Lately I seem to hear the term Garage Rock attached to just about everything I’m listening too, as it was to this baby, without going into a rant about how many different styles and eras there are of Garage Rock (again). I’m just going to look at this as a release grounded in influences, but ultimately standing up on its own as of today, it’s going to just be classed as seriously cool music.

 

For the uninitiated (I would expect very few who read RPM to be uninitiated) the Sensible Gray cells consist of Captain Sensible and Paul Gray from you know where alongside Marty Love (Johnny Moped amongst others) on drums with a guest appearance from Monty Oxymoron.

 

As the LP kicks off I’m not so much drawn into a garage rock vibe but instead led back to thoughts of Phantasmagoria era Damned  ‘Sell her Spark” is a great opener, but I can’t help but wonder what it would have sounded like with Dave Vanian on vocals? And that’s a thought that I just can’t shift, and it comes back to me intermittently throughout.

 

The fact is this could be an absolutely cracking Damned LP, and to court controversy, I rate it a better Damned LP than Evil Spirits, but lets not go there! As I’m blasting through the first few tracks, “Black Spider Memo man” for some strange reason hits at “Eloise” but at the other end of the scale “So long” smashes through the speakers more in tune with classic Who material, were the Who ever a garage rock band? Where as ‘Just a little Prick” runs everywhere from Pink Floyd to the kinks via the Beatles its ridiculously catchy and holding on to some classic influencers.

 

“DJ with half a Brain”, hits that Fuzztones vibe raw American garage rock, but presented from a typically British standpoint. I wonder as I’m listening through for the umpteenth time how great this would have been as a Damned track with Vanian to the fore, lets hope it can somehow be assimilated into a Damned live show. “Jam tomorrow” is a great track, different to everything that has come before, with some seriously cool guitar work from the Captain and a great keyboard run, hinting at Dub and Pschedelia with maybe a hint of the Orb within the samples.

 

Taking stock this is a seriously good LP, grounded in that guitar based underground rock that we’ve grown up with not afraid of experimentation, not afraid to push some boundaries, but at times I just wish certain tracks could have been recorded by the Damned! You’ll be able to pick them out.

 

There’s an early Syd Barrett quintessentially English vibe to “What’s the point of Andrew” a very definitive anti Royalist sentiment that any sane individual would wholeheartedly agree with, yes it takes the Piss.

 

“Fine Weather friend” could have been written for Dave Vanian, that name just keeps coming up, but when you listen the theatrics are just there, the vocal presentation is tailor made, again with some serious guitar work and a terrific locked down bass run. Next up “I married a monster” is a real burner, grounded in the underground, and “You and me” follows suite before we’re into LP closer ”Another world” weaving it’s way forward as a real slab of Psychedelia, an almost Eastern feel to the guitar led intro.

 

Great LP, now how do we persuade the Captain to hand over some of the vocal duties to his day job vocalist and introduce them to a Damned live performance?

 

Buy ‘Get Back Into The World’ Here

Author: Nev Brooks

In October 2010 The Damned, The Boys and 999 were booked to play at Zakk in Dusseldorf, Germany. The Damned had to pull out due to an injury to Dave Vanian’s back. But the posters all showed them as playing. There are 3 left in the world of which Duncan Reid is kindly auctioning off to raise funds to help small music venues survive these hard times https://saveourvenues.co.uk/watch/#/

You can place a bid on one of the posters Here

 

Good luck!

2020 has been a year that we all would rather forget due to the pandemic live shows have been sorely missed so any new music we must grab with two hands so that brings me to the latest EP release by The Damned titled ‘The Rockfield Files’.

The Damned has recorded some of their classic material at Rockfield and the welsh studio was where the band decided to record their last album Evil Spirits.

‘Keep em’ alive’ is the first track on Rockfield files and it doesn’t disappoint with a chanting intro the track then bursts into life with guitars and drums crashing in and with Dave Vanian’s glorious vocals over the top the tune is a sure-fire winner.

‘Manipulator’ is next up and is a melodic punk ripper with sneering vocals from Dave and some great slashing chords on the guitar courtesy of the Captain.  This track also contains some powerhouse drumming from Pinch who sadly said goodbye to the band and with the Palladium and now this EP as his swansong he is leaving on an extreme high.

