Hotel Arena, Paris FRANCE
Friday 12thJune 2020                     Download Festival, Derby UNITED KINGDOM
Sunday 14thJune 2020                  Westfalenhalle, Dortmund GERMANY
Monday 15thJune 2020                  Barclaycard Arena, Hamburg GERMANY
Thursday 18thJune 2020               Copenhell Festival, Copenhagen DENMARK
Saturday 20thJune 2020                Osterhuis Arena, Sandnes NORWAY
Monday 29thJune 2020                  Zalgiris Arena, Kaunas LITHUANIA
Wednesday 1stJuly 2020               O2 Arena, Prague CZECH REPUBLIC
Sunday 5thJuly 2020                       Wizink Arena, Madrid SPAIN
Friday 10thJuly 2020                       Festhalle, Frankfurt GERMANY
Saturday 11thJuly 2020                  Schleyerhalle, Stuttgart GERMANY
Monday 13thJuly 2020                    Arena Di Verona, Verona ITALY
Wednesday 15thJuly 2020             Arena Gliwice, Gliwice POLAND
Thursday 16thJuly 2020                 Budapest Arena, Budapest HUNGARY
Saturday 18thJuly 2020                  Armeec Arena, Sofia BULGARIA
Saturday 25thJuly 2020                  Ticketpro Dome, Johannesburg SOUTH AFRICA


www.kissonline.com

Rock photographer Bill O’Leary has a book Featuring over 175 full color concert images from the ’70s through ’90s of icons like Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Zappa, and more Available Here
During his career, photographer Bill O’Leary took pictures of some of rock’s biggest names at the peak of their powers – Van Halen, Rush, Judas Priest, Kiss, Ozzy Osbourne, Queen, Pink Floyd, Frank Zappa, etc. And now, he has opened his archives for the first time ever – assembling a collection of not only his best images, but also, offering stories and recollections behind concerts he shot over the years. Indeed, this book is comprised of over 175 full color, live concert images photographed primarily from the late 1970’s through the 1990’s.

Artists include…AC/DC, Albert King, The Allman Brothers Band, Anthrax, Blues Traveler, Bob Seger, Cheap Trick, Def Leppard, Dixie Dregs, Foreigner, Frank Zappa, Grateful Dead, Hot Tuna, Jeff Beck, Jethro Tull, Joan Jett, Judas Priest, Kiss, Marillion, Mercyful Fate, Michael Schenker Group, Molly Hatchet, Mötley Crüe, Motörhead, Outlaws, Overkill, Ozzy Osbourne, Pat Travers, Phish, Pink Floyd (The Wall), The Police, Queen, Rainbow, Reo Speedwagon, The Romantics, Rossington Collins Band, Rush, Scorpions, Slayer, Styx, Ted Nugent, Todd Rundgren’s Utopia, Triumph, UFO, Van Halen, White Zombie, XTC, Yes, Yngwie Malmsteen with Alcatrazz, and ZZ Top.

O’Leary says:
“Hard to believe that I have been shooting concerts for 4 decades now, beginning in the mid 70’s when I went to my first concert at the world famous Madison Square Garden in New York City. I felt at home among the walls of speakers and the towering lighting rigs, I also immediately knew that leaving the show with a ticket stub, program and maybe a t-shirt would not be enough, so I had to capture the memory permanently. Within’ weeks I had traded my Sony home stereo system for a black leather jacket and my first Minolta SLR camera. After a brief learning period experimenting with the constantly changing lighting and vast array of colors, film speeds and the quick movements of the artists, I was told by many people that I was a “natural”. I have always felt that “knowing” the music deeply and being passionate about it as well, really was the “secret” to capturing the “moment”. With that confidence, I was soon shooting many concerts, 46 in 1980 alone. By then I was also being published in many major magazines as well. In the early days, I practiced “gorilla type tactics” to get my equipment into the venue’s. Later, I was forced to play the game of securing credentials in order to shoot shows. All too soon, promoter and band management rules and demands on photographers began to take the excitement out of shooting shows. Then the ” first 3 song” rule became common, NO more pictures after the third song. Pro concert photographers know that the “best” part of a shows production comes later in the event. In the end, I’m glad to have been a part of the glory days of concert photography.”

