Feeder announce new album ‘Torpedo’, along with its title track. ‘Torpedo’ is due for release on March 18th via Big Teeth Music. you can Listen to “Torpedo” here.

The celebrated, multi-platinum-selling, rock band Feeder have hit a resurgent run of three consecutive UK Top 10 albums with 2016’s All Bright Electric, the 2017 Best Of, and 2019’s Tallulah. Looking ahead to 2022, it is with some momentum that the band will release new album Torpedo into the world.

Momentum has been something in short supply for many artists over the last 18 months. For Feeder, the ensuing numbness of early-stage lockdowns inevitably led to an uncharacteristically uninspired period for the band and songwriter Grant Nicholas. Feeder, however, have always been masters of marrying the light and the dark – illuminating the shadowy corners of their world to uncover something poignant and uplifting – meaning it was not long before conditions became a perfect storm for inspiration’s lightning to strike, and two albums’ worth of music materialised.

New track “Torpedo” arrives in a flurry of heavy and direct guitars, which are soon joined by an out-of-nowhere chorus delivered in glorious technicolour. It takes its power from hope and optimism, Nicholas’ vocals breaking through the heaviness like a streak of sunlight cracking through a leaden sky. It is a song about bringing your world back into focus again, as he elaborates below.

“After the frustration of not being able to perform live I really wanted to come back with a bang and a classic heavier but melodic Feeder song. All the emotion and frustration just caused a creative wave. Dynamically and musically Torpedo felt like the obvious choice for us to drop first. The chorus has a thread of positivity that brings light to the darker verses.

We are really looking forward to going out on the road again and playing the new album material. This will be the heaviest Feeder set we’ve played in a while so can’t wait. We may revisit some heavier old school Feeder classics also and touch on some Renegades and All Bright electric stuff.”

Torpedo will be available on digital, CD and vinyl. Pre-order here.

Listen to “Torpedo” on DSPs here and watch the lyric video below.

Torpedo tour 2022

April

23 Bexhill, De La Warr Pavilion
24 Oxford, Academy
26 Southampton, Guildhall
27 Bristol, Academy
29 Manchester, Academy
30 Glasgow, Barrowlands

May

02 Newcastle, University
03 Nottingham, Rock City
05 Birmingham, Institute
​06 London, Brixton Academy

Feeder: Website | Spotify | Facebook | Twitter | Instagram | YouTube

DANGEREENS – ‘Streets Of Doom’  (Golden Robot Records)  After recently signing a global record deal with Golden Robot Records, Montreal glitter punk outfit DANGEREENS will release their first single through the label, ‘Streets of Doom’! Out on the 26th of July, the single will be available on all digital platforms.

Dubbed the most elegantly decadent rock n’ roll unit of the 21st century, DANGEREENS’ upcoming single ‘Streets of Doom’ takes you back to the glory days of 70’s glitter rock. One listen and the influences will come pouring out and transport you back into one of the finest ever rock eras!

‘Streets of Doom’ is a contemporary, deadbeat take on a Homeresque tragedy, describing the thoughts and feelings of a hopelessly in love drug dealer. The song is built on a straight 4/4 throbbing rhythm section with syncopated accents, and features take-no-prisoner, oversaturated fuzzed-out guitars, and careless, snarly vocals.

Pre-Save/Pre-Order to ‘Streets of Doom’ HERE

 

Pat Todd & The Rankoutsiders – ‘ You Might Be Through With The Past, But The Past Ain’t Through With You’ / ‘Ruby Baby’ (Heavy Medication Records) Another out and out rocker from the wonderful Pat Todd and his Rank Outsiders. With a howling good time harmonica from the kick-off, this is just a stomping old-time rocker with some smart solo and a Pat spitting out the words hell yeah! Flip it over and ‘Ruby Baby’ is a twelve-bar boogie it’s like Todd fronting the best of the Georgia Sats and Them Scorchers.  What’s not to like?

Buy it Here

 

 

 

 

Dirty Fences – ‘Inside Out’ (Self Release) Rapid like a Gatlin gun firing power-pop bullets all over the shop.  ‘Inside Out’ is punchy with a big sloppy chorus.  As the New Yorkers get down to business – the Buzzcocks like ‘Broken Saddle So’ lets the listener have it in spades.  This band has never released a bad track and this seven-inch is another two gems.  Check it out here

 

 

 

 

 

 

Dez Dare – ‘My My Medulla’ (Ch!mp Records)   Australian-born, Brighton-based musician (otherwise known as Darren Smallman!) has a new single out today called ‘My My Medulla’, lifted from the new album ‘Hairline Ego Trip’ out now on Ch!mp Records.  Dez can turn in a decent tune to be fair as this one deals with the autism that Darren has grown up with.

