Legendary Northern Irish punk rock act Stiff Little Fingers are delighted to announce a full UK tour in March 2020 – The 2020 Tour.

The tour will see the band play their29th consecutive Glasgow Barrowland Ballroom St. Patrick’s Day show as part of their traditional March tour. The band also headline London’s Roundhouse to end the 13-date run.

All the dates will feature support from The Professionals and TV Smith. The Roundhouse show only will also feature a very special guest slot from the Neville Staple Band. With an iconic career of over 40 years, Stiff Little Fingers remain as vital as ever.

The full tour dates are as follows:
Thursday 12thMarch 2020                               Bristol, O2 Academy
Friday 13thMarch 2020                                     Cardiff, Great Hall
Saturday 14thMarch 2020                               Birmingham, O2 Academy
Monday 16thMarch 2020                                Norwich, UEA
Tuesday 17thMarch 2020                                 Glasgow, Barrowland Ballroom
Thursday 19thMarch 2020                               Troon, Concert Hall
Friday 20thMarch 2020                                     Newcastle, O2 Academy
Saturday 21stMarch 2020                                Leeds, O2 Academy
Monday 23rdMarch 2020                                Northampton, Roadmenders
Tuesday 24thMarch 2020                                 Nottingham, Rock City
Thursday 26thMarch 2020                               Portsmouth, Pyramids   
Friday 27thMarch 2020                                     Manchester, Academy
Saturday 28thMarch 2020                               London, Roundhouse

Tickets are available from www.slf.rocks

In addition to the dates announcement Stiff Little Fingershave just put out two special ‘Virtual Reality’ videos filmed with a 360 degree camera attached to the drum kit, from this years “Putting the Fast In Belfast 3” show in August. This gives the user, via their mobile viewing device or computer, the option to view whatever part of the stage and or band member they so wish via movement of the viewing device or via a mouse or pointing tool. The two tracks are their iconic punk anthems “Alternative Ulster” and “Tin Soldiers” available via the links below and on the bands own YouTube Page.

 

Stiff Little Fingers have been incredibly active in recent years, playing some prestigious live shows, including: three years of headline sold-out hometown performance in Belfast’s Custom House Square; London’s Hyde Park British Summer Time concert with Green Day; the 28th traditional St. Patrick’s Day sold-out show at Glasgow iconic venue Barrowland Ballroom.

In addition to the live performances, the past five years saw Stiff Little Fingers release two records: their tenth studio album “No Going Back” in 2014, which showcases a band at the height of their powers, still able to capture the heart of the listeners with relevant topics and honest sound, reaching #1 in the UK charts; and a live album “Best Served Loud – Live At The Barrowlands” in 2017, which immortalises Stiff Little Fingers’ epic performance at their annual St. Patrick’s Day show.

Formed in 1977 in Belfast Stiff Little Fingers were among the pioneers of punk rock. Joining ranks with the likes of The Clash, Sex Pistols, The Damned, Buzzcocks, and Undertones they brought in a new era of music and they’re still keeping that spirit alive 42 years on!

www.slf.rocks  / www.facebook.com/StiffLittleFingers  / www.twitter.com/RigidDigits

Band picture credit to :  Bernie Mcallister

Born Mark Feld on 30 September 1947 at Hackney Hospital, the son of Phyllis Winifred (née Atkins) and Simeon Feld, a lorry driver.  Was inspired to get into Rock and Roll by the likes of Gene Vincent, Eddie Cochran and Chuck Berry.

Before becoming Marc Bolan he had the stage name Toby Tyler when he met and moved in with child actor Allan Warren.  He signed to Decca Records in August 1965. At this point his name changed to Marc Bolan via Marc Bowland. There are several accounts of why Bolan was chosen, including that it was derived from James Bolam, a contraction of Bob Dylan, and – according to Bolan himself, that Decca Records chose the name.

He recorded his debut single “The Wizard”,with session musicians playing all the instruments. “The Wizard”, Bolan’s first single, was released on 19 November 1965. It featured Jimmy Page and Big Jim Sullivan

 

Whilst Marc was alive he recorded and released twelve studio albums Made a film ‘Born To Boogie’ and a tv series. He was there at the birth of punk and was happy to take The Damned out on tour with him.  When people think of Glam rock and I mean real Glam rock, not the insipid tripe that came in the ’80s I mean real flamboyant Glam Rocks with great songs by the bucket load and Album after Album that shaped the ’70s and became a staple of TOTP and had kids fainting all around the UK at the sight of his flowing curls and glitter eye shadow.

