Some of the writers managed to send in their list of the top ten live shows they went to in 2019.  they attended hundreds of shows all over the place via trains, planes and automobiles.  On another day I’m sure these lists would change many times over.  RPM Online supports Rock and Roll and loves a live show and as you browse through the lists there are many genres covered as well as some familiar suspects there are many new entries this year.  We’d love to take this opportunity to thank all the bands who toured and played shows all over the UK and continue to do so, All the festivals that supported independent music from Rebellion Festivals and Camden Rocks to Steelhouse Festival in South Wales and all the festivals around Europe and wider thank you.  Continue to look after independent Rock and Roll and help it thrive and reach a wider audience if you want to get involved get in touch we always welcome fresh eyes and ears to spread the word: rpmonlinetcb@yahoo.com

 

 

Leigh Fuge 


John Mayer –  02 Arena London

Ryan Roxie –  The Asylum, Birmingham

Michael Monroe –  The Fleece, Bristol

The Cult –  University Great Hall, Cardiff

Kenny Wayne Shepherd –  City Hall, Salisbury

Kiss –  The Arena, Birmingham

Alice Cooper –  Motorpoint Arena, Cardiff

Paul Gilbert –  The Fleece, Bristol

The Wildhearts  – The Tramshed, Cardiff

FM & The Quireboys  – The Globe, Cardiff

Nev Brooks 
Pulled Apart By Horses – Newport Le Pub (Reviewed Here)

Primal Scream –  Great Hall Cardiff

Alice Cooper, MC50, The Stranglers – Motorpoint Arena Cardiff

Nick Cave – Millenium Centre Cardiff

Mighty Mighty Bosstones, Bar Stool Preachers – O2 Bristol

The Hip Priests, DC Spectres, Deathtraps – Le Pub Newport

The Wildhearts, Towers Of London – SWX Bristol

Wonk Unit – Drogonfly Pontypool

Frank Carter & The Rattlesnakes – Sin City Swansea

Holy Holy – Tramshed Cardiff

 

 Gareth Hooper
Duncan Reid, Cyanide Pills, Bruno – Louisiana Bristol

Ginger & The Sinners – St John’s church Cardiff

Clowns, BBSC – The Exchange Bristol

Amyl And The Sniffers – Louisiana Bristol

Rich Ragany & The Digressions, The Speedways, More Kicks, The Spangles – The Blackheart London

The Wildhearts, Janus Stark – Komedia Bath

The Hip Priests – Le Pub Newport

Bar Stool Preachers, Rich Ragany & The Digressions – Clwb Ifor Bach Cardiff

Jim Jones & The Righteous Mind – Jacs Aberdare

The Stray Cats, Selector, The Living End – Hammersmith Eventime London

Johnny Hayward
Bar Stool Preachers, Rich Ragany & The Digressions, Social Experiment –  Clwb Ifor Bach, Cardiff (Reviewed Here)

The Hip Priests, Rotten Foxes, Flash House, Glitter Piss –  The Pipeline, Brighton

Rebellion Festival 2019 – Winter Gardens, Blackpool

Jim Jones & The Righteous Minds, Heavy Flames, Deathtraps –  Jacs, Aberdare

Death By Unga Bunga, Seek Warmth –  Hy Brasil, Bristol

Dboy, The Vega Bodegas, Nigel –  Clwb Ifor Bach, Cardiff

The Stray Cats, The Selector, The Living End –  Hammersmith Apollo, London

Grave Pleasures – The Fleece, Bristol

Pulled Apart By Horses, Baba Naga, Dactyl Terra –  Le Pub, Newport

Clowns, Broken Bones Gentleman’s Club, Glug – The Exchange, Bristol

Fraser Munro
Adam Ant – St Davids Hall Cardiff

Kiss – Kiss Kruise, Miami

Michael Monroe, Electric Eel Shock – The Fleece, Briatol

The Hip Priests – The Drippers, Deathtraps – JT Soar, Nottingham

Alice Cooper, MC50, Motorpoint Arena, Cardiff

Turbonecro, The Hip Priests – The Chameleon, Nottingham

Dboy – Clwb Ifor Bach, Cardiff

The Damned – KK’s Steel Mill. Wolverhampton

Skidrow, Backyard Babies – The Forum, London

the Wildhearts, Towers Of London – Tramshed, Cardiff

Ben Hughes
Michael Monroe – Brudenell Social Club, Leeds (Reviewed Here)

Duff McKagan/Shooter Jennings – Academy 3, Manchester

The Wildhearts – Stylus, Leeds

Frank Carter & The Rattlesnakes – Brudenell Social Club, Leeds

Low Cut Connie – The Fulford Arms, York

Amyl & The Sniffers – Brudenell Social Club, Leeds

Ryan Hamilton Songs & Stories Show – Bloomfield Square, Otley

Tyla’s Dogs D’amour – The Fulford Arms, York

Levellers – The Minack Theatre, Cornwall

Hands Off Gretel – The Fulford Arms, York

Nigel Taylor 

The Stray Cats – O2, Birmingham

Saint Agnes – Plymouth Junction, Plymouth

The Wildhearts – Cavern, Exeter

Motörgoblin (Orange Goblin plays Motörhead) – St Moritz Club, London

Ginger Wildheart – St Johns Church, Cardiff

Queensryche – Islington Assembly Hall, London

Mother Vulture – End of the World Festival, Plymouth

Uriah Heep – Steelhouse Festival, Wales

Cradle of Filth – London Palladium, London

Ghost – Motorpoint Arena, Cardiff

Blaze Bayley – The Junction, Plymouth

Dom Daley
Rebellion Festival – Winter Gardens, Blackpool (Reviewed Here)