FOREWARD by Freddie Salem of The Outlaws:
“Bill O’Leary has played an extremely important part in the rock n’ roll world, as the consummate live performance photographer for over 40 years. As a professional musician, rock photographers are a part of the music scene – whether it be shooting promotional shoots, live concerts, or simply capturing life on tour. Bill first photographed us back in 1979 – a couple years after I joined the Outlaws, at Madison Square Garden in New York City. We were touring in support of our latest album, In the Eye of the Storm. Madison Square Garden is a big show for any touring band – as well as me personally, as a musician. A landmark venue. The following year, 1980, Bill again photographed me onstage – twice. Once at a Pat Travers Band show at the Palladium in Lower Manhattan in April, then again later that fall in November, as the Outlaws were touring in support of our latest album, Ghost Riders. This time, we were playing a smaller venue in Passaic, New Jersey, called the Capitol Theatre. Hundreds upon hundreds of marquis performers from all over the world have been captured on film by Bill – with the help of his trusty camera. I am surely anticipating the release of Bill O’Leary’s book, featuring his life’s passion and his iconic photography work. Looking at the thousands of live photos Bill has shot over the years one thing is very clear – he knows when to “pull the trigger.”

They’ll be dancing in the streets of Llanharan with the news that Glasgow rockers HEAVY PETTIN‘ return for the second leg of their ‘Back On The Road Part II‘ tour and a festival appearance at Golden Age Rock Festival in Belgium for August and September.

 

Back On The Road Part II – Tour dates:

Aug 22 – Eleven, Stoke, England
Aug 23 – Camden Underworld, London, England
Aug 25 – Golden Age Rock Festival, Liege, Belgium
Aug 30 – Crauford Arms Music Venue, Milton Keynes, England
Aug 31 – The Tivoli, Buckley, North Wales  w/ Rock Godess
Sep 01 – The Exchange Bristol, England w/ Rock Godess
Sep 04 – Rescue Rooms, Nottingham, England w/ Rock Godess
Sep 05 – The Waterloo Music Bar, Blackpool, England w/ Rock Godess
Sep 06 – Oran Mor, Glasgow, Scotland w/ Rock Godess
Sep 07 – Yardbirds Rock Club, Grimsby, England w/ Rock Godess
Sep 08 – The Robin 2, Bilston, England   w/ Rock Godess
Feb 08-13, 2020 – MORC X, ‘Monsters of Rock Crusie‘ Florida, Belize & Mexico

Stardom beckoned for Heavy Pettin‘ back in the early 80’s with arena tours supporting KissOzzy and Mötley Crüe and along with the help of MTV, the band scored a couple of Stateside hits.

In 2017, original members Hamie, Punky, and Gordon joined by Jez Parry on bass and Michael Ivory on drums performed for the first time in 25 years. Reinvigorated, HEAVY PETTIN‘ , joined by ex-Gun guitarist Dave Aitken due to Punky hanging up his guitar and going in to retirement, did several shows in 2018 and 2019.

 

According to Hamie, fans should look for a bit of 4PLAY “…the demand and support for new HEAVY PETTIN‘ material has been so overwhelming, we are excited to say we’re now working on brand new HEAVY PETTIN‘ material which will be released in 2019… and it’s going great!

