THE DEAD DAISIES ARE LOCKED, LOADED AND READY TO FIRE!! on  AUGUST 23RD.

 

The Dead Daisies pride themselves on being an ass-kicking Rock band very much of today who love to celebrate the history of amazing music. In short, the band are fans of Rock and always will be.

Every one of the bands albums to date has had at least one cover song on it drawn from great songs from all eras, from the early blues greats to the classic rockers and heavy-hitters of later times. So many terrific players, so many immortal words, so many larger-than-life riffs.

 

“This is a ‘tip of the hat’ to our heroes, bands that influenced us when we use to buy their records as teenagers. Now we’ve put them all on one album and it seriously rocks!! You may think of us as ‘Rock Stars’ but at the end of the day we’re just huge music fans!” – John Corabi

This collection of covers comes together from a long list of some of our favourite tunes, some bonafide classics – or simply songs that made us all smile, sweat and scream, band and audience alike.

These are done Daisies style, with big guitars, big vocals and always a bit of dirt under our collective fingernails, just the way we like it which is why we always love to mix up the setlist and throw them into our live shows.

“Playing these songs live is a total adrenaline rush for all of us. Our audiences go nuts with our Daisified versions of these songs that come from an incredible time in music. It’s our way of paying homage to the ‘greats’ of rock.” – Doug Aldrich

 

So crank them up as they work better with generous amounts of volume and a huge smile on your face. After all, a great song is a great song. Rock is Indeed alive and well.

Released on August 23rd, 2019, it comes in a suite of formats including DigiPak CD, Coloured Vinyl with CD in paper sleeve, digital download and streaming.

All tracks are remastered for this project with ‘Rockin’ In The Free World (Live)’ and ‘Highway Star (Live)’ being released for the first time ever.

 The players:

 

A lot of great musicians have been part of The Dead Daisies over the years. The following musicians can be heard on this album: Doug Aldrich, Jackie Barnes, Deen Castronovo, John Corabi, Richard Fortus, David Lowy, Marco Mendoza, Dizzy Reed, Jon Stevens and Brian Tichy.

 

Rock Is Indeed Alive And Well!!!

Let me start this by painting a little image in your head.

The year is 2004. I’ve just finished school for the summer and I can’t wait to waste the rainy days indoors blasting Kerrang TV. I’ll always remember seeing the music videos for Fat Lip and In Too Deep way way back in the day, they made quite an impression on this edgy little 10-year-old.

 

It was about a year later when I managed to get the albums All Killer No Filler, Half Hour of Power and Does This Look Infected? (I say get because I had to rely on my old man buying me CD’s, No sales clerk is gonna sell an 11-year-old an album with the opening track “Grab the Devil by the Horns and **** Him up the *** … Oh the curse of parental advisory, I do not miss it.) I can’t remember how many times I had played tracks like Still Waiting, Makes no Difference and Summer but I’m sure the repeat button on my walkman hated me.

 

Sum 41 are still kicking after all these years however with Order in Decline, their most recent work. We’re greeted with the opening track Turning Away. It’s not how I expected the album to start, put it that way. Catchy riffs and sequences are present, the chorus and the guitar solo (which is killer by the way) add a bit more energy to it but it still feels a bit lackluster as an opening track.

 

Two of the more stand-out tracks for me have to be Out for Blood and A Death In The Family. Both of these songs are borrowing from the style of the 2004 album Chuck. Not to mention these songs are pretty heavy for a punk band, with double bass beats and riffs that go hard. Around the midsection of the album is where we start to get some of the more groove-oriented tracks such as Heads will Roll and 45 (A Matter of Time). Already in five or so tracks Sum 41 are really showing that they’re not afraid to branch out into a number or different styles and subgenres, showcasing how they’ve developed as musicians over the years. Albeit with the departure of Stevo 32 some years back.

 

After a brief slow down in tempo and mood with the song Never there, we’re thrust straight back into the groove-fueled Eat You Alive, and then another personal favourite from this record The People Vs… This track is an absolute beast of punk riffs and drumming, Deryck’s vocals really shine on this track due to the grimey punk aesthetic. The final track on the album Catching fire also feels a bit lackluster. I’m not gonna lie it sounds like pop music, but I’m sure there’s something there for every sort of fan, albeit new or old.

 

All in all this record showcases much of the band’s diversity and how they’ve developed their musical style over the years. There’s something here in this record for everyone, whether you’re a fast-tempo high energy punk fanatic, a groove-heavy rock and roller, or even someone who enjoys the slower types of songs. You’ll be able to find something to enjoy in this album. I do think the track listing feels a little confused, however, Personally I’d have moved some of the songs around just so the album flows a bit better, instead of the more random nature of styles bouncing back and forth as you get deeper into the record. Some might argue that the order of songs are there as “Palate Cleansers” but It’s a bit too much for me personally. As an older fan of Sum 41, I did enjoy the record in whole. It’s great to see a band I grew up with still kicking and still producing great tracks.

