Ok, Heres the deal.  Limited to 100 copies then they’re gone as an appetizer to the new LP that’s on the way.  This CD only features Deniz Tek on a couple of tracks and is seven songs deep – Three Exclusive to this EP.  Two from the last Studio album (still available on vinyl from those good looking lifers at Ghost HighwayRecords) the to round it all off there are a pair of tracks from the forthcoming new long player ‘Electric Junk’. If thats not enough to get your Rock and Roll heart skipping a beat then I’d check for a pulse and thats before the virtual needle has dropped on this little lot.

Right then settle down as Deniz Tek joins our man Jeff on the first exclusive and rather intriguing ‘Mr. Antlers I Presume?’ imagine this a smokey barroom with some honky-tonk piano and a raw guitar riffing away before riding in on a sinister dark lick and the band crash in.  Well, that the opener with a spoken narration from Dahl before your mind get fucked with some Jazzy middle eight.  Don’t get too worried you punk rock kids because ‘Burned Out’ is like being punched in the face and enjoying it – More, please.  An Acoustic ‘The Wooo Girls’ which has the loose feel of capturing the vibe of some repeated listening to Bowie’s ‘Hunky Dory’ album. Laidback and cool Like a mid ’70s bit of NYC rock and roll Lou Reed would approve I’m sure of it.

A couple of beauties from the ‘Made In Hawaii’ album are up next the first is the catchy ‘Kailua 5 a.m.’ followed by the slide guitar rock and rolla of ‘Bang On’ with its Glam undertones inspired by The Faces and some excellent 70s BV’s that make you want to hand clap and stamp your feet. Oh shit, I’m getting ahead of myself here because the first glimpse into the new album is ‘Violence Squad’ and man they’re stomping their feet and handclapping alright.  Again Tek adds his six-string expertise to this stonking rocka that whets the appetite for what’s to come. Another taken from ‘Electric Junk’ is ‘Until We Bleed’ and Dahl once again shows his roar with a no-nonsense slab of punk rock.  That’ll do nicely sir until we can all get down and get with the new long-player and if this pair of tracks are anything to go by we’re in for a treat pop pickers.

Now, what are you waiting for get over on the link and secure a copy before they’re gone and cost you a fortune on some website in six months. Essential purchase!

 

Buy it from direct from Jeff Here

Author: Dom Daley

Distill – verb – to extract the essential meaning of or most important aspects of

On their eight studio “album” Gothenburg Hard Rock Motherfuckers, The Chuck Norris Experiment have managed to do just that.  Distill everything they’ve done to date into ten blistering rock work-outs in the space of twelve minutes.  With a statistic that would make you think you’ve stumbled across a long-lost Ramones release or a new Grindcore masterpiece, you really have got to hear Shortcuts to appreciate just what a Hard Rock masterstroke CNE have pulled.

As the sampled intro to “Back It Up” warns you to “fasten your seatbelts, it’s going to be a bumpy night” you can only sit back and let it all wash over you and wonder what the fuck has hit you as the last strains of “Begging For More” leave you doing just that.

Whether it’s the low slung swagger of “One Hand On The Hip”, the gnawing melody of the aforementioned “Begging For More” or the chest-beating singalong that is “Whatever You Say I Am” it’s like all the best bits of their debut album, Right Between The Eyes and Dead Central have had all the fat stripped off them (and lets be honest they were pretty fucking lean already) and been given a huge dose of steroids and a ton of adrenalin.  And you’d think an album with the longest track of 1:27 might be lacking in melody and intricacy, yeah?  Well, think again, because Chuck The Ripper’s leads are all over the likes of “All Your Bridges Are Burning” and “Little Demon II”. With the rest of the band on peak form and with production as crisp and punchy as you’d expect this is the best twelve minutes you’ll subject your ears to this year.

With a release as a 7 inch record (which as I write this has already sold out on pre-order), cassette and a CD in can (as well as the usual digital sources) you’ll hopefully have heeded the social media adverts and snapped up a physical copy already, but regardless, you need a copy of this in any form.  It’s a little piece of hard rock genius.

