Nailing that quintessential NooYawk rock and roll sound but doing it in the Czech Republic is some feat but New York Junk nailed it. It’s fair to say these cats are vets of the scene and been in the thick of the Bowery scene since its inception back in the ’70s and survived to tell the tail. Getting Tarbeach Records to release the record of seven tunes recorded in the Czech Republic at the tail end of 2019 and mixed pre-pandemic these seven tunes are coming out on red vinyl.
It’s a simple formula. Guitar, Bass and Drums and play from the heart, make it Rock and Roll – sing about what you see and believe in yourself then everything else is gravy. You either have “it” or you don’t. We know whos fakin’ it and who isn’t and on this evidence, you can take the people out of Noo Yawk but you can’t take the Noo Yawk outta the people.
New York Junk have released three previous records starting with ‘Passion of the 10th St Blues’ (2008), ‘Doing Time in New York City’ (2014), and ‘7 Train’ (2018). Their sound is somewhere between Thunders and The Stones with a bit of Lou Reed creeping in on some of the melodies but there are some real gems in here. I love side two from the more aggressive ‘Scared’ with a cool thump on the floor toms and strained vocals it’s fragile yet looking for trouble great opening tune to side two. The albums best track ‘Passion’ with its rather splendid Thunders dripping guitar solo the songs got a tonne of passion and it shines through. They’re not reinventing the wheel here they’re just writing great tunes and relying on what’s pouring out of their hearts and spilling into the grooves of the record. Let’s stay with side two and the title track which is a repetitive riff that’s moving slowly and gently, for the most part, meandering through the cracks of the recording towards the solo sure it’s like a VU moment in time but that’s always going to be cool.
Anyway, Let’s continue as we flip flop back to side one and the opening blast of the ‘Gutter Angels’. Like a poem to the Lower East Side leaning on the Voidoids or something Lou Reed might have penned. ‘She Don’t Care’ could have been borrowed from Walter Lure whilst ‘Walk My Dog’ is some Thunders homage and fairly standard. Closing off side one is ‘Don’t Cry For Me’ which sounds like we’ve just been dropped off in the early ’70s after finding out this time capsule is captained by Sylvain Sylvain and the cabin crew consists of Johansen and Killer Kane. Pure nostalgia done with care and a big smile – whats not to like?
All in all a really enjoyable seven tracks from New York Junk and for anyone who hankers for a slice of that time when giants walked the earth and strutted their stuff. Check it out if you’re smart enough and start ‘Dreamin’.
By 1980 the UK’s finest purveyors of ‘erbert rock Sham 69 were all but a spent force. Singer Jimmy Pursey having long since become disillusioned with Sham chose the start of a new decade and the release of the band’s fourth album (‘The Game’) as a platform from which to announce his intentions to pursue a solo career (by way of a previously failed attempt to team up with Steve Jones and Paul Cook as Sham Pistols in 1979). Thus, leaving the remaining Sham members Dave Parsons (guitar), Dave Tregunna (bass) and (drummer) Rick (Goldstein) Rock singer-less and wondering what the hell to do next.
Quickly hooking up with (ex-The Dead Boys) frontman Stiv Bators (I’ll not share the story here of how this came about as the excellent Dave Parsons penned sleeve notes included in this reissue pick up on the finer detail) The Wanderers were soon born and signing to (Sham’s old label) Polydor they were dispatched to write and record what would become their one and only album ‘Only Lovers Left Alive’.
Having long since been out of print on any format (copies of the original LP and the reissue CD are currently going for around £40 online) and as such deemed very much a “collector’s item” amongst fans ‘Only Lovers Left Alive’ is thankfully now being given a long overdue reissue on vinyl (pressed up on a variety of random colours) by US label Gutterwail Records. I myself finally picked up a CD copy (released via Captain Oi! here in the UK) over a decade ago at Rebellion Festival for the princely sum of £5 and it’s still very much one of those go to albums in my collection, when someone asks that well-worn conundrum of “what band do you think should have been huge but never actually made it?”