The spider & the fly’ is an interesting track as the beginning sounds like something off ‘Phantasmagoria’ but quickly morphs into the psychedelia of “The Black Album” and shows what a diverse band The Damned are.

The last track ‘Black is the Night’ is a song most Damned fans will know as it was the bonus track on the anthology of the same name released last year albeit this is an extended version and a welcome edition here for any fan who has not picked it up.

Overall this EP is top quality with some more great songs from such a great band.

Do yourself a favour and go and buy it and cheer yourself up cause after the last couple of months we all need some happiness in our lives and what better way to do that than with music.

Buy ‘The Rockfield Files’ Here

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Author: Gareth ‘Hotshot’ Hooper

I think we’re up to reissue number sixty nine or something like that but I couldn’t care a less. When it’s the Diamond Dogs it’s all about the song and the Double D’s have ’em in spades.

Record label Wild Kingdom is re-releasing Diamond Dogs’ first 5 classic Long-Players (1993 – 2003). and including the singles and EPs from the same period.

Diamond Dogs were formed in 1991 in Katrineholm, Södermanland. From the very beginning hugely influenced by British Early 1970s R&B rock like Rod Stewart and The Faces, Frankie Miller, Dr. Feelgood, etc. and they are most unapologetic about that and so they shouldn’t be too.  When a band rocks up with an opener like ‘Charity Song’ and along with that huge swing, they have more horns than you can shake a big stick at, and before you know it whatever shitty day you were having will be transformed.

By the time the band made it to ‘Too Much Is Always Better Than Not Enough’  they’d changed personnel a bazillion times except for the lifers and integral members the Diamond Dogs built a formidable reputation for their live shows, with the charismatic singer Sulo, as well as The Duke of Honk and his organ (ooh er Mrs) The sound and style of gritty rock’n’roll was cast in stone. Sören ‘Sulo’ Karlsson also being the main songwriter, and Henrik ‘The Duke of Honk’ Widen serving as the group’s principal producer. as long as the quality of songs was being written the sound was going to be died in the fabric of the bands DNA. Former Oddball Stevie Klasson has the deft touch of a Keith Richards or a Ronnie Wood and could crash out a chord when he needed to like his old boss Mr. Thunders. Such is his quality and the fact the guy oozes it every time he picks up a guitar he was exactly what the Diamond Dogs stood for and then some and he really came into his own on this record.

This their third proper album ‘Too Much Is Always Better.. ..Than Not Enough’ showed they weren’t done yet, the album was released in 2002 (almost twenty years!),it opened some cool doors enabling the band to tour with the likes of The Cult, Nazareth, Ian Hunter, Hanoi Rocks, The Damned, The Quireboys, Dan Baird/Georgia Satellites, Sensational Alex Harvey Band to name a few.

‘Bound To Ravage’ was released as a single and its slide guitar-driven upbeat rocker was classic boogie-woogie. but the band weren’t just about the good times as they mixed it up with the slower more reflective rockers ‘Sad To Say I’m Sorry’ and the epic balladeering of ‘Somebody Else’s Lord’ with the swirling organ is a match for the Rod the Mod classic ‘I Would Rather Go Blind’ or the Stones ‘Get Your Ya Yas Out’ version of ‘Love In Vain’ and I kid you not when I say that. Then to follow it up with the wonderful ‘This Ones For My Lady’ shows that The Diamond Dogs had many strings to their bow and were experts when dealing with the precious tunes that were bestowed upon them. They step back into the beginnings of Rock and Roll with the 50s inspired swing of ‘Desperate Poetry’. Strangely this album is preserved with the same twelve tunes that made up the original release but somehow after all this time the wonderful tones of Stevie Klasson have somehow elevated it for me and his playing gives it the edge on the previous releases.  It might not have the bands best songs on it but as a complete album it’s exceptional.