In ’71 he released ‘Electric Warrior’ that spawned ‘Jeepster’ and ‘Get It On’. The band consisted of Mickey Finn, Steve Currie and Bill Legend. It was followed up a year later with the awesome ‘The Slider’ that spawned the hits ‘Metal Guru’ and ‘Telegram Sam’ then to complete the Hattrick the band released ‘Tanx’ but the biggest hit was ’20th Century Boy’ which didn’t make the album and was recorded in Japan whilst on tour. 

Bolan recorded a further six albums before driving his Mini 1275GT driven by Gloria Jones as the pair headed home from Mortons drinking club and restaurant in Berkeley Square. After crossing a small humpback bridge near Gipsy Lane on Queens Ride, Barnes, southwest London, the car struck a fence post and then a tree. Bolan was killed instantly, while Jones suffered a broken arm and broken jaw. There is a memorial where the crash happened where fans leave all sorts of notes, flowers and messages.  Bolan was survived by a son Rolan Bolan who recently recorded a video for 20th Century Boy Which we featured last week at RPM.

T rex as well as releasing some Twelve awesome albums also managed to knock out a paltry Twenty Nine singles From ‘Deborah’ in ’68 to a posthumous release of ’20th Century Boy’ that reached number 13.  71 to 73 was the purple patch with no less than four number-one singles inc ‘Hot Love’, Three number twos and several top-fives.  T Rex and Bolan really were at the top of their game with chart success second none. Still an influence on bands and songwriters today Bolan will always be a legend and he might well be gone but he’s most certainly not forgotten.

 

 

 

 

Bryn Merrick was a member of Cardiff-based punk band Victimize long before he joined the Damned. He joined The Damned where he survived as bass player from 1983 to ’89. He’d replaced Paul Gray, who had left for UFO. Merrick’s first release with the Damned was the single “Thanks for the Night” b/w “Nasty”. As bassist on the bands most commercial and commercially successful albums  ‘Phantasmagoria’ and ‘Anything’ Bryn had arrived in the big time. 

Bryn made his TV debut on the set of the Young Ones where the band performed the fantastic single ‘Nasty’ still with the Captain on board but, it would seem not for long before he fell overboard. Bryn played the two dates at Finsbury park under the circus tent for the bands Tenth Anniversary Tea Party celebrations and was then featured on the Old Gray Whistle Test recording in Denmark where the band had a pretty decent feature.  The band had never had it so good at that period and after the success of ‘Grimly Fiendish’ and subsequent singles around the album there were high budget videos recorded as well as plenty of sold out shows. The high point of this period had to be the bands cover of ‘Eloise’ which saw them hit the top three in the UK singles chart. The band managed to stay a stable entity for several years thanks in no small part to the inclusion of Jugg and Merrick although stable might be a poor choice of word seeing as the tomfoolery and high jinx would continue a plenty with Merrick complaining of being set alight by Scabies as well as trashing the set of Rock the Dock in Liverpool on a promo performance of Anything ahead of the album release.

They rode the success as they pushed on with the more commercially accessible ‘Anything’ album the band was playing to big crowds every night and with Bryn and Roman occupying the guitar department the band seemed to be doing well but something was indeed rotten in the heart of Denmark and the band imploded after a time of inactivity and sitting around waiting for something to happen which did but this time it was without Jugg and Merrick. who bowed out when the ‘Light At The End Of The Tunnel’ was released at the tail end of the ’80s.  It was fun whilst it lasted and Bryn enjoyed the trappings of success and the fast living of Proper tour busses and half decent hotels.

With the return of Captain several years later Bryn only became newsworth in Damned circles due to his health issues and one we hoped he would win.It was during the making of the movie ‘Don’t You Wish That We Were Dead’ it became apparent that both Bryn and Paul were being treated in the same place by the same Doctor.  Sadly the last time I saw Bryn was during a questions and answers session when the film had a screening in Cardiff Chapter Arts Centre where both Paul and Bryn were present with the film maker and seemingly in good spirits taking candidly about their time in the band.  Sadly Bryn never fully recovered from his diagnosis and on this day in 2015 he lost his battle with the disease.

His time in the Damned will be fondly remembered by many fans and I personally loved following the band around during that period at some pretty amazing shows.  Bryn was a character and filled some pretty hefty shoes in The Damned from Captain, Algy and Paul He last played with the band at a show at Cardiff Point where the Damned had 4 bass players on stage at the same time not something you see every day.  Captain, Paul, Stu and Bryn it was great to see but I think there were a couple up there who’d had a sherry or two but it was fun to be there for that.  Bryn sadly lost his battle on this day in 2015 but not before signing off Facebook with,”Goodbye, Signing out for a while”.  Gone But Not Forgotten Rest in peace Bryn Nos Da for now.

