PUPPY AND THE HAND JOBS (Yup, that’s their name) are apparently three obnoxiously jackoffs who (amazingly) are back with another crude EP of filth-ridden, barely listenable/tolerable punk called ‘I Hate Everything’.
With seven songs crammed onto a seven inch single EP. VFM or what? Seems like some effort to make a record trying to alienate people to never buy your record (maybe these guys are minted and bored) in a way the likes of GG Allin could only have dreamt of. Titles like ‘Cocksucker’ (all 36 seconds of it) and ‘Rocker Hag’ and ‘Predator’ a bass-heavy riff all about duck taping someone up in the trunk of your car and barely keeping them alive will always have an audience. It’s crash bang wallop with a Ramones influenced melody. Puppy and the gang don’t seem too bothered about sound levels either which is why they hate everything I guess. I’m surprised they can get their tongue out of their cheeks long enough to record this but hey fill yer boots.
Wait a minute ‘Plan 9’ is over a minute long and has a melody and a tune and sounds like some effort was used to write it at least. Is Puppy playing us all? to take this sucker home they leave us with ‘That’s Bullshit’ which must have taken all of 30 seconds to write which leaves me wondering how it lasts almost two minutes? it’s like punk-prog and having a bass-led breakdown and spoken words middle eight they’re getting ahead of their pay grade here which is absolutely Bullshit the noisy bastards. If you like some filthy pointless punk rock then you should be all over this much like the X rated artwork that goes with the single and not the clean one they’ve sold out for on the digital version because they’d be banned. Fuckin’ punk rock sellouts they really do hate everything. But it’s worth checking out for the artwork it’ll make every schoolboy chuckle out loud For fuck’s sake.
‘Music Inside’, the third album from MIDNITE SNAXXX, sees the band expand the envelope with their most eclectic recording yet. While the punky power pop is still very much their thing, they seem intent on not stopping here but venturing into new directions or do they?
Recorded in Los Angeles with DIE GROUP guru Eric Big Arm at the controls, ‘Music Inside’ captures Snaxxx at their most absorbing: the guitar interplay is dramatically increased, the rhythms strikingly more diverse and the songwriting infinitely more substantive. The album is rooted in bubblegum melodies with happy backbeats and from the opener and title track you might be forgiven for thinking these guys have just gorged themselves on 50s girl group vocals with cat scratch guitars going at it behind the vocals and playing nothing past the early 80s with the Banshees being their mainline inspiration with a few other valid scene makers thrown in for good measure. With themes of frustration and personal/political anger. ‘Lights Out’ has a tougher edge to the sound that’s like early 80s post-punk and it doesn’t hang around too long either. Another trate the band peddles.
‘She Don’t Want That’ sees hints at Banshees rhythms with some off-kilter rhythms and time changes. Its got the Slits meets bow wow wow meets poly styrene in a retro way. ’12 O’Clock’ sounds like it was borrowed off Buzzcocks and never returned. ‘Gold Chains’ in another world would have seen the band become a Tube show staple.’Cyborg’ is a high-speed lo-fi slice of post-punk that doesn’t hang about which is something of a theme as most of the tunes are hovering around the two-minute mark just long enough before the Hubba bubba loses its flavour no doubt Midnite Snaxxx wouldn’t want to bore themselves would they so heads down and charge seems like a great idea.
MIDNITE SNAXXX might well fall between several stools by being Too punk for garage too garage for pop and too pop for the trendies which by default would make them punk as fuck wouldn’t it? I don’t dislike this record (far from it) I just don’t connect with it (if that makes any sense?) maybe that’s the point don’t overthink it just listen to it – dance to it – laugh with it just don’t ignore it. I’ll keep these tune handy because one day I might just crave me some disposable punk rock power pop that’s sugary sweet whilst being caustic and rough at the same time, that’s punk rock for you.
Andy Caffrey is the man behind CR Dicks and thats good enough for me, That and being on Slovenly is an endorsement in itself. I haven’t got a clue about the name either and its probably best not to ask.