Facebook: @heavypettinofficial
Twitter: @Heavy_Pettin
Instagram: @heavypettinofficial
Get your Heavy Pettin’ Merchandise Herehttps://heavypettinofficialmercandise.bigcartel.com

One of the best debut albums I’ve heard in quite some time happens to be ‘Out Of My Head’ it’s jam-packed with influences ranging from the good to the greats and the passion and energy poured into every groove of the LP is evident to the listener.  I tapped Matt up for an interview with RPM and he was happy to oblige.  If you’re lucky enough to have the band roll into a town near you I suggest you cancel whatever it is you’re doing and get down to the Rock and Roll show.  But hey check em out then support them and Dead Beat Records because we need more bands like this making music on labels like that.  So lets cut the crap and get down to the chatter that mattered  Ladies and Gents boys and girls  Matt from Poison Boys…
When did the band form and let us know a little about where you grew up and what inspired you guys to pick up an instrument and play Rock and Roll?
I grew up right outside of Chicago in Northwest Indiana, about 1 minute from the border of Illinois. Been obsessed with rock n roll since I was a kid. Me and my friend Mike Lippman had been playing in punk bands together since we were young teenagers and finally decided we wanted to start a rock n roll band. I played drums throughout those years but wanted to play guitar if it was a rnr band so started figuring out Ramones songs and went from there.
Can you remember what the first songs you wrote as a band was?  
Mike and I collaborated on nearly all of the early songs, he’d write riffs or I would, and I’d write vocals and he’d help me with the lines sometimes. First ones we wrote were Been Here All Night, Out of My Head, Cut Right Out, Bad Mouth, Without You and a couple of others. Unfortunately, Mike passed away before we could complete a lot of other songs which I ended up finishing later like Headed for Disaster, Got to Tease, and Up to the Sky among others. We always wanted it to be a well rounded rock n roll group, not just one specific sound the whole record or anything. But not to stray too far outside of the rock n roll spectrum.
You’ve released a couple of singles before the album came along with the first two being on the excellent UK label no front teeth.  How did that come about?  How did a label out of London pick up some guys in Chicago?  Is the line up stable now? your almost in Spinal Tap territory for past members already 
I found out about No Front Teeth from reading a PORK magazine and either seeing an NFT ad or a record review with NFT as the label it was released on. Just emailed Marco and he was super down to help us get our first (and second) 7″ out. Really I could not find any snotty punk labels in the states at all. Even now I only know of like 2 or 3 and that’s it. And if they aren’t interested or are too busy or whatever you turn to labels elsewhere that’s all.
As for the lineup… When people don’t wanna play rock n roll anymore or move out of state what do you do? The band hasn’t been around long enough to make much of an impression with anyone lineup, hasn’t had an LP or anything out prior to now so it didn’t matter to me. Granted I don’t exactly enjoy having members flake out or whatever but it is what it is. We’ve had a pretty solid lineup for about a year and a half or so with Matt “Chainz/the Chainblaster” Chaney on drums and Steve  “Stevsie/Stevie Poison” Elfinger on bass at home/guitar on the road, and touring members Nico Bones on bass and Julius Lange on guitar. It’s been pretty killer getting to know and hang with all of them.
The first single was back in 2016 then ’17 then you got White Zoo to release the last one last year.  Had you already signed up to dead beat to do the album by then?  How come you switched for the album? 
Dead Beat came about through me asking them earlier this year if they’d be interested in releasing the LP. They were very stoked especially after hearing the record, so we just had to finish up art and final mastering for it and it was a go. The 7″s were released on the other side of the pond, we were just looking for somewhere closer to get the records released by and knew Dead Beat had put out records by some of our favorite newer rock n roll bands.
Is there a chance of a European release for the record?  What about touring Europe and the UK?
We’d love for it to be released by a European label! Haven’t heard anything about that yet but time will tell I suppose. We plan to set up a European tour for hopefully next year.
As far as the album goes I was really pleased to hear plenty of influences in there and some choice covers.  Obviously, I have to ask why those covers? (apart from them being great songs) 
Well, I was listening to a Beatles singles comp called ‘Past Masters’ and heard a banging rocker called ‘Slow Down’. Knew it had to be a cover and found out Larry Williams was the original and sounded killer!! I figured we could pull it off and should give it a go. It delivers well live so we figured it’d be a good way to help open up the album and add more bitchin’ piano to it which we love big time. As for the Dead Boys cover… that one’s always been relatable to me and it fits with our style really well I think. It’s, of course, a tribute to them and our influences getting into punk at an early age.