Facebook 

No Balls Records

Author: Darrel Sutton

Originally conceived over a couple of beers in the heart of university town Kitchener-Waterloo, Brampton based Arcane Ghosts combines raw emotion and math skills to create a post-hardcore meets pop-punk sound that should strike a chord with fans of Dance Gavin Dance, I The Mighty and Movements. After releasing their first EP in 2017, Arcane Ghosts went on to support Rarity, Heavy Hearts, and Certainty, and play Blackout Fest 2017 with The Creepshow and illScarlett. Their newest EP, ‘Human Interference’, is now available on all platforms.

The video finds the guys and their friends having the time of their lives at a backyard Canada Day rager, the band tells Substream that the song itself is actually about something entirely different, explaining, “Rooftops is about that show where nothing is going right. Whether it’s you’re out of tune, or off time, or your bass player is playing the wrong part, everyone’s been there.”

Arcane Ghosts will be playing a show in New Market, Ontario on September 22 at Big Daddy’s Bar and Grill.

 

 

The third album from these Yorkshire punks sees them dish up a really strong starting Eleven. From the front to the back they never offer anything other than their best and the sound is as you’d expect from a Cyanide Pill its got plenty of sharp edges great lyrics and loads of punchy tunes.  its got pace and an eye for goal as every tune has a bloody cracking hook and as the songs bounce into one another its got stamina and a hell of a lot of go.

Take ‘Hallelujah‘ its a full-on assault with a chaotic pace and hypnotic riff it’s thundering towards the chorus as it offers up praise to the punk rock Gods and gets rewarded – Amen to that!

‘E.V.I.L’ is garage rock n roll like the Hellacopters used to dish up on supershitty.  It’s dirty and has a killer riff that rolls along with the drums.  the track is a rush and great to hear a band tackle this dirty punk n roll with such enthusiasm. There’s a smart amount of 70’s glam pop pressed into the mix like ‘I Think I’m Ready Now’ its got some early Hives cockiness in its makeup and I love the bass throb on the breakdown.

Sy, Amir, Jock and Deany have got it nailed down and rip through song after song with verve and enthusiasm that only comes from a band doing this for real and 100% playing like their lives depend on it. ‘Trouble’ is punchy like a stomper from Slade but rather than being Glam it’s punk rock in attitude. A hint of on a rope in the riff which is never going to be disliked at RPM HQ.

There’s a lot of music to get through and you might need a banana or some water by the time you reach ‘Afraid Of You’ with its driving bassline and new wave vocal on the verse.  It only leaves ‘Tried And Tested’ to wrap this one up and again the X-Ray Eyes have delivered a sharp and thoroughly entertaining album full of quality tunes. ‘Destiny Is Depressed’ is well worth some coin from your pocket dear me you can have a CD for less than the price of two pints of bitter (unless you’re reading this in London) don’t be a dummy and check em out they’re good no make that very good!

Buy The X-Ray Eyes Here

Facebook 

Author: Dom Daley

We love Rock and Roll here at RPM and because you’re reading this I guess its fair to assume you love a bit of Rock and Roll as well. Keep reading fellow Rockers because  by the sounds of it we’re in good company on the evidence of this long-player.  Local Drag clearly loves Rock and Roll as well because they ooze the stuff.

From the opening chords of ‘Can’t Probably Wait’ I have that feeling that I’m listening to greatness and this is a record I’m going to fall head over heels in love with.  Its dirty power pop with some added Replacements and American indie rock (Husker Du)  thrown in for good measure  (I don’t reference those giants lightly either).  The chorus of ‘Pot Holes’ is subtle; maybe understated but fuck me man its killer and I love the harmonic riff and solo on the fade-out, it’s simple but so so effective.  Then to follow it up with some bubblegum riff-a-rama of ‘500 Hours Free’ which has a touch of The Posies with its loud guitar pop crashing through it is excellent and I can’t Ignore the Boys-inspired chord progression.

‘Double Bird’ has some Westerberg at the core of its DNA and that’s always a good thing. Simple acoustic strumming with great double-tracking vocals simple yet so effective.  To follow that with the runaway train of ‘Trash Bones’ with its bluster and melodic crash-bang-wallop this is proving to be a record that’s covered all bases and one I’m gonna be investing a lot of time in over the coming weeks maybe months.  Damn, they even have a tune about beer! fuck it I’m in.

