One of our favourite bands at RPM HQ needs some help.
The Cavemen left their jobs & their homes in London in order to do this tour, so they clearly do not have the money to fly themselves to Cuba without any financial assistance. So we’ve decided to start taking up a collection for them. There will be a JAR that people can drop small contributions into during their USA tour in Dec/Jan… and people around the world can also contribute here.
If we collect more than we need to get the guys to Cuba, we will ask our musician friends in Cuba to make us a list of gear they need, and then we’ll use the extra money to buy it and send it to Cuba with the Cavemen!
If you can’t make any of the shows but would like to make a donation, get in touch and we’ll tell you how!
JAN 14 – Oakridge – Club Fungus
JAN 15 – Charlotte – The Milestone Club
JAN 16 – Atlanta – 529
JAN 17 – Jacksonville – Jack Rabbits
JAN 20 – Ft Lauderdale / West Palm – TBC
JAN 21 – Miami – Churchill’s
JAN 22 – Miami Beach – Kill Your Idol’s
24-26 ENERO – MEXICO CDMX
27-30 ENERO – CUBA?!?
31 ENERO – 2 FEBRERO – CANCUN / MERIDA
Probably the sleaziest band on the planet right now taking on all comers and turning up the fuzz and writing essential Rock and Roll at every turn. These cats are the alpha males of dirty garage rock and roll and I’m saying right here from the off that had this bad boy not been released so late in the year it would have steamed into the top ten with ease.
They’ve been causing trouble since 2015 and now reside in the seedy underbelly of London Town after escaping their native New Zealand to reach a wider audience. If you’re asking me what do they sound like well, they play dirty filthy punk rock ‘n’ garage real old school fuzzed-up garage Rock n roll like Iggy ‘n’ Ron used to play with some Brain James licks thrown into the mix They’re wild and reckless like Ron ‘n’ Wayne played in the MC5. They stole from Lux and Ivy and they took it all and consumed the lot and became The Cavemen. When ‘Snakeskin’ bursts through the speaker I can sit back and take it all in as the fearless foursome just kick the living shit out of their Rock and Roll and sling in some well-timed cliched guitar licks for good measure. But wait, ‘Boyfriend’ even with its fuzzed guitar-slinging and bad boy lyrics its got rhythm and handclaps it’s like the Ramones badly-behaved cousins who just drink beer and fight have turned up and this time they’re getting serious.
Man, I thought it was impossible for these cats to get any better then they turn up with an acoustic guitar and throw out ‘I Don’t Know Why’. Its a bit soppy maybe it’s their age or they’ve run out of spite and bile and its time to settle down. what a tune but wait, agh! normal service is resumed as ‘Can’t Resist’ is spat out like only a bunch of angry young men can do.
The title track is like a dirty filthy power-pop ditty with great backing vocals it would seem the Cavemen have stolen Los Pepes crown for penning rapid chunks of garage power pop. ‘Night After Night’ is a banger from its Jam like chord changes and bass thump to the melodic chorus and Bv’s and uptempo pace these guys are on fire!
They take it back down and dial back into the acoustic-electric Ramones theft of ‘Belgian Holiday’ because this could have fallen off the back of ‘End Of The Century’ easily. (Minus the Spector wall of sound obviously) “oooh, I wanna Be Your Boyfriend” who cares anyway The Ramones stole it anyway.
‘Slave’ sounds like Jim Jones having a blast on some 70s glitter but the trashy glitter that the Dolls peddled. But there’s so much going on within this record, the variety of tunes and the change of gears is a masterstroke. Of course, the songs pretty much hover around the two-minute mark so they’re never going to get boring that’s a given.
the two singles that they’ve made videos for show how varied they get and how strong the melodies are. ‘Knife fight’ is rapid and a lot of fun whilst ‘Are You Lonely?’ delves further back into the 60s for their inspiration before blasting off toward the album’s conclusion and the penultimate track sounds exactly how you’d imagine someone like The Dead Boys would sound if they were just starting out in 2019 – exciting – energetic – confident and essential. Which leaves their stab at slide filled cowboy rock and roll ‘Death Will Never Change’ which just about wraps up a stunning record. A headfuck of an album that will leave you reeling – one that kicks you then gives you a hug and shares its beer with you but only if you’re 100% in. Me I’m there. Someone get me a beer I’m going back in, ‘Night After Night’ is a crazy roller coaster ride of Rock and Roll unoriginal as shit but fuck me it sounds so damn good!