“Being Autistic I have always struggled to communicate with the people around me, feeling a physical barrier nearly like a wall of distortion in between me and the world,” explains Darren. “This song looks at the struggle to find clarity with the ones you love and the force it takes to include yourself in the world outside your mind.”  Knowing the struggle of someone on the spectrum all too well I love seeing and hearing people like Dez achieve what he’s already managed.

 

Clowns – ‘Sarah’ (Fat Wreck Chords)  another day another banger from Australia’s finest – Clowns.  The second track to be lifted from their new album (due later this year) this is another earworm that will burrow down and delight you when you least expect it or if you are already familiar with the band then you know what to expect.  Awesome stuff.

 

 

 

 

 

2020 rings in the 20th anniversary of Placebo’s beloved third album Black Market Music. To celebrate, the band has completed filming of a four-part video-series – “Black Market Music Stories” – which sees bassist Stef visit treasured locations and walk viewers through the writing, recording, touring, and personal stories, that would shape the conception of the album. Featuring new and archive footage, it includes interviews with the people who were key to bringing the album into the world – producers, singers and other collaborators, managers and more offer their memories of the time. Episode 1 is available to watch now below. Subscribe to the series in full HERE.

The band comments: “With our chests out, riding high on the success of our second album, we entered the studio to record Black Market Music. We were full of bravado and confidence and proceeded to create our most visceral, dark and poppy collection of songs to date.  Here’s a humble nod to its 20th birthday.”

Black Market Music came together as the band saw their notoriety swelling exponentially in the wake of breakout successes with their self-titled debut, and the follow-up Without You I’m Nothing. Reaching #6 in the Official UK Album Charts and spawning the singles “Taste in Men”, “Slave to the Wage”, “Special K” and “Black-Eyed”, it is a record that by the band’s own admission was created during the height of their “party phase”.

Black Market Music was also released into a new world, one in which mainstream chart interest was moving away from late-era grunge and instead setting its gaze on rap-rock and nu-metal, genres that the album resultingly put in its cross-hairs as it rallied against the macho – and sometimes misogynistic and homophobic – image of the scene. The introduction of hip-hop MC Justin Warfield to “Spite & Malice” was done in-part to show that the style needn’t be constantly draped in aggression.

Placebo: Facebook | Twitter Instagram | Spotify | YouTube

Pic: Tom Ham

The emotional centerpiece off the Bristol band’s forthcoming LP, ‘Ultra Mono’ (out Sept 25th via Partisan). The accompanying music video features the band driving with their parents through their hometown streets to the shops, providing a grey window into suburban English life that matches the song’s heavyhearted churn.

 

Frontman Joe Talbot says of the song: “‘A Hymn’ is a hymn that rejoices in the sinister flesh-eating virus of the pedestrian. It sings the tune of normal’s teeth sinking into your neck as you sleep stood up with your eyes open. Amen.”

“A Hymn” follows the release of other ‘Ultra Mono’ highlights “Mr. Motivator” and “Grounds,” the latter of which earned a spotlight in the NY Times (“What’s a British post-punk band to do at a moment of black American protest that has spread worldwide? Slam and declare solidarity.”)

Ahead of release, IDLES will host a series of three live performances from an iconic studio space (to be named later) on Aug 29 & 30, which will be professionally recorded, filmed, and livestreamed. Tickets on sale now, more info and link to purchase HERE.

Talbot also recently launched a new virtual talk show called BALLEY TV, rolling out new episodes every other Friday this summer. Guests have already included Mike Skinner (The Streets), Nadya Tolokonnikova (Pussy Riot), Lauren Mayberry (CHVRCHES), Hak Baker + more. Watch the most recent episode HERE featuring Arlo Parks and Billy Bragg. Subscribe to see more episodes HERE.

Produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and Adam ‘Atom’ Greenspan (Anna Calvi, Cut Copy), with Kenny Beats (FKA Twigs, DaBaby, Vince Staples) providing additional programming, ‘Ultra Mono’ was sonically constructed to capture the feeling of a hip-hop record. The album also features guest vocals from Jehnny Beth (Savages), and additional guest contributions from Warren Ellis (Nick Cave and the Bad Seeds), David Yow, and Jamie Cullum.