“Easy Like a Sunday Morning” (like Fuck it is)

Three down and one to go and Sunday is a pretty big deal around RPM HQ as our mates are playing on the Introducing stage later but everywhere we look its clash city.  At one point we wanted to see four bands all playing at the same time across the complex so it literally came down to the toss of a coin where we would go and who we would see. With the venue opening at midday we needed to be in the Empress to catch a band we’ve covered a lot lately and who’ve impressed everyone whos seen and heard them.  Hands Off Gretel take the stage to a really healthy crowd considering the day and time and proceed to entertain with a really tight performance as the band really locked in like their lives depended on it and the audience was right there with them. After catching the first 30 minutes of the set we then had to cross the divide via Almost Acoustic where Ratboy was performing his magic to a full room we managed to catch him driving swords through someone’s arm and a more gentle coin trick but we couldn’t stay as all roads lead towards the Introducing stage where Trigger Mcpoopshute took the stage looking rather splendid in their religious outfits.  I even heard some punter comment that Shovel had a decent set of pins in his sheer stockings! I did turn to see what depraved human had such thoughts on the lords day. To be fair Trigger knocked out a rather impressive set of Welsh hardcore fuelled by late-night kebabs and strong cider whilst entertaining and putting a smile on peoples faces with their tales of everyday folk and cheeky charm.

Having seen the band turn in some loose sets this was a different Trigger with a much tighter sound with Bam at the drum stool.  Songs like ‘Skidmarks and Spenser’, ‘Sheep’ and ‘Drinking With The Big Boys’ were going down a storm in front of a very impressive audience and it was only 1.15pm but the only question people were now pondering was ‘Fish Or Bird’? Fuckin’ loons.  Who writes songs about penguins? Bloody entertaining though.

Right that’s three rooms already and it’s not even 2 pm so it must be time to head to Casbah to see if Dan Banger has turned up this year and low and behold he’s bloody made it and finally, Pizzatramp are in the house and what a fuckin’ beautiful noise they make live.  Regardless of if its some tiny venue in the bowels of South Wales or the cavernous Club Casbah at Rebellion Pizzatramp are on fire right now as Sammy plucks that thunderous bass and locks in with Dan they are a formidable force and their Hardcore is a beautiful thing they open with ‘CCTV’ and its brutal ‘Claire Voyant’, ‘He’s Gone Full Mitchell’ and the quite brilliant ‘Millions Of Dead Goffs’ pretty much make up the opening salvo of their set and I’m happy and it seems like half of Blackpool have gotten the memo and decided to turn up to see Pizzatramp with ‘Grand Relapse’ getting a decent airing their (Brown puckered) Star(fish) is burning brightly. We cut the set short and dash over to the Opera House for Johny Skullknuckles Kopek Millionaires who have just gone on by the time we catch our breath.

‘sometimes (Love Just Isn’t Enough)’ sounds fantastic and the change of pace from hardcore Sunday to power pop punk rock was just what I needed. I love Johnys style of writing and a lot of his material reminds me of early Hanoi Rocks and ‘Tell Me Baby’ sounded great as did ‘1981’ from ‘Dirty Beef Hands’ but the ray of sunshine in what has been a difficult time recent for Johny was his touching tribute to Kathy which touched everyone in the Opera House and got a standing ovation and the track of the set ‘Punk Girl From Another World’ an exceptional set from The Millionaires.

After recently seeing Suede Razors in Bristol Johnny and Darrel urged me to pop into the empress and catch the set so if it’s good enough for those two, of course, I was going to be there. so grabbing my spot on the barrier more for something to lean on than anything else the band duly took the stage and Darrel Wojick fresh from checking out Trigger McPoopshute takes the stage and proceeds to ram down some sweet boot boy rock and roll mixing the best of Slade with Rose Tattoo with a bovver boy take on the Four Horsemen.  ‘My city’ kicked off proceedings and for the next half an hour and some they rammed it down the Empress ‘TV175’ going down a storm and the punters flooded in. ‘Passion On The Pitch’ was dedicated to Blackpool fans and their fight for their club and it was nice to hear some Americans and a Canadian knowing their shit and fuck the Oystens would have gone down well.  ‘Bovver Boy’ was a particular high point of the set.  a band who have the chops and know-how to rock and roll and will always be welcome over here if the USA still won’t let them ply their craft.

One of the must-see bands on the introducing stage had to be Rotten Foxes who turned up looking rather splendid in their double denim, cut off nut huggers and wrestling belts. They really put on a show for those gathered in the sweatbox. As for what they played fuck knows, it was absolute pandemonium and punk as fuck with Charlie Harper whistling on the sidelines whilst members of Zero Zero, Pizzatramp and Trigger knew where the only place to be at half three on a Sunday afternoon was and that was in this very room sweating like Ian Krankie in a wardrobe. The songs came thick and fast, fuck, make that very fast as bodies flew around, Hardcore as fuck. An absolute pleasure to witness such beautiful chaos done so well. True to their single ‘Arrive Raise Hell Leave’ Rotten Foxes absolutely killed it.  I wish it had gone on longer and it would have been awesome to see these boys tear somewhere like Casbah a new one with this racket. Don’t quit it’s only just begun. Rotten Fuckin’ Foxes!