What does the record sound like I hear you howling at the screen? Well, its a fucked up fuzzy slice of walking on the Wildside it’s got hip hop fuzzed-out blues distortion of some description (‘What Kind’) the vocals are howled through a tunnel by the sound of it as are the sporadic and chaotic backing vocals and there’s crazy sax honkin (played by none other than Pete Balestrieri, ex-VIOLENT FEMMES) and some slick and sick funky bass slapping its way through these choppy waters. It just works and you need to trust me on this. Turn it up then when it gets uncomfortable turn it up a little more – that’s the fella.
‘Tweaker Of The House’ is something Beck was able to write many moons ago but not as street and dangerous sounding as this. Imagine a noisy garage-punk – hip-hop hybrid with just enough dirty Beastie Boys meets Jon Spenser. Sounds interesting, right? of course, it’s intimidating but “Dick Moves” isn’t sweetness and light it’s not Coldplay nor safe like Noels High Flying Birds this is cutting edge and music to fuck you up. It’s demented ‘Therythmethod’ will fuck you up if the volume is right. It’s not helped much when the lo-fi of ‘Red Moped’ enters the fray with its Suicide-lite drum machine beats and hushed vocals but wait it’s destroyed when ‘Skate To Die’ explodes through the speakers all thrashing distorted guitars and fucked up vocals burst through the speakers.
Its probably for the best that ‘Black Girlfriend’ is the final track such is the sonic assault taking place but for the next three minutes you’re taken on a garage rock road trip of the finest kind. What a scorcher to end up on its discord juddering rhythm is the perfect way to sign off. I guess we’ll see Andy in about another ten years when he’s got enough for another journey through the darker side of Rock and Roll for us, but we’ll all sign up for the trip thought right? Fuckin’ right we will! my bag is already packed for the ride.
When is a new record not a new record? When it was Recorded back in 2017 might be regarded as such a thing. It’s taken These Goons a few years to get it right (or so they say) Explaining that it only took well over a year, but in true Goon fashion they think they’ve finally figured out how to get a proper version of the super limited, custom made and long sold out third LP right!
Let us the listeners be the judge of that thank you very much would be the usual response.
Originally released in an edition of 300 copies on the band’s own SunWray Records label with photocopied artwork pasted onto garbage thrift store LP covers, the “Rip It Up” album is now ALMOST available to the masses on MADE IN THE USA vinyl, with digital mastering handled by Tim Warren at Crypt Records. Compare this new version to the only other digitally available tracks that were uploaded by a slobbering fan to Youtube, and prepare to have your asses handed to you and knocked two steps back! That’s the official line anyway from the band. From the opening bar of ‘Watch You Shine’ I knew I was hooked. Literally, it took about ten seconds to sit up, shut up and listen to what was unfolding through my speakers as these fucked up rock and rollers were causing a stir in my heart and sending my head spinning. It’s like when I first heard the Dolls or what I imagine hearing the Stones kicking up a shit storm in some tiny club its like unbridled rock and roll has been let off the leash for the first time (which we all know isn’t true) and we are hearing some guitars and reckless vocals for the first time in our lives. This feeling doesn’t dissipate for the next thirty minutes. Trust me I’m a Doctor.
By the time you get to the epic ‘Any Girl/Bad Stuff’ and you’re not convinced then maybe this rock and roll thing isn’t for you? Seriously maybe you have a head trauma injury or severe tinnitus or a lobotomy because a six-minute furious rock out that marries the good and the great is nothing short of spectacular. Its got piano like little Richard, Guitar licks like Chuck Berry is in town and a vocal that’s part Iggy Part David Jo and the rhythm is relentless – I fuckin’ love it!
‘Outta Control’ is raw it’s rough it’s totally rockin’ and yeah it might fall apart in the blink of an eye it’s part Joneses part Heartbreakers its what Gunfire Dance might have sounded like had they grown up in the US of A but they’re cut from the same cloth I’m convinced of it.
