Just like buses, you wait almost two decades for one then two turn up, no wait that’s not quite right, fuck it, it’ll do.  What we do have is a couple of new tracks and some totally fucked up shenanigans Their return to the studio was rightly greeted with applause in certain quarters (round here it was a breath of fresh air). The chemistry between Jennifer Herrema (vocalsMoog, guitar, melodica) and Neil Hagerty (vocals, guitar) is alive and well regardless of how they choose to write and record in the modern age. 

Just like Jon Spencer they get down with the rap kids and mix it up with their ragged assed Rock and Roll. ‘Get used To This’ will get inside your head and all of a sudden you’ll be wearing plenty of bling chains and a baseball cap, some hightops and dropping the mic. Strangely enticing and addictive and much like a car crash you just can’t help yourself slowing down and taking a look. I still maintain that Keif Richards himself would be proud of some of the shapes Hagerty throws down on ‘White Stuff’ top Choon sir (and madam) dirty rock and roll played with swagger and 1000% of cool.

So you were sensible enough to pick up a copy of ‘White Stuff’ then there’s no reason why you wouldn’t dash off to your mother’s purse and order a copy of this bad boy. Jack White would have given his left nut to come up with ‘Whopper Dave’ .  I’ll keep it short and sweet seeing as its only half an album’s worth but it is limited and it is Royal Trux.  Get on it quickly.