We needed to grab some food so Svetlanas were forfeited as was our planned peek at Teenage Bottlerockets (next time for sure). Dirt box Disco are up next and with a quick pint, we head for Club Casbah. Having Weab quit the band to go his own way it left Spunk Volcano to take over lead vocals and this being the first opportunity for us to see the band we first caught way back when they had no more than a couple of shows under their belt this was going to be interesting but seeing so many people turn up and stay til the end must have put wind in their sails as they knocked out classic Dirtbox after classic dirt box with ‘My Life Is Shit’ seeing a frenzied pit chanting the chorus back to Mr. volcano must have felt good that they decided to carry on post Weab. Something of a Rebellion fixture it wouldn’t be the same without them.

Empress is beginning to heat up again as CJ Ramone takes the stage and for the next hour we’re treated to a whole bunch of classic Ramones tunes and some choice cuts from CJ’s solo records all that was missing was a track or two from Bad Chopper. ‘One High One Low’ from the new album slipped in comfortably alongside classics like ‘Bonzo Goes To Bitburg ‘, ‘Rock n Roll High School’ and ‘Rockaway Beach’. ‘This Town’ also off the new album sounded huge but was the aperitif for Blag The Ripper who entered the fray to creepy crawl around the Empress knocking out ‘KKK Took My Baby Away’. CJ then gave a wonderful tribute to his former bandmate Steve Soto who had been performing with him and who died only little over a year ago as last year Adolescents gave a tearful tribute to Soto ‘Rock On’ was apt. the next special guest happened to be Blags bandmate Nick Oliveri.

as if the Empress wasn’t hot enough ‘Warthog’, ‘Commando’, ’53rd’, ‘Sedated’, ‘Blitzkreig Bop’ and to wrap it all up why not go over the top with a sparkling version of ‘R.A.M.O.N.E.S’. Thank you and goodnight.  Fuck me that’s how to do a festival – No bullshit – no fucking around just bish bash bosh!  It reminded me of Buzzcocks who were mentioned several times over the weekend and amusing stories were regaled they were a band who got festivals and usually just blitzed it – well, CJ Ramone just did that – 29 songs in an hour, Smart!

We’re in the home straight now and it’s still pretty full-on We toyed with the idea of going into Empress for The PRofessionals but it was too hot so we went for a wander around the bizarre and dipped in to catch the start of The Skids who weren’t mucking about and once they’d put up the correct graphic giving away the fact that The Damned were indeed playing the Machine gun Etiquette set later gave the game away, oh well the rumours were true. Doh!. ‘Of One Skin’ followed by ‘Charade’ it looked like they were playing the same set they were dishing out around Europe which is fine I’ve not seen the band since they reformed and by the sounds of it they were bang on form. Knowing I had one last lap to complete the heat upstairs on the balcony was almost unbearable and it literally felt like the ‘Saints Were Coming’ if I’d have stayed up there so back to Club Casbah for a glance at Conflict and DOA then settled for a few tunes from King Kurt a band I’d not seen for over twenty years hoping to catch some ‘Destination Zulu LAnd’ but alas it wasn’t to be as I had to venture via the backstage bar for some refreshments before making my way down the front for one final hurrah.

The Damned doing ‘Machine Gun Etiquette’ although I’d seen them several times on the last MGE Anniversary tour this time it was with added Paul Gray who always did justice to the Algy bass lines.

As the band took to the stage and Captain offered up the introduction of “Ladies And Gentlemen, how do?” the place seemed to be absolutely rammed and didn’t need an invitation to go nuts as the album was unfurled in sequence well,  up until ‘These Hands’ that seemed to have been left off.  Again not quite its entirety but it would have been fun to hear it for us anoraks. Man The Damned are on fire at the moment and seem to be really enjoying their time on stage. Vanian being quite animated tonight taking the lead with amusing anecdotes whilst Sensible being, dare I suggest it, quite restrained.  Maybe the Wintergardens heat was taking effect whereas we all know Vanian has spent the day relaxing in his air-conditioned crypt so would be fresh as a daisy.  Once they wound up MGE also missing ‘Liar’ as well I might add. They then proceeded to indulge a few extras like ‘Street Of Dreams’ and a rather splendid ‘Ignite’.