If you’re waiting for that gentle slow dance number I guess ‘Let Loose’ isn’t going to be it you won’t find a slow dance in this one but you might find a healthy dose of Stooges vibe going on with songs entitled ‘So Far Out/Rip It Up’ and ‘Watch Your Back’ I guess you might have an inkling what these cats are up to So impressed was I that I had to dig out their back catalogue I needed to catch up and get my fix in one hit I know that can be a dangerous thing but so pure and unadulterated was the Rock and Roll I was happy to take the chance and the result is beautiful. Follow suit kids and get a copy of Gino and the Goons its not something you’ll regret at all. Just do it.
*This pre-order is listed as coming out in July due to a Bandcamp limitation, but they’re gonna be unleashing this Budget Rock Masterpiece in early September. Until then, stream the fuck outta this Bandcamp exclusive, or BUY the damn download and add it to your devices.
With enough singles to keep any jukebox fully stocked with the latest and greatest RPM brings you a mixed bunch of Rock n Roll, Punk, Garage, and God knows what for your dereliction this month. As we move into November and the Christmas shopping there are more than a few stocking fillers on display here for the discernable hipster to shave off the beard put some socks on and get into some real rock and roll before it’s too late and your old and wondering what you’ve done with your life. So read – watch and listen the 45 RPM roundup is in session…
Scumbag Millionaire -Under The Spell (Suburban Records)
Gothenburg scumbags release the third single of the most excellent album ‘Speed’ (Reviewed Here) As it thunders along this is as good as fucked up rock and fucking roll gets. It sounds huge! and the seven inch also has non-album track ‘Get Out’ on the flip side of this slab of orange wax. Get involved folks these boys are blowing up and offering a thrilling mix of garage rock n roll and punk attitude and making some of the best music this year.
So Beluga in Sweden knows a thing or two about putting out fine Garage Rock n Roll singles and The Hijackers just joined the family with a high energy slab of sleazy garage rock and roll. Having been a part of the scene back in the 80’s its only taken the band some thirty-two years between releases that’s either some writers block or Axl Rose style recording process, either way, it’s here and Beluga has it and by the sounds of it, it’s well worth the wait. The lead track ‘I Don’t Like You’ is like the Hives sludging it out with the Mc5’s and the guitar solo is howling feedback that Brian James would be proud of. Cramming four tracks on to this seven inch makes it a record worth owning and real value for money. ‘Day and Night’ is a real toe-tapper with its feet firmly planted in the late 60’s as they really have this down to a fine art. Side two is off like a rocket as ‘My Little Girl’ is barely in tune but that doesn’t matter because this is flying by the seat of its pants hi-energy rock and roll and we totally endorse that. Let’s hope its not another thirty years for the next release
The Briefs – Kids Laugh At You (Taken By Surprise Records)
It’s the Briefs and after their show-stopping performance at this year’s Rebellion festival, This was always going to get a rave review from RPM because we love the likes of The Briefs. The lead track is off like a hurricane as it devastates with its pace and melody. sure you know what to expect and you aren’t about to be disappointed either because Nix and the gang deliver again and again and its a most welcome entrant into the singles club love the Damned-esk breakdown and then the chanting gang vocals that take this home. the Briefs are back kids and their laughing as well. the B Side of ‘She’s The Rat’ is another top-notch belter go on fill yer boots and click the link Buy Here
Demons – Was Here…(Ghost Highway Records)
Demons have sure been busy these past few months what with their new mini album with punk rock legend Jeff Dahl (RPM review shortly) and this here single on Ghost Highway Records. This chunk of good old Rock and Roll is just about hitting the bullseye of our heart as ‘Street Corner Of No Return’ is the lead track that just oozes class, it’s no frills yob rock with a bruising tempo and sing along chorus that you and your gang can join in on as the organ lends the harmony a helping hand. The B Side is a more laid back rocker in the shape of ‘Satellite Town’ by the end you’ll be singing along and dropping the needle back at the start to go back for some more and the solo just burns! Great single.