‘Water Wings’ kicks up a shit storm of loud power pop and the penultimate track ‘Metal Gear Winter’ is like Classic Teenage Fanclub and their self-titled album closer ‘Local Drag’ is one of the best songs on an already outstanding record.  Lets not fanny about here I can throw a dozen superlatives about the songs on this record when I could sum all that waffle up by telling you to just get it! Don’t mess about wondering if you should take a chance get an ear full of anything off this record and you’ll be convinced that you’ve made the right choice.  Carry on loving music by buying Local Drags and Shit is definitely looking Up!

Starburst Records 

Author: Dom Daley

You might not have picked up on the Black Devil Byrds yet, they might not yet have appeared on your radar, do yourself a favour and start digging around, I think your going to be knocked sideways.

The Black Devil BYRDS released the debut album ‘Dead And In Prison’ in November 2017. The album, recorded in Prague at Golden Hive studio in 2016, is raw: as the band says, “a deliberate move away from the modern-day, now-standard, “corporate” recording process;” it was recorded on tape with NO clicks and in an as-live-as-it-could-be way! Late night sessions and a low fi feel were the order of the project”.

 

The tracks were recorded while the band were touring and playing festival dates in the Czech Republic the group headed up by Long John on Vocals, Guitar and Harmonicas, included long time side kicks: Jules Fly Haffegee on Bass, Rob Poyton Keys, John O’Neil Saxophone, Mark Gilligan Clarinet and Mark Wheeler Drums with additional percussion from Lee Morley.

 

I caught up with Lead Vocalist Long John, to talk the Blues and hear about the new LP scheduled for release this year

Hi Long John, thanks for taking the time out to talk to us here at RPM, especially when your just about to jet out to L.A. on music related business, for starters tell us a bit about your background/influences?

Yes, I am jetting back to L.A for the launch of the New Black Devil Byrds single ‘Letter to the President’. The record company are having a shindig for the event.. My heart and soul though are in America, I love the country and the people can be amazing. I have lived worked and traveled in the US for many years it’s a huge influence on my music and poetry writing. You get the best of the best and the very worst of the worst in the USA. 370 Million people in one place. Bound to be trouble sometimes…

 

I played a few tracks from your earlier LP ‘Dead and in Prison’ on a radio program called the ‘Rock and Roll circus’ when it came out and loved the almost Cajun Blues feel ala Dr John/ maybe hinting at Tom Waits, the raw intensity that sits behind the music. For people who have never heard The Black Devil Byrds, how would you describe the sound?

Yes that’s some good ingredients right there! I never intended to sound like waits or Dr John but they are inevitable influences on so many artist. I have seen myself as a Blues musician for many years but now I feel my music is starting to take a more soulful direction. I want soul and I want a message!

 

(If you want to do yourself a favour and pick up a copy of the first LP you can get it right Here)

Your just about to launch a new single “Letter to the president”, produced by Paul Ronney Angel, how did you manage to keep him out of the studio and behind the mixing desk, once his harmonica duties were covered?

Paul Ronney Angel’s been a soul brother to me for some years now. I have great respect for his music and as a performer, his band The Urban Voodoo Machine really are amazing. (I couldn’t agree more N.B.) He joined the Black Devil Byrds on our short tour in Prague a year or so ago and he really liked some of the tracks we were doing .He kept an eye on the new album and I asked him if he would like to do something on one of the tracks .He put some real hoodoo magic down with harmonicas and vocals and re inspired our efforts on this Black Devil Byrds project.  Paul had mentioned to Johnny Sting Ray he would like to produce a mix of Letter to the president. So we sent over the tracks from the studio in Prague to Space Eko, Alex McGowan’s studio in East London. I didn’t know what we would get back but when it arrived back with us Paul and Alex had really stripped it down and put an edge on things. Paul Rooney Angel is a very talented guy and has a very professional approach he is now producing the whole album.. Watch this space..

After hearing the single, I can absolutely say its gonna launch the Black Devil Byrds into the must watch bands of 2019/20 category) Its out on July 4th.

You’ve also dragged in Johnny Stingray to play on the new stuff, pulling him away from The Bad Idea Factory studio, to provide vocals and guitar are either of them going to be joining the band in the live setting?