I guess they had to play ‘Standing On The Edge Of Tomorrow’ before hitting the home straight with ‘Wait For The Blackout’ followed by the anthemic ‘New Rose’,’Neat Neat Neat’ and ending the set with ‘Jet Boy Jet Girl’ and the curtain was brought down on another exception headline set from the original punk rockers and still the best there is. Don’t let Hayward and Sutton tell you otherwise 😉 (DD)

With Dom over in the Empress watching The Damned for the bazillionth time it was left to yours truly to witness rock legends The Dwarves, big dicks swinging, give Blackpool’s punk rock community the bloodiest nose of the weekend. With HeWhoCannotBeNamed back in the fold, there is that added sense of danger and anarchy about the band as they launch straight into ‘Way Out’ and the Club Casbah mosh pit goes suitably apeshit. ‘Sluts Of The USA’, ‘Devils Level’ and ‘We Only Came To Get High’ follow like repeated punches to the face and just when I thought it couldn’t get any crazier a minor drunken skirmish breaks out in front of me during ‘Speed Demon’ and the sight of a topless female pit member sends Blag and the boys off into a world where there ‘Better Be Women’ and ‘Free Cocaine’. ‘We Must Have Blood’ sees He Who and Blag demolish the drum kit, and in a shower of beer, they are gone. Wow! Band of the weekend for me and many others. Don’t agree? Go fuck yourselves. HA! (JH)

Rebellion Sundays are real hardcore as the body is usually wondering why it is being subjected to continued alcohol, dehydration and stairs, stairs and stairs. So having an unbelievable line-up makes it all worthwhile and following playing another set I shot across to the acoustic stage to catch Catlow (of the Poly Esters) set the afternoon on a great footing. A Pizzatramp, Suede Razors 1-2 gets me right in the mood to swing by the Arena to catch Birmingham’s utterly brilliant The Liarbilitys.  Their Antagonisms record sounds fantastic live and Birmingham’s Bleeding is surely one of the best punk rock songs of recent times.  I made a point of popping into the Introducing Stage at numerous points throughout the weekend, sampling some really excellent bands (that Rotten Foxes set was something else!!) but one that really stuck with me was Tequila Mockingbyrd. The female quartet were devastating and really should be checked out, as their Hanoi Rocks meets L7 swagger is infectious.  This led me nicely into catching something very familiar but no less good in the shape of Welsh stalwarts Foreign Legion. Marcus Howells might have led the band in its many forms for decades but they show no signs relenting in any way and are on top form with a set of old standards are spot-on new songs.  With the finish line in sight, I head back to join the hordes watching the Professionals before watching The Dwarves deliver the ultimate coup de grace.  What a weekend?  When can we do it again? (DS)

 

 

Rebellion 2019 was an absolute pleasure from the superb company to the many bands I met shook hands with, had conversations with to the work colleagues also covering the festival to the incredibly hard-working and always smiling staff keeping the bars stocked to make sure everything was hunky-dory.  The bouncers who did their jobs well especially the guys n gals in the Empress who did amazing jobs and always with a smile to the catering staff and stallholders to the people like Darren Russell Smith and Jeannie Russel Smith, Stu Taylor and Daryl for putting this incredible Festival together keeping the prices real. Dod and the photographers who do such an excellent job in capturing it all, the stagehands and sound and light guys for doing such an amazing job under so trying circumstances and the good people of Blackpool for being so welcoming time after time and all the band we saw turn in such awesome sets and the bands we didn’t get round to seeing maybe next year. The PR people for running such a smooth operation you all make this festival lark look like a piece of piss.  The artists upstairs along with the people who were interviewed and interviewers and finally all the punters who love alternative music and keep the scene ticking over buying the music and the merch.  I have a list of bands who should play next year who would go down a treat if anyone wants to know.

Rebellion is always a pleasure and never ever a chore. Now can I go to bed and get some sleep please?  Same time and same place next year? Fan-Fuckin-Dabi-Dozy!

Authors: Dom Daley, Johnny Hayward & Darrel Sutton

Its August and this week sees us roll with our comprehensive Rebellion Festival round-up so why not run our twent choice cuts from our perspective.  We’d have listed the likes of Zero Zero and Rotten Foxes but they’re not on Spotify so we’ve gone with a solid old and new twenty plus.  Check em out there has to be something for every taste in there. Remember kids don’t just stream go out and watch these bands and buy their merch and music.  It keeps them making the music we love.

 

FOLLOWING THE DEMISE OF PLEDGEMUSIC, PROFESSOR AND THE MADMAN FULFILL ALL EXISTING PRE-ORDERS FOR THE GROUP’S LIVE AT THE 100 CLUB ALBUM

 

PROFESSOR AND THE MADMAN’S LINEUP FOR THIS ‘ONE NIGHT ONLY’ CONCERT FEATURED ALFIE AGNEW (Adolescents, D.I.), SEAN ELLIOTT (D.I., Mind Over Four), RAT SCABIES (The Damned), AND PAUL GRAY (The Damned, Eddie & the Hot Rods, UFO)

Live at the 100 Club is available now on red vinyl, CD, and download

Professor and the Madman announce that they have personally fulfilled all orders for their Live at the 100 Club album. Recorded in August 2018, Live at the 100 Club was initially offered for pre-order exclusively through the crowdfunding website PledgeMusic. However, after months of delays, the campaign was temporarily derailed when PledgeMusic operations shuttered in May.