He’s got a Fezzbox and he’s not afraid to use it. Like the bastard sibling of Jon Spenser, These four tracks deliver a sonic fuzzed out slab of Garage rock and roll. You know what you’re going to get the second the music kicks in its a needle in the red and plenty of swing on those drum licks. The heat gets turned up as the EP plays out. I love ‘Ladyland Batswingers’ whatever that means or wherever it is I want in. It’s getting hot in here and as the solo wails on ‘You Do Not Belong’ its like a trip on the tongue of someone else as the melody and sha-la-las shouldn’t fit but they bloody well do. after you’ve shaken off the tinnitus the police sirens howl as the tempo raises through the roof ‘Rhesus Christ’ kicks over the speakers and sets fire to the console as they leave the room. quality!
Can they ever make a bad song? Nah didn’t think so either. After releasing a brand new album they left these two songs off the LP to release as a single quite why they’d leave these two off God only knows. With ‘Dog Collar’ coming on like the bastard child of a Clash song its a slab of coll as fuck punk rock and what every office party should have on at the Christmas do whilst you’re spiking the punch. But they saved the best til last as the B side ‘Talk To Us’ is a stone cold could only be The Parkinsons classic. From the laid-back gang vocals on the chorus and the funky rhythm that jars your head while the organ tickles your fancy if you don’t like this then as Alfonso says “You ain’t got no soul” and the best bongo playing since T Rex! Buy it Now!
Brad Marino – Four Track Attack (Beluga Records)
FOUR TRACK ATTACK is the debut solo release from veteran rocker Brad Marino, best known as the singer/songwriter/guitarist for The CONNECTION. Brad has to be credited for been named as “Coolest Song in the World” on Sirius XM’s Little Steven’s Underground Garage on more than the once. On its own, that merits a huge amount of Kudos in my book Well taking time away from The Connection Brad had decided to really show off by playing everything on his new EP and singing. the first couple are solid power pop then Brad turns up the tempo and starts cooking some cool licks on the six string. ‘On The Brink’ rips and just oozes rock n roll. the final track ‘Special Friend’ was written especially for this project by New Trocaderos’ songwriter, Michael Chaney. Check out Brad and then check out his band you won’t be dissapointed.
St.Jimi Sebastian Cricket Club –I Still Get The Calls (Beluga Records)
The first single out of three from St. Jimi Sebastian Cricket Club and Beluga Records. I Still Get the Calls and the b-side A Smile Within is recorded and mixed at Vibe Studios Manchester (the Stone Roses, Happy Mondays, Badly Drawn boy etc) and mastered by Pete Maher, London (U2, Jack White, The Rolling Stones etc ).
A bit of a slow burner especially the B Side but ‘I Still Get The Calls’ has something of a nod to 80’s Britpop With a good old sing-a-long on the chorus this is good stuff. Good old storytelling rock n roll.
Tommy And The Rockets / Bikini Wipeouts (Kotj Records & Rocktopus Tea Party Records)
“Split The Waves” sees Tommy And The Rockets and Bikini Wipeouts knock out Two songs each, one original and one cover. Tommy And The Rockets did a cover of “Summer Means Fun” by The Fantastic Baggies, and Bikini Wipeouts did a cover of “Hawaii” by Brian Wilson and as winter comes rushing in why not pour one last cocktail and get the grass skirts out for one last party hey why not hold a party and play some tunes and why not play this slice of pop n roll .
How these Northern Europeans aren’t really from more tropical shores God only knows and Los Bikini Wipeouts aren’t too shabby either. Give it blast if you want to know what summer sounds like.
Quite simply Watts kick ass that should be all I really need to say on this one. I tip the hat once again to Rum Bar for flying the flag of good honest rock and roll music and its bands like Watts that are like moths to a flame as they converge on the label and then they feed off each other ‘Queens’ is a no-nonsense rocker with a solid beat and great full production to drive the song on. this single is backed by the balsy ‘The Night The Lights Went Down’ which is from the same gene pool as Bon era DC and that’s always going to be a good thing Right? Right! The good news doesn’t end there because there’s a long player coming early next year again on Rum Bar records these guys just keep giving.