Happy Monday folks. who cares if it’s raining or not it doesn’t matter a toss when the rock and roll videos are from bands as good as the Cavemen, Backstreet Girls and the Wildhearts. All three bands have recently released records and are on tour or going on tour. So check out these bad boys starting with the awesome Cavemen who would go down really well as the house of commons house band none the less. they’d get the likes of Boris and his cronies behaving themselves or else.
With a brand new album full to burstin’ with Bad Boy Boogie out on the shelves, how about the new video from Oslo’s finest Backstreet Girls as they pose the question of the day…
Finally with another round of tour dates done and dusted and a new EP to celebrate and a review just up on rpm have yourself some wildhearts to round off this Rainy Days & Mondays videos
Everybody loves a compilation album, don’t they? Even if its a taster that’ll put you on notice to never buy a Ted Nugent record ever after hearing Axe Attack as a kid.
When you hear some band from a far off land pre-internet and then have to go on a ten-year hunt to find that record that was only released in Australia we’ve all been there haven’t we? Well in 2019 and with all the playlists under the sun I find myself getting quite excited with the release of a couple of compilation albums and The Last Testament is one of those records that has some bands I’m familiar with and some I’m not which has me intrigued and rather like my ten-year-old self quite excited at the prospect of maybe discovering my new favourite band.
I did chuckle to myself when I read the press sheet and it asked the questions are you fed up of wimpy kids with effects pedals? Uh, Yes! Do you like hard drugs and cannibalism? Um, not really but I’m listening. and then do you want to punch a cop in the face? Fuckin’ Hell yeah! How about six bands two songs each spread out over roughly twenty-five minute? Not going to tax even the most easily distracted hipster. If I were to inform you that the six bands were Black Mambas, the Cavemen, The Scaners, The Fadeaways, Les Lullies and Nave Nodriza. Now you’re interested!
Those Black Mambas are ‘Up All Night’ shaking their shit like its the last night on earth and they’re the house band. Catchy and punchy as fuck Man I love Black Mambas. The Cavemen play fast live faster and get to the end of the tune fastest. Its garage punk it’s lightning fast and it’s a fuckin’ banger if you know the band you know what to expect its a chaotic one and a half minutes that’s barely hanging on to reality let alone any sanity ‘My Baby Knows’ is a killer! the Scaners start off like a cold vintage car before igniting the jet engine and away we go.
The Fadeaways do slow it down on ‘I’m Useless’ with a groovy slice of garage rock n roll before Les Lullies turn the amps right up and slam out some rapid rock and roll like a cross between Sonny Vincent and Chuck Berry there are some awesome guitar licks in there and one of the best tracks on offer on this collection. I’ve been blown away by Les Lullies and what I’ve heard so far. Side one is closed with Nava Nodriza with ‘Destruyete’ that’s like Captin sensible joined Motorhead and just Destroyed it. That’s side one shut down then now to flip it and see what’s cooking on the dark side.
Well, more of the same from the same bands (no surprise there then) What you do get is another six excellent tunes. If I were to pick a winner it might go to Black Mambas for their Cramps meets Quo meets Stray Cats amped up rock n roll ‘Baby I’ll Give It To You’ which is just superb. Dirty Water has released some fantastic records over the years and introduced some awesome bands that have lightened up a special corner of my life and no doubt countless others. Compilation albums like this can only be a good thing no make that a great thing. Check it out then check out the individual bands and we’re all winners. Brilliant – loud – wild rock and roll just how I like it!