“Pledge was such a great conduit between the artists and the fans and it should have been bulletproof,” says the band’s Sean Elliott. “I’m sad to see it gone.”

Picking up where PledgeMusic left off, Live at the 100 Club is now available exclusively on red vinyl LP and CD Here. It is also available digitally at all retail platforms.

The album features a dozen tracks which span PATM’s trio of studio albums alongside two new entries to the band’s discography. “Nuclear Boy” is a cover of the 1981 power pop entry by Hollywood-based 20/20, while “Quit This Town” was first released in 1977 by UK rock act Eddie and the Hot Rods. The live version of the latter track features a guest appearance by former Hot Rods songwriter/guitarist Graeme Douglas.

Live at the 100 Club was recorded at the famed London hotspot on August 10, 2018. In existence since 1942, the venue located at 100 Oxford Street began as a jazz and swing music nightclub but is now best known for its role in the evolution of Britain’s punk rock movement. In September 1976, the 100 Club hosted an international punk festival which included performances by the Sex Pistols, The Damned, The Clash, Buzzcocks, The Jam, The Stranglers, and Siouxsie and the Banshees, among others.

With its rich punk history, the 100 Club was the ideal venue for Professor and the Madman’s UK debut. The group’s lineup is comprised of members with deep roots in the scene: singer/guitarist Alfie Agnew (Adolescents, D.I.), singer/guitarist Sean Elliott (D.I., Mind Over Four), Rat Scabies (The Damned), and Paul Gray (The Damned, Eddie & the Hot Rods, UFO).

Billed as a ‘One Night Only’ event, the 100 Club show provided a rare chance to see this version of the band. Due to the distance between Agnew and Elliott in Southern California, and Scabies and Gray in the UK, logistics make it difficult for the quartet to convene for live performances. For the majority of PATM’s live dates in America, Agnew and Elliott are joined by fellow musicians from Orange County, CA.

Professor and the Madman released their third studio album, ‘Disintegrate Me’, in February 2018. Choosing the group as one of its “Bands to Watch in 2018,” Classic Rock Magazine declared “Disintegrate Me is an infectious cocktail of power-pop/rock, ‘60s British Invasion and melodic psychedelia. It’s rich, quality stuff.”

Agnew, Elliott, Scabies, and Gray are currently at work on a new album for release next year.

 

CONNECT WITH PROFESSOR AND THE MADMAN: 

Stiff Little Fingers are pleased to announce additional UK/EIRE tour dates this summer.

After the traditional and critically acclaimed run of UK dates in March, the band is back on the road in May and August to deliver their usual energetic and spellbinding performance to fans across the country. With a career spanning over more than 40th years, Stiff Little Fingers’ live shows always become something special and a unique event that never disappoints.

2019 Celebrates 40 years of the band’s iconic debut album ‘Inflammable Material’.
Released on 2nd February 1979, the album features the legendary tracks ‘Suspect Device’ and ‘Alternative Ulster’.

Stiff Little Fingers have been very incredibly active in recent years, playing some very prestigious live shows, including two years of headline sold-out hometown performance in Belfast’s Custom House Square; London’s Hyde Park British Summer Time concert with Green Day; the 28thtraditional St. Patrick’s Day sold-out show at Glasgow iconic venue Barrowland.

In addition to the live performances, the past 5 years saw Stiff Little Fingersrelease two records: their 10thstudio album “No Going Back” in 2014, which showcases a band at the height of their powers, still able to capture the heart of the listeners with relevant topics and honest sound, reaching #1 in the UK charts; and a live album “Best Served Loud – Live At The Barrowland” in 2017, which immortalizes Stiff Little Fingers’ epic performance at their annual St. Patrick’s Day show.

Formed in 1977 in Belfast Stiff Little Fingers were among some of the pioneers of punk rock. Joining ranks with the likes of The Clash, Sex Pistols, The Damned, Buzzcocks, and Undertones they brought in a new era of music and they still persevere in keeping that spirit alive 42 years on!