Buy Order In Decline Here

Author: Adam Hatherway

The good folk at Runnin’ Blue are putting on a Rock and Roll show in London Town at The Lounge in Archway. The last two shows by Warner E Hodges were sell-outs so to avoid disappointment you can book a ticket at the links provided.

 

The Warner E Hodges Band are set to play at The Lounge in Archway and this time they have Mudlow in tow and the fantastic talent that is Sarah Vista who has been reviewed in RPM (Here) Some tickets remain and can be purchased Here

 

Tickets available Here

Warner E Hodges Band Facebook 

Sarah Vista Facebook 

Mudlow Facebook 

Runnin’ Blue Promotion Facebook 

Today sees the release of the new Michael Monroe single “One Man Gang” from the brand new album out Oct 18th.

The track also features the punk rock legend, Captain Sensible ( The Damned ) as a special guest playing the lead guitar on this one. If you’re into authentic, high-energy Rock’n’Roll you’re gonna dig this one!

Written by Rich Jones. The track features  Michael Monroe – lead vocal, Rich Jones & Steve Conte – guitars &  vocals, Sami Yaffa -bass, Karl Rockfist – drums, The Captain – guitar solo. ‘One Man Gang’ was also produced by the band. 

 

Arthur Harold Kane Jr.  Born February 3, 1949  was best known as the bass guitarist for the Legendry New York Dolls. Kane was an integral part of the band until he was kicked out in 1975., Following the departure of Johnny Thunders and Jerry Nolan.

In 2004, Kane rejoined the surviving Dolls (Johansen and Sylvain Sylvain) to rehearse and play a reunion concert in London, which was the subject of the 2005 documentary New York Doll.

After leaving the Dolls Kane collaborated with Blackie Lawless in Killer Kane, which resulted in the single “Mr. Cool.” Lawless was an old friend from New York City and had replaced Johnny Thunders during the ill-fated Florida tour in 1975.

After the Dolls, Kane was involved in several bands that included: playing bass in the band formed by Sid Vicious, The Idols (with Jerry Nolan), and The Corpse Grinders (with Rick Rivets); and joining Johnny Thunders on a few tours in the 1980s.

In the early 2000s, Kane met filmmaker Greg Whiteley through his work with the Latter-day Saints, and the two became friends. Whiteley commented that all Kane ever talked about was how he wished that he could somehow get the Dolls back together.  The idea of doing a film on Kane’s life followed. Coincidentally, in 2004 Morrissey a high-profile fan of the Dolls—offered Kane an opportunity to perform a reunion show with the surviving Dolls (David Johansen and Sylvain Sylvain) at the Royal Festival Hall in London as part of his Meltdown Festival.

 

When Kane called Whiteley to ask for a ride to the pawn shop to retrieve his bass guitar, Whiteley asked if he could bring along a camera. From there Whiteley filmed Kane’s experiences preparing for the reunion, rehearsing with the Dolls in New York, and reconciling with Johansen, culminating in two sold-out shows in London; which for Kane was all a fulfillment of a nearly thirty-year dream. Whiteley’s footage resulted in the 2005 Sundance featured documentary, New York Doll.

On July 13, 2004, just 22 days after the reunion concert, Kane thought that he had caught the flu in London and checked himself into a Los Angeles hospital, complaining of fatigue. He was quickly diagnosed with leukemia and died within two hours. He was 55 years old. Johansen described Kane as “nonjudgmental, bawdy and holy.”

In 2009 Kane’s autobiography was published entitled, I, Doll: Life and Death with the New York Dolls, with the foreword and epilogue written by Barbara Kane.

Kane met Barbara when he was with the Dolls, and they were married in 1977. Although they were separated for many years, their divorce never became finalized. She was interviewed for the New York Doll documentary, portions of which are interspersed within the film’s narrative.