Johnny is a great musician. Trouble is he’s and even greater artist so his guitar playing talents get over looked. He joined us on tour last your in Czech Republic and again for the recording sessions at Golden Hive in Prague last year.  We had a lot of fun in the studio and Johnny did a great feed back version of the Star Spangled Banner… we had to use it. Its featured more on the Alex Limburg (Hipster) Remix, which is a sister, release to the Radio Edit.

Tell us a little bit about the single, my understanding is it came from an initial poem you had written?

Yes most of my songs are written as poems which can be hard to transpose sometimes. I’m influenced greatly by the Beat poets of the late 60S. Ginsburg, Bukowski it’s incredible. We don’t read poetry so much any more and its powerful stuff. Trumps a great subject matter and it was important to me to say something. It’s not a slander song it all factual and simply a protest to his roller coaster approach to global harmony.

 

It’s coming out as a precursor for a new LP have you got a title and a potential release date yet?

The album will be our later in the year. We are still thinking on the title.

 

Tell us a little bit about the new LP?

It’s a message album. And the tracks, which we are still working on, have titles such as Syria, Meet My Maker, and a remix of Dead and in Prison… Dark and Soulful with a message you can keep in your hearts!

Any plans in place yet for some UK/European live dates?

It’s funny as I was taking a year off in 2019. Things run over. But yes we will be supporting Jim Jones and the Righteous Minds in Bedford October 5th. And plan to tour and promote the album with a few festival dates for 2020…

 

Let us know when your playing and we’ll drop in to catch up and listen. Are you listening to anything new at the moment, anything you’d recommend?

Bob Dylan.. Rolling Thunder.. amazing..

 

Absolutely one to check out people, cheers for taking the time out to chat to us, can’t wait to catch you guys live and looking forward to the new LP coming out

Thanks Neville for the interview….

 

If you like your Blues with an edge, verging on the Dr. John, dark, Cajun at times at other times raw and emotional with a real undercurrent this LP is for you.

 

If you’re a fan of real music played with passion you have arrived at the right place, get listening to the Black Devil Byrds.

 

Facebook

Author: Nev Brooks

 

Looking in from the outside, it’s easy to be skeptical of Tyler Bryant & The Shakedown. The young Nashville based band seemingly came from nowhere, bagged a record deal and toured the world supporting AC/DC and Guns n’ Roses in arenas, after just one, low key album release. A dream for any young band, but not every young band can get that kind of breaks. It takes more than having a guitar prodigy fronting your band and the son of Aerosmith’s Brad Whitford backing him up on rhythm guitar to bag the sort of tours these guys have been getting on…doesn’t it?

When you are lauded by the likes of BB King and Jeff Beck it must be hard to keep your head out of the clouds, but Tyler Bryant and his band have kept grounded and paid their dues like any other rock ‘n’ roll band, through sheer hard work and determination to put on the best show they can.

Fair play, it turns out these guys got those tours on their live performance alone and not on who they know. Tyler Bryant & The Shakedown have paid their dues in the clubs and if you have been lucky enough to catch them live, you will know you can’t fake that sort of energy, or stage that quality of performance.

But to stay alive in this musical climate, being a great live band is not enough, you’ve got to have something special to keep people’s attention and you have to have the songs to back it up.

 

Which brings us to Tyler Bryant & The Shakedown’s third full-length album ‘Truth And Lies’. Recorded in Williamsburg, NY by producer Joel Hamilton (The Black Keys, Tom Waits), ‘Truth And Lies’ is a heady mix of 80’s and 90’s bluesy hard rock, following the same stadium-sized path as its self-titled predecessor.

But for me, the band have never captured the energy of their live show, and on record, they come across as a country-tinged Bon Jovi, and funnily enough if you had told me this was the lost album between ‘These Days’ and ‘Crush’ I would surely believe you!

Yes, back in the mid 90’s when rock music was a bit edgy and bands were taking risks, ‘Truth and Lies’ would have fitted in just nicely. It has a grungy feel to a lot of the straight out rockers. For example, album opener ‘Shock & Awe’ rides on a sludgy, Jerry Cantrell like riff and a stadium-sized chorus that fits the bill. It’s a great track that sets the scene. The trouble is, that scene is a little bit staid and a whole bit generic.

The rockier tunes are solid enough but don’t really grab the attention. The likes of ‘On To The Next’, ‘Eye To Eye’ and ‘Panic Button’ are blues-rock by numbers and not particularly inspiring or memorable. The annoying thing is, I know these tunes will absolutely crush when they play them live.