The Damned – London Palladium, London

Michael Monroe, Electric Eel Shock – The Fleece, Bristol

Duncan Reid &The Big Heads, Cyanide Pills, Bruno – Louisiana, Bristol

Amyl & The Sniffers – Lousiana, Bristol

Ginger & The Sinners – St Johns Church, Cardiff

Clowns – The Exchange, Bristol

Rich Ragany & The Digressions, The Speedways, More Kicks, The Spangles – Black Heart Camden, London

New Model Army – Tramshed, Cardiff

The Wonder Stuff – O2, Bristol

Ah Brighton! I’ve not been here for a gig in almost a decade and to be honest walking the streets in the run-up to tonight’s show, not a lot has really changed in the intervening time. The city’s lively side streets still very much remind me of the London I once loved, long before money swept it’s streets clean of anything remotely interesting and its down one of these side streets that you will also find the new home for The Pipeline, one such victim of London’s transformation from cultural capital to capitalist culture.

Situated just a pebble’s throw from the beach on Little E Street, and right next to the alley where Steph and Jimmy had their “moment” in Quadrophenia, The Pipeline is a rock bar with a twist, because whilst it has a great jukebox and an upstairs pinball/live music room it also doubles as a vegan restaurant serving some mighty fine food indeed, and tonight it’s packed out well before 7 pm.

That’s because with an entry fee of just £5 this superb four-band bill has to be one of the bargains of the year for the more discerning music fan, and it appears Brighton has quite a few of those. Thing is with the upstairs room having only a 50 capacity (it makes the Chameleon in Nottingham look like Madison Square Garden) and there being no pre-sale tickets available, I do have to wonder if I will actually get in?

The cooling effect of the ink cross on the back of my hand certainly does my OCD the world of good and I can finally relax and enjoy myself but not before the pint of Estrella is quickly knocked out of my hand and  I’m thrust straight into the live-action via a frenzied pit ready for some Glitter Piss. This Brighton based five specialise in fast and furious urine-soaked punk rock with songs based around subjects like; losing it in work, dealing with STDs, losing it on vodka and of course partying and that’s what Brighton’s most clued-in music fans are here to do tonight.

With Rotten Foxes’ MacDaddy on guitar Glitter Piss are always going to have a small nod towards them sound-wise, but at times tonight the other band they really remind me of are The Ghost Of A Thousand, particularly around the time of their ‘New Hopes, New Demonstrations’ album and that’s not just because there’s a tall ginger bloke called Tom in both of the bands either.  Trust me when I say that if Glitter Piss can bottle this live energy and keep it together long enough to actually take their songs into a studio, we could very well be looking at the next “ones to watch” on the UK underground.

London’s Flash House are of course not only Slugfest veterans but long-time favourites here at RPM Towers so it’s no surprise to me that the stifling heat of The Pipeline only acts like fuel to Crusty, Mike, Matt and Harry as they take opener ‘Raising Cane’ and proceed to ram it down the throats of everyone in here tonight. ‘Yeti 69’ from the band’s recent split single with The Hip Priests sounds absolutely glorious alongside tracks from their now out of print ‘Brown Sauce’ album like ‘Three Wise Monkeys’ and ‘Domestic Hiss’, and finishing with a frenzied ‘Flash House’ I cannot help but imagine that the Lemmy picture the guys are playing in front of gives them a little knowing wink. Outstanding stuff once again, now give us the second album ya flash (house) fuckers.

Having been aware of their music (and high taste in fashion) for a good few years it’s taken me ages to actually see Rotten Foxes live. Now, just as they are about to split up, I get to see them twice in the space of two weeks, talk about perfect timing eh? Bassist Jimi Dymond and singer Rusty Nails are visibly moved when I mention Dom Daley’s review of their recent Rebellion performance to them just prior to them going on stage tonight, such is the passion these four guys still have for their music with just a few gigs left before they split up. They promise me there’s still some new music left to come (more of this in a moment) and of course there’s still a handful of shows at which you can experience their whack ‘em and smack ‘em brand of death punk live for yourself.

Tonight though is made all the more special as it’s Rotten Foxes personal thank you to The Pipeline’s owner Thomas Evrenos, someone who has supported the band ever since The Pipeline moved to their city, and just as you would expect for such a special event the ceiling is dripping with sweat as the punk pop is ordered to be cut from the PA and the upstairs room goes totally fucking nuts to the likes of ‘Ship It In’ and ‘Make Me Pretty’ (both taken from the band’s recently released and totally essential ‘Arrive, Raise Hell, Leave’ EP). There’s a moment during the latter when I feel I might end up in the downstairs bar like some long-lost outtake from Carry On Abroad, such is the power of the mullet in the pit tonight.

‘Dehumanise’ is the double denim teaser new track aired and it’s a brutal beast too, one that we’ll hopefully get to hear properly once the one PC the band owns finally gets fixed and they can get the fourth EP up on Bandcamp. Like Dom said in his Rebellion review that a band as exciting as Rotten Foxes are calling it a day whilst the rock world is still overflowing with beige shite is truly a sad day indeed. Just make sure you get to see the band’s jail rat tattooed asses before they do finally call it a day in just a few weeks’ time.  Rotten Foxes I fucking salute you!

Fresh from touring across Europe and the UK with Electric Frankenstein and The Dwarves, The Hip Priests are the perfect headliners for tonight’s shenanigans as they are both very tight and very exciting right now (if you will excuse the Godawful pun). With just a simple line check between bands (I’m sensing a tight curfew is in place) “those fuckin’ boys” head straight into an opening trio of ‘Motherfucker Superior’, ‘Instant Delinquent’ and ‘Stand For Nothing’ sounding positively imperious.