More info:Official / Facebook / Twitter

Fontaines D.C. have shared a new song and accompanying music video. A live favourite, “Televised Mind” heaves, drones, and churns – a perfect embodiment of the bruised and battered – albeit beautiful – throughline on the band’s forthcoming LP, “A Hero’s Death” (out 31st July via Partisan).

 

 

Fontaines D.C. frontman Grian Chatten says of the song: “This song is about the echo chamber, and how personality gets stripped away by surrounding approval. People’s opinions get reinforced by constant agreement, and we’re robbed of our ability to feel wrong. We’re never really given the education of our own fallibility. People feign these great beliefs in order to appear trendy, as opposed to independently arriving at their own thoughts.

We were listening to a lot of The Prodigy and The Brian Jonestown Massacre, specifically their song “Open Heart Surgery”. I was interested in extrapolating those types of chord progressions and capturing this droning, hypnotic feel. That last line repeated over and over [“What ya call it”] is a buffer expression that people used here in Dublin. It’s sort of like “umm” or “well…” – it’s what people say when they’re distracted.”

‘A Hero’s Death’ was produced in London by Dan Carey (Black Midi, Bat For Lashes). The band have previously shared other album highlights “I Don’t Belong,” as well as the title track, which features a music video starring Aidan Gillen (Game of Thrones, The Wire, Peaky Blinders). Watch HERE.

Last week Fontaines D.C. also announced a run of Spring 2021 UK tour dates, including a show at London’s Alexandra Palace on 27th May, their biggest UK headline show to date. Routing is as follows:

7th May – Manchester Academy
10th May – Leicester De Montfort Hall
11th May – Leeds O2 Academy
12th May – Newcastle O2 City Hall
14th May – Glasgow Barrowland
17th May – Cambridge Corn Exchange
18th May – Sheffield O2 Academy
20th May – Birmingham O2 Academy
21st May – Cardiff Great Hall
22nd May – Bristol O2 Academy
24th May – Bournemouth O2 Academy
25th May – Southampton O2 Guildhall
27th May – London Alexandra Palace

Supports TBC

Tickets will go on sale Friday 3rd July at 9AM BST – at fontainesdc.commetropolismusic.comseetickets.com and ticketmaster.co.uk.

The band’s UK tour will be preceded by a new run of EU headline tour dates set to take place across March and April 2021. Tickets will also be going on sale this Friday at 9AM BST / 10AM CET. Full routing and more info can be found HERE.

Today, Fontaines D.C. have announced new UK tour dates for May 2021. The new dates will also include the band’s biggest headline UK show to-date at London’s Alexandra Palace.

Dates are as follows:

7th May – Manchester Academy
10th May – Leicester De Montfort Hall
11th May – Leeds O2 Academy
12th May – Newcastle O2 City Hall
14th May – Glasgow Barrowland
17th May – Cambridge Corn Exchange
18th May – Sheffield O2 Academy
20th May – Birmingham O2 Academy
21st May – Cardiff Great Hall
22nd May – Bristol O2 Academy
24th May – Bournemouth O2 Academy
25th May – Southampton O2 Guildhall
27th May – London Alexandra Palace

Supports TBC

Tickets will go on sale Friday 3rd July at 9AM BST – at fontainesdc.commetropolismusic.comseetickets.com and ticketmaster.co.uk – but fans can gain access to artist pre-sale on Wednesday 1st July 9AM BST by pre-ordering the album from the band’s official store or signing up to their mailing list at https://www.fontainesdc.com.

NHS staff and Key Workers will also have the chance to secure free tickets to the shows, with 50 being made available at all regional events, and a further 200 for London’s Alexandra Palace. Tickets will be distributed on a first come first served basis, and anyone wishing to apply must email fontaines@metropolismusic.com by 17:00pm BST on Tuesday 30th June, listing their profession and the show they want to attend. Tickets will be limited to 2 per customer. ID will be required.

The news of the tour follows the announcement of the band’s much anticipated second LP “A Hero’s Death”, and comes on the heels of their performance on Later… with Jools Holland earlier this month – watch their remote performance HERE.

‘A Hero’s Death’ was produced in London by Dan Carey (Black Midi, Bat For Lashes). The band announced the album alongside the title track, which features a music video starring Aidan Gillen (Game of Thrones, The Wire, Peaky Blinders). Watch HERE.

The band have also recently shared the opening track from the album. With its lonely intensity, “I Don’t Belong” stands in stark relief to the swagger that kicked off their debut album last year (“Big“). The song is also accompanied by a music video directed remotely by FDC bassist Connor Deegan III. Watch HERE.