Expanded here to fourteen tracks and finally including the (rumoured to be) lost track ‘They Made Me A Criminal’ which bizarrely had its lyrics printed on the original Polydor LP sleeve but was never included in the final track listing, this reissue offers up the chance for a whole new generation of fans to experience perhaps the definitive version of this much overlooked “cult classic”.
Sounding not unlike a poppier version of the band Bators and Tregunna would go on to form just a few years later it’s the Mick Glossop production on ‘Only Lovers Left Alive’ that immediately has me wondering if had been building himself up for the bass and drums onslaught he would bestow on Waysted’s classic ‘Vices’ album just a few years later, as here it’s the keyboards and trebly edge on cuts like ‘It’s All The Same’ and the parp-tastic ‘A Little Bit Frightening’ that tend to catch the ear.
In fairness (keyboards aside) the same production does give the album a kind of “timeless” charm and cuts like the Sham Boys crescendo of opener ‘No Dreams’, the glorious two minute pogo-pop overload of ‘Beyond The Law’ plus the superb proto Lords punks of ‘Ready To Snap’ all have me wondering what it would have been like to have seen The Wanderers live with the energy levels cranked to the max. Likewise the likes of ‘Sold Your Soul For Fame’, ‘It’s All The Same’ and the aforementioned (faithfully restored from cassette) ‘They Made Me A Criminal’ add a depth and maturity to the songwriting that belies the band’s fledgling tenure.
I’m not entirely sure where the source of this reissue was taken from but my promo MP3s feature a couple of light pops and crackles – something that the Captain Oi! CD never had – and this makes me think it must have been taken from the original vinyl or perhaps the promo itself is a rip from a re-pressed LP? Either way, ‘Only Lovers Left Alive’ is an excellent album, and is most certainly one every self-respecting fan of Sham 69 and The Lords Of The New Church should have in their collection.
Until recently you’d have thought punk rock was invented by Malcolm McLaren and Bernie Rhodes and that’s about it nobody else was involved and the history books also tend to gloss over the real nuts and bolts and the details that really matter but those who know really do know. Punk wasn’t invented by chancers or clothes shop owners it was invented by kids on both sides of the Atlantic who felt forgotten and lost and had something to rally against and one of the biggest magnets of the scene happens to have been one Brian James. From the gushing introduction from Henry Rollins something of a punk rock fact nurd who actually puts things into perspective. James deserves respect and with respect has carved one hell of a catalogue of work and reinvented himself several times and was a success every time. I’m delighted to have this book in my hands and feast on the details and exquisite picture catalogue Wombat has amassed.
Brian was a visionary and someone people wanted to be around as this book will testify sure he borrowed heavily from the likes of Richards and Ashton and those Mc5s but he didn’t just copy them he went away and created a new sound and style that exploded for a brief second in time and the ripples are still being felt in and around our little corner of the world where music matters and not just being the first to this or that Brian made records that mattered and was above all life-changing and life-affirming. This biography tells Brian’s story from dingy basements to where he is today still creating and everything in between.
I don’t want to tell Brians story (He’ll do that when he finally releases his autobiography) in the interim Wombat (who also has some excellent books on Johnny Thunders and Bryan Gregory & The Cramps) has gathered painstakingly some fantastic anecdotal memories and pictures to open up Brians world in music to the reader who if your a fan of all or many of Brians works you’ll find this a real treat. If you’re looking for the true embodiment of punk rock then you’ve found the holy grail Brian James is punk rock and as he said himself he didn’t do this for fame or fortune he did it because its the only thing he ever wanted to do and still is! That warms the cockles of my heart and confirms what I’ve always known. Brian James is a legend.
The book starts off right at the beginning and with a classic cowboy picture of James as a nipper and takes you through the various periods of his life – It’s not overly indulgent and keeps things brief but you do get a good picture of where he comes from and the man himself his first meeting with Johnny Thunders, Breaking up the Damned, the Pistols, Anarchy tour its all covered but just giving a brief outline and not reaching into minute details unlike many books on the subject of say the Anarchy Tour it was only a few weeks of one year move on people, please.