Just prior to ‘Zero Fucks Given’ Austin and Nathan hang from an open upstairs window long enough to berate the locals, not man enough to finish the four-band bill, the singer taking a well-aimed gob at the plastic punks sitting below. Who said punk rock was dead eh?

Punk rock politics aside it’s the addition of Gentle Ben on second guitar that has proven to be something of an inspired move by the band as now they all lock into tracks like ‘Social Hand Grenade’ and ‘Deja FU’ from the excellent ‘Stand For Nothing’ album and simply don’t let up. It’s that added fifth dimension the band have always been looking for finally brought to life right in front of your naked steaming eyes, oh, and double denim nut huggers aside (worn as a tribute to Rotten Foxes), tonight really is The Hip Priests at their very best.

Returning for a two-song encore that sees various other band members join The Priests on stage for a mass pile on that ends with a run through the Foxes ‘Pints’ before the suitably titled ‘Wired Amped & Skulled’ brings things to a sweaty and bloody conclusion I stagger downstairs and out into the night feeling like I’ve just been sucker punched by Shawn Michaels, totally shocked and dazed by what has gone before. So much so in fact that I head straight back to my digs just to try to get my shit together. How very un-rock ‘n’ roll of me eh?

At £5 entry for a night of full contact rock ‘n’ roll this one has to be marked in time alongside my encounters with The Dogs D’Amour in Cardiff Square Club, Nirvana In Bristol Bierkeller and Gilbert The Alien in Cardiff Ice Rink (Yup I really did see him live) as one of those had to be there nights. Let’s hope it won’t be another 10 years before I get to go back to Brighton as I’ve a feeling The Pipeline will have a lot more nights like these in store for us very soon.

Author: Johnny Hayward

“Easy Like a Sunday Morning” (like Fuck it is)

Three down and one to go and Sunday is a pretty big deal around RPM HQ as our mates are playing on the Introducing stage later but everywhere we look its clash city.  At one point we wanted to see four bands all playing at the same time across the complex so it literally came down to the toss of a coin where we would go and who we would see. With the venue opening at midday we needed to be in the Empress to catch a band we’ve covered a lot lately and who’ve impressed everyone whos seen and heard them.  Hands Off Gretel take the stage to a really healthy crowd considering the day and time and proceed to entertain with a really tight performance as the band really locked in like their lives depended on it and the audience was right there with them. After catching the first 30 minutes of the set we then had to cross the divide via Almost Acoustic where Ratboy was performing his magic to a full room we managed to catch him driving swords through someone’s arm and a more gentle coin trick but we couldn’t stay as all roads lead towards the Introducing stage where Trigger Mcpoopshute took the stage looking rather splendid in their religious outfits.  I even heard some punter comment that Shovel had a decent set of pins in his sheer stockings! I did turn to see what depraved human had such thoughts on the lords day. To be fair Trigger knocked out a rather impressive set of Welsh hardcore fuelled by late-night kebabs and strong cider whilst entertaining and putting a smile on peoples faces with their tales of everyday folk and cheeky charm.

Having seen the band turn in some loose sets this was a different Trigger with a much tighter sound with Bam at the drum stool.  Songs like ‘Skidmarks and Spenser’, ‘Sheep’ and ‘Drinking With The Big Boys’ were going down a storm in front of a very impressive audience and it was only 1.15pm but the only question people were now pondering was ‘Fish Or Bird’? Fuckin’ loons.  Who writes songs about penguins? Bloody entertaining though.

Right that’s three rooms already and it’s not even 2 pm so it must be time to head to Casbah to see if Dan Banger has turned up this year and low and behold he’s bloody made it and finally, Pizzatramp are in the house and what a fuckin’ beautiful noise they make live.  Regardless of if its some tiny venue in the bowels of South Wales or the cavernous Club Casbah at Rebellion Pizzatramp are on fire right now as Sammy plucks that thunderous bass and locks in with Dan they are a formidable force and their Hardcore is a beautiful thing they open with ‘CCTV’ and its brutal ‘Claire Voyant’, ‘He’s Gone Full Mitchell’ and the quite brilliant ‘Millions Of Dead Goffs’ pretty much make up the opening salvo of their set and I’m happy and it seems like half of Blackpool have gotten the memo and decided to turn up to see Pizzatramp with ‘Grand Relapse’ getting a decent airing their (Brown puckered) Star(fish) is burning brightly. We cut the set short and dash over to the Opera House for Johny Skullknuckles Kopek Millionaires who have just gone on by the time we catch our breath.

‘sometimes (Love Just Isn’t Enough)’ sounds fantastic and the change of pace from hardcore Sunday to power pop punk rock was just what I needed. I love Johnys style of writing and a lot of his material reminds me of early Hanoi Rocks and ‘Tell Me Baby’ sounded great as did ‘1981’ from ‘Dirty Beef Hands’ but the ray of sunshine in what has been a difficult time recent for Johny was his touching tribute to Kathy which touched everyone in the Opera House and got a standing ovation and the track of the set ‘Punk Girl From Another World’ an exceptional set from The Millionaires.