‘Dogrel’ debuted Top 10 on the UK album charts, earning Fontaines D.C. a Mercury Prize nomination, #1 Album of the Year positions from BBC 6 Music and Rough Trade, a performance on The Tonight Show with Jimmy Fallon and numerous sold out tours in the UK and abroad – including triumphantly selling out London Brixton Academy in just 1 week. The Guardian (who gave the album 5 stars) praised ‘Dogrel’ as being “brilliant, top to bottom,” The FADER called Fontaines D.C. “One of the most exciting new bands around,” and NME (who also gave ‘Dogrel’ 5 stars) called them “One of guitar music’s most essential new voices.” Watch a clip from their instantly legendary Glastonbury set HERE.

More info:
OFFICIAL / FACEBOOK / TWITTER / INSTAGRAM / YOUTUBE

On September 25th, IDLES will release their anticipated third album – ‘Ultra Mono’ – via Partisan Records. Accompanying this announcement, the band have shared album highlight and thunderous call-to-action – “Grounds” – alongside a music video (dir. by Rob French).

Frontman Joe Talbot says of “Grounds”: “We wanted to write a song that embodied self-belief, and gave us self-belief – a counter-punch to all the doubt we build up from all the noise we so easily let in. We wanted to make the sound of our own hearts’ marching band, armed with a jack hammer and a smile. We wanted to make the sound of our engine starting. So we did. Thank you.”

Ahead of release, IDLES will also host a series of three live performances from an iconic studio on Aug 29-30, which will be professionally recorded, filmed, and livestreamed. Upon purchase of a ticket, attendees will receive a unique link to access the performance live. Tickets on sale now, more info and link to purchase HERE.

Recorded in Paris and produced by Nick Launay (Nick Cave, Yeah Yeah Yeahs, Arcade Fire) and Adam ‘Atom’ Greenspan (Anna Calvi, Cut Copy), with Kenny Beats (FKA Twigs, DaBaby, Vince Staples) providing additional programming, ‘Ultra Mono’ was sonically constructed to capture the feeling of a hip-hop record. Across all twelve brutally relevant tracks, the band double down on the vitriolic sneer and blunt social commentary of their past work, with themes of active presence, inclusivity, class, gender inequality, nationalism, community, and toxic masculinity remaining ever-present. ‘Ultra Mono’ also features guest vocals from Jehnny Beth (Savages), and additional guest contributions from Warren Ellis (Nick Cave and the Bad Seeds), David Yow, and Jamie Cullum.

If their last record – 2018’s ‘Joy As An Act Of Resistance’ – was meant to detail IDLES’ manifesto, then ‘Ultra Mono’ is the sound of the band heading into battle, battering ram in hand, for those tenets. The phrase “momentary acceptance of the self” serves as spiritual guide and mantra throughout, as Talbot elaborates on further in an essay printed inside the album’s physical packaging.

In addition to sharing the tracklist for ‘Ultra Mono,’ the band have also made available the dates on which all upcoming album tracks + videos will be released (see below).

‘Joy As An Act Of Resistance’ was one of the best reviewed rock records of 2018, debuting top 5 on the official UK album charts. ‘Joy’ earned the band instantly legendary performances at Glastonbury, Jools Holland, NPR’s Tiny Desk, and sold out tours across the world. They were profiled by the NY Times and PBS NewsHour as part of a group of new bands tearing down outdated perceptions of masculinity, won the coveted Ivor Novello Award for Best Album, and were nominated for the Mercury Prize and a Brit Award last year. All 10,000 tickets to the band’s Dec 2019 headline performance at London’s Alexandra Palace sold out in under 24 hours.

 

 

NEW ALBUM ‘DIRT MALL’ OUT NOW VIA ROACH INDUSTRIES/PLASTERER RECORDS

 

Raising their voices from lockdown, fast-rising Manchester punk-trio Aerial Salad return with ‘Stressed’, the third single to be taken from their new album ‘Dirt Mall’, released as the world clamped down earlier this year via Roach Industries/Plasterer Records.

 

‘Stressed’ is a scream of frustration at the daily grind of working life: “I would walk past the location we filmed ‘Stressed’ every day for two years on my way to work,” explains guitarist and vocalist Jamie Munro. “I always knew I wanted to film the ‘Stressed’ video there because it’s an old office block. ‘Stressed’ is a song about my descent into madness while working in an office for a blue chip company; the song’s not a glorification of weed, more just me pointing out how sad it is that that’s the only respite that can be conjured for a lot of people in their early 20s working shit jobs just to pay rent. Shout out to Tommy from Bruise Control, Lauren from LAD$ Zine (go check that out) and Keiron from Don Blake for their extra work and Mark Richards for filming.”

