At last! ASTEROID B-612 ‘Forced into a corner’ is released for its very first time on vinyl!

This is the second album of legendary Australian band ASTEROID B-612, and it is the killer predecessor to their album “Not meant for this world!”.

Australia has plenty of awesome bands we know this It might be a long way from The UK and America but man they were right at the front and often when it comes to Rock and Roll.  Originally recorded and released in Melbourne, Australia way back in 1994, this album was produced by Dave Thomas from BORED!. If you took our advice after reviewing ‘Not Meant For This World’and checked them out then you will have an inkling of what to expect. Bored! and Asteroid B-612 influenced by The Stooges, MC5, Birdman, etc.  C’mon what’s not to like?

Having been previously only available on CD and only in Australia, I guess pre Internet this was a bit of a secret and only the lucky ones knew and we all want to be one of the ones in the know right? Right.

A total must for all fans worldwide of MC5, Stooges, Radio Birdman, Bored!, Hellacopters, etc. You know the drill and where these guys are coming from. As the opener blasts off out of the speakers with that sweet sweet distorted guitar riff ‘Edge A Little Closer’ doesn’t so much as rock out but comes Stomping through the ether it’s measured and barely under control with a cool hook on the chorus but the solo is sounding so sweet.  Asteroid B-612 (still an odd name for a band) know how to rock it up and sound like the distant cousin of a broken Rock and Roll home with Lovesores and these ones were banished to the other side of the earth to keep them apart but the time has come and thanks to the likes of Bang Records we can all get in on the secret.  Damn, records like this shouldn’t be a bloody secret every self-respecting lover of Garage Rock and Roll should investigate here.

‘I’ve Had You’ turns up the energy and leans on fellow tunesmiths like Los Pepes as far as writing catchy uptempo rock and roll goes.  In contrast ‘The 32st To The 2nd’ is a laid back groove more in keeping with The Stooges vibe.  It’s a super consistent record and the quality is excellent throughout.  Sure some tracks stand out like side two’s opener the sleazy ‘Plastic’ with its gang vocals sounding like a boozy night in some dive bar where the jukebox is way too loud but who cares when it sounds this good. It’s not all bluster and beer drinking as the epic slow-burner of ‘I’m Not For Sale’ will testify.  With its sparse bluesy dark and brooding verse leading into the inevitable crescendo before dropping back into the shadows.

The energy is pumped back into the record on ‘Can I Touch It’ from its bass thump intro it’s like a frantic spinning top bumping off each instrument waiting to slow down or crash and burn.  Before we finish we get into some choppy Chuck Berry territory as ‘Dannys Sister’ jives and boogies on down. There’s still time for a bluesy seven-plus minutes before we get the hell out of here. Asteroid B-612 doesn’t do bad records and this is another must-have slab of epic vinyl. If you don’t believe me then check it out for yourself – Buy it!

Buy ‘Forced Into A Corner’ Here

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Author: Dom Daley

 

 