After recently seeing Suede Razors in Bristol Johnny and Darrel urged me to pop into the empress and catch the set so if it’s good enough for those two, of course, I was going to be there. so grabbing my spot on the barrier more for something to lean on than anything else the band duly took the stage and Darrel Wojick fresh from checking out Trigger McPoopshute takes the stage and proceeds to ram down some sweet boot boy rock and roll mixing the best of Slade with Rose Tattoo with a bovver boy take on the Four Horsemen.  ‘My city’ kicked off proceedings and for the next half an hour and some they rammed it down the Empress ‘TV175’ going down a storm and the punters flooded in. ‘Passion On The Pitch’ was dedicated to Blackpool fans and their fight for their club and it was nice to hear some Americans and a Canadian knowing their shit and fuck the Oystens would have gone down well.  ‘Bovver Boy’ was a particular high point of the set.  a band who have the chops and know-how to rock and roll and will always be welcome over here if the USA still won’t let them ply their craft.

One of the must-see bands on the introducing stage had to be Rotten Foxes who turned up looking rather splendid in their double denim, cut off nut huggers and wrestling belts. They really put on a show for those gathered in the sweatbox. As for what they played fuck knows, it was absolute pandemonium and punk as fuck with Charlie Harper whistling on the sidelines whilst members of Zero Zero, Pizzatramp and Trigger knew where the only place to be at half three on a Sunday afternoon was and that was in this very room sweating like Ian Krankie in a wardrobe. The songs came thick and fast, fuck, make that very fast as bodies flew around, Hardcore as fuck. An absolute pleasure to witness such beautiful chaos done so well. True to their single ‘Arrive Raise Hell Leave’ Rotten Foxes absolutely killed it.  I wish it had gone on longer and it would have been awesome to see these boys tear somewhere like Casbah a new one with this racket. Don’t quit it’s only just begun. Rotten Fuckin’ Foxes!

We needed to grab some food so Svetlanas were forfeited as was our planned peek at Teenage Bottlerockets (next time for sure). Dirt box Disco are up next and with a quick pint, we head for Club Casbah. Having Weab quit the band to go his own way it left Spunk Volcano to take over lead vocals and this being the first opportunity for us to see the band we first caught way back when they had no more than a couple of shows under their belt this was going to be interesting but seeing so many people turn up and stay til the end must have put wind in their sails as they knocked out classic Dirtbox after classic dirt box with ‘My Life Is Shit’ seeing a frenzied pit chanting the chorus back to Mr. volcano must have felt good that they decided to carry on post Weab. Something of a Rebellion fixture it wouldn’t be the same without them.

Empress is beginning to heat up again as CJ Ramone takes the stage and for the next hour we’re treated to a whole bunch of classic Ramones tunes and some choice cuts from CJ’s solo records all that was missing was a track or two from Bad Chopper. ‘One High One Low’ from the new album slipped in comfortably alongside classics like ‘Bonzo Goes To Bitburg ‘, ‘Rock n Roll High School’ and ‘Rockaway Beach’. ‘This Town’ also off the new album sounded huge but was the aperitif for Blag The Ripper who entered the fray to creepy crawl around the Empress knocking out ‘KKK Took My Baby Away’. CJ then gave a wonderful tribute to his former bandmate Steve Soto who had been performing with him and who died only little over a year ago as last year Adolescents gave a tearful tribute to Soto ‘Rock On’ was apt. the next special guest happened to be Blags bandmate Nick Oliveri.

as if the Empress wasn’t hot enough ‘Warthog’, ‘Commando’, ’53rd’, ‘Sedated’, ‘Blitzkreig Bop’ and to wrap it all up why not go over the top with a sparkling version of ‘R.A.M.O.N.E.S’. Thank you and goodnight.  Fuck me that’s how to do a festival – No bullshit – no fucking around just bish bash bosh!  It reminded me of Buzzcocks who were mentioned several times over the weekend and amusing stories were regaled they were a band who got festivals and usually just blitzed it – well, CJ Ramone just did that – 29 songs in an hour, Smart!

We’re in the home straight now and it’s still pretty full-on We toyed with the idea of going into Empress for The PRofessionals but it was too hot so we went for a wander around the bizarre and dipped in to catch the start of The Skids who weren’t mucking about and once they’d put up the correct graphic giving away the fact that The Damned were indeed playing the Machine gun Etiquette set later gave the game away, oh well the rumours were true. Doh!. ‘Of One Skin’ followed by ‘Charade’ it looked like they were playing the same set they were dishing out around Europe which is fine I’ve not seen the band since they reformed and by the sounds of it they were bang on form. Knowing I had one last lap to complete the heat upstairs on the balcony was almost unbearable and it literally felt like the ‘Saints Were Coming’ if I’d have stayed up there so back to Club Casbah for a glance at Conflict and DOA then settled for a few tunes from King Kurt a band I’d not seen for over twenty years hoping to catch some ‘Destination Zulu LAnd’ but alas it wasn’t to be as I had to venture via the backstage bar for some refreshments before making my way down the front for one final hurrah.

The Damned doing ‘Machine Gun Etiquette’ although I’d seen them several times on the last MGE Anniversary tour this time it was with added Paul Gray who always did justice to the Algy bass lines.

As the band took to the stage and Captain offered up the introduction of “Ladies And Gentlemen, how do?” the place seemed to be absolutely rammed and didn’t need an invitation to go nuts as the album was unfurled in sequence well,  up until ‘These Hands’ that seemed to have been left off.  Again not quite its entirety but it would have been fun to hear it for us anoraks. Man The Damned are on fire at the moment and seem to be really enjoying their time on stage. Vanian being quite animated tonight taking the lead with amusing anecdotes whilst Sensible being, dare I suggest it, quite restrained.  Maybe the Wintergardens heat was taking effect whereas we all know Vanian has spent the day relaxing in his air-conditioned crypt so would be fresh as a daisy.  Once they wound up MGE also missing ‘Liar’ as well I might add. They then proceeded to indulge a few extras like ‘Street Of Dreams’ and a rather splendid ‘Ignite’.