UK TOUR DATES 
Fri 16thAug – King George’s Hall, Blackburn
Sat 17thAug – Hardwick Live Festival – Hardwick Hall, Sedgefield, Co. Durham
Sun 18thAug – Tivoli, Buckley
Tue 20thAug – KK.’s Steel Mill, Wolverhampton
Wed 21stAug – Guildhall, Gloucester
Fri 23rdAug – Academy, Dublin
Sat 24thAug – Putting The Fast In Belfast – Custom House Square, Belfast

Tickets available from all usual outlets. 
USEFUL LINKS 
www.slf.rocks / www.facebook.com/StiffLittleFingers / www.twitter.com/RigidDigits

Well, we’re almost there folks its Sunday on our preview and by now there will be sore heads, aching limbs, sunburn, and ringing ears and aching jaws from having such a good time and laughter that’s usually how Sunday pans out but not necessarily in that order. By now you will have got the hang of how to best navigate your way through the Winter Garden and how best to avoid the heat and there will be some who are only now getting into the swing of things and only just warming up.  We’ve already opened a book as to what state our friends Trigger Mcpoopshute will be in before they hit the introducing stage.  I just hope Blackpool has enough Special Vat on tap because they will find it and the Karaoke bar.  Anyway, I digress.

On with the show.  first up will no doubt be a very early start for many as Hands Off Gretel hit the Empress Stage between 12:50pm – 1:30 pm. With their recent album and live shows, they’ve had plenty of praise around these parts and it’ll be great to catch them on such a big stage and big room compared to the tight confines of Clwb Ifor Bach. But wait, get your time warp daps on because there are more clashes than outside a Swansea v Cardiff derby.  1.55 also sees our mates the wonderful Kopek Millionaires return to the festival in the Opera House and hang on those Welsh herberts Trigger McPoopshute are also kicking up a shitstorm over on the introducing stage at 1.15 and if you shout loud enough I’m sure they’ll play ‘Sheep’ and my favourite ‘Skidmarks & Spencer’.

It’s just not fair because Pizzatramp will be causing offense and singing songs about Goths at 2 pm over at Club Casbah or whinging about having their fuckin’ backs being fucked and calling Bono names but I can guarantee they will be entertaining and totally crushing the room.  Next up for me will be those filthy garage punk noise bringers Rotten Foxes again on the introducing stage where double denim hot pants will no doubt be the order of the day and songs about Danny Dyer will be belted out for the gathered masses. Around the same time, The Svetlanas will also be delivering the noise over in The Ballroom and they went down very well last year. You could stay put and chill because up next is the pop punk of Teenage Bottlerockets in the Empress. Or no doubt like many will head over to Club Casbah for your annual fix of Dirtbox Disco at 5.10 pm. If you haven’t had enough Hands Off Gretel frontwoman Lauren Tate will be putting on an Acoustic performance in Almost Acoustic but I’d imagine you’d have to get there early as it will be busy.

It’s still very early evening and hopefully, you should be just warming up by about now and pacing yourself.  You’ll hopefully have just taken in a bunch of new bands on your radar and awaiting some more established bands who will be along later.  There are a dozen bands playing the Introducing Stage on Sunday many of whom I’ll admit to not having heard but will always dip in because its stages like this where the future headliners might come from and who knows, your new favourite band.  Isn’t that the beating heart of what Rebellion Festival is all about?  You can stay in one venue all day long and come across a whole gambit of bands some you’ll love some you’ll know the name of but have never heard them and others will blow you away and all indoors under the same roof alongside friendly staff who make it such a special place to watch alternative music night after night after night. Anyway, I digress.

The Witchdoktors play their garage punk rock n roll just before Foreign Legion kicks in with their Oi! infused street punk.  Weaving around the stages takes some skills that you should no doubt be a Jedi master at by this point so negotiating Conflict, DOA and then King Kurt will be a piece of piss right?  Yeah right.  and if you’re still in one piece The Motherchuffin’ Dwarves are taking the Casbah stage home tonight and will no doubt devastate what’s left of the audience.  I see they’re down for a 55-minute set so it looks like they’re playing twice then kids 😉

Anyway back in the Empress the final curtain call sees CJ Ramone knock out a whole bunch of classics from 7 pm and lets face it he’s never let us down and his new solo album is a bit tasty as well so in fairness throw your laminated stage finder timetable out the window buy yourself a Dark Fruit and just follow your ears and you’ll be taken to a stage that will put a big smile on your face.  The Professionals follow CJ then The Skids follow the Professionals but its top trumps time for me because the Damned close the festival that is as long as The Dwarves haven’t raised the Winter Gardens to the ground from the Casbah at the same chuffing time!  it’ll be a flip of the coin no doubt or we will have to split review duties and by witching hour it will all be over – done and dusted.  Back to our hotels and B&B’s with our pathetic bruised and beaten carcasses dissecting our weekend – our long lost weekend down the musical wormhole that is Rebellion festival.  If you’re still in with a chance of going but can’t decide to take it from us you won’t regret it – not for a second (well that might be a lie – your legs might be saying otherwise)  There is no other festival quite like it in the UK and we love being a part of it year after year.  I’m packed and ready to rock n roll now where did I leave my kiss me quick hat?