“I’m glad we managed to film on location,” continues Jamie. “It was boarded up, so we recorded in early February and high winds knocked down the gate to the location so really the universe clearly needed to see this video and so do you!”

 

Order ‘Dirt Mall’  Here

Aerial Salad are:

 

Jamie Munro – guitar/vocals

Mike Wimbleton – bass/vocals

Matty Mills – drums

 

Find Aerial Salad online at:

 

FACEBOOK / BANDCAMP / YOUTUBE / TWITTER / INSTAGRAM

Christmas / Bronco – Split (Lux Noise Records / SIXTEENTIMES MUSIC) CHRISTMAS team up with Swiss heavy-stoner boys BRONCO to deliver you some super delicious sound from the underground. This one comes out on limited colour vinyl and the super saucy sleeve. Bronco dish up ‘Cowboy’ and what a heavy riff-a-rama slice of noise it is.  No prisoners at all as for Christmas? well, ‘Candy Me’ is a belter. Crisp riffs and crushing drums is exactly how Turbonegro wish they sounded in 2020.  Having Max Motherfucker blow you a kiss at the end is better than a stick in the eye.  Hardcore heaven with a cheeky picture on that artwork very cheeky indeed. Very limited numbers so snooze you lose.

Buy Here

 

L.A. Guns – ‘Let You Down’ (Frontiers) After the excellent return to form last years ‘The Devil You Know’ this sees the guns shifting gears to something a lot less turbocharged.  Recording in isolation the band saw fit to get this out for the fans to hear whilst they work on the follow-up Looks like that rich seam they are on is set to continue. Clocking in over five and a half minutes it ebbs and flows nicely something this line up is never set to do is let you down.  check it out Here

Website / Facebook / Twitter / Instagram

 

 

 

The Speedways – ‘This Ain’t A Radio Sound’ (Snap Records) Second single from the upcoming album ‘Radio Sounds’ (eta June 2020) sees The Speedways add some stardust via a liberal sprinkling of Keyboards. The verse is light and the perfect foil to the chorus and the dreamy solo.  Bv’s and handclaps the Speedways go straight to the top of the Power pop class no question. To add the cover is timewarp tastic.  Diggin’ deep and throwing a real curveball shows that Matt and the boys have no boundaries and are fearless in their execution.  Should be heard on the wireless all summer all over the land and some.  Can’t wait for the album now on the strength of this.
includes our cover of the Billy Ocean classic.

Buy Here

 

Chesty Malone and the Slice ’em Ups – ‘The Fine Art of Choking’ (Quarantine Version) (self Release) The lockdown seems to have galvanised a lot of bands and has got the old creative juices flowing and Chesty Malone are no exception.  Looking for a soundtrack to get those exercises done well here you go ‘The Fine Art Of Choking’ is that soundtrack. A little more laid back (if I might be so bold) than the usual fair from these Noo Yawk City maniacs but fear not my punk rockin’ friends it’s a bonafide fuckin’ banger.  If you really want to push yourself then ‘State Violence/State Control’ is more in your face punk rock kicking and screaming but what else would you expect if you cover a Discharge song.  Wonderful noise as always maybe we should quarantine these punk rockers more often.  Love the solo on this. Buy Here

 

Matty James Cassidy – ‘4x4x1’ (Self Release) Hold on a cotton-picking minute! Matty James Cassidy has lassoed in a few of his bandmates to play on these four countrified blues numbers as the band rip it up on the barnyard ‘The Race Is On’ and capture the mood perfectly.  Next up they twist the Stones ‘Dear Doctor’ into a much lighter beast and take ownership of this classic and do it justice. ‘How Come’ is a real belter and the arrangement is excellent and adds a much-needed chink o flight in these dark times. Everybody loves a bit of boogie woogie on the old joanna and some clean guitar breaks right? Yehaw!