The book flows well and some of the pictures are fantastic as are a lot of the clips of tickets and bill posters that are reproduced which is really nice for us anoraks. The stuff around the Brains and Tanz Der Youth period then into Brians thoughts on touring with Iggy on ‘Soldiers’ and ‘New Values’ is great stuff but I wanted to get to the Lords stuff and it doesn’t disappoint with some fantastic pictures spread out over many pages then chapter seven and the Lords with some great insight from Dave (Treganna) and roadie and friend Ivor who knocked out one of the best quotes in the book when he is explaining that the band were forever on tour and they were indeed heady wild times and he’d tuned Brians guitars more times than Brian ever had Dave summary of recording ‘Like A Virgin’ is succinct and the picture taken from the photoshoot is hilarious. I could read about the Lords all day and night to me they were one of the magical bands in my lifetime and along with Hanoi Rocks will always hold a special place.
If you’re a fan then what’s not to like its an easy read and the pictures are great. John wombat has done a sterling job and pulled together a very readable book of one of my musical Heroes and on finishing this it’s only cemented my initial fanboy thoughts go to the link and click and pick up a copy you won’t regret it at all. Now Mr. James get on with the autobiography this has only whet my appetite for more ramblings and pictures. buy it!
Buy ‘The authorised Biography Of Brian James’ Here
June 04 1990 was the date that I lost one of my Rock and Roll heroes. Born Steven John Bator in Ohio back on October 22, 1949, Stiv passed away on this day in June almost thirty years ago! Shit is it really that long? Bator was taken to a Paris hospital but reportedly left before seeing a doctor, after waiting several hours and assuming he was not injured after being hit by a car near his Paris home. Reports indicate that he died in his sleep as the result of a traumatic brain injury. Dave Tregunna said that Bators, a fan of rock legend Jim Morrison, had earlier requested that his ashes be spread over Morrison’s Paris grave and that his girlfriend complied but not after some friends of Stivs snorted some of the singers ashes it was later revealed in the movie about the singer (‘Stiv’) Which was released yesterday as it happens (pick it up Here)
Stiv not only fronted the amazing punk rock legends The Dead Boys back in the mid-’70s but after he split he had a successful solo career releasing the amazing ‘Disconnected‘ album back in 1980 Batos then went on to front the punk supergroup the Wanderers who managed one very underrated album ‘Only Lovers Left Alive’ along with Dave Parsons, Dave Tregunna and Ricky Goldstein but that was short lived and it wasn’t long before BAtors was onto his next project with help from Tregunna he formed another supergroup – The Lords Of The New Church featuring Brian James of The Damned, Tregunna from Sham 69 and The Wanderers and Nicky Turner from The Baraccudas. The band released their first self entitled album in ’82 and arguably their finest work. Over time it has to be considered a stone wall classic.
The Lords continued for the next half a dozen years and some before imploding onstage that fateful night at the Astoria when Stiv came onstage for the encores wearing the t-shirt of the advert that James and Tregunna had made to replace Stiv. I was there that night and couldn’t believe what I’d seen but it was pre-internet and pre multi news updates so it wasn’t until I had it confirmed in Sounds that what I’d thought happened really did. gutted to see one of my favourite bands bite the dust was an understatement, to say the least.
It was then that Stiv moved to Paris and embarked on his next phase and a solo record. The rest is history. There were no reunions and Stiv passed in such tragic circumstances. He has been the subject of the much-covered movie ‘Stiv’ and his Legacy is the records and concert footage and memories he has left with us all. Stiv Bator Rest In Piece you were one of a kind and should be remembered as a legend. That certainly what RPM will look back and think when his name is mentioned.
Ronald Frederick “Ronnie” Lane (1 April 1946 – 4 June 1997) was best known as the bass guitarist and founding member of two English rock and roll bands: The Small Faces followed by The Faces. With Small Faces, he was nicknamed “Plonk”. After their breakup, reorganisation and Lane’s losing the band’s frontman slot to Rod Stewart, he earned the nickname “Three-Piece”.