I guess they had to play ‘Standing On The Edge Of Tomorrow’ before hitting the home straight with ‘Wait For The Blackout’ followed by the anthemic ‘New Rose’,’Neat Neat Neat’ and ending the set with ‘Jet Boy Jet Girl’ and the curtain was brought down on another exception headline set from the original punk rockers and still the best there is. Don’t let Hayward and Sutton tell you otherwise 😉 (DD)

With Dom over in the Empress watching The Damned for the bazillionth time it was left to yours truly to witness rock legends The Dwarves, big dicks swinging, give Blackpool’s punk rock community the bloodiest nose of the weekend. With HeWhoCannotBeNamed back in the fold, there is that added sense of danger and anarchy about the band as they launch straight into ‘Way Out’ and the Club Casbah mosh pit goes suitably apeshit. ‘Sluts Of The USA’, ‘Devils Level’ and ‘We Only Came To Get High’ follow like repeated punches to the face and just when I thought it couldn’t get any crazier a minor drunken skirmish breaks out in front of me during ‘Speed Demon’ and the sight of a topless female pit member sends Blag and the boys off into a world where there ‘Better Be Women’ and ‘Free Cocaine’. ‘We Must Have Blood’ sees He Who and Blag demolish the drum kit, and in a shower of beer, they are gone. Wow! Band of the weekend for me and many others. Don’t agree? Go fuck yourselves. HA! (JH)

Rebellion Sundays are real hardcore as the body is usually wondering why it is being subjected to continued alcohol, dehydration and stairs, stairs and stairs. So having an unbelievable line-up makes it all worthwhile and following playing another set I shot across to the acoustic stage to catch Catlow (of the Poly Esters) set the afternoon on a great footing. A Pizzatramp, Suede Razors 1-2 gets me right in the mood to swing by the Arena to catch Birmingham’s utterly brilliant The Liarbilitys.  Their Antagonisms record sounds fantastic live and Birmingham’s Bleeding is surely one of the best punk rock songs of recent times.  I made a point of popping into the Introducing Stage at numerous points throughout the weekend, sampling some really excellent bands (that Rotten Foxes set was something else!!) but one that really stuck with me was Tequila Mockingbyrd. The female quartet were devastating and really should be checked out, as their Hanoi Rocks meets L7 swagger is infectious.  This led me nicely into catching something very familiar but no less good in the shape of Welsh stalwarts Foreign Legion. Marcus Howells might have led the band in its many forms for decades but they show no signs relenting in any way and are on top form with a set of old standards are spot-on new songs.  With the finish line in sight, I head back to join the hordes watching the Professionals before watching The Dwarves deliver the ultimate coup de grace.  What a weekend?  When can we do it again? (DS)

 

 

Rebellion 2019 was an absolute pleasure from the superb company to the many bands I met shook hands with, had conversations with to the work colleagues also covering the festival to the incredibly hard-working and always smiling staff keeping the bars stocked to make sure everything was hunky-dory.  The bouncers who did their jobs well especially the guys n gals in the Empress who did amazing jobs and always with a smile to the catering staff and stallholders to the people like Darren Russell Smith and Jeannie Russel Smith, Stu Taylor and Daryl for putting this incredible Festival together keeping the prices real. Dod and the photographers who do such an excellent job in capturing it all, the stagehands and sound and light guys for doing such an amazing job under so trying circumstances and the good people of Blackpool for being so welcoming time after time and all the band we saw turn in such awesome sets and the bands we didn’t get round to seeing maybe next year. The PR people for running such a smooth operation you all make this festival lark look like a piece of piss.  The artists upstairs along with the people who were interviewed and interviewers and finally all the punters who love alternative music and keep the scene ticking over buying the music and the merch.  I have a list of bands who should play next year who would go down a treat if anyone wants to know.

Rebellion is always a pleasure and never ever a chore. Now can I go to bed and get some sleep please?  Same time and same place next year? Fan-Fuckin-Dabi-Dozy!

Authors: Dom Daley, Johnny Hayward & Darrel Sutton

 

Wow, every month I start to see what’s out there in the 45 rpm section and wonder why there aren’t any being released or, I wait until the Hip Priests have a single out; which is normally once a month to be fair.  Then I get to thinking, man, there aren’t enough I’m going to have to hold ’em over till next month.  Then as if by magic, poof,  a bunch of 45s lands either on the doormat or through the email. 

This month threw up exceptionally high-quality singles and most pleasing there were many made of wax. you know 7″ round things which I love so without further waffle here’s Julys releases…

 

 

SUSPECT PARTS ‘You Know I Can’t Say No’ b​/​w ‘Song For Sadie’ (17 Television)  “An Apocalypse Pop super group with ex and current members of The Briefs, Clorox Girls. More Kicks, Radio Dead Ones, Maniac and Red Dons. Here on their brand new single “You Know I Can’t Say No” they combine late 70’s California beach punk and power pop with 60’s garage and bubblegum. It’s a cotton candy-meets-razorblade concoction that goes down surprisingly smooth”. That’s what they said in the press blurb and it’s hard to disagree.  Man their long player blew me away and this is more of the same.  When rock and roll is in the hands of experts who really really really know what they’re doing then it’s as easy as 1-2-3.  Suspect Parts – Record of the month?  Too right it is.