One of the best debut albums I’ve heard in quite some time happens to be ‘Out Of My Head’ it’s jam-packed with influences ranging from the good to the greats and the passion and energy poured into every groove of the LP is evident to the listener.  I tapped Matt up for an interview with RPM and he was happy to oblige.  If you’re lucky enough to have the band roll into a town near you I suggest you cancel whatever it is you’re doing and get down to the Rock and Roll show.  But hey check em out then support them and Dead Beat Records because we need more bands like this making music on labels like that.  So lets cut the crap and get down to the chatter that mattered  Ladies and Gents boys and girls  Matt from Poison Boys…
When did the band form and let us know a little about where you grew up and what inspired you guys to pick up an instrument and play Rock and Roll?
I grew up right outside of Chicago in Northwest Indiana, about 1 minute from the border of Illinois. Been obsessed with rock n roll since I was a kid. Me and my friend Mike Lippman had been playing in punk bands together since we were young teenagers and finally decided we wanted to start a rock n roll band. I played drums throughout those years but wanted to play guitar if it was a rnr band so started figuring out Ramones songs and went from there.
Can you remember what the first songs you wrote as a band was?  
Mike and I collaborated on nearly all of the early songs, he’d write riffs or I would, and I’d write vocals and he’d help me with the lines sometimes. First ones we wrote were Been Here All Night, Out of My Head, Cut Right Out, Bad Mouth, Without You and a couple of others. Unfortunately, Mike passed away before we could complete a lot of other songs which I ended up finishing later like Headed for Disaster, Got to Tease, and Up to the Sky among others. We always wanted it to be a well rounded rock n roll group, not just one specific sound the whole record or anything. But not to stray too far outside of the rock n roll spectrum.
You’ve released a couple of singles before the album came along with the first two being on the excellent UK label no front teeth.  How did that come about?  How did a label out of London pick up some guys in Chicago?  Is the line up stable now? your almost in Spinal Tap territory for past members already 
I found out about No Front Teeth from reading a PORK magazine and either seeing an NFT ad or a record review with NFT as the label it was released on. Just emailed Marco and he was super down to help us get our first (and second) 7″ out. Really I could not find any snotty punk labels in the states at all. Even now I only know of like 2 or 3 and that’s it. And if they aren’t interested or are too busy or whatever you turn to labels elsewhere that’s all.
As for the lineup… When people don’t wanna play rock n roll anymore or move out of state what do you do? The band hasn’t been around long enough to make much of an impression with anyone lineup, hasn’t had an LP or anything out prior to now so it didn’t matter to me. Granted I don’t exactly enjoy having members flake out or whatever but it is what it is. We’ve had a pretty solid lineup for about a year and a half or so with Matt “Chainz/the Chainblaster” Chaney on drums and Steve  “Stevsie/Stevie Poison” Elfinger on bass at home/guitar on the road, and touring members Nico Bones on bass and Julius Lange on guitar. It’s been pretty killer getting to know and hang with all of them.
The first single was back in 2016 then ’17 then you got White Zoo to release the last one last year.  Had you already signed up to dead beat to do the album by then?  How come you switched for the album? 
Dead Beat came about through me asking them earlier this year if they’d be interested in releasing the LP. They were very stoked especially after hearing the record, so we just had to finish up art and final mastering for it and it was a go. The 7″s were released on the other side of the pond, we were just looking for somewhere closer to get the records released by and knew Dead Beat had put out records by some of our favorite newer rock n roll bands.
Is there a chance of a European release for the record?  What about touring Europe and the UK?
We’d love for it to be released by a European label! Haven’t heard anything about that yet but time will tell I suppose. We plan to set up a European tour for hopefully next year.
As far as the album goes I was really pleased to hear plenty of influences in there and some choice covers.  Obviously, I have to ask why those covers? (apart from them being great songs) 
Well, I was listening to a Beatles singles comp called ‘Past Masters’ and heard a banging rocker called ‘Slow Down’. Knew it had to be a cover and found out Larry Williams was the original and sounded killer!! I figured we could pull it off and should give it a go. It delivers well live so we figured it’d be a good way to help open up the album and add more bitchin’ piano to it which we love big time. As for the Dead Boys cover… that one’s always been relatable to me and it fits with our style really well I think. It’s, of course, a tribute to them and our influences getting into punk at an early age.
I love the album and think it’s one of the best debut albums I’ve heard in an age and the attitude in the songs is superb – really authentic sounding. Is there a plan to tour then record some more? are you someone who writes all the time? 
Thanks man I really appreciate it. We worked hard on these songs and it’s good to finally let them have their day. Really nice to hear that people like them. We’re leaving for our “Out of My Head” East Coast/Canada Tour 2019 this week and beginning recording for our 2nd LP this week as well. Plenty still on the horizon for the Poison Boys. I write all the time even if it’s just little pieces and put them together as I go. Show ’em to the guys and get opinions and we work em out from there.
How has the reception been at the live shows?  How would you describe the scene over there in Chicago? is there much of an appetite for real rock and roll?
The live shows are killer and what we love the most. People seem to love it too and get down to our set so that’s cool. I think people need this type of rock n roll but just aren’t getting it much from bands these days. Not a lot of people go to rock n roll shows around here anymore unless it’s the Stones or KISS or something. A lot of bands around here either play washed out reverb’d out psychedelic shit or shoegaze or grunge or a mixture of all that. There’s like 3 bands in Chicago that don’t do that. As with many bands, the reception on the road is way greater than at home.
There seem to be pockets of superb music coming out of America right now – any chance you cats hooking u with bands like Wyldlife, Ravagers and The Sweet Things and stealing over here for a package tour?  Are there any bands you hear about currently tickling your fancy so to speak?
We generally like touring alone but are open to whatever if the situation’s right. One of our first shows ever was in Indianapolis in 2014 opening for Wyldlife. Alex from Ravagers does a lot of our artwork and we have a gig with our boys the Sweet Things coming up at Coney Island Baby in Manhattan in a couple weeks, Friday 8/02. Yeah favorite bands going on right now in the states are mostly in California, like Black Mambas, the Crazy Squeeze, the Flytraps, Dr. Boogie (although they just broke up), and also bands like Terry and Louie, our boys Jonesy from Montreal, the Rubs, our buds Big Blood from out here, stuff like that. And of course the Sweet Things out in NY. There’s a good amount of rock n roll going on elsewhere and I think it’s growing thankfully.
Listening to the album I hear some obvious inspirations from the likes of Dead Boys, Thunders, then I hear classic Stones and Faces – you guys have some of the swagger that made early Guns N Roses shine (tear Me Apart)  and I love the confidence of songs like ‘Up To The Sky’ but you can also mix it up like Hanoi Rocks on songs like ‘Desperado’   it opens up options for you to go in any direction what’s on in the van currently? What are you listening to?
We listen to old protopunk shit like Berlin Brats, Hollywood Brats, Razor Boys, Nervous Eaters, Rockpile, Flamin Groovies, Stooges, all that. A lot of Johnny Thunders and Dolls stuff of course, their solo stuff right after the Dolls broke up too. Hanoi Rocks, Dogs D’Amour. But also stuff like the Nuggets comps and other more obscure comps like the Bonehead Crunchers comps and shit like that. A ton of old punk bands like Menace, the Only Ones, Teenage Head, the Saints, Chelsea, Testors, Slaughter and the Dogs, Gen X… Then Mott the Hoople for 24 hours straight, Lou Reed, Kiss, T Rex, Motorhead, the Faces, Stones. All the goods all the time. Oh yeah and the RAMONES.
If there is anything you guys need to get off your chests here’s your chance.  Anything you’d like to add?
Come see us on tour!!! Buy merch, support rock n roll and keep us on the road. If you play rock n roll start a band get a shitty van and a mechanic friend and go tour. Keep this shit alive and growing and spread the love not shit talk and hate. We’re too small of a scene to be separated all the time by trivial cool guy bullshit and life’s too short to waste energy tearing each other down. It ain’t like the old days, we all know that… Rock n roll is so unimportant to modern society and we’re all we have left. We’re all in this together. Be inclusive there’s no room for hate against each other.
Buy The Album Here or coloured vinyl Here