In the late 1970s, he was diagnosed with multiple sclerosis and was supported by charity projects and financial contributions from friends, former bandmates and fans. After suffering from the disease for 21 years, he died at 51.
born in Plaistow Maternity Hospital, to Elsie Lane and Stanley Lane, a truck driver. Lane later described his father as a “saint”, who would work a long work day, and then return home to nurse his wife and two sons, all of whom were diagnosed with M.S. Doctors assured Lane as a child that the destructive disease was not necessarily inherited, although he found out later in his life that he had indeed inherited it.
After leaving school at the age of 16, Lane met Kenney Jones at a local pub, and they formed a group they named The Outcasts. Initially playing lead guitar, Lane quickly switched to bass. When shopping for a bass, Lane visited a Bar (shock horror), where he met Steve Marriott, who was working there. Lane bought his bass and went to Marriott’s house after work, where Marriott introduced him to his record collection. Lane and Marriott set out to form a band, recruiting friends Kenney Jones and Jimmy Winston, who switched from guitar to organ. Marriott was chosen to be the frontman and singer.
The name “Small” was chosen as they were all under 5’5″ in height. They made their debut in 1965, with Ian McLagan replacing Winston in November 1965. Lane and Marriott began writing hit songs consistently, including “Itchycoo Park” and “All or Nothing”. At least a dozen successful songs credit Lane, and the 1968 concept album ‘Ogdens’ Nut Gone Flake’ features songs co-written by Lane with one exception. The band imploded in 1969 as Marriott left the group.
In 1973 Ronnie Lane moved to Fishpool Farm in the village of Hyssington, Montgomeryshire, Wales, just over the border from England, off the Shrewsbury to Bishop’s Castle road. With Ronnie already beginning to feel the effects of MS, he moved back to London in the late 70s After leaving the Faces, Lane formed his own band, Slim Chance.
Lane emigrated to Texas, USA, in 1984 (first to Houston, then Austin), where the climate was more beneficial to his health and he continued playing, writing, and recording. He formed an American version of Slim Chance, which was, as always, a loose-knit conglomeration of available musicians. For much of the time, membership included Alejandro Escovedo. For close to a decade Lane enjoyed “rock royalty” status in the Austin area. He toured Japan but his health continued to decline. His last performance was in 1992 at a Ronnie Wood gig alongside Ian McLagan.
In 1994 Ronnie and his wife Susan moved to the small town of Trinidad, Colorado. Jimmy Page, Rod Stewart and Ronnie Wood funded his medical care as no royalties from the Small Faces work was forthcoming – until Kenney Jones and Ian McLagan were eventually able to secure payments, by which time Steve Marriott had died in a house fire and Lane had also died.
Lane finally lost his life due to pneumonia, in the final stages of his progressive multiple sclerosis, on 4 June 1997 and was buried in the Masonic Cemetery in Trinidad, Colorado.
A street was named after him, “Ronnie Lane”, in Manor Park in 2001and if you’ve got an hour spare check out this beautiful documentary on Ronnie. Rest In Peace both – Legends
As far as soundtracks go this was a no brainer for me. Having seen the film and always been a huge Bators fan in this day and age I’ll take anything on offer and Danny Garcia did such a great job I can’t imagine a Stiv fan not wanting a piece of this. I know its been a long time coming but its finally here and just ahead of the video or DVD release April saw a RSD special with the soundtrack hitting certain shelves (mainly) through America I know at first I couldn’t get my paws on it over here on Shit Island but thankfully I managed to score a copy off the internet and not too soon the Red 12″ record sort of landed on my mat.
Featuring twelve cuts from the likes of Deadbeat Poets, The B-Girls, Lustkillers and Jimmy Zero to name a few its a quick smile at the cover art with Stiv van surfing and the needle drops. Side one kicks off with the wonderful Deadbeat Poets ‘The Stiv Bators Ghost Tour’ then the wonderful B Girls and ‘Mystery’ before Stivs track ‘Don’t Go Away’ that was previously released on the Easy Action album released a few years ago of the work Stiv was working on before he passed. I can only presume this is from the very same sessions so would feature Neil X on guitar but I can’t say for sure as there aren’t any credits on offer here it’s just your basic sleeve with tracklist a few thank yous and a nice Red slab of vinyl.