Now had the Black Crowes continued on the trajectory of the first two and a bit albums I would hold them in the same esteem but alas they went all beardy Casey jones on us and fucked it up.  It always puzzled me how the Robinson brothers could fill large arenas and got people wetting their panties at the prospect of their reunion to play the money maker album but the real tunesmiths are here hiding in plain sight.  Ripping the shit out of rock and Roll and cooming up with top-notch album after top-notch album yet playing in local pubs.  Sometimes life does indeed give you lemons but if my words help one soul turn the way of The Diamond Dogs then I’d be happy and if you remember the band who dished this treat of an album up almost twenty years ago and want the chance to hear it on vinyl – well this is your chance because Too Much Diamond Dogs is never enough just buy it!

Buy it Here

Author: Dom Daley


Rock veterans Alfie Agnew (Adolescents, D.I.), Sean Elliott (D.I., Mind Over Four), Paul Gray (The Damned, Eddie & the Hot Rods) & Rat Scabies (Sinclairs, The Damned) share the first video from forthcoming album Séance

 

Séance is released by Fullertone Records on November 13, 2020 – Yellow vinyl, CD and digital pre-orders are available now at the group’s new Bandcamp store and at Website

Sung by Agnew, who takes center stage in the video, “Time Machine” is a psychedelicized stroll through cultural and political events of the last century. Additionally, the clip features footage of Elliott, Gray and Scabies during PATM’s live debut at London’s 100 Club in 2018, cartoon versions of the band members designed by NYC artist Cliff Mott, a Madness-influenced “nutty boy” dancer, and a not-so-menacing plastic dinosaur. Agnew’s white lab coat isn’t merely a costuming prop; for his day job, Agnew is a mathematics professor at Cal-State Fullerton.

“’Time Machine’ says a lot about how Sean and I feel about the state of affairs in the world—all the tumult—and it’s even more relevant now than when we were writing it a year ago,” says Agnew. “The song’s title works on a couple of levels. It ties in with the concept of revisiting our youth which is at the heart of the new album, and it also references the music of the 1960s-1980s which greatly influenced our new set of songs. Although I initially thought the main muse for ‘Time Machine’ was Wings-era Paul McCartney, I quickly realized Brian Wilson was also in our heads. I guess you could say we were channeling Paul McWilson.”

Website | Artist Page | Facebook | Instagram | Twitter | Spotify | ReverbNation

‘GET BACK INTO THE WORLD’ – BRAND NEW STUDIO ALBUM FEATURING CAPTAIN SENSIBLE AND PAUL GRAY FROM THE DAMNED, WITH JOHNNY MOPED DRUMMER MARTY LOVE

 

RELEASED NOVEMBER 27TH VIA DAMAGED GOODS RECORDS

 

Album pre-order is Here

Back in 2013, when the world was still pretty weird, but markedly less bizarre than it is now, Captain Sensible and then former Damned bassist Paul Gray reunited for an album called ‘A Postcard From Britain’ under the name The Sensible Gray Cells. This was long before Paul Gray re-joined The Damned for their ‘Evil Spirits’ album in 2018 and allowed the pair to reacquaint their musical partnership and explore their love of the quintessentially British late 60s psych-pop period that has always been their passion.

 

And now, with live music derailed for the foreseeable future and 2020 already proving to be an unforgettable year for all of the wrong reason, Sensible and Gray were inspired to reignite their Sensible Gray Cells persona, together with Johnny Moped drummer Marty Love, for ‘Get Back Into The World’, released via Damaged Goods Records this coming November 27th.

 

“PG and myself being garage psych aficionados feel there should be more of this kind of music and this is our contribution to the cause,” explains the Captain. “If I said that some of these songs were ‘Damned rejects’ that shouldn’t be seen as an indication of inferior song writing, more that they’re not wearing the right shirt.”

 

“I’ve never been a prolific writer being a lazy so and so, I think it’s best to wait for inspiration to call, which explains the 7 year gap ( how many albums could the Beatles have crammed in that period!) but in the meantime Paul re-joined the Damned and we’ve gigged about a bit, which is always fun – CAN WE HAVE LIVE MUSIC BACK AGAIN PLEASE!”

 

‘A Postcard From Britain’ was a snapshot of modern life and similarly, ‘Get Back Into The World’ provides a comparable document.