Its that time of week again and we got to see some cool bands live last week and got some cool bands coming live this week so we thought we’d share a few with you good folks out there whilst you get ready for the working week. why not get it off to a good start with us and beginning with this beauty from our favourite Japanese 80’s rockers Electric Eel Shock
Second up why not have this from LA Guns new album that was released last Friday and reviewed on these very pages only a few weeks ago. Heres ‘The Devil You Know’ brand new and hot off the press –
If all that Rock is too much for you how about taking things easy with this video courtesy of The Cavemen? That’ll put you on the right track for the week ahead if it doesn’t try going back to bed or growing a hipster beard because you’re failing miserably. we know and now you do that the Cavemen rule! Stay sick!
Welcome, welcome, welcome step inside the 45’s club and see what delightful singles and videos get pushed through our virtual and physical letterbox. a right mixed bag arrive for this update and there is only one place we could possibly start and that’s with HeWhoCannotBeNamed and his brilliant video for ‘Good Fuck’ taken from his new album ‘The Good, The Bad, and The Brutal’. Spin the black circles and keep it 45…
Jake Starr & The the Delicious fullness ‘All The Mess I’m In’ (Beluga Records) This Singles comes in four delicious coloured sleeves and fours different coloured records, Blue, Red, White, Black.
After fronting Washington DC garage rockers Adam West for nearly 17 years, soft-spoken, introverted, and mild-mannered Jake Starr took a few years off to recharge his batteries. Now he’s back with a band of brothers (and sister) alongside him to deliver the best in high-octane, garage rock-n-roll. With Sean Crowley (Hall Monitors) on guitar and backing vox, Louie Newmyer (tons of bands) on bass, and Nathaniel Osgood (ex-Phobes) on drums, this swinging combo is the perfect mix of the Small Faces, Chocolate Watchband, Easybeats, Music Machine, and everything nice in 1966. The A-side is a rock solid retro rocker but the gem here is ‘Biff Bang Pow’ a cover of the Creation number and with its fuzzed up lead guitar its a real hoot and sure to fly off the shelves – our advice if you want the colours you better get a move on and shake your shit over to Beluga.
Lags – ‘Knives And Wounds’ (Casu Marzu Records/To Lose La Track/Fuzzy Cluster Records) Next up is the new single from Lags.a post-hardcore band out of Rome, Italy, They’re gearing up to release their second album, SOON, on March 29th, and they’ve teamed up with Heavy Consequence to premiere the video for the new song “Knives and Wounds”. The song is an anthemic track with a sound reminiscent of bands like Hot Water Music, BoySetsFire, and Sparta, as singer Antonio Canestri delivers the lyrics with a powerful rasp.
As mentioned, the album SOON will arrive on March 29th. Pre-orders for the disc are available here and here.
Powersolo“Transfixing Motherfucker” EP (Slovenly) If it’s on Slovenly then we want to know about it. Wear it like a badge of honour because Slovenly don’t put out rubbish and when we got this pottymouthed single we virtual high fived Powersolo for having the cheek to knock out a garage dripping rock n rolling old school it’s like Bo Diddley and the Cramps going shot for shot and having some instruments thrown in for good measure. These Danish rock n rollers kick out the jams for sure and even manage a tune in their native tongue which is always cool with RPM.