Pink Stuff Here

White Stuff Review Here

Author: Dom Daley

Should have been huge! How many times do we hear that said of a band?  We’ve all seen bands we think should have – could have, but there is one in particular band I love who seemed to slip between the cracks and time overtook them and alas that moment was gone.  Darren Birch was a quarter of one of if not the most exciting bands of the UK underground scene who played around the toilet scene in the late ’80s early ’90s – they were Garage punks from Birmingham who, with a pocketful of excellent tunes and a strong image had it all.  In Ant, they had a frontman who had the swagger of a Jagger and the cool spirit of Iggy.  They stormed Londons Marquee Club on numerous occasions and put on a show every time. They were head and shoulders the best band anywhere at the time, yet, they remained unsigned with only a seven inch and twelve-inch singles to their name. It was years later they released a CD that delivered all the tunes they played live and managed to capture that magic onto tape yet their moment had gone and sadly had their frontman.  They lost frontman Ant under tragic circumstances so the chance of a reunion had gone. 
Bass player Birchy has a story to tell and has played with some of the pioneers of the first wave of punk and some – he currently plies his trade in several bands namely the Godfathers and Black Bombers (currently)  if you’re not familiar then you need to change that pronto. But not until you read the words from our little recent chat. Over to you Mr. Birch.
Let’s take it back to the beginning for you.  What made you want to pick up a guitar and why the bass? 
I had my first Bass at fourteen years old. A Jazz copy with an awful high action…The guys I played with in my first band called it the Bow and Arrow.  I loved the Damned as a kid and was inspired by hearing Algy play that intro to ‘Love Song’ and then the sound Paul (Gray) had when he joined the Damned.
Who else was influencing a young kid in Birmingham?
There were others I was drawn to like JJ Burnel and Lemmy they were certainly influences on me at the time. I’d also say around that age I was discovering Bowie and the Spiders era and loved Trevor Bolders playing.  then as I was growing older I was discovering all sorts of players from Dennis Dunaway, Bootsy Collins, Barry Adamson…Even in my Jazzier moments Charles Mingus!!
What about early memories of playing shows?
The earliest shows I was playing was in punk bands.  I’d only been playing about six months and even though the other guys I was playing with were three and four years older than me I guess it was the usual story of ropey PA’s just for vocals in pubs I wasn’t anywhere near old enough to be in – Fun Though.
My first memory of seeing you play was in London with Gunfire Dance.  You were always a band I’d go and see and I found the live shows so exciting? Tell us how the band came into being?
Gunfire Dance was the first 2Proper” band I was in.  Me ‘n Ozzie started the band around 83/84we were influenced by the growing scene of Hanoi, Lords, Thunders…that kind of thing. The line up you all know and love (haha ) with Jeff and Ant (R.I.P)  consolidated around 87/88.
Yeah, We always wanted to be a high energy band… We loved gigs like the Cramps, Lords, Iggy that kind of unpredictability.  I think the band is more appreciated now than back in the late ’80s were certainly more understood…We were never part of that Stones/Face thing that was going on nor were we part of the Glam/Hard Rock scene I think we were out on our own at the time…our influences stretched back to the ’50s, 60’s the whole punk scene maybe bands like Thee Hypnotics were kind of our kindred spirits back then.
What about memories of playing abroad? Did you enjoy touring? 
The tours we did around the UK were always self-financed and self-organised except the tour with Tigertailz (Island paid for that.  We had a publishing deal with them but alas no record deal) we also went out with Bang Tango!!! We certainly had a lot of fun and those Marquee shows were always great (as I recall)
Most people will know of your work with Gunfire Dance.  I remember buying a demo cassette and eventually a 7″ single and 12″ why did it take so long to get a long player out? 
We spoke to loads of managers , labels  etc… But fo rone reason or another it just never happened. We recorded lots of stuff at Island some with Rat (Scabies) and some with Brian (James) but none of it got released until the Evil Boy Records put out ‘Archway Of Thorns’ in 2005.
When we played CBGB with D Generation and The Waldos a guy named Rat Boy (Motorcycle Boy) was playing in Pillbox put us in touch with Jeff Dahl and he released the 7″ on his Ultra Under label in the States then the ‘Killing Time’ 12″ we did that ourselves.  Then we went back to the States for a second time and did New York but the band was falling apart, I guess the combination of doing it without success will do that.
What did you do after the band broke up?
After the band called it a day I didn’t play for a while the “Music Business” had left a bitter taste in my mouth for a while anyway.  I had been DJaying and had a club called ‘Stay Sick’ which lasted a few years – That could get messy.  Then Oz, Ant and myself got together with a friend called Mark Barrows and started Stepping Razors which came about inadvertently by us being asked to tour with Tyla (now that’s another story).  Jeff had left for New York by this time so we got together and it was fun…We were a great band – We cut a demo at the famous Toe-Rag Studio and then got some interest from Island (again) after a great show with Royal Trux but again it fell apart for one reason or another it was around this time I’d also started playing with Alan (Black Bombers) in the Morricone influenced Horse Feathers. Still going to this day we even got as far as recording that album (reviewed Here)