When is a new record not a new record? When it was Recorded back in 2017 might be regarded as such a thing.  It’s taken These Goons a few years to get it right (or so they say) Explaining that it only took well over a year, but in true Goon fashion they think they’ve finally figured out how to get a proper version of the super limited, custom made and long sold out third LP right!

Let us the listeners be the judge of that thank you very much would be the usual response.

Originally released in an edition of 300 copies on the band’s own SunWray Records label with photocopied artwork pasted onto garbage thrift store LP covers, the “Rip It Up” album is now ALMOST available to the masses on MADE IN THE USA vinyl, with digital mastering handled by Tim Warren at Crypt Records. Compare this new version to the only other digitally available tracks that were uploaded by a slobbering fan to Youtube, and prepare to have your asses handed to you and knocked two steps back! That’s the official line anyway from the band. From the opening bar of ‘Watch You Shine’ I knew I was hooked. Literally, it took about ten seconds to sit up, shut up and listen to what was unfolding through my speakers as these fucked up rock and rollers were causing a stir in my heart and sending my head spinning.  It’s like when I first heard the Dolls or what I imagine hearing the Stones kicking up a shit storm in some tiny club its like unbridled rock and roll has been let off the leash for the first time (which we all know isn’t true) and we are hearing some guitars and reckless vocals for the first time in our lives. This feeling doesn’t dissipate for the next thirty minutes.  Trust me I’m a Doctor.

By the time you get to the epic ‘Any Girl/Bad Stuff’ and you’re not convinced then maybe this rock and roll thing isn’t for you? Seriously maybe you have a head trauma injury or severe tinnitus or a lobotomy because a six-minute furious rock out that marries the good and the great is nothing short of spectacular.  Its got piano like little Richard, Guitar licks like Chuck Berry is in town and a vocal that’s part Iggy Part David Jo and the rhythm is relentless – I fuckin’ love it!

‘Outta Control’ is raw it’s rough it’s totally rockin’ and yeah it might fall apart in the blink of an eye it’s part Joneses part Heartbreakers its what Gunfire Dance might have sounded like had they grown up in the US of A but they’re cut from the same cloth I’m convinced of it.

If you’re waiting for that gentle slow dance number I guess ‘Let Loose’ isn’t going to be it you won’t find a slow dance in this one but you might find a healthy dose of Stooges vibe going on with songs entitled ‘So Far Out/Rip It Up’ and ‘Watch Your Back’ I guess you might have an inkling what these cats are up to So impressed was I that I had to dig out their back catalogue I needed to catch up and get my fix in one hit I know that can be a dangerous thing but so pure and unadulterated was the Rock and Roll I was happy to take the chance and the result is beautiful.  Follow suit kids and get a copy of Gino and the Goons its not something you’ll regret at all. Just do it.

*This pre-order is listed as coming out in July due to a Bandcamp limitation, but they’re gonna be unleashing this Budget Rock Masterpiece in early September. Until then, stream the fuck outta this Bandcamp exclusive, or BUY the damn download and add it to your devices.
Buy Gino & The Goons Here
Author: Dom Daley