I love the album and think it’s one of the best debut albums I’ve heard in an age and the attitude in the songs is superb – really authentic sounding. Is there a plan to tour then record some more? are you someone who writes all the time? 
Thanks man I really appreciate it. We worked hard on these songs and it’s good to finally let them have their day. Really nice to hear that people like them. We’re leaving for our “Out of My Head” East Coast/Canada Tour 2019 this week and beginning recording for our 2nd LP this week as well. Plenty still on the horizon for the Poison Boys. I write all the time even if it’s just little pieces and put them together as I go. Show ’em to the guys and get opinions and we work em out from there.
How has the reception been at the live shows?  How would you describe the scene over there in Chicago? is there much of an appetite for real rock and roll?
The live shows are killer and what we love the most. People seem to love it too and get down to our set so that’s cool. I think people need this type of rock n roll but just aren’t getting it much from bands these days. Not a lot of people go to rock n roll shows around here anymore unless it’s the Stones or KISS or something. A lot of bands around here either play washed out reverb’d out psychedelic shit or shoegaze or grunge or a mixture of all that. There’s like 3 bands in Chicago that don’t do that. As with many bands, the reception on the road is way greater than at home.
There seem to be pockets of superb music coming out of America right now – any chance you cats hooking u with bands like Wyldlife, Ravagers and The Sweet Things and stealing over here for a package tour?  Are there any bands you hear about currently tickling your fancy so to speak?
We generally like touring alone but are open to whatever if the situation’s right. One of our first shows ever was in Indianapolis in 2014 opening for Wyldlife. Alex from Ravagers does a lot of our artwork and we have a gig with our boys the Sweet Things coming up at Coney Island Baby in Manhattan in a couple weeks, Friday 8/02. Yeah favorite bands going on right now in the states are mostly in California, like Black Mambas, the Crazy Squeeze, the Flytraps, Dr. Boogie (although they just broke up), and also bands like Terry and Louie, our boys Jonesy from Montreal, the Rubs, our buds Big Blood from out here, stuff like that. And of course the Sweet Things out in NY. There’s a good amount of rock n roll going on elsewhere and I think it’s growing thankfully.
Listening to the album I hear some obvious inspirations from the likes of Dead Boys, Thunders, then I hear classic Stones and Faces – you guys have some of the swagger that made early Guns N Roses shine (tear Me Apart)  and I love the confidence of songs like ‘Up To The Sky’ but you can also mix it up like Hanoi Rocks on songs like ‘Desperado’   it opens up options for you to go in any direction what’s on in the van currently? What are you listening to?
We listen to old protopunk shit like Berlin Brats, Hollywood Brats, Razor Boys, Nervous Eaters, Rockpile, Flamin Groovies, Stooges, all that. A lot of Johnny Thunders and Dolls stuff of course, their solo stuff right after the Dolls broke up too. Hanoi Rocks, Dogs D’Amour. But also stuff like the Nuggets comps and other more obscure comps like the Bonehead Crunchers comps and shit like that. A ton of old punk bands like Menace, the Only Ones, Teenage Head, the Saints, Chelsea, Testors, Slaughter and the Dogs, Gen X… Then Mott the Hoople for 24 hours straight, Lou Reed, Kiss, T Rex, Motorhead, the Faces, Stones. All the goods all the time. Oh yeah and the RAMONES.
If there is anything you guys need to get off your chests here’s your chance.  Anything you’d like to add?
Come see us on tour!!! Buy merch, support rock n roll and keep us on the road. If you play rock n roll start a band get a shitty van and a mechanic friend and go tour. Keep this shit alive and growing and spread the love not shit talk and hate. We’re too small of a scene to be separated all the time by trivial cool guy bullshit and life’s too short to waste energy tearing each other down. It ain’t like the old days, we all know that… Rock n roll is so unimportant to modern society and we’re all we have left. We’re all in this together. Be inclusive there’s no room for hate against each other.
Buy The Album Here or coloured vinyl Here
New edition offers 6 pull-out posters, exclusive interviews, extensive “End Of The Road” tour photo gallery, and a completely new collectible KISS card set
With an epic 45-year career that changed music and entertainment forever, KISS will be hanging up their touring boots at the conclusion of the current multi-year “End Of The Road” tour. To celebrate their legacy, Texas-based publisher Fantasm Media has teamed up with the rock icons again to release The Official KISS Poster Book #2. For die-hard KISS fans, collectors and completists, the second issue brings the current bombastic stage show to life and celebrates their amazing past. This issue is packed with 6 giant pull-out posters featuring the current band members onstage doing what they do best, as well as classic era shots. It’s also loaded with articles, interviews, and photos covering both the current and classic incarnations of the band.