I love the Lustkillers and ‘Revenge’ is an excellent track taken from ‘That which Does Not kill Us’ It’s uncanny that two people could sound so alike and play similar kinds of music but I love it and think ‘Revenge’ is such a good tune. Next up and one that made this a must-have was Stiv performing ‘Evil Boy’ live in Berkely Sq back in 1980. Club Wow performing ‘Nights Are So Long’ is another great cut even if I am more familiar with the Michael Monroe version which he did so well this is a top tune and brings a really strong side one to a finish. Jimmy Zero from the Dead Boys, Jeff West from The Testors I guess it all fits together with Deadbeat Poets with Frank Secich and this (club Wow) Jimmy Zero and Stiv its a big family at times but it’s not all at the same time. These songs are such killer songs It breaks my heart to think that only a (relatively) small number of people get to hear them and exposure is minimal especially in today’s quick as a flash musical climate. I’m always really excited to hear about films like ‘Stiv’ and records like this coming out in the hope that these bands and artists have a lasting legacy and who knows some kids might dig it again and we see a resurgence in some great music.
Anyway, flip it over and side two is more of the same great songs starting with the dark and brooding ‘Paris’ from Jimmy Zero followed by the fantastic ‘You Don’t Go Away’ from Alpha Kitty whilst The Stiv Bators Ghost Tour are back for a second bite with the excellent ‘Room Full Of Strangers’. Danny Fury rocks up with ‘Dark Star’ from his band Tango Pirates before the soundtrack is signed off with ‘To Feel You’ The Primadonna Reeds pure Noo Yawk cool like you didn’t already know that.
All in all there is so much good music on offer here and as far as soundtrack records go it might not be the Ghostbusters soundtrack but its got an abundance of great songs by great bands for a great cause and if you have any sort of love for Stiv and his legacy then you need to snap this up pretty quickly before they’re all gone and you won’t be able to find one for love nor money. Get out of here!
A new documentary on legendary DEAD BOYS frontman STIV BATORS is to get its UK premiere next month.
Born 70 years ago, the charismatic singer was the original embodiment of the self-destructive punk frontman with Cleveland, Ohio’s DEAD BOYS before embarking on a solo career. He went on to team up with members of SHAM 69 in THE WANDERERS. His greatest success came in the mid-80s with THE LORDS OF THE NEW CHURCH alongside The Damned founder Brian James, Dave Tregunna from Sham 69 and ex-Barracudas drummer Nicky Turner.
The succinctly-titled Stiv, which features heaps of rare and unseen footage, as well as new interviews with all the major players in the singer’s life, is to receive its UK premiere on 24 March at the Regent Street Cinema, London as part of the Soundscreen Festival, presented in conjunction with Vive Le Rock! The screening will be followed by a Q&A with the film’s director Danny Garcia.
when we started this website there were going to be artists we had highlighted to cover and interview and when Jeff Dahl showed up on our radar as having something new in the shops it was as good an excuse to speak to him as any (not that we needed an excuse) Talking of new record its sort of new – Well it is new but not all the songs are new…You’ll know what we mean when you read the review (Here) Anyway where were we? Oh yes he’s a punk rock legend he’s been there done it and probably appeared on the T-shirt so here are the words from the chat we had with the one and only Jeff Dahl…
Hi Jeff, hope you’re well this morning and life is treating you as it should?
I can’t complain. Peach pie & Kava tea for breakfast. Life is good. Congratulations on the new website. Right out of the blocks you’re hitting the nail dead on the head.
ok, so firstly you played in Sweden the tail end of 2017 and hooked up with Demons was the plan always to hit the studio whilst you were there?
Well, I’ve known the Demons since they first started so when I was planning to come to Sweden for a vacation, I’m crazy for museums, the idea of doing something came together really naturally. We’d talked about a tour but I was just there for 10 days so we decided to just do some rehearsals, play the show and spend a few days in the studio. I really enjoyed myself.
They’re obviously fans of your work so they knew how the tunes went or did you forward on a set list you had in mind?
They had their collective shit totally together. We discussed it over emails and we wanted to keep it easy and loose. No stress. Plug in and play. It was easy and it was fun.
You must be delighted how the songs came out? There is a new lease of life in those songs and the energy is fantastic those guys got it straight away I’m guessing?