The Cavemen “Lowlife” EP (Slovenly) Always happy to review a Caveman record that for sure and Lowlife doesn’t disappoint. The Lead track sounds like The New York Dolls in full peacock swagger and that guitar solo fuckin’ rules! ‘Baby I’d Do It For You’ is like a rocket, all speed and fuck you fury straight out of the traps and it doesn’t relent until it crashes and burns. To close off this monster is a dark brooding Cavemen progbustin four-minute classic. Like they’ve been down to the crossroads and old Nick has thought fuck this do your worst I’m off. the Cavemen rip it up like hooch when you’ve run out of moonshine. Single of the month? I can’t see anything else even coming close. Get these dirty rock n rollers on tour with Brother Jim Jones and his righteous mind that would be perfect. Facebook
Priors “Call For You” EP (Slovenly Recordings) Hailing from Montreal this five-piece wall of garage rock n roll fills me with joy due to their understanding that garage punk rock comes in many forms and they hit you right in the kisser with their guitar driven rock n roll and the lead track ‘Call For You’ is a force of nature, a wall of guitars, unrelenting and unforgiving yet the tune has melody and makes me feel warm and fuzzy. ‘Destroyer’ is more of the same to be fair maybe a little more uncompromising but equally enjoyable. Which just leaves ‘Swelter’ to shake its shit with its awkward rhythm to pulverise you with. A most excellent record and available through their bandcamp in very limited quantities so don’t sleep on this one. Bandcamp
Crows – Chain Of Being (Balley Records) London post punk noisemakers sign to Joe Talbot of Idles Balley Records and ‘Chain Of Being’ is the first song released off their debut album “Silver Tongues” released on March 22nd Pre-order Here. They head out on tour with Idles in March to coincide with the album check em out Facebook
The Anomalys “Trooper” EP:(slovenly Recordings) Straight out of the Garage in Amsterdamned these rock n rollers kick up a veritable shit storm with their fairly traditional reverb dripping rock n fucking roll. ‘Fire In The Hole’ is the second song in and flys by in less that one and a half minutes of rowdy rock n roll just as we like it. To be fair that’s pretty much a done deal for the band as its only the fourth track that the tempo drops below boiling, ‘Anomolyphant’ is an instrumental but doesn’t really go anywhere but three out of four isn’t bad at all. Keep an eye on these noisemakers. Facebook
Erica Drive – All We Are – Emo alternative rockers Erica Drive are about to drop their second album and have released ‘All We Are’ to pave the way. South coast five-piece worked with Mike White (wolf Culture) and had the tracks mastered by My Chemical Romance engineer John Naclerio With heavy riffs and crisp production I’m sure the band will pick up more than the last albums 10,000 Spotify plays. Full-length album to come in early April.TwitterFacebook
The Empty Page – ‘When The Cloud Explodes’ (Punk Fox Records) the Empty Page has grown up as a band in public and that journey has landed them here at this junction with a new single on offer this coming Feb the 22nd to be precise. Its a confident slab of alt-rock shaped using the inspiration of their idols it’s got a great hook and feel to it as lyrically it celebrates their roots and obsession with the wet northern weather with a huge wall of sound. Stirring stuff indeed and if this is the strength of the new material it won’t be long before bands are citing the Empty Page as an influence alongside your Sonic Youths and Pixies. Great stuff!
Vain vipers – Kissy Doll (Volcano Records) I couldn’t resist throwing this bad boy up here just because I could. Can you believe outside the parody shite that is Steel Panther there are still heavy on the ride fretboard tappers out there strutting their shit like its cock rock o’clock and people really want to hear this. Like anyone dances on their bed wearing some Vain Viper grits who hasn’t been paid to. I also love that the axeman (that’s what cock rockers call their six stringers right?) has got a replica Slash tattoo on his right gun. Absolute comedy gold can’t wait for the follow up its like 1987 never ever happened.
It seemed normal service had resumed and the UK was no longer under thread or code red because of the weather and the armed forces were asked to stand down from the impending doom that was heading our way if the week-long snow caused the country to slide into the Atlantic. April would see the customary Record Store Day madness that had clogged up pressing plants and caused delays right across the board as the majors jumped the queue with their plethora of reissues and one direction picture discs ready for the record buying public readily camping out on high streets across America and the UK hoping to get their hand on the Bowie seven inch that would only set them back £20 but hey if we didn’t buy into this it wouldn’t happen.
I digress. April was to be the month The Damned would finally get around to unleashing their new long player on the public after something like a decade since their last long player but this time they’ve gone all out to impress with Tony Visconti taking care of the production and in my humble opinion making it more about him and his knob twiddling duties than The Damned and as a result, an album that promised so much, in reality, delivered so little and won’t feature as anyone’s album of the year even though its not without merit as there are good songs on board but where is Paul Grays signature sound thumping its way through the songs? Did I not mention Gray was back in the fold? Oh sorry, how rude of me. yup Paul Gray was back in the fold and ‘Evil Spirits’ expectations hit the roof. It is certainly one of those albums you so desperately wanted to love but couldn’t quite convince yourself it was up there with some of their back catalogue but hey ho onwards and upwards and any Damned record however bad is still better than most other bands good albums. Fact. And the live dates were as expected – superb.