“We’re absolutely thrilled to continue working with KISS,” says Publisher/Editor-in-Chief Brian Steward. “As a lifelong KISS fan and collector, I approach creating The Official KISS Poster Book from the perspective of, ‘What would I want to see as a fan?’ That’s what’s most important.” And one thing KISS fans definitely do is collect. To meet that collector need, Fantasm Media is offering six alternate covers, each featuring different images not only on the front but also the back.
As with issue #1, this issue of The Official KISS Poster Book features exclusive interviews and a completely new collectible KISS card set. Fans also get an extensive “End Of The Road” photo gallery. Featured interviews include director Adam Rifkin on the 20th anniversary of the KISS film, Detroit Rock City; Jim Neff on how he helped orchestrate the historic 1975 appearance of KISS in Cadillac, Michigan; and David Pea on designing Sammy the Serpent and Gene’s current Demon costume.

The Official KISS Poster Book #2 and The Official KISS Poster Book #1 and the two issues of The Official KISS Magazine are available exclusively at Fantasm-Media.com. The next issue of The Official KISS Poster Book will be released later this year and will be accompanied by yet another original KISS card set.

It’s without a doubt KISS has become something of a worldwide rock’n’roll phenomenon. Since their initial inception in ‘73, they’ve racked up a sizeable amount of miles on the road, albums, and tours, spanning the length of the globe. I’ve been raised listening to this band and had the pleasure of watching them perform on numerous other tours over the years. This, however, seems to be the end of the road for them, hence the name of the tour I suppose… (Well supposedly… I mean look at Ozzy and Priest for example)

 

The evening started out not with a warm-up band, but a performance by David Garibaldi, an American painter. I have to say, it was really refreshing and different to see an opening act performing something totally different, and out-of-the-box instead of the usual warm-up band line-up. Garibaldi painted three paintings in his half-hour time slot, one of Mick Jagger, and upside-down painting of Freddie Mercury (there was a big gasp when he flipped it around, although all the Queen songs playing while he was painting it sorta gave it away…) Ahem, where was I? Oh! And finally a painting of all the KISS members. The final painting would be ‘put up’ as a prize, where concert-goers could make a donation to a children’s cancer charity. The painting would then be given at random to one lucky donor.

 

KISS took the stage at 21:55 with a blistering two-hour setlist. Everyone was greeted by the usual:

“ALL RIGHT BIRMINGHAM. YOU WANTED THE BEST. YOU GOT THE BEST. THE HOTTEST BAND IN THE WORLD. KISS.”

 

No matter how many times I hear that opening it never gets old. Whether it be on record or in person.

 

Detroit Rock City was first on the setlist, with the band lowering themselves down from the ceiling rafters on platforms. Alas, you’ve gotta expect the usual theatrics when it comes to Kiss shows. I’ve got to say, Paul Stanley and Gene Simmons are getting on a bit but man they still sound good. Gene especially. Paul can’t really hit the highs he could back in the day but he can still put on a damn good performance. That being said, instrumentally, they were totally flawless. I guess that’s what you get for playing your music for this long, eh? Tommy Thayer and Eric Singer returning as the Spaceman and the Catman respectively also performed to the absolute top tier.