 

For me, this band truly shine when they take things down a notch. The heartfelt ‘Out There’ with its lone, finger-picked acoustic guitar and sentimental lyricism is a beautiful piece of music. With Eastern vibes and a sense of yearning, this is a top track that hits the spot. And ‘Judgement Day’ is the piece de resistance of ‘Truth and Lies’. Drummer Caleb’s simple beats and the haunting effects back up Tyler’s raspy vocal, his lone, finger-picked acoustic guitar complimenting just perfectly. A sweet, slide solo and swampy vibes make this a stand out track.

 

You could say The Shakedown are at their best when they are just kicking back and playing the blues. The southern rock vibes of ‘Trouble’ sit well and ‘The Ride’ is a ZZ Top inspired piece of blues-rock that flows along nicely. A jaw-dropping, yet understated piece of soloing from the frontman makes this a bit of a showstopper.

 

I get the sense that this album is make or break for Tyler Bryant & The Shakedown. They are young, hungry and they look the part, as with their previous albums, their fan base will adore ‘Truth and Lies’ and I’m sure it’ll gain them plenty more. But, I don’t think they really have the songs and that’s what counts above all else.

Already the competition is high for album releases this year, and for me ‘Truth & Lies’ is an average album from a truly exceptional live band.

 

Facebook

Buy Truth And Lies Here

Author: Ben Hughes

Imagine if Zeke had a female at the front? Acid Blood from Sweden are that band.  Ferocious slabs of hardcore punk rock that’s uncompromising and right up in your grill with a stiff middle finger in your face.  ‘Dagger Eyes’ be fucked This band means business.’ Bleeding Out’, ‘Louder Than Death’ ‘Acid Blood’ I’m sure you get where they’re coming from.  It’s like they’ve taken The Cavemen and turned the dial-up or rather ripped it out and pissed on it. Acid Blood is the band and the album title and it would seem the opening track so don’t forget folks ‘Acid Blood’!  Beer, Nudity, Blood, Loud Guitars, frantic drums, vocals that have been mangled by gargling broken glass and barbed wire and dreamt that one day they can make a racket that marries Venom with Motorhead with Zeke With a pint of paint stripper and you’re almost there just toss in The Plasmatics on supercharge and you are on your way.

Acid Blood isn’t for the faint hearted its fast and furious punk rock as ‘Bullseye’ rips into a brutal ‘Bleeding Out’ and fuck you too. Gotta love their attitude and the fact they don’t sound like they are about to release an acoustic album or cover up for the censors. It might not be original in any shape or form but I love it. ‘Don’t You Die’ is good advice. Imagine seeing these go out on tour with The Good The Bad The Zugly and Clowns now that would be a devastating triple threat with guest appearances from the Dwarves for good measure.

They also get their rock on for ‘Wasted’ the album ebbs and flows from thrashing furiously (‘Harvest Day’) to… oh hang on its more a tsunami than an ebb and flow as the wall of guitars washes over you. Jojo Anderbygd is barking the orders from the microphone and I love it when they slow things down (just a smidgeon) like the Dead Kennedys like ‘Kill Screen’ – of course it doesn’t last before breaking out its what Acid Blood does. The closing marathon (ok so four minutes is long for these cats) of ‘Wartime’ has the feel and attitude of prime time Iggy and The Stooges absolutely stinking with attitude and the best song on offer here.

Fourteen songs – a shade under forty minutes – loose – reckless but very very tasty.  Get some Acid Blood in your life its a fuckin’ Blast!

 

Buy Acid Blood Here

Author: Dom Daley

Ok Ok settle down for a minute and take it all in.  After signing a new record deal with Wicked Cool Records Ryan Hamilton & his HArlequin Ghosts have just dipped their toes into the choppy waters of Rock and Roll and after hooking up with Legend Mike Peters and his latest version of the Alarm and hitting concert halls of the United Kingdom  does he announce that the new album is imminent and so is another round of headline dates to coincide with the record.  these are certainly exciting times from Hamilton and we wanted to share the news and throw some questions at the main man so make yourself comfortable and read some words we put together – Ladies and Gentlemen Ryan Hamilton…

 

 

So Signing to wicked Cool must be a really cool move for you personally. How did it come about? did you pester them or was it Stevie hunting you down?