Me and Oz ended up playing with Brian (James) he’d asked us back in the Gunfire Dance days if we’d play in his band doing his solo album (the one on New Rose Records) we would have been The Brian James Gang but Brian suffered the loss of both his parents and then he had the money from Guns N Roses for using his song so he moved to France to raise his Son away from London.  some years later we got a phone call out of the blue it was Brian – he’d moved back to the UK and was now in Brighton and he wanted to do something so we resurrected the Brian James Gang with Jez Miller on guitar and vocals doing some Lords, Early Damned and his solo stuff… my ears still have yet to recover!!
I guess the next time I caught you live was when you were playing with Walter Lure.  Tell us how that all came about?
The Walter thing was when Oz got in touch via myspace we saw he’d been to Europe and released a live CD so we asked if he’d be interested in coming to the UK and we’d put a band together for him.  He said yes and the first show was that 100 Club gig where Walter flew in the day before we had one rehearsal and did the show it was brilliant.  He hadn’t played here for twenty-five years.  I can remember the expectancy and when I see the youtube footage of that gig I feel proud of what we did with one rehearsal!! Ha ha, We ended up doing a few more plus the Rebellion show and supported Jim Jones at their final show at the Forumthen when Walter finally retired from Wall Street we did a full UK tour.
Was there ever a chance to record as The Waldos?
It would have been good to record with Walter but there was never the time……He’s over here soon with Mick Rossi….When we played with Brian the plan was to record an album but it got sidetracked by that Lord’s reformation and never happened…
Onto your recent exploits – Black Bombers and Godfathers.  Firstly tell us how the band came together (Black Bombers)?
It came out of the Blue to be honest. Having not done anything for ages Alan and I got together with a few friends and ended up pulling a few songs together originally it was a four-piece but we struggled to find a direction. Eventually, it went down to a three-piece and when Dave joined on Drums we sort of found our sound.  We wanted to just play Rock and Roll but it had to be adult rock and roll musically and lyrically and try and avoid cliches…cranky…and gnarly – much like us men of a certain age! Haha.
The sound of the recordings is unbelievably good and I always tell people to go listen to the sound of the songs it’s huge. Have you always used the same guitar and amp?  What if any effects do you go through? We did the first 7″ in our rehearsal room, miked everything up and blasted away, even the vocals came straight from the PA ala ‘Funhouse’.  We did it that was not only to keep the cost down but we really liked it.  Recording like they used to back in the day – old bluesmen or something at Chess and that’s pretty much how we’ve done everything since.
In fact ‘Vol 4’ the backing tracks are all first takes we never played a song twice.  We rehearsed them without vocals so we knew them inside out and when it came to recording we just bashed them out. as for gear I have the same Precision that I bought with the Island advance back in Gunfire Dance days and I use no effects at all just crank it up!
You’ve recently found a home with Easy Action who also appreciates and releases some fab music and the packaging is always quality who came up with the artwork and design of the LP?  Dave our drummer is our resident artist, He designs all our covers he does a lot of work for easy action on the Dave Kusworth albums, in fact, he plays on some of them.
With a new Mini album or is it an EP? just released what next for the band? Yeah we just put out ‘Vol 4’ a 10″ mini album its been having some great reviews and we did a short run of shows to support it with the likes of Jim Jones & The Righteous Mind, The Folk Devils and a few more throughout the year (any promoters get in touch)  Also we’ve started putting some new songs together that will make a new album.
You’re also a member of Godfathers and recently released a live album, the sound of the band is exceptional and the band sounds like its having a ball really attacking the back catalogue. A lot of those old songs sound amazing and really fresh.  Tell us how and why you got involved with Peter and Godfathers?
I’ve been involved about three years now.  I stood in for a few festivals originally then Peter said they were going to record a new album and asked if I’d be involved and it’s as simple as that really. We made ‘A Big Bad Beautiful Noise’ which I think is a really good album and it stands up to any of the early 80’s Godfathers albums.
Before we finish up I wanted to ask why ‘Archway’ has never had a vinyl pressing.  Any chance of one?
 I would like to do a vinyl version of Archway of thorns…..Maybe get a band page up first see if there is enough interest…
Songs like ‘Blue’ sound timeless, how did the songwriting work in the band? The songs would come together in rehearsals really…’Blue’ for instance was just written around the bass line and some chords I threw together…Jeff put his thing over the top and Ant wrote the lyrics…We were all quite individual musicians and everyone played their part.
Is there anything still on the cutting room floor or did ‘Archway Of Thorns’ have the lot? 
There are some songs that we never recorded…..A few on YouTube clips…I have some live tapes from the Marquee with songs on that we never did in a studio…
Good Quality?
Not Bad.  The tapes I have were recorded by our driver on a minidisc player…There are a couple from Edward’s in Brum too.
You ought to celebrate the band and release the album on vinyl.
Jeff is coming over and doing a couple of Electrajet gigs in November…Oz is gonna play drums. ..Black Bombers gonna support. …That’s probably as near as you’ll get to a reunion…. Ha…
and that’s where we’ll end for now.  Thanks, Birchy for your time and effort.  I loved gunfire Dance still do and they shouldn’t be forgotten they should be championed as should his contribution to music whether it be through Walter Lure when he tours or as part of The Godfathers or with his own band Black Bombers if you’ve never heard any of them then be prepared for a treat  all mightily fine bands that deserve people time oh and if you would like to see ‘Archway Of Thorns’ on vinyl where it belongs then the campaign starts here.