To take this excellent EP home Matty goes for the acoustic ‘Old Shoes’ and an end must come which is a shame because this is a really excellent collection.  Great stuff.  Buy Here

 

Pabst – ‘Hell’ (Ketchup Tracks / The Orchard) Berlin’s Pabst have released the video for brand-new single ‘Hell’, a song that openly confronts the darker emotions and what a banger it is too.  After supporting the likes of Husker Du’s Bob Mould Pabst are set to release their new album  ‘Deuce Ex Machina’ mid-June and if this is an indication of what to expect then its something to look forward to and get in on the pre-orders. A fantastic song from a really talented band who write great hooks and use everything at their disposal call it post-punk, indie pop, whatever they clearly know how to write great tunes and ‘Hell’ is another. Pre-order the album HERE.  Facebook

Fontains DC – ‘A Hero’s Death’ (Partisan Records)   Barely a year since their debut ‘Dogrel’ earned them a spot as one of the most acclaimed new bands of 2019, Dublin’s Fontaines D.C. will return with ‘A Hero’s Death’  the LP in a couple of months. A glimpse under the curtain as to what to expect is the video for the title track of the new album right here.

Pre-order / Pre-save the album: Here

Purchase / Stream the single: Here

Michael Des Barres – ‘Anarchy In The UK’ (Wicked Cool Records) fronted the bands Silverhead and Power Station.  The latter played the Live Aid festival in 1985.  Michael is currently a DJ in Little Steven’s Underground Garage and yup you’ve read that right This release is a cover of The Sex Pistols’ ‘Anarchy in the UK’, which was produced and arranged by Stevie Van Zandt.  If you’re expecting a snarly slice of Des Barres punk rock then I suggest you step away from the speakers now.  This one got strings and swing and whilst I’m not really convinced if he just tried to copy the original we’d all be laughing like we did when Mutley Crue and Megadeth had a go at being the Pistols.     The B-side is an original, which features Genya Ravan on co-lead vocals. and that’s much more appealing. Facebook Buy Here

 

Hot Nuns – ‘Rude, Dumb & Anxious’ (Loyal Blood Records) Norwegian power punk rock duo Hot Nuns, featuring members of Blood Command are back with a new EP titled “Rude, Dumb & Anxious” it features four new tracks including a cover of The Boys’ “First Time”.

The duo comments on the album. “The record is four tracks of stripped-down punk rock. Its only drums, bass, and our vocals. We have a rule that if we can’t play it live we can’t put in on record either. So there is no cheating here. Not trying to be pretentious, but we try to make music the same way Lars Von Trier made Dogville. No fancy extra layers needed to get the story across. The lyrics are mostly about sad losers longing for love except for the title track ‘Rude, Dumb & Anxious’ which is about people who will say whatever about stuff they don’t know just to fit in and look good.”  So the proof is always in the pudding as they say.  The opening track comes on like a thunder blast of melodic aggression not to dissimilar to something Therapy? might write (with some obvious sound differences second cousins if you like). ‘I Love You Still’ is more of the same a groovy adjit pop tune played by post-punk rockers. they’re not the first to go with the overdriven bass and drums but they do fill a room and its surprisingly listenable that’s for sure. The track I was looking forward to hearing most was how they’d interpret the Boys cover and to be fair they do a sterling job and one I’m sure the writers would be proud of but then again it’s such a classic it’s hard to fuck up even if that’s what you were trying to do. To wrap it up the title track is a right banger as well so top marks from me for this EP.  great effort! Facebook

FRND CRCL – ‘Deception’ (FCMedia) New Joirsee pop-punkers go for broke on their new album and pay homage to the genre rather than reinvent it.  This is taken from their second album and like I say does a grand job in a Blink or all American rejects style.  Nothing new but really well done.  It’s bright and upbeat and ebbs and flows nicely.  Layered with acoustic guitars n all sorts so a lot going on when it’s loud it’s loud and when it’s building it does so rather well to be fair. More punk than pop to be fair Website / Facebook you can buy the album Here

 

 

 

 

Thee MVPs – ‘A Song For The Councillor’ (Eesy Records) A song about how we should probably get together more often. Sardonic verses, a damn catchy chorus (even if it is wordless) a shreddy middle 8, a motown bassline followed by a heavy chug riff in the bridge, a little bit of everything this record offers all in one tune, something the psych heads can shake it too, the dads with a night off can crowdsurf too, goths can throw shapes too and the skaters and crust punks can throw fists too (all common sightings at any MVPs gigs). Lyrically speaking it’s Funeral Part 2 without the name, a Spiritual Successor which is also spiritual with the words without getting too Rainbow Rhythms. I think this tune is ringing through a bit clearer during this pandemic if you ask me, everyone really should talk to each other more. In memory of Uncle Will, who served in the Desert Rats in WW2, who we all called Councillor when he arrived at the pub after he’d ridden his bike two miles into town and put his bets on for the day, he passed at 96, he only packed in the cycling 6 months prior. Gravesend’s Harry Dean Stanton. The Second Single from the First LP from Thee MVPs and the First LP from Eeasy Records.