It’s been AMAZING. We found the perfect home with Wicked Cool. They heard a song called “Fuck You Brain” that Ginger Wildheart and I did together. After that, they started digging around and discovered our album “The Devil’s in the Detail”. Stevie Van Zandt then LITERALLY added HALF the album to his radio station. I didn’t even know that was allowed! Haha. After those 5 or 6 songs went into rotation on his station, our relationship with Stevie and the Label grew into something special… and even though I SWORE I wasn’t going to sign another record deal, I am so thankful that we did.  

What noticeable difference have you experienced working for a label like WCR? is it less stressful or more stressful are the pressures the same?

Haha. BOTH! It’s been a big adjustment for me. I got VERY used to doing things on my own. So, to hand the baton to someone else and trust them to handle it… especially when you’ve been burned by Labels in the past, was a difficult adjustment. But they’ve been great about it, and I feel like we have a perfect balance now. They handle everything, but we are included in the discussion and decision process along the way. It’s rare to find a label like this. We seriously hit the jackpot.  

I take it this album was recorded differently to the last studio record.  No large country houses visited in Scotland here? or were there?

Haha. This album was different, yeah. Stevie Van Zandt worked on every demo with me/us. We even co-wrote a song together (Mamacita). How cool is that?! After the pre-production w/ Stevie, and whipping the songs into shape. I flew over to the UK to do the actual tracking/recording at Dave Draper’s Tower Studios. Other than a few guitar and vocal over dubs that were recorded at my home studio in Texas, the album was recorded at Tower Studios in Pershore, UK. 

With a stable line up in the amazing Harlequin Ghosts.  what qualities do the individuals bring?  Heres your chance to big up the boys (and Girl) in the band (when I say Stable I mean…you know what I mean right?)

We are all VERY different. An oddball group of talented weirdos coming together to make something I truly feel is uniquely wonderful. Mickey is a truly incredible drummer. Rob is a truly incredible bass player. (I think they’re the best rhythm section around today… Period). Carol has the voice of an angel and makes me sound WAY better than I should, at every show. Haha. Amazing keyboard player, too! Dave is like a mad scientist on guitar. The dude is genius. So genius in fact… that it makes him pretty weird… But I love that. I’m a weirdo. We’re all weirdos. Outcasts and nerds that thankfully found each other. A British band full of crazy talented people, fronted by a Texan. Gotta love it. 

Has it been easier to write for this record?

I don’t really know how to answer that question. Haha. It’s always the same for me. I’ve never been able to just sit down and go, “I’m gonna write a song”. I have to wait for them to come to me. When they arrive, seemingly out of nowhere, I have to grab them before they evaporate. This group of songs is the 12 best, from about 30 ideas/songs that I captured during the last couple of years. It’s without a doubt the best songs I’ve ever written. But I chalk that up to the legendary help/guidance I had on this album.  

Tell us about a few of the tracks?  I’ve been lucky enough to hear it and I felt it was a louder record than your previous records.  Would that be a fair point?  (Is Laney to blame bringing his Glam rock roots to the table) Some big riffs happening like the opening of ‘Mamacita’.  This record sounds like it was made with a lot of laughs and if it’s possible for a record to smile then this is positively grinning would that be fair?

You nailed it! Haha. Mickey and Rob are old school Metal loving dudes. I can’t stand that music. True! Haha. But we’ve learned to embrace those differences, and this album is the sound of those different tastes, upbringings etc… coming together in a totally organic way.


Songs like “Mamacita” and “Get Down” are prime examples of us not overthinking anything, and just letting the songs happen. It’s WAY more fun when you operate that way… and like you pointed out, you can totally tell we’re having a lot of fun on this album.


The flip side of that coin: Songs like “This is the Sound”, “Feels Like Falling in Love” and “All Fall Down”… I let myself go deeper and darker than I ever have lyrically. Again, no overthinking… no trying too hard… just knocking proverbial walls down, and letting it happen. I think you can feel that realness on this album. Both on the darker, more serious songs… and on the fun ones.  