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Rotten Foxes – ‘Arrive, Raise Hell, Leave’ (Self Release) Brighton’s Rotten Foxes make a ‘fuck off noise’.  They play hard and fast and loose and take no prisoners at all. I can’t possibly include the video but I’m sure that’s not where you dip your chocolate biscuit. Its a killer tune and you should be all over this brief exert from the band.  ‘Make Me Pretty’ is a cry for help but not even Jim could fix that (Too Soon?) ‘Over The Ropes’ is Exploited meets Motorhead meets Stone Cold Steve Austin – Hell yeah! chug a six-pack n’ lay the smack down and count to three.  Killer tune. Rotten Foxes have Rotten hair cuts and perished denim shorts but their Rock and Roll are as Action Rock as anyone.  Loud, hard and fast – Get in there!  Uncompromising in your face punk as fuck Ave It!  I think I love Rotten Foxes – Get em because we hear they won’t be around for long Here

 

 

The Speedways – ‘Seen Better Days’​/’​They Don’t Know’ –  Facebook

‘Seen Better days’ gets a new singles mix and aren’t the last band this month to feature a synth running riot over some awesome power pop. It’s no secret how much I love The Speedways and including live favourite ‘They Don’t Know’ is a beautiful thing. That’s exactly how you take on a pop classic, play it like you love it and own it like you wrote it.  A Stunning rendition of a stunning slab of perfect pop.  Buy it!

 

 

 

 

Duncan Reid & The Big Heads – ‘Kellys Gone Insane’ (Crocodile Records) Having the original debut solo record reissued with bells and whistles and new tracks recorded around the time (obviously) it makes perfect sense to release a single to promote it, just like Duncan would have done in those olden days when bands made singles to promote their LP.  ‘Kellys Gone Insane’ is a belter of a tune I know it and you should too.  If you don’t then here’s your chance to pick up a copy. It has two tunes on the B side ‘Pretty Little Rachel’ and ‘Baby Baby’  neither have been on record before so for less than ten pounds whats not to want to own? The lead track first came out seven years ago! Wow, time flys but one thing remains timeless and thats top Rock and Roll and Duncan Reid plays Top Rock and Roll ‘Kellys Gone Insane’ will drive you insane its catchy as hell and will lodge itself in your head – honest!

Buy it Here

 

Kurt Baker Combo – (I Can’t Help) Falling In Love With You (Wicked Cool Records)  Its Kurt Baker Combo they don’t do bad songs so it was a no brainer that we were going to love this one. When we got the slightest whiff of a new single and once again wicked Cool has snapped up a great band.

Its great from the opening lead break and throbbing bass line to the snare slap and that’s before Kurt comes in with his new wave drawl. With a great big hook ‘n’ riff and those woohoo! backing vocals, of course, this is a ray of sunshine and another excellent track from KBC.  those key stabs remind me of Hot Hot Heat as well which is always welcome – so what’s not to love?

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The Hives – I’m Alive/Good Samaritan (Disques Hives)  Hooray the Hives are back on wax.  Always one of the best rock and roll bands out there on the live front and to be fair they’ve managed to pen the odd banger or two.  ‘Good Samaritan’ is classic Hives. With that rapid riff and drum beat with Howlin’ Pelle Almqvist leading the charge, it’s got a killer chorus. it’s great to have the band back sounding fresh and ready for the attack.

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Budokan – C’Mon Daddy (Bandcamp) I loved their long player ‘Spin A Little Gold’ and once again these Canadian purveyors of Power Pop have delivered the goods with this classic slab of rock and roll.  It’s just a fantastic pop tune played with loud rock and roll guitars.  It’s got a great hook and it grooves like a good un.  The album came out back in 2012 so I can only presume they’ve been having such a groovy time they lost track of the time between releases who knows.  Let’s hope there is a long player on the way folks because these guys are great. Play it loud! Bandcamp

 

 

 

The first video single this month is from South Korean band Bursters with ‘Barriers’ its released as a double A-side single “Barriers / Hero”.  Driving metal riffs mixed with instantly memorable melodies and screamed vocals. The band mix the very best of metal with explosive live performances born from consistent touring across Korea. the bband hit the UK this coming week to support the single. K Rock is in the house.

 

Kettle of Kites – Orchids (Unsigned) Taken from the bands soon to be released album this eco-warrior tune is a haunting new cut that offers a reflection on the blurring of fiction and reality as Earth stands on the precipice of environmental disaster. Deep stuff for a 45. But something different for us here at RPM singles round up so why not get involved and check em out –Facebook

 

 

 

 

 

 

Automatic – ‘Calling It’ (Stones Throw Records) synth punks Automatic take it one step beyond Tubeway Army.  The band hail from the underground scene of Los Angeles where they met this is our first taste of the LA new wavers so join us as we catch up with ‘Calling It’ video

Follow Automatic:
Instagram / Spotify

Continuing the theme of new bands on us and ones with new video singles out here are Project Revise with ‘Just a Story’.

Next up we have Swedish Metalheads Narnia and their new single ‘You Are The Air That I Breathe’ – Facebook 

Genya Ravan ‘Don’t Go Into The Bathroom’ (Rumbar Records) When I first heard this I thought it was an odd title but in the context of the lyrics, Genya makes perfect sense.  I mean I went there once and was horrified that there was no stall door for a start but her ode to CBGB is a fine tune.  Genya headed up CBGB Records at the behest of Hilly himself so when she sings the lyrics take notice this force of nature is a pioneer and for that she gets our Kudos.  Facebook

 

 

The Empty Page – ‘He’s Very Good At Swimming’.  After Rags reviewed this on its release here’s the accompanying video for your viewing pleasure.