SHIT TINNIES – ‘Town’  (Riot Records) Shit Tinnies you that’s their name Shit Tinnies haha is there such a thing?  They’re a whirlwind of punk rock, ska, hip-hop and everything in between but here it’s more basic and street punk. Exploding onto the Sydney scene in early 2019, Of course they’re Australian where else on the planet is it called a tinnie? To be fair they play a fairly standard punk sound clearly influenced by the likes of Rancid on this evidence and others like some of the Brit Oi! bands who’ve seen a resurgence in recent years it’s great to hear young ones taking on board the sounds and turning it into something new and trying to keep things fresh  will also get the metal fans on board with those crunching riffs Facebook     Buy Here

 

 

DESTRENDS – ‘Wasteland EP’ (Bread & Butter Records)

Jessie Wagner – ‘Over And Over’ (Wicked Cool Records) Sweet sweet soul music from Jesse with some cool brass and some blues that would make joe Perry blush when he’s honkin’ for bobo.  The horn section adds some polish to a really cool tune. It’s soulful and street cool all in one and like she’s shaken her moneymaker and danced with Kravitz and played her Bellrays albums over and over. To add another texture the laid back ‘Put Off Saying Goodbye’ is soulful and her velvet-smooth vocals against the violin is wonderful and the fact she resists breaking out on the tail end of this is great to hear.  A really impressive introduction to a very talented performer  I can’t wait to hear more.

Buy Here

 

The Zipheads &  The Nosebleed – ‘Banrobber’ / ‘Train In Vain’ (The Strummer Foundation)  both popular stalwarts of the DIY punk scene have teamed up with the Joe Strummer Foundation to release a song each from The Clash’s back catalogue in their own raucous styles, raising money to provide opportunities to musicians and support to projects around the world that create empowerment through music. What’s not to like a great worthwhile cause and two fantastic songs.  Worth a couple of quid of anyone’s money if you can support it at these tough times then grab yourself a couple of top covers in exchange

Buy the songs Here

 

 

 

 

Goldie Dawn – S/T (Drunken Sailor Records) ‘Gone With The Wind’ is the sound of about a dozen awesome bands rolled into one bubblegum blowing snotty slice of rock and roll. So it’s not the catchiest record you’ll ever hear but its pretty damned good for an introduction especially when the engine gets warmed up after a couple of minutes and they channel their inner Brain James. ‘Crime’ will certainly clean out any hearing problems with the feedback before we roll off round the block on a badass hotrod of attitude punk rock n roll. Love the riff as it scuffs off the rock-solid rhythm like the bastard child of Ziggy era Bowie.  but wait the best is yet to come as ‘What’s Inside (Never Dies)’ and what a Heartbreakers joy ride this is. So yup its got handclaps and a Walter Meets Johnny guitar lick coursing through its veins and I’m always a sucker for some of that.  top tune. But it’s not ending there because the band does ease back a little as we ride out into the sunset with ‘It’s Nothing To Me’.  Bookmark Goldie Dawn or whatever it is the kids do these days I’m expecting great things if this is what they can offer us. Buy Here

 

Percy – ‘Will Of The People’ (Ten Foot Records) The track comes from their new album ‘Seaside Donkeys’. The album is a work that represents the gritty realism of the 2020s and that is extremely relevant to a country and planet on the brink of unchartered waters. Will Of The People is a fine slice of punk rock with gritted teeth this song sums up living on Shit Island for many people. Buy Here

Cement Shoes – ‘A Love Story Of Drugs & Rock & Roll & Drugs’ (Drunken Sailor Records) After they’ve finished fuckin’ round with the universal fanfare its heads down and hit go but don’t just hit it SMASH The Fucker! ‘Smashed On Glass’ is like a punch in the face using an elephants hoof on the end of a jackhammer.  A marvelous slam of punk rock but it doesn’t end there because ‘Knocked Into The Reptile Enclosure’ sounds exactly how you’d feel if you were.  Terrifying wild frantic and a little metal.  But wait, there’s more but this time it’s a little more melodic and restrained. ‘Going Off The Grid’ is like a psychedelic hardcore Black Sabbath jammin’ with The Fall.  Fucked up?  You bet but I like it to be fair I like it a lot. Cement shoes kick right off – great stuff and right fuckin’ noisy!