I love some of the songs like ‘Feel Like Falling In Love’, ‘Far Cry’, then a change of gears on ‘All Fall Down’ you guys really hit the groove here, the record has mass appeal for sure touching on some great classic alternative bands like Soul Asylum on the title track (hope you’re good with the comparison? then you get a twist with ‘GirlvsMonsters’ with its pedal steel and brushes on the snare is some really good country rock, then ‘Same Page’ goes toe to toe with the likes of a Mellencamp and that’s a compliment (style wise) I hear a lot of great bands touching these songs but the album flows totally in a Ryan Hamilton & The Harlequin Ghosts way and the personality of the band shines through. That’s why I wonder if its been the easiest album you’ve written?

Oh, wow. Love those references. Thank you! I don’t know if it was the easiest, but it was definitely the most I’ve ever pushed myself to just let the songs happen how they were going to happen. No forcing anything. Just let it happen. 

Tell us about a few of the songs.  I’ve mentioned a few but we could talk about all of them here.  Do you have any particular ones that stand out or you’d like to explain?

I know it’s not a single or even the best song on the album, but “Won’t Stop Now” is the most personal song I’ve ever written or recorded. So much so, that I almost left it off the album. I struggled to make it through a take without crying… and I have no shame in admitting that. But, leaving the song off the album felt like it would be going against everything this album is about. Ya know? Also… I’m not one to pick favorites… but there’s something magical about the song “This is the Sound”. I got a feeling about that one. 

Is it easy recording a record with you living in different countries? how did the recording compare to previous albums?


It would be impossible without modern technology. In fact, this band wouldn’t exist without it. We’ve gotten into a routine that makes it work. I record the demos at home and send em over. Then after the songs are whipped into shape, we all go into the studio together. I guess that’s become our routine. Maybe it should be more complicated… but it’s not. Haha 

You close the record off with the big ballad ‘Won’t Stop Now’ with cello and violins and something of a duet I know you mentioned it earlier but whats the song about?

The song is the most personal song I’ve ever written. It references the most difficult times in my musical life. Previous bands… related struggles… bullying… mental health issues…. and how difficult it sometimes is to find the strength to carry on.  

One of my all time favourite bands is The Alarm I’ve seen them over 200 times in all sorts of line ups and form, you seemed to strike up a bond with Mike and the band on the last tour how did that tour come about? 

I have SO MUCH love for Mike, Jules and that whole crew. Would love to play more shows with The Alarm. I’ve been welcomed into that family, and I feel very thankful for it. We shared a radio plugger, Tony. He was working our new single, and The Alarm’s new single at the same time. Long story short: Mike liked our music, and seemed interested in us supporting them. I mentioned it to Stevie, and he just picked up the phone and called Mike! Haha. Seriously. After that phone call, we made it happen… and haven’t looked back. I’ve learned A LOT from Mike . More than he realizes. From showing me different guitar tunings to play with… to sharing gear etc… To other things like amazing stories from back in the day.

What was it about the band you enjoyed? 

He and Jules are such inspiring people. For a long list of reasons which I know you are aware of. I love them both very much.

Playing the Gathering as a two-piece you seemed to go down well in front of what can sometimes be described as a tough crowd.  Over that weekend they are (in the most part) there to see and hear the Alarm and nobody else yet a lot of people were in early to catch your set. 

 

Mike and Jules have worked hard over the years to get to where they are today and had immense self-belief and motivation to achieve the model cottage industry in the ever-changing music business.  Is there anything, in particular, you got from being in their company that you can use going forward? you seemed to get along really really well and I hope it is a touring partnership that can continue in the future. He and Jules are such inspiring people. For a long list of reasons which I know you are aware of. I love them both very much. 

You have some tour dates to support the new record in the UK.  Are there plans for more touring later in the year possibly?  What about North America does Wicked Cool have plans for you seeing as The Boss has a new album coming out it would make sense to maybe tour the world with the Springsteen gang?  What are the chances?

We are touring SO MUCH this year. There are lots and lots of plans… most of which I’m not allowed to talk about… yet. Haha. But, for now… we’re currently on tour in America, and we have a UK Tour next month! Bring it on… all of it.  

Catch you soon Ryan and I wish you and the band all the success with this new record.

Thanks so much!