Autogramm – ‘Bad Day’ (Jarama 45 RPM Records)  Canadian power-pop signed to a Spanish label singing Ramones Classic in Spanish now beat that.  With an ear-splitting synth leading the charge on this throwback new wave no wave. It’s unoriginal yet nobody else I can think of is doing it these days so totally original that is until you hit their cover of The Ramones ‘I Wanna Be Sedated’ but in Spanish of course. Didn’t see that one coming wow.  Mind blown right there.  you just have to hear it if you’re a fan of Da Brudas and power pop then you have to check it out.  Whilst I’m here these guys are heading to Europe and playing a bunch of shows and they’re not ducking the UK they have a couple of shows lined up here too so my advice is to check em out if you can – Website Bandcamp

Hardship Anchors / Death Lottery – Split (Freetime Boyz Entertainment Worldwide Inc.) Yeah you know we love to hear new bands and when they reach out with music we’re not familiar with its a beautiful thing.  Sneaking under the fence at the 11th hour is this split 7″ all the way from Ft Lauderdale.  Pressed on marbled vinyl and blood splattered sleeve with free stickers I’m in all ready before the needle drops. Death Lottery kick it off with an uncompromising wah infused slab of garage punk with wild and reckless solos on opener ‘Cease + Desist’ and it just takes off from there.  ‘Trespassin’ is up next and sounding like a really lo-fi misfits horror track its a great track brief and to the point much like all three of their contributions.  As for Hardship Anchors, theirs is a slightly less chaotic contribution that doesn’t sound like its driven on adrenalin and has more of an early Replacements vibe happening Evan Dando when he way young hungry and fueled on punk.  the final track ‘Fake’ has a bit of Buzzcocks going on which is always welcome round here.  Check em out on their Bandcamp page and pick it up.

 

The Kopek Millionaire (Johny skullknuckles) – Hey Mikki (self Release) Bandcamp When you’re waiting around for your band to get their shit together and you have the means why not fuck around with a classic slab of pop music. Johny gives this 80s pop classic a right roughing up I’m sure you’ll agree.  Toni Basil would no doubt be blushing at the compliment paid by Johny who calls it a cover of a cover and a silly one at that.  Not that we agree because we love some sloppy rock and roll.  Well done Sir now get that band sorted and lets have the new record.

 

 

 

Beechwood – ‘I Know It’s Not Right’ (Alive Natural Sound) Ok we have to sign off somewhere so why not sign off with a direct line of heritage handed down from Johnny Thunders in the shape of Beechwood.  They have that NYC cool and Gordon Lawrence sure knows how to channel his thoughts into his music.  Regaling a dark time in his life through the song Lawrence said he was happy with the outcome of such a dark experience explaining how he was in such bad shape when he wrote the song, he described himself as broken but he was still able to believe that things would get better; and this was a reminder of that dark time. It’s haunting but mourish and Lawrence certainly has charm and charisma in his songwriting, Not an instant single for sure but one you should check out.

The band are about to embark on a quick tour of Europe with a couple of UK dates added.

FOR MORE INFO ON BEECHWOOD go Here

 

Well, we’re almost there folks its Sunday on our preview and by now there will be sore heads, aching limbs, sunburn, and ringing ears and aching jaws from having such a good time and laughter that’s usually how Sunday pans out but not necessarily in that order. By now you will have got the hang of how to best navigate your way through the Winter Garden and how best to avoid the heat and there will be some who are only now getting into the swing of things and only just warming up.  We’ve already opened a book as to what state our friends Trigger Mcpoopshute will be in before they hit the introducing stage.  I just hope Blackpool has enough Special Vat on tap because they will find it and the Karaoke bar.  Anyway, I digress.

On with the show.  first up will no doubt be a very early start for many as Hands Off Gretel hit the Empress Stage between 12:50pm – 1:30 pm. With their recent album and live shows, they’ve had plenty of praise around these parts and it’ll be great to catch them on such a big stage and big room compared to the tight confines of Clwb Ifor Bach. But wait, get your time warp daps on because there are more clashes than outside a Swansea v Cardiff derby.  1.55 also sees our mates the wonderful Kopek Millionaires return to the festival in the Opera House and hang on those Welsh herberts Trigger McPoopshute are also kicking up a shitstorm over on the introducing stage at 1.15 and if you shout loud enough I’m sure they’ll play ‘Sheep’ and my favourite ‘Skidmarks & Spencer’.

It’s just not fair because Pizzatramp will be causing offense and singing songs about Goths at 2 pm over at Club Casbah or whinging about having their fuckin’ backs being fucked and calling Bono names but I can guarantee they will be entertaining and totally crushing the room.  Next up for me will be those filthy garage punk noise bringers Rotten Foxes again on the introducing stage where double denim hot pants will no doubt be the order of the day and songs about Danny Dyer will be belted out for the gathered masses. Around the same time, The Svetlanas will also be delivering the noise over in The Ballroom and they went down very well last year. You could stay put and chill because up next is the pop punk of Teenage Bottlerockets in the Empress. Or no doubt like many will head over to Club Casbah for your annual fix of Dirtbox Disco at 5.10 pm. If you haven’t had enough Hands Off Gretel frontwoman Lauren Tate will be putting on an Acoustic performance in Almost Acoustic but I’d imagine you’d have to get there early as it will be busy.