Further adventures in Rock and Roll featuring Darren Birch can be found below

Horse Feathers Review Here

Black Bombers Review Here

Godfathers Review Here

So they’re talking again after a hiatus of well over a decade – wait, its almost two decades (doesn’t time fly?)  they played together again in 2016 and now this, possibly their finest hour?  Sure it’s still got all the off the wall guitar riffing it always had as Neil Hagerty’s Keith ‘The Human Riff’ Richards fixation is still very much intact and at the forefront (and so it should be) but there is something different here the songs are more fluid and cohesive.  Like proper songs even.

The album kicks off with the title track that has a steady beat some slide some weird time changes then a cool as fuck vocal with a real stomping melody. “That White Stuff, This is the way it’s supposed to be” fuckin’ right it is.  Come along they beckon and like the pied piper tooting before me and before I know it I’m reeled in and following along.  But can they keep it up for a whole album have they still got their mojo?

To be fair and give credit where it’s due ‘Year Of The Dog’ is a decent second song.  So its got a lot going on in the background (and the foreground) its got that Primal Scream kinda groove and away we go. ‘Purple Audacity #2’ sees things get a shakeup as Jennifer Herrema takes the microphone and walks us through the sleazy backwaters of backward guitar trickery for what is a bit of a comedown track. ‘Suburban Junky Lady’ sort of follows on with a duet of sorts as the sound takes a trip but its not a bad trip it kinda makes plenty of sense, a perfect sibling rivalry of sorts as they throw as many ideas at a wall and see what sticks (probably hoping it all sticks and they can record some white noise) I’m sure it’s not quite like that and I hope I’m not being too disingenuous or disrespectful there but I’m sure they love to deconstruct a rock and roll song and fuck it right up before handing it over to the listener. Take ‘Shoes And Tags’ it’s like Bowie in his mid 80’s loud guitar experimental stage but it’s not as sophisticated and you can’t help but feel there is gaffa tape holding this together in more than one place.

‘Get Used To This’ has early old school breakbeats and Kool Keith rapping about pizza it might not be wild rock n roll but its all part of the rich tapestry that Royal Trux paint and maybe they’re fucking with each other as much as the listener as a weird tension feels like its restrained under the surface and you know what we kinda like it like that and so does the dynamic duo.

The album was recorded via file swapping over the internet which might have influenced it in parts and I’m left wondering if I’ve just heard a band knock out a great tune or two people loving being difficult and trying to do my head in.  Either way, I think I like it and there are songs I can’t stop playing and as soon as they finish I want to play them again ‘Sic Em Slow’ sounds like something Prince would record endlessly through the night whilst high on prescription pills its a real headfuck of a tune but it has charm and your drawn to it.  Much like ‘Every Day Swan’. But they saved the best til last because ‘Under Ice’ is a classic makes you want to throw a party and get everyone round a drum filled with wood burning nicely whilst you all wave round beers singing along don’t worry about keeping time or being in tune or if your timing is a little haywire because that’s just it.  Royal Trux are a little haywire and thank God they still are.

If every band just wrote intro – verse – chorus – verse – chorus – solo – verse  – fade music might get stale.  We need bands to push the envelope and fuck with us and twist our melons whilst wrapping barbed wire around their electric guitars before smashing them to pieces it all makes perfect sense when you get it much like their brothers and sisters in arms the Cramps or Jon Spenser long live Royal Trux and may their email tag songwriting partnership flourish and blossom. I really like ‘White Stuff’ even if I don’t wonder what the other eighteen wonders of the world might be.


Buy ‘White Stuff’ Here



Author: Dom Daley