 

Kiss classics old and new were on the setlist. The likes of ‘Cold Gin’, ‘God of Thunder’, ‘Deuce’, ‘Lick it Up’, ‘I Was Made for Lovin’ You’ were all present at this show. (Unfortunately so was ‘Crazy Crazy Nights’, if you like that song, more power to you but I can’t say I’m a fan sorry.) all the usual theatrics were present too. Gene spat some fire, Flew up and played a bass solo while spitting blood, the usual good stuff. Plenty of pyros and fireworks too.

The real curveball for me was Eric Singer rising from below the stage sporting a grand piano for the encore. I didn’t expect to hear Beth on this farewell tour but goddamn, I sang my heart out. Of course Rock and Roll All Nite was the grand finalé, let’s be honest you wouldn’t expect to leave a Kiss show on any other song. Looking back, all in all, it was probably the best Kiss show I’ve been too. Knowing they went out on such a high note (maybe, we’ll see) really added to the experience.

Author: Adam Hathaway

What’s that musty smell? Ah yes, it’s emanating from the veritable feast of vintage collectables housed in the Pop Culture Schlock archive. For your delectation today I take you back to the Christmas of 1979; a seminal decade of music about to come to an end and give way to the dawn of a more brash, more brazen ten year period…

 

If you were a good, music-loving boy or girl in 1979 and had a.) done well in school, and; b.) not scratched your big brother’s vinyl, then there was a good chance that you’d find the Rock On! Annual 1980 nestled under the Christmas tree in your modest living room.

 

“The Rock What Annual?” I hear you exclaim, and you shouldn’t be embarrassed at your lack of knowledge on this subject because, truth be told, Rock On! magazine was a short-lived, oft-forgotten publication… if you’d ever heard of it at all.

 

Rock On! magazine debuted with an issue cover-dated May 1978. Debbie Harry featured on its cover and the mag – costing a whole 25p – promised a healthy mix of punk, new wave, heavy metal, and prog rock. It kept its promise too as, over the course of seven eclectic issues, Rock On! dished out features and photo spreads on a dizzying cadre of top musical combos; from Status Quo to Sham 69, The Clash to KISS, Rush to The Rezillos. Meat Loaf graced a cover, Ozzy, too, until Issue 7, with Jimmy Pursey as its cover star, and cover-dated November 1978, when Rock On! disappeared from newsagent shelves. The editorial in that final issue wrote of the outrage of cutting off such a desirable publication in its prime but, if anything, Rock On! was a victim of its own blurring of genre lines: readers seemingly wanting specialist publications dedicated to singular strands of the rock ‘n’ roll world rather than this ambitious crossover style.

 

That final editorial, though, did offer some hope for the future; stating that it was the last Rock On! “in its present form”. Fast forward to around a year later and, in the Autumn of 1979, the true final piece of the Rock On! jigsaw arrived in shops and catalogues to complete the punk ‘n’ prog rocking picture.

With a scorching hot live photo of Thin Lizzy’s Phil Lynott on the cover, Rock On! Annual 1980 (price – £2.00) may well have been jostling for attention on the shelves alongside big-hitting television and film spin-off annuals, but it certainly looked the most badass. It was, the cover screamed, packed with pictures, facts, and quizzes on your favourite rock bands. It did not disappoint.

 

The heady mix of photo spreads and more in-depth features on select bands really did make Rock On! stand out from its competitors, and this annual amps that angle right up to eleven. The first photo spread was a “Tribute to Vocal Power!!!” (yes, with three exclamation marks) and featured cool live action shots of Joe Strummer, Johnny Rotten, Cherie Currie, Pete Townsend, Willy DeVille, Graham Parker, Joan Jett, and Mick Jagger. A good start, I’m sure you’ll agree.