It’s still very early evening and hopefully, you should be just warming up by about now and pacing yourself.  You’ll hopefully have just taken in a bunch of new bands on your radar and awaiting some more established bands who will be along later.  There are a dozen bands playing the Introducing Stage on Sunday many of whom I’ll admit to not having heard but will always dip in because its stages like this where the future headliners might come from and who knows, your new favourite band.  Isn’t that the beating heart of what Rebellion Festival is all about?  You can stay in one venue all day long and come across a whole gambit of bands some you’ll love some you’ll know the name of but have never heard them and others will blow you away and all indoors under the same roof alongside friendly staff who make it such a special place to watch alternative music night after night after night. Anyway, I digress.

The Witchdoktors play their garage punk rock n roll just before Foreign Legion kicks in with their Oi! infused street punk.  Weaving around the stages takes some skills that you should no doubt be a Jedi master at by this point so negotiating Conflict, DOA and then King Kurt will be a piece of piss right?  Yeah right.  and if you’re still in one piece The Motherchuffin’ Dwarves are taking the Casbah stage home tonight and will no doubt devastate what’s left of the audience.  I see they’re down for a 55-minute set so it looks like they’re playing twice then kids 😉

Anyway back in the Empress the final curtain call sees CJ Ramone knock out a whole bunch of classics from 7 pm and lets face it he’s never let us down and his new solo album is a bit tasty as well so in fairness throw your laminated stage finder timetable out the window buy yourself a Dark Fruit and just follow your ears and you’ll be taken to a stage that will put a big smile on your face.  The Professionals follow CJ then The Skids follow the Professionals but its top trumps time for me because the Damned close the festival that is as long as The Dwarves haven’t raised the Winter Gardens to the ground from the Casbah at the same chuffing time!  it’ll be a flip of the coin no doubt or we will have to split review duties and by witching hour it will all be over – done and dusted.  Back to our hotels and B&B’s with our pathetic bruised and beaten carcasses dissecting our weekend – our long lost weekend down the musical wormhole that is Rebellion festival.  If you’re still in with a chance of going but can’t decide to take it from us you won’t regret it – not for a second (well that might be a lie – your legs might be saying otherwise)  There is no other festival quite like it in the UK and we love being a part of it year after year.  I’m packed and ready to rock n roll now where did I leave my kiss me quick hat?

Roll Up Roll Up tickets available Here

OK pop pickers here are three proper bangers for you that’ll guarantee to set your Monday off on the right foot.  Poison Boys ‘Tear Me Apart’ is taken from their stunning new long player out now on Dead Beat Records and we’re not joking when we tell you these boys are stunning.  You’d be a bit daft or Mumford and Son if you ignored them.

 

 

Next up is ‘Ship It In’ from those Rotten Foxes.  With a 7″ record on its way, this is some low down dirty punk rock n roll that we think you’d be pretty daft to ignore. Even if we don’t recommend thats where to dip your choccy biscuits

 

Finally, we’ll sign off with this classic that’s just had a 7″ piece of plastic made as the album gets a re-release with bonus tracks n stuff. Not only Kelly but I think we’ve all gone insane- take it away Duncan

 

“Wake Me Up When September Ends”

September 

After a frantic couple of months and some rather pleasant sunshine over shit island, September couldn’t possibly keep up the pace set by the previous summer months, could it? Fuckin’ right it could. There was the trip to Steel City to catch up with HRH Sleaze for several intrepid RPM scribes as the whiff of Hard Rock Hairspray filled the air and the crush in the gents for the mirror was more of a worry than in the ladies but a few old favourites were treading the boards and rocking the house over the weekend that was too good a temptation for some. I have it on good authority that LA Guns yeah the LA Guns with Phil Lewis in not the other LA Guns without Mr. Lewis anyway people who need to know just know and this line up still have the chops that’s for sure. Jetboy were also on the bill and were a draw for quite a few and they didn’t dissapoint either turning in a great set. Brit sleaze punks The Black Bullets had a rapturous reception after a fantastic performance on the acoustic stage and also killed it electric a band that are really getting into their stride and 2019 looks interesting for the band who have an album ready to go at some point.

As we freewheel downhill to meet the tour that had a load of grown men thinking about their mothers-in-law so as not to get some wood. It was the prospect of The Hip Priests touring with Bitch Queens and the nefarious yobs better known as Deathtraps that was doing it for most but they picked up some other seedy punks along the way in the shape of those Rotten Foxes. Camden Black Heart played host to this cluster fuck of garage punk and by all accounts from some who were there, it was spectacular. I managed to catch the Bristol show and have to admit it was every bit as spectacular and Bitch Queens pushed the Hip Priests all the way and it was just the evening out I hoped it would be.

Other live shows circling the UK in September were recorded on RPM the first being a rather splendid show from Eureka Machines @ The Fulford Arms in York that Ben attended in support of their latest record. Another of the must see shows of the year it would seem The North of England was definately being spoilt for great live shows in 2018.

To be fair Eureka Machines have the songs and always deliver in spades and RPM was delighted to bring a report on it Here. There was also a celebration going on in Yorkshire as Urban Voodoo Machine celebrated their 15 shots in Leeds and Ben attended that for RPM as well.

On the recorded front September was an Action Rock bonanza with long players hitting the shelves from the likes of RPM favourites Nashville Pussy with ‘Pleased To Eat You’, Supesuckers rocked up with ‘Suck It’ whilst one of our favourite albums of the year featured Fraser and his band Deathtraps who told us all we’ve ‘Gotta Get Some’ we don’t know what they Gotta Get but whatever it is I hope they find some because it sound interesting. It found its way into many a CD player around RPM and rightly so for all its Garage/Action Rock goodness. In fact, it would be a dereliction of duty if I didn’t advise you to Go Get Some too. Right that’s September done and dusted next up October…