There you go, folks, a few words from Ryan about the new record and what’s gone on and going on.  Pick up the new record Here

Follow Ryan Hamilton & The Harlequin Ghosts on Facebook HERE

 

 

 

 

 

Texan singer/songwriter Ryan Hamilton has been on our rock ‘n’ roll radar for a good few years now. We at RPM have been following his power pop goodness since the days of People On Vacation and ‘Hell Of A Day’. So, we were pleasantly surprised and overly pleased when the artists formally known as Ryan Hamilton & the Traitors only went and bagged a record deal with the uber cool garage rock label Wicked Cool Records, owned by the legendary Little Steven.

Joining a label that has released albums by RPM faves such as Prima Donna, Kurt Baker and Wyldlife probably excites us as much as it does them, and being mentored by a NY legend who champions so many cool underground artists can only be good news for Ryan Hamilton & the Harlequin Ghosts.

 

So, a name change, an image upgrade and a debut album usher in exciting times for Ryan and his UK based band of bruthas (and 1 sista). Following the most excellent ‘Bottoms Up/Straight Up’ pink vinyl 7 incher, the band now release their highly anticipated debut long player.

‘This Is The Sound’ follows on where the ‘Traitors Club: Year 1’ EP left us in 2018. And what is clearly evident is that the fine art of a catchy chorus is never lost on Ryan Hamilton. Yep, this album, like his past work, is littered with power pop goodness, quirky vocals, positive energy and an overall message of hope, something that is hard to come by in 2019.

 

The band starts strong with opening single ‘Mamacita’. With a Little Steven penned chorus, this is a classic sounding earworm that will have you singing the chorus on first listen and long into the night. Gloriously addictive and happy go lucky; you would be forgiven for thinking the band has shot their proverbial load prematurely with their strongest effort. But fear not power pop pickers, as ‘Mamacita’ is just a taster and not even close to being the best song on this album.

Like I said, this album has a very positive energy and you can bet your bottom dollar that in these trying times, Ryan will be there for you to raise your hopes. Whether he’s urging you, in pure David Lee Roth style, to “raise a glass and then kiss my ass”, or professing to “bustin’ through ceilings and love you like a superhero” on the brilliant and bouncy ‘Let You Go’, Ryan Hamilton & the Harlequin Ghosts will be with you every step of the way.

‘Bottoms Up (Here’s To Goodbye)’ is a high energy toast to going down with the ship. Full of 90’s Brit Rock vibes and Silver Sun soaked melodies. The band is firing on all cylinders in an effort to remind you all of the good times and promise more of the same ahead. A killer hook and summery vibes, this is a song to wear shades and down cocktails to.

The anthemic title track delivers the kind of euphoric, turn of the Century pop punk goodness the likes of American Hi-Fi gave us. Mickey’s urgent beats help bring the message to the fore, as it builds to a sublime chorus. The feel good themes of the album summed up in 3 minutes and 15 seconds.

 

You can take the boy out of Texas, but you can’t take Texas out of the boy! Fort Worth resident Ryan Hamilton’s roots are still all over this album. The goodtime rock ‘n’ roll of ‘Get Down’ is a bar room boogie that will have you shakin’ and a groovin’ and downing them beers. While ‘All Fall Down’ has shades of Tom Petty storytelling, while ‘Girl vs Monster’, with its mournful slide guitar and tinkling of the ivories, is full of country twang.

There’s a very fine line between cheesy and genius when it comes to radio-friendly sentimental balladry, but these guys have it nailed, hands down. The beautiful chorus in ‘So Gone’ really hits in the feels.  A mixtape worthy song that will urge you to tightly squeeze the hand of the one you love and never let go. And ‘Feels Like Falling In Love’ has hit single stamped all over it, with Donnie Vie like vibes and hazy, lazy backing vocals, for me, its one of the strongest songs on offer.

The album closes on a reflective note with the piano led ‘Won’t Stop Now’. A heartfelt, haunting dittie, full of church hall echo, soaring vocal harmonies and strings that take it up to an ethereal plane.

 

If you are the sort of person that relies on music to get you through the day, let me introduce you to Ryan Hamilton & The Harlequin Ghosts. They have crafted an album of masterful songs that are guaranteed to lift your spirits, make you smile and reach for the play button the second the disc stops spinning.

‘This Is The Sound’ is a very strong album and expect to see it riding high on End of the Year lists six months down the line and with the backing of Wicked Cool Records who knows what the future holds.

Buy This Is The Sound Here

Facebook

Author: Ben Hughes