As far as other records to come out in April well, there’s always the ever-reliable Wonk Unit and this time out they’re unleashing ‘Terror’ upon us all. Once again it was recorded at the Brook and producer Andy Brook brought the best out of Alex and all who sail or should that be ride on the back of this thoroughbred stallion. it featured some classic Wonk none more so than this festive banger ‘Christmas In A Crackhouse’ but remember this is April. Nice one Alex.
On the 7″ front there were a few notable entries with the top of the pile being The DeRellas with the fantastic ‘High Rise Supersize’ seeing the recording debut of their new frontman and excellent fit Joey DeRella former frontman of the excellent Breakdowns.also on the singles front The Hip Priests released an excellent split with Demons and young upstarts The Kenneths put out a really excellent single in the shape of ‘Favourite Ex’ from the E.P ‘EX’ and hopefully 2019 will see RPM hear more from this most excellent of noise makers.
Onto the live front and a few notable entries would have to be when the country went RSD nuts – south Wales upstarts and ne’re do wells otherwise answering to the name Deathtraps played at what was a marathon of live shows all over Newport which began with Mike Peters of The Alarm playing the towns best venue the rather splendid Le Pub on the Friday night. It then spread to other venues throughout the day keeping live independent music alive and well in this corner of the world.
Also on tour in April was the splendid reformation of Thee Hypnotics who impressed Ben so much he went out and picked up a copy of their box set and Dom and Johnny also parted with some folding money for copies of their documentary when they rolled through Newport south Wales to play Le Pub (once Again). April was really hotting up as some mighty fine new bands rolled into town as part of tours to promote their new records two notable bands were Cabbage who were promoting the excellent ‘Nihilistic Glamour Shots’ and Trampolene who also played Clwb Ifor Bach and both shows were sellouts and both ended in hot sweaty messes just like the best club gigs should.
The only death to report in April would be that of Jesus Christ but that for another website and not here. Keep it RPM as we roll into May…
Foulmouthed Filthy February or something like that.
February began with a road trip to see a band who for me has been my go-to pilgrimage in North Wales for The Gathering weekend for the last quarter of a century (almost). A weekend celebrating the music of Mike Peters & The Alarm reached a high point on the Saturday night as a Four-hour performance rounded off an impressive weekend. I’ve enjoyed going for almost quarter of a century where special guests have included Billy Duffy, Craig Adams, Steve Diggle, Pete Wylie, Dave sharp, Ian McNabb, Eddie McDonald and a whole bunch of other musicians I’ve forgotten and I’ve managed to attend without missing a single year.
I must admit the thought of such a marathon performance on a Saturday night filled me with dread can any fans watch for four hours? The answer is a resounding yes! It flew by and was one of the best Saturday night shows I’ve ever seen Peters perform especially when he was joined on stage by Craig Adams for the final hour (that still doesn’t sound right – the final hour). Roll on February 2019 when I can do it all again.
Staying on the live front, Other RPM scribes went to some far-flung countries to catch their Rock n Roll with Craggy taking in an excellent show from Fertile Hump live at Kabinet Muz, in Brno. but a large gathering of writers took in a show or two when the Damned went around the UK this time with the added excitement of Paul Gray back in the fold for the first time in decades which was rather nice. Seeing the Damned with a new album in tow and playing sold out shows all across the UK in decent sized venues was awesome and it has to be said so were the band. Gray seemed to give them a right shot in the arm just in time for this stint of dates was easily the highlight of February. But with the recent news of our Brother Scott Sorry battling a serious illness the Rock and Roll community rallied and a series of benefit shows were arranged to raise funds for Scott at such a difficult time what with the American Health system being what it is The likes of Role Models, Main Grains and The Empty Page rocked out at The Parish to rave reviews whilst Wakefield Warehouse saw the Professionals, the Wildhearts, Massive Wagons and Sonic Boom Six take care of business and send Positive vibes across the ocean as well as money raised at these spectacular shows.
