𝗧𝗵𝗲 𝗥𝗲𝗽𝗲𝗻𝘁𝗹𝗲𝘀𝘀 𝗞𝗶𝗹𝗹𝗼𝗴𝘆 – 𝗜𝗻 𝗧𝗵𝗲𝗮𝘁𝗲𝗿𝘀 𝗢𝗻 𝗡𝗼𝘃𝗲𝗺𝗯𝗲𝗿 𝟲𝘁𝗵 – Uncompromising and unmissable, this one-night-only event features the short film paired with a full concert performance and a cinema-exclusive welcome from the band.

Find your nearest screening and book tickets online at https://www.slayer.film

For nearly four decades, Slayer’s onslaught has proven them to be the supreme thrash-metal band on the planet – the band that other heavy acts are measured against and aspire to. With their place in music history secure, Slayer – Tom Araya, Kerry King, Gary Holt and Paul Bostaph – in conjunction with Trafalgar Releasing, Nuclear Blast Records and Prime Zero Productions, will unleash the Slaytanic offensive on the big screen when “Slayer: The Repentless Killogy” debuts in movie theatres around the world on November 6, 2019. Uncompromising and unmissable, this one-night-only event will feature the short film paired with Slayer’s entire performance filmed at its August 5, 2017 concert at the Los Angeles Forum.

Revenge, murder, bloodshed and retribution. “Slayer: The Repentless Killogy” short film was written and directed by BJ McDonnell, who conceived and directed the three brutal music videos – “You Against You,” “Repentless,” and “Pride in Prejudice”- for Slayer’s final studio album Repentless (2015).

The “Repentless Killogy” motion picture begins with the powerful short narrative film that brings together the music of Slayer and the grisly story they wanted to tell. Opening with the trilogy of music videos assembled as one chronological storyline, we are introduced to the narrative’s main character Wyatt, a former Neo Nazi associated with “The Hand Brotherhood,” a gang whose signature mark was a bloody handprint left after a murder had taken place. Prior to the first music video, Wyatt had left the gang after he fell in love with Gina. The two had gone into hiding to escape his gruesome past and start a family, but The Hand Brotherhood was not going to allow that to happen, and Gina, pregnant with their first child, was savagely murdered as Wyatt was forced to look on. The film then segues into the present-time narrative that sees Wyatt on the run from law enforcement and the Nazi gang, but now dedicated to eliminating The Hand Brotherhood and seeking retribution wherever he can.

“The Repentless Killogy” stars many of the actors who appeared in the original video series: Jason Trost (“Beats of Rage,” “Hatchet III”) as Wyatt, Danny Trejo (“Machete,” “From Dusk Til Dawn”), Richard Speight (“Band of Brothers,” “Supernatural”), Derek Mears (“Agents of S.H.I.E.L.D.”), Jessica Pimentel (“Orange Is The New Black”), Tyler Mane (“X-Men,” “Halloween !!”), Bill Moseley (“The Devil’s Rejects,” “The Texas Chainsaw Massacre 2”), Caroline Williams (“The Texas Chainsaw Massacre 2,” “Sharknado 4”), and Sean Whalen (“Twister,” “The People Under The Stairs”).

Part two of “The Repentless Killogy” features Slayer’s entire live set performed at the Los Angeles Forum on August 5, 2017, and was directed by Wayne Isham who has directed videos for artists including Metallica, Foo Fighters, Michael Jackson, Kelly Clarkson, and Britney Spears. Presented in front of one of the most striking stage productions of the band’s career, Slayer performs fan-favorites including “South of Heaven,” “War Ensemble,” “Mandatory Suicide,” “Dead Skin Mask,” “Raining Blood,” and “Angel of Death.”

Best known for his work in D.O.A. and The Four Horsemen Ken was the older brother of Chuck Biscuits who he followed into D.O.A.  The brothers both played drums and whilst Chuck went on to play in Black Flag, circle jerks and Social Distortion Ken had the honour of being the stickman in the mighty Four Horsemen. Releasing their classic rock album ‘Nobody Said It Was Easy’ in ’91 Dimwit passed away on this day in ’94 of a Heroin overdose during the making of the bands follow up album ‘Gettin’ Pretty Good… at Barely Gettin’ By’ but the band seemed cursed as Dimwit was replaced by his younger brother to complete the recording.  Later in ’95 frontman Starr was hit by a drunk driver and ended up in a coma with the album eventually coming out in ’96 with just Limzi as the sole remaining member.  The album was dedicated to Dimwit.