In 2005 the documentary, New York Dolls: All Dolled Up, was released on DVD. The directors, rock photographer Bob Gruen, and his then-wife, Nadya Beck, owned an early video camera and shot many hours of footage of the Dolls in the early 1970s. Edited down to 95 minutes, the black and white film shows the Dolls in different locales, such as backstage or at an airport, and documents several of the Doll’s live performances in New York City and California. Kane appears in some of the footage wearing a plaster cast on his left arm. This was the result of his volatile girlfriend Connie attempting to cut off his thumb so that he would be unable to play bass anymore. In his autobiography, fellow bass player and Dolls fan Dee Dee Ramone mentioned Kane when discussing Connie, whom he himself later dated. Dee Dee and Connie’s similarly violent and tumultuous relationship would inspire the 1977 Ramones song “Glad to See You Go”. Kane passed away on this day in 2004.  If you’ve never seen the Documentary then go see it its funny, enlightening, sad yet uplifting.  Arthur Killer Kane RPM salutes you.  One of the good guys Gone but not Forgotten.

You wait a while for one then a few come together isn’t that whats always said? It seemed like that waiting for a new Waterboys record and no it’s not ‘The whole of the moon’ or ‘fisherman’s blues’ revisited.  This is Mike Scott kicking over quite a few genres in one go from rockin’ out (the title Track and opener) to a bit of post-punk (London Mick) to some smooth pop (Right Side Of Heartbreak) to …ah wait n see.

Rewind to the opener and some raw reckless rock n roll and not for a while have I been this excited to hear what Scott has come up with and this is excellent. As is ‘London Mick’ as Scott regales us with tales of The Clash and Mick Jones. Vibrant and a fine piece of writing and as always Scott has a great tale to tell.

‘In My Time On Earth’ is Dylan if Dylan could still sing.  An achingly beautiful song that builds but not to such grande epic proportions but to a gentle raised voice rather than a shout.  This album ebbs and flows and the epic ‘Ladbroke Grove Symphony’ is classic Waterboys with a great arrangement then, you’re hit by the funk of ‘Take Me There I Will Follow You’ and from the scratches and backing vocals and Rap, this is a departure and one hell of a curveball nothing new for the Waterboys as there have been dalliances with different genres on previous albums ‘If I Was Your Boyfriend’ off the last album was slightly funky in a Stones ‘Miss You’ kinda way..  I’m not saying I’m against taking a departure – he’s not the first to mix things up but I don’t think I like the song regardless – there I’ve said it.  I can pass on this one.

The curveballs keep coming as we go down synth wormholes that again lose me momentarily. To be fair the second half of this record seems to have fallen off a cliff for me which is a real disappointment as it started out oh so well.  No, I’m quite partial to a bit of Beck and Eels and I can get it when a songwriter wants to push back some boundaries and I get the Prince thing but first and foremost the songs have to draw you in an so far that’s not happening.  Sure the first half of the record was an easy reel in for me but I’ struggling right through side two up until the melancholy ‘Piper At The Gates of Dawn’ all ten minutes of it. Much like the last studio album, I felt a little out of step and it never did really click with me not even the Scatman tune.

There is a CD version with a bonus disc where Scott really gets to fuck with the listener.  ‘Where The Action Is’ get the full Primal Scream treatment and I did raise a smirk on ‘London Mick’ with the introduction – I won’t Spoil it for you.  In fact, the whole second Cd is a homage to symbol or Prince maybe the Celtic Prince as Scott will call himself in future as he vanishes in a puff of experimental smoke as this will truly test his fanbase who might be looking for him to grow older gracefully  that doesn’t sound like it happening any day soon and I salute Scott for that.

Buy Where The Action Is Here

Follow The Waterboys:
Author: Dom Daley

Pat Todd And The Rank Outsiders don’t make bad records.  Might as well get that out there from the start. So, ‘Past Came Calling’ is no exception then and I spose before I’d dropped the needle I knew this but that’s not going to make much sense to anyone as far as a review goes – I knew it was going to be choc-o-bloc with top tunes that followed the time honoured tradition of Rock and Rollers.  Dan Baird, Jason and the Scorchers, Dr. Feelgood and Rockpile to namedrop a few fellow participants in the fine art of Rock and Roll. Pat and his Rank outsiders do like to kick up a shitstorm that’s a given but there is more to them than just Rockin’ out.

From the opening drum roll of ‘If Only I Could  Fly Backwards In Time’ right through its rollicking verses and chorus to the cool as guitar lick that takes us back to the verse this is a quality opener that shows real intent.  Recorded loud to be played loud as all good time Rock and Roll should be at its unkempt best.  ‘The Ballad Of Crystal Valladares’ ain’t no Ballad though folks its a bad assed Rocker, built around a rolling guitar lick and some country-tinged melody played, it’s like the soundtrack to a getaway drive by.  There’s no flash sound tricks or auto-tune going on here it’s just the sound of a kick-ass band cutting it up in a sweaty studio knowing that with every song they capture a little bit more magic than the last take.