 

“It’s sad that high streets around the world have been destroyed by online shopping but nobody’s forcing people to do it – what can you do,” he states. “These are very strange times we’re living though – I just count myself lucky to have been around to witness the 2nd half of the 20th century; a fab time for music, culture, ideas and that without even mentioning Benny Hill and On The Buses. The new album coincides with all this virus malarkey, which, unpleasant as it is will undoubtedly be used by the powers that be to tighten the screws on us little people on behalf of their billionaire paymasters. Blah blah, etc. There’s a bit of that hidden away in the album.”

 

Back in June, listeners got their first taste of the new Sensible Gray Cells in the form of the ‘So Long’/’What’s The Point In Andrew?’ seven-inch, now long since sold out. Show-casing what to expect from the album, the strutting rock n’ roll of ‘So Long’ was a stark contrast to the whimsical royal-baiting of ‘What’s The Point Of Andrew?’ (“Known forever as the royal spare”) and shows the variety of moods and styles on offer here.

 

Now comes ‘I Married A Monster’, a stomping 60s garage punk nugget that pays tribute to their love of old horror films.

 

“We love all those old Ealing comedies, ‘Carry On’ films and 1950’s hammy-horror movies like The Blob and I Married A Monster From Outer Space,” explains Paul. “This is our musical tongue-in-cheek spoof homage to them….after all, you never can quite be sure…can you??”

 

 

Get Back Into The World is available for pre-order in the following formats HERE:

The title track will also be released on a 7” single along with an exclusive B-side two weeks prior to the album release.

ALBUM OPTION ONE

An exclusive black and yellow splatter vinyl LP (12 tracks) + a black vinyl 12” single containing two extra tracks + a set of three signed postcards. Limited to 500 copies.

ALBUM OPTION TWO

Standard release grey vinyl LP (12 tracks)

ALBUM OPTION THREE

CD (14 tracks)

ALBUM OPTION FOUR

Cassette (14 tracks). Limited to 100 copies

‘Get Back Into The World’ 7” single featuring exclusive B-side ‘World of Confusion’

Blue vinyl – mail order only – Limited to 400 copies

Grey vinyl – mail order only – Limited to 400 copies

Clear vinyl – shops only – Limited to 400 copies

Find Sensible Gray Cells online at:

FACEBOOK / INSTAGRAM / TWITTER

As my learned colleague, Craggy waxed lyrically when he reviewed ‘Honked’ the first of these Anniversary albums from Diamond Dogs, I went on a journey down the Rock and ROll highway and played every Diamond Dogs album released and the overriding thought I had was –  Damn this band was smoking hot when they got in that groove.

They were honking on the whole Faces early ’70s Stones vibe and they were killing it every time and the most important thing was they had the tunes to go with the swagger and if those five albums were my gift to the world I’d be so proud of my band and the songs we’d created. Its quite some collection and as the band aged like a good wine they changed taste but remained true to their roots and sound.

On reflection, it seems like yesterday the band were rolling into my small village and pitching up their amps in a restaurant at the rear of my local boozer on a Sunday night after having a show in the City cancelled they then proceeded to Rock the socks off the locals with a wonderful and impressive set. These sets are pressed on vinyl as well as CD and contain a plethora of bonus tracks (singles B Sides) to wrap up the tunes from that period in a perfect set.

As Your Greens Turn Brown: After the keys introduce the listener with a bit of ‘Bloodshot’ before kicking up a shitstorm in the shape of the fantastic no holds barred ‘Goodbye, Miss Jill’ even now it makes me smile a five-mile smile when the band kicks in and the harmonica starts honkin’.

The record ebbs and flows superbly with the highs being particularly high and when the band gets going man they sounded authentic and passionate.  The lulls when they’d kickback. Their blend of Hammond and Rock and Roll overdrive mixed with a few horns stabs here and there is timeless. Let the good times roll on the ballsy ‘Hardhitter’ and then they can drop a few gears as they venture off into Small Faces territory via ‘Singing With The Alleycats’ it’s easy to see how these guys got gigs with Punk rockers like the Damned or Rockers like The Cult and Nazareth when you hear the raw ‘Bite Off’ with its too fast to live riff and with that variety in mind you pick up the flavour of just how talented a songwriter Sulo is and he lives these songs and wears them on his sleeve you can’t bluff Rock and Roll this good which is why he attracted the likes of Darrel Bath and Steve Klasson into the fold.