Enjoy him at the peak of his powers on the magnificent ‘Tired Wings’

Clifford Lee Burton Born February 10, 1962 in California he was the youngest of three children first played the piano courtesy of his father Ray.  Clifford started playing the bass at 13 and said he would become the best Bass player he could be for his brother who had passed away.  Even after joining Metallica he was still understood to practice for up to six hours a day the usual suspects influenced his style and playing Lynott, Lee and Lemmy all styles that would have a bearing on the young Californian.


Playing on the metal giants first three albums ‘Kill ‘Em All’, ‘Ride the Lightning’ and ‘Master of Puppets’. He also received a writing credit for the song “To Live Is to Die” from the band’s fourth studio album, ‘…And Justice for All’.

On September 27, 1986, Burton was asleep as the tour bus he was travelling in was the centre of an accident in Kronoberg County, a rural area of Sweden. Metallica was supporting the ‘Master of Puppets’ album.

His passing was big news at the time for the tragedy that befell someone so young with so much going for him having the time of his young life. former bandmate Dave Mustain wrote ‘In My Darkest Hour’ about the news of his friend and fellow metal heavyweights Anthrax and Metal Church also dedicated records to their comrade Burton. Of the accident, Hetfield refuted the drivers claims that he hit black ice by suggesting he was under the influence.

Hetfield also stated that he walked long distances down the road looking for black ice and found none. When local freelance photographer Lennart Wennberg (who attended the crash scene the following morning), was asked in a later interview about the likelihood that black ice caused the accident, he said it was ‘out of the question’ because the road was dry and the temperature around 2 °C (36 °F), above the freezing point of 0 °C (32 °F). This was confirmed by police who – like Hetfield – also found no ice on the road. Ljungby detective Arne Pettersson was reported in a local newspaper to have said the tracks at the accident site were exactly like ones seen when drivers fall asleep at the wheel. However, the driver stated under oath that he had slept during the day and was fully rested; his testimony was confirmed by the driver of a second tour bus that was carrying the band’s crew and equipment. The driver was determined not at fault for the accident and no charges were brought against him. Regardless Burton wasn’t coming back and his memory lives on through his huge contribution to the birth and growth of a whole Genre and subsequent immense career of his bandmates. Rest in peace Ken and Cliff.

Well, we certainly didn’t stand still in the last seven days as we brought you reviews from a range of artist old and new with The Lemonheads starting things off with the second studio album of cover versions entitled ‘Varshons 2‘.  As Evan Dando and Co, head out on a UK tour this week to promote the record RPM gave it the thumbs up as Dando led the band through some pretty diverse waters.  Westerberg, Cave and the Eagles all made it onto the record which as an aside came out in a scented banana yellow version as well.



It was also a week that saw two live albums hit the death decks at RPM with Metallica lending a ‘Helping Hand’ Where they released a double album with proceeds going to a most admirable cause and helping the most vulnerable in society a real genuine act of kindness that doesn’t get the exposure it truly deserves as the rock stars are often castigated for their excesses but seldom praised when they do reach out with a simple yet effective act of kindness.  So a huge well done from us at RPM as Johnny H gets stuck into the double slice of vinyl trouble.



The second of our live reviews came when Martin gave The Godfather a good seeing to with their fantastic ‘This Is War’ the once over. describing it as, “Loud Sharp and Beautiful”, is about as close a summery as you can get.  It’s fair to say that it damn near captures the current line up right at the top of their game.  It’s certainly raw it’s certainly loud and no question it has the Godfathers roaring on all cylinders and has you wondering why all live albums can’t sound this good.  Essential listening no doubt about it.

We also brought you a summary of this years Gathering from North Wales as Mike Peters and the Alarm romped through a huge chunk of their back catalogue over two nights with plenty of special guests that included original Alarm Guitar player Dave Sharp, from Texas Ryan Hamilton and 80’s pop rockers Mark Shaws then Jerico. This year’s festivities weren’t without incident as the PA went down twice but it didn’t deter PEters who climbed into the audience with his acoustic guitar and un mic’d got the audience singing along and making the most out of a potentially bad situation and making it a memorable evening no doubt about it.  Gathering twenty-Seven was again a privilege to attend and I can’t wait for 2020 and number twenty Eight.

We also brought you The Spangles album launch show from way up North otherwise known as Harrogate as Ben Hughes had an equally splendid evening with an immensely talented band playing one hell of a debut album.  I for one hope there is a lot more to come from these three guys because their album was easily one of 2018 best releases.