V8 Wankers – the Last Rock ‘N’ Rollah (Ghost Highway Records)
It got one big biker boot firmly stuck in the Four Horsemen camp and the other on the monitor wedge. This bad boy has some bottleneck and is fairly generic in style and the flip side sees the band turn in a fairly honest take on the classic ‘Travellin’ Band’ they speed it up (of course they do) and thus loses some of the spark and lacking in some muscle which would have made this more of a bruising cover.
Puppy & The Handjob – I Eat Abortions (Slovenly Records)
of course, they do. They also play catchy punk rock that’s recorded in the blink of an eye and on a budget. It’s fair to say these cats aren’t from the Bob Rock school of big sound and they’ve never taken a leaf out of Def Leppard’s book (thankfully). So they do have a melody and a guitar solo but you should look away now if you don’t appreciate a wicked solo played from the heart (yeah right) good tune though to be fair. Spread out over five songs it gets a bit tired after a while must be that Arizona heat.
I love The Ramones and so does The Dirtiest and why wouldn’t they – why wouldn’t anybody. The Dirtiest play buzzsaw punk rock and roll just like Johnny and Joey used to and I love it. The first tune is like the second and funnily enough the third is much like the second and the first but the fourth is like the first second and third. 1-2-3-4 hey ho, let’s go.
Jake Starr & The Delicious Fullness (Ghost Highway Records)
Former Adam West frontman releases this spooky three-track single through Ghost Highway in Spain with its wicked cover artwork and blood red wax how could we not cover this bad boy. With three stomping rock and roll tracks ‘A Ghoul Like You’ is outstanding with that spoooooky keyboard rattling round behind the curtains and some great scooby doo effects we give this a howling thumbs up. The horns on ‘Torso Song’ are fantastic and playing these would go down a storm with the likes of the Urban Voodoo Machine and their blues bop n stroll – honkingly good single.
Following on from their last EP, More To Life, which got attention from the likes of Kerrang! Radio, Pure Grain Audio, and Alt Corner. after eighteen months in the long grass, EIGHT DAYS are back with new members. The newly invigorated quartet have released their new single, Stray, in October; they plan to tour as well so keep an eye on their pages to find out when and where.
“a spiral scratch
gave me my life back
a vinyl solution
ended my confusion
I heard a voice in the noise pollution” – Mike Peters
Since the beginning of Rock and Roll, the 45 has been an integral part of a bands arsenal. Maybe in 2018, it’s not quite the marketing tool it once was back in the 50’s, 60’s and beyond and bands no longer sell hundreds of thousands of the beautiful seven-inch plastic circles. There are however many different ways of letting people know you have a few new tunes available or you might (like me) still be in love with the vinyl single. Here at RPM, we’re going to celebrate the little beggars and let you know what is available in our regular roundup and what’s been on rotation on our deathdecks.
What better place to start than with a good friend and his debut 7″.
Craggy Collyde – Sorry Now (Self Released)
With a two-track release being the format of choice Craggy gets down to business with a pair of fantastic slices of power pop that are infectious and memorable. ‘Sorry Now’ is also featured in the video link below and can be ordered off the Bandcamp site. The lead track is a measured catchy number that has a great power pop feel with some indie undertones sort of Buffalo Tom territory whilst the more sprightly B-side ‘Go Ahead And Break Me’ is a song with a foot in the cowpunk of the Supersuckers but more pop savvy and Craggy manages to rinse out a great guitar break as well. Very infectious and well worth checking out.
Lana Loveland – Strange Charms (Hound Gawd!)
Fuzztones – Garage Rock – psychedelic retro freak out we fuckin’ love it here at RPM.Lana Loveland has the credentials and chops worthy of joining our little club of seven-inch plastic lovers. Being Organist with The Fuzztones as well as being a member of the Music Machine and fronting her own band Loveland certainly keeps her busy and out of mischief ‘Strange Charms’ is the A-Side whilst ‘Web Of Sound’ back things up on the flip side.