Thanks! Oh yeah, we set up all facing each other in the studio and just played the songs. It’s exciting to record like that and I hope the songs reflect that energy. I don’t think we played any song more than 3 times, but most were first takes, and the vocals were recorded the next day. I think there were just a couple guitar leads added and that about it. It’s raw and real and that’s how we wanted it. Plus, I have not played with a band in 10 years so this was a treat for me. Demons are a great band and fantastic guys. We had fun.
What was the show like you played?
Absolutely aces. Wonderful crowd. Even the sound system was top notch. I told them I did not want to play any venue where it would sound like shit. That’s a big deal with me. There’s no excuse for bad sound in a club.
What did it feel like to be back onstage playing in Sweden?
Honestly, I was a little jittery before we started rehearsals but that came together quick and easy and I got comfortable pretty fast. I had not played live in 10 years! Would I even remember how to do it? Haha. The one drag was that a month before coming over I blew up my left knee so even though I had loads and loads of lovely plain killers I was limping around in excruciating pain and not able to jump around as I would have liked to.
Has it given you the energy to get out there and play anywhere else?
Good question, I don’t know. I suppose that under the right circumstances I would think about it. But the days of 60 shows in 60 days are over! But the idea of going someplace and playing a show or two with a cool band now appeals to me.
The version of Sonic Reducer on the EP is amazing. I know its a much-covered number but a lot of bands just do other peoples songs and miss the point or never achieve the energy and attitude needed and can often sound lame or forced but not this.
Wow, thank you! I’ve played Sonic Reducer in every show I’ve played since the early 80 and its been a mainstay in the Demons sets so it was a natural choice. That’s a song you have to do justice to or you deserve to be stoned off the stage. Haha.
You also recently mentioned the record you cut with poison idea where you did a really heartfelt tribute to Stiv and your take on some of those songs was the best I’ve heard people cover especially the Lords tracks.
Well, thank you again!
Were these your favourite lords/stiv songs? Open Your Eyes and Method are outstanding.
These are definitely among the many Stiv tunes that are my favourites. Open Your Eyes was actually Poison Ideas choice to record. I knew I could sing the Dead Boys stuff but I was a little intimidated to record that one just because Stiv had done it so well. But it came out pretty cool. In hindsight, I wish I had done one of Stiv’s powerpop songs from his time with Bomp. He had so many great songs to choose from.
I’d say that Stiv is one of the most underrated frontmen ever and never gets the respect he deserves in the mainstream press when they talk about punk yet people who knew him had the utmost respect for the guys work be it Dead Boys, Wanderers, Lords or solo he just had such a talent.
I would absolutely agree with that. I think one of the real problems is that the back catalogues of the Dead Boys and the Lords has never really been properly exploited and promoted. But believe me, there are plenty of Stiv fans out there. He’s well remembered… just not by the press.
Have you had the chance to see any of the Stiv movie that is being made what’s your take on what they’re doing? Are you in the film? In your opinion is his work underrated compared to some of his peers?
I know nothing about this movie but I hope it turns out great. I just heard about it recently. Remember, I live one of the outside islands in Hawaii on the side of an active volcano, ha ha ha. That’s why I need a website like yours to keep me informed.
Moving onto your output you have such a large back catalogue have you tried to re-release any of the albums seeing as a lot of them are hard to find especially on record. What about a box set pulling together some of your favourite albums maybe bundled with unreleased material or alternative versions?
The Triple X Records stuff is up to them. Personally, I’d prefer if they didn’t. Maybe a Vol 2 to the Best Of album would be nice. But I’m happy with my little legacy in punk rock. I can pretty much do anything I want and I’ve got great fans and friends who will always support me. I’m really more concerned with my next project, not so much with what I’ve done in the past.
Do you ever delve into your recording past and listen to some of the records?
Haha, no, never! When I recorded those albums I was so intensely inside those songs and sessions that its weird to go back and listen to them years later. I pretty much only listen to then when someone asks me about some lyrics or some chord changes and I have to go back and listen to figure it out. Then its a trip. Almost like I never heard them before.