Buy Here

 

Acid Blood –  ‘Waste No Time’  ( JanML/MvL) Swedish punk band Acid Blood have a brand new video out for the track “Waste No Time”, taken from the LP ‘Acid Blood’). The video was directed by Nicklas Viberg and shot at the old blues bar Droskan in the bands hometown of Umeå.  Like a steamtrain that can’t stop fueled by Motorhead riffs and a tonne of attitude.  Acid Blood are right on it like Graham Bonnett but better, much better.

 

 

 

 

Well, these are strange times and Rock and Roll won’t be clamped down even if we are.  Thanks to the magic of this here interweb we can still get our mitts on new music (gloved up of course) first up on this playlist is a right banger from Noo Yawk Citys Wyldlife . It’s recently been reviewed on RPM and I happen to agree with Ben when he claimed it could be a contender for record of the year. We have added ‘Sacre Bleu’ to our banging playlist.

 

Next up is a band from Sweden called Dictator Ship and Fraser covered this one and ‘Your Favourite’ is a great slice of scandiRock with ‘Eat The Poor’ making the cut in our Playlist.

 

Australia is quickly becoming the epicentre of Global Garage Rock and you sure can add The Chats to that list of fine Australian bands and with their recent record ‘High Risk Behaviour’ hitting the shelves we’ve included ‘ The Kids Need Guns’ to our playlist with its classic DC early days rawness and their snotty lyrics The Chats rightly are causing a stir around this globe all of their own.

It’s not all snotty records this month we did have some offerings from the Classic Rock and Grunge crossover of Buffalo Summer so included the excellent ‘Hit The Ground Running’ taken off their recently released album ‘Desolation Blue’ with some fine cool slide on the otherwise beefy riffs it’s a real tour de force from Soth Wales on this new album.

 

It might have been a lifetime ago that The Psychedelic Furs last released a new album but the wait is over and Made Of Rain is almost upon us.  We’ve included the first single taken from the record ‘You’ll Be Mine’.

Naked Six have a new album out and the lead track off that album is ’21st Century Brawl’ and that makes our playlist with its jarring poke before the album kicks off with some great tunes. Well worth investigating so let this opener suck you in but don’t forget to buckle up.

Ben found his stereo working overtime as The City Kids released ‘Things That Never Were’ so we’ve added ‘You Get Nothing’ To our playlist.

I know a girl, a girl called Party, Party Girl.  Bono sang that but the Dahlmanns sing ‘Party Girl’ which was released as part of a split with Tommy & The Rockets on Beluga Records a classic castanets clacking slice of power pop with saxophone and New Wave approved piano.

Then Comes Silence who we include ‘Devils’ from their most excellent ‘Machines’ album that was recently reviewed with some dark Goth undertones this has been on heavy rotation around some RPM circles as the corpse paint went on and certain writers were only venturing out after dark with this on their playlists.  Get on it kids.

If a bit of Goth isn’t your thang then why not grow out those sidies and  some facial hair and get on down with Rookie. We’ve got ourselves a ‘One Way Ticket’ to listen to this great playlist and ride out this Global pandemic.

As well as some awesome reviews April sees us bring some news that bands push out so why not include some of the movers and shakers who are busy this month either re arranging tours or putting the final touches on new releases. How about some Rock with American Jetset? ‘Gold & Nines’ is classic cock rock n roll so it makes the cut.  Our old friend Jizzy Pearl also announced that he has signed a new deal with Golden Robot Records so expect some new music and live shows soon. We head back to when he did the album ‘Just A Boy’ and include the cracker ‘Do You Wanna Get High’.

With everybody with a guitar and camera phone shooting home shows we have a few suggestions of who you could check out starting with Rich Ragany & The Digressions who bring ‘Later Than It Is’ to our playlist off the excellent debut album and rumour has it that recording has begun for the follow up which commenced before this lockdown but be sure we’ll bring you the news as and when. 

Another artist smashing the numbers watching his home broadcast is Mike Peters with his ‘Big Night In’ I’ve not tuned in yet but rest assured I will.  Heres one from his recent output ’13 Dead Raindeers’.  Another live streamer is Jesse Malin  who we also interviewed recently and who has a brand new single out sadly it’s not on this service yet so make do with a cut off his last album ‘Chemical Heart’.

There’s fifteen reasons to stay in and have RPM Playlist be your companion and while away the hours playing some quality rock and roll . Go on a journey of discovery and see where it takes you as you avoid the rocks on the choppy water of Rock and Roll 2020.