Maybe leaving a seven-year gap is quite some time between releases but some things are worth waiting for. Fuzzed out guitars and 60’s pop being the main ingredients here what’s not to like? Over on the other side its hammer time (no not the rapper in the daft trousers but Hammer Horror) its a spooky garage rock mash up and with a modern twist its great to hear someone doing something new with something they have had for years. Anyways Hound Gawd Don’t do bad records we know that much so go investigate and get some fantastic new music in your head just click the link.
Muck & The Mires – Hashtag Loneliness (Rum Bar Records)
Muck and the Mires’ official video for ‘#Loneliness’ from the EP MUCKUS MAXIMUS, available on Rumbar Records: Its power poppin’ baby but has the honking Hammond as well as the classic Rickenbacker twang. You don’t need me to tell you about Rum Bar Records bands and how good they are and Muck are no exception. For latest Muck and the Mires tour dates, go to Website
Oh Boy, you just knew that this was going to rock and fucking roll right outta the speakers and sure enough within the first bar I know that I’m having this bad boy. Poison Boys are mainlining Johnny Thunders and The Heartbreakers and some Chuck Berry and a whole bunch of other golden oldies and along with their brothers from another mother in Crazy Squeeze and countless other great bands they are just nailing it on ‘Bustin Out’ and they shine up the brass knuckles on the altogether more bruising ‘Run And Hide’ that taps into Stiv and his Dead Boys for some down and dirty punk rock and I love it. don’t walk on by brothers and sisters this is the bomb! Now get on with an album before it ends in tears – Poison Boys are killing it – again! Facebook
Sunshine Frisbee Laserbeam – ‘Meatloaf To The Camera’ (By The Time It Gets Dark Records)
(pre-order here) The second single from the soon to be released album ‘Black Cowboy’ its all loud guitars and chiming melody like a collision between Teenage Fanclub and The Lemonheads SFL have amassed over a hundred songs and show no sign of stopping just yet so until November 9th this will more than do to pass the time. You can catch the band around the UK in November 02 Nov – The Lanes – Bristol
03 Nov – Sunflower Lounge – Birmingham
04 Nov – The Castle – Manchester
05 Nov – Wharf Chambers – Leeds
08 Nov – The Portland Arms – Cambridge
09 Nov – Rough Trade – Nottingham
11 Nov – Old Blue Last, London
Gino And the Goons ‘She Was Crushed’ (Slovenly Records)
A heady mix of The Ramones and some Lo-Fi X-Ray Spex this has some great loose saxophone playing whilst ‘Got Messed Up’ is a thrash around whilst pissed out of your head kinda tune. There’s no autotune and no overdubs. ‘Wrong Side Of The Cigarette’ is all hocked up on late 70’s lower east side smash and grab punk rock and we love it and so would a youthful Richard Hell. Finishing up with ‘Early Retirement’ just about kicks over the toms and bass drum and takes out the mic stand as well before running off down the street before the cops turn up. Rock and fucking roll alright! Awesome ‘n snotty – Buy It
Les Lullies – ‘7 am’ (Slovenly Records)Oh boy oh boy, it’s like Jerry Lee hooking up with Chuck Berry and snorting two tonnes of amphetamines before laying down this barnstormer. Flip it over and you’ve got the cocksure swagger of ‘Dog Food’ that’s like the Dolls rockin’ out with Angus with a healthy amount of Iggy attitude. Doing France proud and doing it fuckin’ loud! What a great 45. Here
The Cavemen -Burn Out For Love (Dirty Water Records/Mandinga Records) Oh fuck if having an album released in 2018 isn’t enough and some sporadic live action the purveyors of filthy low down and wild ‘n’ dirty garage punk are back in the house with a 7″ slab of frantic rock ‘n’ roll in the shape of ‘Burn Out For Love’ the b side is no hiding place for a shrinking violet because if anything the craziness is turned up a notch on ‘Dancing On The Razors Edge’ and what a beautiful racket it is too. Click the link to sample these exotic fruits and then pick up a copy its a banger!
Well, folks, there’s got to be something in there for everyone unless Black Metal is your thing? Worry not we’ll regularly round up singles here and if a black metal band has something to offer then we’ll cover it. Forty-Five RPM indeed.