The recording sounds like Mellencamp when he turned up the Les Paul Jr on ‘Whenever We Wanted’.  With songs like ‘Run’ which sounds like they’ve been here before such is the comfortable nature of Todd’s songwriting, it’s classic in its arrangement and one of the best songs on the record.

Todd’s cowpunk roots come to the fore on ‘Down In Old Boerne’ with its acoustic guitar and honkin’ mouth organ. ‘The Ring The Bottle And The Gun’ is pure cowpunk as we position the hay bails as we pour the moonshine ready for the yea – haws!

With fourteen songs on offer and never a let up in the quality on offer its a no brainer if you’re considering picking up a copy of this record its impossible to be disappointed you go from the gob iron of ‘Had A Bad Night’ to the smooth laid back rhythm and blues of ‘any Other Way’ straight into the acoustic jam of ‘Idle Time’ whatever style Todd chooses to write in it’s of the highest order Now if The Supersuckers wrote an album this strong – people would be salivating over it.

‘Just Between You and Me’ is the sign off in the style of Ronnie Wood doing Dylan and it just dawned on me I’ve not mentioned How good Todd’s vocals are throughout -Oh I just have.  Pick it up –  do yourself a favour and whack up the volume you can thank me later.  ‘The Past Came Calling’ is very much in the moment but I wouldn’t sit on it just go pick it up.

Buy ‘The Past Came Calling’ Here

Formed of members from GREAT CYNICS and APOLOGIES, I HAVE NONE, DANGERS OF LOVE take a head-on approach to maximum punk rock ‘n’ roll. Produced themselves at Musicland Studios in London, their debut EP is a self-titled six-track group of hits.
Lyrically themed on personal loss, self-appreciation and living in a world of people who bullshit for a living, the songs offer hope and escape from an existence where you can seemingly never get it right.

 

Dangers Of Love have released their self-titled debut EP was recorded by drummer Joe Watson at Musicland Studios in Haggerston, London. The ‘Dangers Of Love’ EP Kicks off with the sprightly ‘Holsten Pils Blues’ and a rather fine Punk n Roll tune it is too.  A catchy chorus and thumping drum beat this is a fine introduction to the band.  There is a bit of Beach Slang and Downtown Struts happening here and a healthy dose of Replacements to boot which is never going to be a bad thing around RPm HQ.

‘Why Would You Run’ is snotty in a foot-stomping Clash sort of way and to be fair a really good song. Things kick back slightly on ‘Dangers Of Love’ which is loose yet catchy and raw yet comforting.  I love the guitar solo for its understated Teenage Fanclub stylings as if the Fannies were to cover the Heartbreakers if that makes sense?

The only shame is this is only a six track release it would have been interesting to hear if they could have kept this up for ten or twelve songs.  there is even a nod to loud guitared Britpop on ‘Aries’ more so the melody and delivery of the vocals than anything else and to finish off with the great riff that is ‘She’s Coming Over’ again the spirit of Strummer is there in the delivery which should be applauded – it is round here.  what a mightily fine bunch of tunes this is and you’d be making a smart move if you were to check it out and invest in improving your collection with Dangers Of Love in it.

Buy DOL Here

Author: Dom Daley

Ok, so we’ve been sitting on this album for a while at RPM…literally! I found it, seemingly forgotten, stuffed between a pile of unopened bills, unread Labour pamphlets, punk rock flyers and various promo CDs on my coffee table (yes, it’s a rock ‘n’ roll mess, I’ll tidy it one day I’m sure!).

Damn, how did I miss this fucker? But better late than never, I’m on it like Graham Bonnet. The brand new album from that self-proclaimed “hooligan rock ‘n’ roll” band known as Control.

‘Democracy Is Dead’ is the 5th long player from a band who look as mean as they sound. This band has a fire in their bellies for sure, but singer Iain Kilgallon and his band are more than bovver booted boys in combats and Harrington jackets. They have proper quality tunes as well as a message, and they are passionate about it.

 

Bells chimes and rousing beats introduce the album as the title tracks spews from the speakers. It’s “Oi-Oi” at full pace, the buzzsaw guitar riffs and low slung licks of Reesy and Ryan prevail, as Iain spits a diatribe of class divide, paranoia and overall disdain.

It’s over in a flash, the first of several anthemic songs that are rich in both melody and meaning. Don’t get me wrong, Control are angry fuckers, they have good reason to be, as do we all. They deliver their diatribes with a clenched fist in the air and a boot towards any authoritarian who questions their motives.

With attitude and melody dished out in equal measures, the likes of ‘Violent World’ and ‘Anti Social Media’ are both clever and well written songs that have staying power and an uplifting vibe, yet still retain the raw, punk rock power we desire. The production is spot on too and brings out the best in this band. The guitar sound is fantastic and the quality riffs are dished out again and again.