As far as news goes we joined the rock world in wishing Bernie Torme a speedy recovery from his hospitalization from double Pneumonia and hope he’s back to full health as soon as possible. The same for our Australian friend Hayden McGoogan from The Black Heart Breakers who also found himself in Hospital this past week – Get yourselves fit and health please gents and I’m sure I speak for all the writers at RPM in wishing you both speedy full recoveries.

There was also some superb festival news as The Dead Boys were announced as headliners for this year’s Rebellion Festival in Blackpool along with Walter Lure who will be playing L.A.M.F. at the festival and across the channel in Belgium Sjock Festival announced a raft of superb bands added to this years festival including RPM favourites The Hip Priests and Barstool Preachers who play alongside The Hives, Hellacopters, Electric Frankenstein, the Briefs  and Gluecifer. To be fair news wise last week was a bumper week for great rock n roll news.


Anyway, that was last week on RPM and as we are always looking forward here’s what you can expect this coming week on the website. We’ve got a couple of bumper interviews with the likes of Slyder from Last Great Dreamers as they announce a lot of dates for 2019 in what appears to be a hugely busy year for the band.  Also, we have a monster interview with “Demons” Matheus Carlsson which should see your Friday seem a lot more enjoyable as we spoke about the past present and future of the band in what also looks like a great year for the band.

As for album reviews we’re once again scouring the globe for great bands and we’ve certainly got those coming at you with the debut long player from ‘Wet Dreams’ reviewed today by Johnny H and there is also the long-awaited long player from Jim Jones & the Righteous Mind’ coming later this week as ‘CollectiV’ has certainly been entertaining RPM HQ and what will be one of the years top albums no question about that. We also look back on some significant happenings this coming week in punk, rock and pop music history so keep it RPM folks for all your turbocharged Rock n Roll!

Stay Sick,



Having a pop at metal behemoths Metallica in 2019 really is like shooting fish in a barrel, just one look at the ticket prices for their upcoming UK dates and the fact that their manager Peter Mensch basically told the fans prior to the tour that he was pushing prices as high as he could should be as easy a starting point as any.

This aside though just over 2 years ago I last witnessed the band live playing an 850 capacity underground venue in London where the ticket price was a donation to a local charity that helped homeless children to get off the streets. They raised £15,000 that night as well as a hell of a lot of pairs of horns. So, kudos to the band for that.

‘Helping Hands… Live & Acoustic At The Masonic’ very much continues this theme as it is Metallica’s all-new limited edition double live vinyl album that supports the band’s All Within My Hands Foundation, a multi-cause platform set up to support society’s most vulnerable – you can check out the website linked below for more information.

Getting back this album and the online presale meant you had to be quick out the blocks to get one of these double 140gm blue vinyl beauties as they sold out almost overnight. So, I guess you’re probably wondering, why all the fuss?

Well, this 12 track set recorded at the Helping Hands Concert and Auction back in November of last year really is Metallica like you’ve never heard them before. I was immediately hooked after seeing the video for ‘All Within My Hands’, a deep cut from the ‘St Anger’ album that here, devoid of Lars’ awful cod reggae snare sound and now resplendent with pedal steel guitar, sounds like a completely new song. Likewise, the versions of ‘Disposable Heroes’ and ‘Enter Sandman’ that were also video leaked sound almost unrecognisable here, and I can’t help thinking of the ‘Unledded’ Page and Plant album, albeit forget the Far Eastern influences and instead get ready for Metallica goes Deep South.

With this in mind the (almost) played straight versions of ‘Nothing Else Matters’, and ‘The Unforgiven’ actually come as something of a disappointment, however, the acoustic thrash versions of ‘The Four Horsemen’ and ‘Hardwired’ that bring the 71 minutes set to a crashing close really do sound like the band having the most fun they’ve had in years.

The rest of the track listing is basically made up of covers of songs by the likes of Blue Oyster Cult, Deep Purple, Bob Seger and Nazareth, and again if I’m being totally honest here, I’d much rather have heard a few more of the band’s own deeper cuts being given the acoustic reinvention treatment. However what’s that old adage again about keeping them wanting more? Ha, well Metallica has certainly done that with ‘Helping Hands… Live & Acoustic At The Masonic’.

There appear to still be some retail copies of this LP set to hit the shelves (it looks like March) so if you do your search engine homework you can still possibly pre-order copies of this LP on the interweb without having to pay a flipper a Discogs King’s ransom, and trust me when I say it really is worth every penny of the donation you’ll be making to the All Within My Hands Foundation.

Author: Johnny Hayward

All Within My Hands