 

The band were comfortable letting go and cutting loose as they were doing the jig is up country-tinged ‘Anywhere Tonight’ as they were doing the whole Thin Lizzy duel guitar kick-off that had songs like ‘Boogie For Tanja’ being so effortlessly good. Then when they needed to turn down the lights they could glide into ‘Yesterdays Nymph’ in one fell swoop. When Sulo took the mood down he has a wonderful tone on his voice and as far as taking on the Brits doing the whole R&B thing there’s no contest Diamond Dogs were more consistent than a lot of their contemporaries churning out albums of exceptionally high quality and this bad boy is right up there with the best of them and when your B Sides are as good as your A-Sides you know you’re onto something.

Fifteen songs of exceptional quality its like they once said Too much is never enough! Bring on the next one and I’ll get me filled up on more trips down memory lane and promise myself to play these records more often they deserve it and so do you – Buy it!

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Buy Diamond Dogs Here

Author: Dom Daley

This fully restored and expanded set from Woolwich Coronet This 2020 version has been newly remastered and includes several tracks that were left off the original release! Includes all-new artwork with full liner notes and a personal message from drummer Rat Scabies !

Available on both digipak CD and a 2LP vinyl set in your choice of either RED or BLUE vinyl! I had this when it first came out many moons ago and loved it.  It captured the band at the time perfectly.  whilst they might have been at a commercial career-high the studio albums were a bit beige around the time of MCA but live they still had it and that tour was a blaze of fun.

Expanded to nineteen tracks this is well worth tracking down and getting hold of from the opening keyboards of ‘Curtain Call’ they were on fire. The quality of the recording is good as well not overdubbed nor flat this is a picture of a band living it large and doing it well. As you would expect there is a decent smattering of tracks from ‘Phantasmagoria’ and ‘Shadow Of Love’ particularly sound great. As does the much-maligned ‘Grimly Fiendish’ that I quite enjoy hearing live these days and back in the day or the mid-’80s to be precise it was quite a departure. It seems odd to hear tracks like ‘There’ll Come A Day’ played so fast and full of energy. that tour with The Fuzztones was exceptional and I have such fond memories of Cardiff New Ocean Club.

‘Gun Fury’ makes me smile as does the version of ‘Lust For Life’ 1985 seems like yesterday but its also so long ago.  when the Damned could have been and should have been we are left nuggets of pure Gold like this recording to remind us that it doesn’t matter what happened commercially because they were always the best and still are capable of amazing shows and the odd record that ignites a fire inside my heart and it seems odd to hear them end the set with a one two of ‘Disco Man’ Val Doonigan style followed by a rip-roaring slash of ‘Born To Kill’  If only all bands were this good.  Don’t think twice just buy it and revel in it. Fiendishly good!

Bandcamp

Author: Dom Daley

THE 2020 VIVE LE ROCK AWARDS GOES LARGE ON THE MAGAZINE’S TENTH ANNIVERSARY!

 

THE LEGENDARY ROCK ‘N’ ROLL EVENT CONFIRMED TO TAKE PLACE AT THE 02 SHEPHERDS BUSH EMPIRE APRIL 1ST

 

ICONIC 80S ROCKERS LORDS OF THE NEW CHURCH TO PLAY ONE-OFF REUNION WITH FINNISH HANOI ROCKS LEGEND MICHAL MONROE FRONTING AND MUCH MORE!

 

Staking its reputation as an essential rock ‘n’ roll date in the annual calendar, with two now fabled awards nights at the 02 Islington Academy in 2018 and 2019 which saw a vast array of iconic artists performing and rubbing shoulders, the 2020 Vive Le Rock Awards is confirmed to take place this coming April 1st.

 

This time, however, the event has gone bigger and bolder, moving to the 2000 capacity 02 Shepherds Bush Empire for the party of the year that also celebrates Vive Le Rock’s tenth anniversary in print, having published its first issue in 2010, it is now the world’s biggest rock ‘n’ roll and punk magazine, independently published by Big Cheese Publishing Ltd in London.

