Kurt Baker (Kurt Baker Combo, The Leftovers, etc) Delivers New “Over You ” Video That’s “A Total Spoil of Riches For Any Fan Off 80’s Culture.” New Solo Album ‘After Party’ Out October 23 on Wicked Cool Records
Melbourne, Australia’s The Mercy Kills are back, with the release of their newly remastered single, ‘Fall’ and accompanying video. Fall comes from their upcoming EP X, which will be released by Golden Robot Records on October 2nd. Facebook / Instagram / Twitter
Finally this Monday we bring you the brand new video from Dinosaur Pile-Up and their take of the classic ‘It’s tricky’ from Run DMC. The band have announced rescheduled live dates, which include their largest headline show yet to take place at London’s O2 Forum Kentish Town on February 26th 2021, with a warm up show at The Wardrobe, Leeds on February 20th. Dinosaur Pile-Up will be completing a full UK tour with Enter Shikari throughout May and June 2021, which finishes with a London show at Alexandra Palace on June 12th. The band are also set to perform at festivals including Mad Cool and Burn It Down next summer. All tickets are available via The bands Website
Bringing you the finest new releases from across the genres of Rock, Punk, power pop and Alternative RPM Singles Club opens its door for September and the wind blew these fine tunes in
The White Ribbons – ‘Leftovers’ (STP Records) When you take 4 musicians enjoying nothing more than a jam session in mid 2017, and that jam session then develops into a band that was formed to support the amazing work done by www.whiteribbon.org.uk which is part of the global White Ribbon movement to end male violence against women by engaging with men and boys, raising awareness, and influencing change and providing resources to make change happen, ladies and gentlemen what you get is The White Ribbons band.
‘Leftovers’ is exactly how I imagined they’d sound. There’s a vibe about the band that says Joy Division and the sparse intro until the distorted guitars crash in its got a subtle hook but never pours over into a frenzy. ITs a cold feeling of a post-punk mid-80s however the real gem is ‘S.O.P.H.I.E’ and a powerful subject matter is tackled really well and all wrapped up in a fine tune I especially like that bass sound on the breakdown. There are hidden gems here after the song fades away with ‘Social Work’ sounding like they’ve been jammin’ with the Levellers with that powerful lyrics and acoustic-driven alternative music with added Clash thrown in as a reference what’s not to like? Strummer would have approved no doubt about it.
Guerrilla Teens – ‘Upside Down’ (Self Release) COVID lockdown has been nicely punctured by the one and only Scott Drake Deluxe and his wonderful Guerrilla Teens and their regular Bandcamp drop of a pair of bangers that are shaping up nicely to what would easily make one of the best albums this miserable year.
This weeks drop is an altogether darker more menacing tune in the shape of ‘Upside Down’ with the ringing lead guitar and Drakes vocals softer and more restrained its another drop of pure class from the Teens. Then the second tune is an altogether more bruising number thats the sound of a band windmilling the opponents with a super cool laid back chorus ‘Fight Or Flight’ is a top tune. Deaf Jeff and Saul Teen are on fire here kicking up a shit storm with those buzz saw guitars. You’d be a dummy if you pass by on these tunes and the previous offerings. Top of the pops this edition? You bet!
Rock N Roll Manifesto Split ‘7″ Series Vol. 1’ (Self Release) We love a split single round here and when it has some of our favourite artists on that we’ve reviewed many times before it is always a pleasure so when this one dropped from down under and JJ & The Real Jerks popped up we knew we were in a good spot. Pressed on three different coloured slabs of wax this is a bargain we knew we had to tell you about.
Tiger Touch is first out of the traps with a right banger. ‘Problems’ is all up in your face poking and jabbing with that nasty guitar hook and a vocal that’s not pausing for breath until it’s finished whatever the fuck it wants to say. What a great tune to kick this split off. Oh if you’re not convinced how about Fret Rattles and their ‘Thanks For Nothing’ with its super snotty garage, frantic dash to the solo punk rock. Hip Priests fans will have to check these bad boys out because they might have a new champion stateside. Then halfway through our old pal JJ & The Real Jerks are back in town with a right high octane blast of energy in the shape of ‘Split Decision’ complete with JJ blowing that mean Saxophone solo to raise the bar a little bit more. Excellent stuff and to take this sucker home how about the punk fueled Missile Studs wrap this awesome EP up like a wrecking ball. We featured their split a few weeks back they did with Thee Evil Twin. They’re Straight outta shitville USA and are on fire, this is the fourth awesome track on an EP that is unrelenting and reeking with quality. If you love loud fired up Rock and Roll you’re gonna want this in your collection no doubt about it. Pick It Up Here
From out of Massachusetts this powerful tri love to kick up a thunderous noise from the punchy bass to the street fighting vocals it’s am impressive four tracks on offer here. It’s getting a physical release later this month and takes no prisoners. ‘Bloodlines’ has a very nice thumping bass line that is quite Goth in lords of the new church sort of way whilst the melody and vocal delivery is very much hardcore with some Oi! thrown in for good measure. Quite the melting pot of influences right there.