 

There’s something distinctly British about their brand of punk ‘n’ roll music, in part due to the accented delivery of the vocals. Only a British band could deliver tongue in cheek lyricism so well. “Toughen up, or take a long walk…off a right short pier” the singer spits on ‘Snowflake Generation’, reminding me of the Anti-Nowhere League. Elsewhere on the title track “Daddy was a banker. A crooked sod” is delivered in full on Steve Jones style. And if you can keep up with Iain on that tongue twister chorus of ‘American Gangster’ then hats off to ya!

It’s no surprise to find that Rancid’s Lars Fredrikson is a fan; they even supported The Old Firm Casuals recently. When you have a song as good as ‘Just Don’t Understand’ in your repertoire, it’s easy to see why.

 

In these trying times, with our country rapidly turning to shit and a government hell-bent on flushing us all down the Brexit toilet, it may be the perfect time for a band who wanna stand up and shout from the terraces and tower blocks of the working class Brits to say, they are not ok with the overly monitored police state we live in, and they are not ok with the lying, power-hungry politicians who run it.

‘Democracy Is Dead’ is a fiery beast of an album, choc-a-bloc with choruses that will incite you to chant, lyrics that could incite a riot and a defiant 2 fingers raised in the general direction of our crumbling government. Control could well have delivered the perfect punk rock soundtrack to broken Britain in 2019.

 

Buy ‘Democracy Is Dead’ Here

Author: Ben Hughes

 

The Membranes release the heaviest album of the year so far.  Not heavy in the way of an Iron Maiden (obviously) but heavy as in dense physical mass as it lurches from the shade into the light and back again like a beast that’s bee in the wilderness for decades and then suddenly it wanders into the metropolis as the opener will testify covering everything about this record in one track.

The title track is Robbs punchy throbbing bass line right front and center in the mix is a heaving throwback to the days when Joy Division was kicking up dust over the Northwest. These aren’t rounded soft and pleasant noises the band is throwing out there. ‘A Murder Of Crows’ is like the bastard child of Bow Wow Wow as the song jerks and leers towards the listener in an uncomfortable noise yet its compelling enough to keep you listening.  Like some sort of musical cooperative if you want in just turn up and shake a tambourine or blow a horn I’m sure there’s someone hitting a kitchen sink in there somewhere along with throwing a piano down a flight of stairs.

There has to be a Bauhaus influence in there as ‘Black Is The Colour’ about the dark epicenter of winter bloody well sounds it.  Not what you might call TOTP material for a single unless its the post-apocalypse TOTP with a chaotic reverb emanating of Robbs jagged bass line it’s uncomfortable yet listenable and they’ve got the levels spot on.

this double album is an ambitious project and it’s often dark yet alluring uninviting and cold yet warm at the same time one thing it is for sure and that’s epic.  If you’re trying to take it in in one sitting then strap yourself in it might be a bumpy ride just listening to the Janes Addiction sounding chaos of ‘The 21 St Century Is Killing Me’ from its choir on the chorus to the juddering riff its a whole load of epic in one track. the final track ‘Pandoras Box’ is like a headfuck with Choirs, strings, thumping bass, Dead Kennedy’s riff, at times it sounds like a lost Stranglers track and others it sounds like a gift from above its exhausting listening but in a good way.

Another feature of this record is the guest list Kirk Brandon (Theatre of Hate, Spear of Destiny) and 84-year-old folk singer Shirley Collins.  TV presenter Chris Packham also contributes to ‘Winter’, also Jordan turns up, yes she of the Kings Road and a woman who practically invented the punk Rock shock look in 1975. Half the tracks also feature the 20-piece Choir.  So you can’t fault the band for trying to include the Jewson lot into this record besides it doesn’t always work but what the hell they’re trying and that’s a strength.  when it works its a beautiful thing I can’t tell you where it works that’s for you to decide but I would suggest you at least give this a try you never know it might reel you in.

 

The band must have driven themselves half round the bend recording this but I bet once they had the record in their hands and dropped the needle in that first groove they’ll feel it was all most definitely worth it.

 

Buy What Nature Give Here

Author: Dom Daley

As of today, ‘What Nature Gives … Nature Takes Away’ will be available on vinyl and CD, and digitally from stores such as iTunes and streaming platforms. There is also a deluxe double vinyl ultra limited edition of 150 copies.

This summer, cosmetics company Lush will also release a Membranes perfume called ‘A Strange Perfume’ after the album’s opening track. I bet you weren’t expecting that were you?