Before Feb was done The UK also saw the return of Bullets And Octane and Ben attended a memorable show in York that proved that Gene Louis had lost none of the fire he had inside his beating heart when he first toured the UK.
As for recordings to hit the shelves, historically early in the year, things open slowly in the music business and January being about new resolutions before finally seeing new releases hit the shelves, so, Feb saw an avalanche of really big hitters for RPM writers. We had the release of Imperial State Electric’s Live album ‘Anywhere Loud’ as well as some garage awesomeness from the likes of the Cavemen and The Bellrays getting round to release records.
Several writers were also impressed by the latest Buffalo Tom long player ‘Quiet And Peace’ with Craggy picking it as one of his albums of the year. February belonged to a few foul-mouthed releases, the first came in the shape of Jonesey with their self titled long player with its down n dirty sleazy punk rock n roll and song titles and lyrics that would make a sailor blush no doubt about that. But one of the years highlights hit us like a sledgehammer between the eyes has to be Motherfuckin’ Motherfuckers with ‘MFFFMF’ (I think that’s the correct amount of F’s) inspired by Supershit 666 and the idea of some friends from the most splendid Bitch Queens and Oz and Lee from the mighty Hip Priests recording a mini album packed full of songs that were written in the shortest of times. I’ll let Lee Love tell you, good people, what happened, ” Ah the dumb Lee Love story. Well, me ‘n’ Oz went To Basel for a few days to hang out with our mates from Bitch Queens and we ended up getting pissed (as you do) and I was winding them up saying I could write and get em to record a mini album in a day. So we went into the Queens studio the next day and played through everything once maybe twice and hey presto it was done”. Creating that Copters supershit 666 vibe.
To be fair this pack of loons rose to the occasion and absolutely knocked it out of the park in fact they didn’t just knock it out of the park they followed out tied it to the back of their pick up truck dragged it around the wood then kicked any life left in it out then did it all again for shits and giggles. An absolute giant of punk rock n fuckin roll – make no mistake about that! Motherfuckin’ Motherfucker should and one day will rightfully be seen as a classic of its genre.
Also, The motherfuckin’ Dwarves were taking back the night in February as well and a jolly fine record that was. Maybe it should be renamed Fuckin’ foulmouthed February from now on. What a month. Outstanding stuff.
“a spiral scratch
gave me my life back
a vinyl solution
ended my confusion
I heard a voice in the noise pollution” – Mike Peters
Since the beginning of Rock and Roll, the 45 has been an integral part of a bands arsenal. Maybe in 2018, it’s not quite the marketing tool it once was back in the 50’s, 60’s and beyond and bands no longer sell hundreds of thousands of the beautiful seven-inch plastic circles. There are however many different ways of letting people know you have a few new tunes available or you might (like me) still be in love with the vinyl single. Here at RPM, we’re going to celebrate the little beggars and let you know what is available in our regular roundup and what’s been on rotation on our deathdecks.
What better place to start than with a good friend and his debut 7″.
Craggy Collyde – Sorry Now (Self Released)
With a two-track release being the format of choice Craggy gets down to business with a pair of fantastic slices of power pop that are infectious and memorable. ‘Sorry Now’ is also featured in the video link below and can be ordered off the Bandcamp site. The lead track is a measured catchy number that has a great power pop feel with some indie undertones sort of Buffalo Tom territory whilst the more sprightly B-side ‘Go Ahead And Break Me’ is a song with a foot in the cowpunk of the Supersuckers but more pop savvy and Craggy manages to rinse out a great guitar break as well. Very infectious and well worth checking out.
Lana Loveland – Strange Charms (Hound Gawd!)
Fuzztones – Garage Rock – psychedelic retro freak out we fuckin’ love it here at RPM.Lana Loveland has the credentials and chops worthy of joining our little club of seven-inch plastic lovers. Being Organist with The Fuzztones as well as being a member of the Music Machine and fronting her own band Loveland certainly keeps her busy and out of mischief ‘Strange Charms’ is the A-Side whilst ‘Web Of Sound’ back things up on the flip side.