First Boy On The Moon – ‘Sofia’ (Manic Records) Relocated Californian David Pedroza is now set up in Sweden and his band ply their post-punk trade drawing influences such as The Cure and Early U2 on this wonderfully vivid pink coloured vinyl 7″. The lead track is an uptempo throwback if you like to that mid-80s guitar-driven sound and with a good hook on the chorus it’s not a bad introduction to the band at all. The flipside is a heavily effected bass throbbing builder. Not a million miles from the more chart orientated American Indie of early Killers. Me, I prefer the first track much more I like the later years Bowie influence going on which is never a bad thing. Facebook
Minatore – ‘Boys Tell Lies’ (Self Release) Nottingham based two-piece sound like a whole band and some on this ‘Boys Tell Lies’. A dark tale dealing with Rape Culture this walk on the dark side is surprisingly uplifting and whilst its steeped in grunge meets punk along the lines of early Nirvana and Dinosaur Jr it sounds huge. Aggressive and measured it’s a fine introduction to a band. The second track is more of the same but a little less fury and more in keeping with the band influences of Smashing Pumpkins with all the time changes. Pick it up here
In The Whale – ‘Drugdealer’ (Riot Records/ golden Robot Records) Just so you don’t think we’ve gone soft, coming on like Helmet when ‘Betty’ was a thing this has a huge groove that crosses over into prime Downset territory. Heavier than two anvils In The Whale are in da house kids!
IN THE WHALE have been turning heads and accumulating a mass of die-hard fans and followers thanks to a relentless tour schedule and an explosive live performance. Artists and festival promoters have taken notice, with the band playing Riot Fest, Lollapalooza, Austin City Limits, and Afro Punk, as well as shows with Jane’s Addiction, The Descendents, The Offspring, Gogol Bordello and many more
HOOKERS & BLOW ‘Trampled Underfoot’ (Golden Robot Records) Moving into the 21st century Dizzy Reid & Alex Grossi Releasethis from their soon to be released covers album. They tackle Bowie, the Stones and Eddy Money, as well as this, Led Zep classic with all parts recorded in quarantine during the pandemic. Of course they turn in a near-perfect rendition if classic Rock is your thang then you’re going to love this.
Hookers & Blow would like to dedicate the release of ‘Trampled Underfoot’ to their good friend and colleague, the late Frankie Banali, who passed away recently after a battle with cancer. A portion of proceeds from this single will be donated to https://www.pancan.org/
The Nude Party – ‘Lonely Heather’ (New West Records) Second album set for release next month but first this very listenable jig that’s equal parts VU and The Stones (early ’70s) comes with a catchy animated video. Besides when can a song have too much cowbell?
The Jimmy Tarbuck Experience – ‘Under Class’ (self-release) Now Heres a top tune. Catchy with a bit of a punch. The band got in touch to say the EP they were going to put out has been held back due to the obvious but did release this one track and accompanying video featuring some of their punk pals; Kevin Nixon from Anit Pasti, Glynn Barber from Chron Gen, Paul Rooney from Vice Squad and Pete R Jones from PiL / Department S and every other band in London (so it says here) but we certainly love the tune and the more we play it to more it gets stuck in your noggin’ just what a singles supposed to do right?. Tidy!
Kurt Baker – ‘Over You’ (Wicked Cool Records) Don’t take my word for it just click the link and decide for yourself but just in case you need convincing. Kurt Baker is one hell of a talent regardless of what guise it is be it solo, with his combo or with the Leftovers the guy has no visible faults or weaknesses. He pens infectious upbeat Rock and Roll power pop and probably does it better than almost anyone you could name. Here he is with the lead track off his new album that released next month. Pre-save/Pre-add ‘After Party’ Here / Stream the single “Over You” on all digital platforms:Here
Frankie And The Studs – ‘(Not Your) Victim’ (Golden Robot Records) What a great tune. Sure its fairly generic style-wise but I love that backbeat and the chorus is quite memorable. Hollywood rockers Frankie and the Studs just signed with Australian Punktured Media and this is their first single since signing. It’s about women being empowered and the inherent strength they possess and not to forget it. Sure it’s inspired by Quatro and Jett but what’s wrong with that? If you’re going to seek inspiration then go to the top and it shows in this single and the more plays to more it stands out. A decent earworm for sure. Preorder/Save: Here
I get it you love Biters and you have a soft spot for the likes of The Cars and Cheap Trick and they all have more great songs than they don’t, well, Kurt Baker is like that as well. He doesn’t do bad songs simple as that – original or covers. He doesn’t write bad tunes, in fact, he writes awesome tunes and this is the proof. He writes great tunes -pop tunes even but he plays them with loud guitars and that’s a lethal combination.
Hey, you Eureka Machines fans and you Costello fans get on this and check it out (you can thank me later) ‘Emma Stone’ has a melody and hook that’s just so listenable you can’t stay still it’s infectious and should have a government health warning.
He doesn’t change tack much at all (but why would you?) ‘What’s That Got To Do With Rock And Roll’ is a groovin’ slab of T-rex and some 70’s glam slam a go-go but don’t bother looking for imperfections because there aren’t any its just good time Rock ‘n’ Roll and its all about the good time and the party in your head whilst the songs are spinning and Baker is so good at it. Damn, there’s even time to sound like Thin Fuckin’ Lizzy on the excellent ‘On The Run’.
Thinks go Costello overload on the laid back ‘Since You’ve Been On My Mind’ its got a certain Joe Jackson about it too. There’s even time this October to throw in a Christmas song but because its Kurt Baker I’m giving him a pass and it’s perfectly acceptable because when Bakers singing it’s like every day is Christmas such are the power pop gifts being dished out. I know some of you will be scratching your noggins as this looks familiar well it does and it doesn’t this is the first time it’s had a vinyl release for the first time thanks to Ghost Highway and with some bonus material for all you audiophiles who just want your music on Wax or not at all.
By the time this album reaches the end we’ve got ourselves some synth-pop that’s right, some tasty new wave to put a cherry on the icing on the cake. ‘High Fidelity’ indeed!