Next up, a photo diary detailing a “hard band” going “soft” as The Stranglers met their devoted fans, followed by a quartet of stinging live shots of “the band the critics love to hate”, Status Quo. Rock On!’s attitude to those Quo critics could be “summed up in two fingers” readers were informed.

 

With barely a pause for breath, a six-page A-Z of Heavy Metal feature detailed the prime acts in the genre, from AC/DC to, erm, Wishbone Ash. A-W, then. A few curious names in this run-down, too: Prism, Quartz, and Mahogany Rush rubbing shoulders with the expected likes of Whitesnake, Black Sabbath, Judas Priest, and, a firm favourite on the turntable at RPM HQ, Uriah Heep. A “Heads Down Heavy Metal Quiz” followed: a select question being “On Your Feet Or On Your Knees was a double live album for which heavy metal superstars?”

 

A Ten Years of Genesis feature followed, the first in a series of in-depth essays by John Tobler. His similar two-page spread on the history of Queen followed, as did those dedicated to Thin Lizzy, Blue Öyster Cult, Rush, and KISS. The latter, subtitled “Kings of Shock Rock”, wrote of “the forty foot columns of fire that emit from Gene Simmons’ mouth” and, c’mon, if you were eight years old at Xmas 1979 you had every excuse for then falling head over platform heels in love with the idea of the hottest band in the world.

There was a Rock On! reggae report, a fashion guide of sorts where the Quo’s Rick Parfitt spoke of his love of jeans and Hugh Cornwell of The Stranglers of his love of raincoats (!), a Hi-Fi buying guide, a feature on sound engineers, a top DJ article covering John Peel and Anne Nightingale, plus one-page specials on Peter Gabriel and Ken Hensley of the Heep.

 

A photo spread of Ian Dury swimming (just your seven shots) padded out the pages, but not before an impressive photo set of live Black Sabbath shots appeared, a Star Cars article featuring Steve Jones, Meat Loaf, Midge Ure, and, ominously, Cozy Powell, a “Cult Heroes” feature detailing the likes of Iggy Pop, Nils Lofgren, Todd Rundgren, Tom Petty, and Bruce Spingsteen, and a “Sex ‘n’ Girls ‘n’ Rock ‘n’ Roll” spread featuring Debbie Harry, Joan Jett, Siouxsie Sioux, Linda Ronstadt, Annie Golden, Poly Styrene, Stevie Nicks, and Rachel Sweet.

 

A “That Was The Year That Was” feature dedicated to 1978 was an obvious leftover from the previous year’s magazine and makes for entertaining if a little sombre reading amongst the other genuinely funny articles. Rock On! was a cool magazine, with its tongue firmly in its cheek and its love of a broad range of music at the forefront of any thinking. Your Uber Rocks, your RPMs are all subconscious descendants of Rock On! magazine.

No annual is complete, however, without a pull-out poster section (even if no kid ever dared pull a poster out of an annual!), and Rock On! Annual 1980 does not disappoint in that department. There are pin-ups of the aforementioned Pursey, Rezillos, Dury, Harry, Clash, and Lynott, plus Bob Geldof, Paul Weller, Freddie Mercury, David Lee Roth, Jon Anderson, Elvis Costello, Paul Stanley, and the Buzzcocks. Great photos too.

 

The Rock On! Annual 1980 may well be an uncommon piece in the average music memorabilia collection, but it is certainly a worthy one. Copies turn up on the secondary market relatively cheaply and, yeah, you should pick one up if you get the chance. The Rock On! staff were most certainly music journalist mavericks, and we’ve all tried to go there, right? Search for this precious, rockin’ tome… or you might never know how Rick Parfitt’s aunt ironed his double denim.

 

Thanks for reading, and for the feedback on my first column on the debut Alice Cooper comic. I’ll be back next month with something suitably archaic that the rock ‘n’ roll world tried to forget. Search for Pop Culture Schlock 365 on Instagram, Twitter & Facebook