Maybe leaving a seven-year gap is quite some time between releases but some things are worth waiting for. Fuzzed out guitars and 60’s pop being the main ingredients here what’s not to like? Over on the other side its hammer time (no not the rapper in the daft trousers but Hammer Horror) its a spooky garage rock mash up and with a modern twist its great to hear someone doing something new with something they have had for years. Anyways Hound Gawd Don’t do bad records we know that much so go investigate and get some fantastic new music in your head just click the link.
Muck & The Mires – Hashtag Loneliness (Rum Bar Records)
Muck and the Mires’ official video for ‘#Loneliness’ from the EP MUCKUS MAXIMUS, available on Rumbar Records: Its power poppin’ baby but has the honking Hammond as well as the classic Rickenbacker twang. You don’t need me to tell you about Rum Bar Records bands and how good they are and Muck are no exception. For latest Muck and the Mires tour dates, go to Website
Oh Boy, you just knew that this was going to rock and fucking roll right outta the speakers and sure enough within the first bar I know that I’m having this bad boy. Poison Boys are mainlining Johnny Thunders and The Heartbreakers and some Chuck Berry and a whole bunch of other golden oldies and along with their brothers from another mother in Crazy Squeeze and countless other great bands they are just nailing it on ‘Bustin Out’ and they shine up the brass knuckles on the altogether more bruising ‘Run And Hide’ that taps into Stiv and his Dead Boys for some down and dirty punk rock and I love it. don’t walk on by brothers and sisters this is the bomb! Now get on with an album before it ends in tears – Poison Boys are killing it – again! Facebook
Sunshine Frisbee Laserbeam – ‘Meatloaf To The Camera’ (By The Time It Gets Dark Records)
(pre-order here) The second single from the soon to be released album ‘Black Cowboy’ its all loud guitars and chiming melody like a collision between Teenage Fanclub and The Lemonheads SFL have amassed over a hundred songs and show no sign of stopping just yet so until November 9th this will more than do to pass the time. You can catch the band around the UK in November 02 Nov – The Lanes – Bristol
03 Nov – Sunflower Lounge – Birmingham
04 Nov – The Castle – Manchester
05 Nov – Wharf Chambers – Leeds
08 Nov – The Portland Arms – Cambridge
09 Nov – Rough Trade – Nottingham
11 Nov – Old Blue Last, London
Gino And the Goons ‘She Was Crushed’ (Slovenly Records)
A heady mix of The Ramones and some Lo-Fi X-Ray Spex this has some great loose saxophone playing whilst ‘Got Messed Up’ is a thrash around whilst pissed out of your head kinda tune. There’s no autotune and no overdubs. ‘Wrong Side Of The Cigarette’ is all hocked up on late 70’s lower east side smash and grab punk rock and we love it and so would a youthful Richard Hell. Finishing up with ‘Early Retirement’ just about kicks over the toms and bass drum and takes out the mic stand as well before running off down the street before the cops turn up. Rock and fucking roll alright! Awesome ‘n snotty – Buy It
Les Lullies – ‘7 am’ (Slovenly Records)Oh boy oh boy, it’s like Jerry Lee hooking up with Chuck Berry and snorting two tonnes of amphetamines before laying down this barnstormer. Flip it over and you’ve got the cocksure swagger of ‘Dog Food’ that’s like the Dolls rockin’ out with Angus with a healthy amount of Iggy attitude. Doing France proud and doing it fuckin’ loud! What a great 45. Here
The Cavemen -Burn Out For Love (Dirty Water Records/Mandinga Records) Oh fuck if having an album released in 2018 isn’t enough and some sporadic live action the purveyors of filthy low down and wild ‘n’ dirty garage punk are back in the house with a 7″ slab of frantic rock ‘n’ roll in the shape of ‘Burn Out For Love’ the b side is no hiding place for a shrinking violet because if anything the craziness is turned up a notch on ‘Dancing On The Razors Edge’ and what a beautiful racket it is too. Click the link to sample these exotic fruits and then pick up a copy its a banger!
Well, folks, there’s got to be something in there for everyone unless Black Metal is your thing? Worry not we’ll regularly round up singles here and if a black metal band has something to offer then we’ll cover it. Forty-Five RPM indeed.