Roll Up Roll Up tickets available Here

If you were to cross members of Nekromantix, The Brains, Stellar Corpses, and Rezurex! You’d get a batty mix of Psychobilly punk rock and roll so it’s a bit of luck that just that has waled into the ether and dropped onto RPM HQ. With special guest slots form the likes of Jyrki 69 of The 69 Eyes and Danny B. Harvey! It’s fair to say I was sitting up waiting for the air to be filled with the sound of some pretty heady rock and roll. It’s fair to say I wasn’t disappointed.

As I scan the cover I notice a few surprises in the choice of covers ranging from The Damned and some pretty famouse pop tunes given a good seeing to. With fifteen original tracks and five psychobilly-infused covers including their renditions of Danzig (“Mother”), the king of surf Dick Dale (“Misirlou”), The Damned (“Love Song”), Gloria Jones (“Tainted Love”), Portugal. The Man (“Feel It Still”), and Panic! At The Disco “Say Amen” (Saturday Night). To be fair ‘Tainted Love’ has previously been given the Psychobilly treatment from Living End and this is a very similar version. also doing Danzig isn’t too much of a stretch either seeing as both vocals are very similar.  The one that really intrigued me was them taking on the mighty Damned and ‘Love Song’ and to be fair it’s such a monumental tune its never going to touch the original but as far as interpretations go this is decent.  Great crunchy guitar with the drums rolling through like a steam train and whilst they remain fairly faithful its a great attempt and Damned fan needn’t look away. As far as ‘Mother’ goes this is cool as I’m not a huge Danzig fan and I guess it would have been too easy to pick a Misfits tune so this is good and once it breaks open I love it.

 

As for the original tunes I love the groove they get into on ‘Graveyard Girl’ and the guest vocalist work of Jyrki is suitably Gothic and dark How cool would it be if he took a bit of this direction back to 69 Eyes? to be fair twenty tracks is a lot of music to work your way through and whilst the heart is always Rockabilly there is enough variety here and with the inclusion of the covers breaks up the record.  Saying that it could have been two albums six months apart but hey what do I know?

If you want a bunch of songs to pick through to try before you buy then look no further than ’50s inspired ‘She Wolf’ or the melodic ‘We Own The Night’ which is like one of the best songs the Misfits never got hold of. ‘Getaway Car’ is poptastic from the acoustic guitars it’s like a modern ‘Leader Of The Pack’ and could easily sell huge in the American alternative market and crossover. ‘The Man’ follows suit I love the dripping reverb on that guitar lick an interesting cover, to say the least.

Fans of the other bands these guys are in will be interested in checking this out as will rockabilly rebels and fans of quality Rock and Roll out looking for a whole lot of music for your money and excellent tunes they are too.  Pick it up!

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Author: Dom Daley

One of the albums of the year gets a re-press on Blood Red vinyl for those who missed out on the initial press.  RPM  reviewed it Here and we urge you not to sit on your hands a second time as this will sell out as the first run did.  Go Go Go!
Alvin says, “For all you vinyl junkies that missed out on obtaining my solo album ‘Your Disobedient Servant’ on 12 inch vinyl earlier this year due the initial 300 being sold out in short order, Time & Matter Records have manufactured a new batch of 300, this time on blood-red vinyl and minus the accompanying CD and download code. This release will, therefore, be sold at the lesser price of £17 (the first pressing was priced at £22) and can be ordered from this Here”

It features twelve songs written by yours truly and an array of very talented guest musicians that reads like this: Brian James – The Damned / Lords Of The New Church; Leigh Heggarty – Ruts DC; Mick Rossi – Slaughter & The Dogs; James Stevenson – Generation X / Chelsea / The Cult / The Alarm; Barry ‘Barrington’ Francis – The Saints; Timo Kaltio – Johnny Thunders band/Hanoi Rocks / Cheap ‘N’ Nasty; Mel Wesson – Keyboard player & Ambient music designer – TV Smith’s Explorers/The Verve ‘Bittersweet Symphony’ / U.K. Subs ‘Diminished Responsibility’ LP / Films Mission Impossible 2, Batman Begins, Hannibal etc; Steve Crittall – The Godfathers; Jamie Oliver – U.K. Subs.

“I would advise interested parties to get their orders in sharp to avoid what occurred last time, which was a lot of people missing out due to the speed that the original batch sold at. In fact it was due to so many people voicing their disappointment at not being able to get a vinyl copy in time that persuaded T & M Records to go with this colour-altered second run. For those of you that are not so disposed to a bit of vinyl, there is also a CD version of the album available from the same link. Ta! A x”