What in your opinion would be the go-to records for someone just finding out about your work?
The Triple X Best Of Vol 1 album is the place to start. It’s chronological and in the notes, I talk about each album. So if someone hears something they like from a specific album they can go hunt it down. And a warning, unless you are a complete maniac and half-nuts you might want to avoid Heart Full Of Snot. Its a bit abrasive for most people. One thing I do like about my back catalogue is that among my fans everyone seems to have a different favourite. I guess that means I did something right.
About a year ago I stumbled upon a record shop way out in the sticks miles from any big town and picked up brand new copies on record of Powertrip and mother fucker 666 for pennies the guy in the shop smiled and said he wondered who’d buy those haha I was delighted as you can imagine.
It amazes where my records have travelled to. All over the world and in some of the most unlikely places you might imagine. I had a fan in Antartica who brought some of my records down there.
What about the last album getting a vinyl press is it too late for that or would it be something you’d be interested in?
You mean Made In Hawaii? Yes.
Yeah, it’ll happen on vinyl. It’ll probably be a Europe only release. But CDs? No. We did just 300 copies on CD and that’s it. If you have one, its a collector’s item already. But you can buy it on download at all the usual places online.
Is there any new material written or in the can as they say? Just asking for a friend.
Funny your friend should ask, haha. Yeah, I’ll be recording a new album in December. I have to say, though the songs are all a lot more aggressive than Made In Hawaii, they are weirder and angry-ish. Fans of my punkier stuff should be well pleased. The Angry Samoan is angry again! Ha ha ha.
Is there anyone you’d love to get in a studio and play with right now if the chance arose?
Of, fuck yes. I love working with other people. The problem is that, since I live in Hawaii it makes face-to-face collaborations almost impossible. But people I’d like to do something or other with, Deniz Tek is at the top of the list. And Dave Kusworth. We’d talked about it years ago but maybe now might be the time, while we’re both still breathing. My buddy from the Samoans, Gregg Turner, and I have talked about it too. That’s one I really feel the need to do. Who else? The Nomads, Richard Duguay, Andy McCoy and my dear old pal, Freddy Lynxx… And working with Demons would be great to do again with some newly co-written material. I could go on and on. But I would want any of this to be a real and true collaboration. Starting with sitting down and writing the songs together. Not an album of 5 Jeff songs and 5 songs with the other cat.
You played with some great bands who in your opinion were the ones who did it the best, not necessarily wrote the best song but were the best to go on tour with and who just got it and killed it every night?
Oh yes. I have most definitely. This list could go on for pages but I’ll list just a few bands that I’ve had the honour to share the stage with. UK Subs, Trash Brats, NCC, Los Guarriors, Buzzcocks, GG Allin and the Jabbers, Cosmic Psychos, Hell On Heels, Throbbing Gristle, Fear, Kevin K, Slash City Daggers, Slayer, Battalion Of Saints… really, this could go on and on and I’m sure I’m missing many, many of the best. I’ve played a few shows over the years, ya know?
Do you have a favourite tour you went on or one that you never wanted to end?
This one might surprise people but the acoustic tour I did with Freddy Lynxx and Nikki Sudden. It was such a pleasure. We’d each play about 30 minutes solo then we’d play about 30 or 40 minutes more together. It was such fun and we pulled great crowds everywhere. Sadly, Nikki has passed on and Freddy is MIA but we had talked about doing it again.
Over to you Jeff, anything you want to say or we’ve missed?
I just want to thank all the people who have bought some of my records or paid to see me live or offered me friendship and encouragement over these many years. It means everything to me. I am so humbled and this bond we share can never be broken. Even on to the next world we’ll all be thinking, “What’s wrong with that guy’s hair?”
Well hello and thanks for checking in. Your Monday just got a whole lot better as Stiv Bator hits the screen. Seeing as it would have been Stiv’s birthday last week it seems only fair that we air this classic and I make no apology for the shitty quality of the footage. R,I.P Stiv we miss ya
No Monday morning middle finger would be complete without this classic single from the mighty Wonk Unit and RPM would like to offer our congratulations to Alex and his wife on the birth of their Daughter.