 

The two previous years have featured live appearances from The Damned, The Stranglers, Shakin’ Stevens, Suzi Quatro, members of AC/DC, Sex Pistols, The Specials, Buzzcocks and even England football legend Stuart Pearce, and 2020 continues to up the ante.

 

This year sees Original Rudeboy – The Specials Neville Staple joining the party along with a very special one-off reformation of 80’s goth rockers The Lords of The New Church, fronted by Finnish Hanoi Rocks legend Michael Monroe on vocals. The Vive Le Rockers all-star band will once again back specially invited singers and compere for the night will see the return of Ed Tudor-Pole of Tenpole Tudor fame (and also 80s T.V show, The Crystal Maze!).  Chrissie Hynde and the Pretenders are set to pick up an Icon Award and punk legend, The Damned’s Brian James will accept the Pioneer award. Two extra special guest performers are due to be announced soon along with a wealth of awards.

 

There will be a special section for rockers we have lost in 2019 including Gang Of Four’s Andy Gill, Eddie and The Hot Rods Barrie Masters (who played the 2019 VLR awards) and surf guitar legend Dick Dale.

 

The audience will comprise of invited members of the media, television, fashion and the music world as well as an allocation of tickets for the general public. The VLR Awards are a truly unique, international event celebrating the legends of our music scene. “This isn’t some chicken in a basket awards show, this is a party with the coolest people in rock n’ roll” said Vive Le Rock editor Eugene Butcher.

 

Tickets available HERE:

 

You can watch the action from the last two VLR Awards Here

 

2020 VIVE LE ROCK AWARDS!

2020 VIVE LE ROCK AWARDS! It's gonna be a wild night. Lords of the New Church- FEATURING Michael Monroe, Ed Tudor Pole, The Specials (Official) Legend From The Specials – Neville Staple, BRIAN JAMES- The Damned , 2 extra special acts and our Headline band! Plus All star guests and Presenters! Here's a sneak peak at the last 2 years.Tickets and VIP Packages at https://www.ticketmaster.co.uk/the-2020-vive-le-rock-awards-tickets/artist/5330131

Posted by Vive Le Rock on Monday, 27 January 2020

Some of the writers managed to send in their list of the top ten live shows they went to in 2019.  they attended hundreds of shows all over the place via trains, planes and automobiles.  On another day I’m sure these lists would change many times over.  RPM Online supports Rock and Roll and loves a live show and as you browse through the lists there are many genres covered as well as some familiar suspects there are many new entries this year.  We’d love to take this opportunity to thank all the bands who toured and played shows all over the UK and continue to do so, All the festivals that supported independent music from Rebellion Festivals and Camden Rocks to Steelhouse Festival in South Wales and all the festivals around Europe and wider thank you.  Continue to look after independent Rock and Roll and help it thrive and reach a wider audience if you want to get involved get in touch we always welcome fresh eyes and ears to spread the word: rpmonlinetcb@yahoo.com

 

 

Leigh Fuge 


John Mayer –  02 Arena London

Ryan Roxie –  The Asylum, Birmingham

Michael Monroe –  The Fleece, Bristol

The Cult –  University Great Hall, Cardiff

Kenny Wayne Shepherd –  City Hall, Salisbury

Kiss –  The Arena, Birmingham

Alice Cooper –  Motorpoint Arena, Cardiff

Paul Gilbert –  The Fleece, Bristol

The Wildhearts  – The Tramshed, Cardiff

FM & The Quireboys  – The Globe, Cardiff

Nev Brooks 
Pulled Apart By Horses – Newport Le Pub (Reviewed Here)

Primal Scream –  Great Hall Cardiff

Alice Cooper, MC50, The Stranglers – Motorpoint Arena Cardiff

Nick Cave – Millenium Centre Cardiff

Mighty Mighty Bosstones, Bar Stool Preachers – O2 Bristol

The Hip Priests, DC Spectres, Deathtraps – Le Pub Newport

The Wildhearts, Towers Of London – SWX Bristol

Wonk Unit – Drogonfly Pontypool

Frank Carter & The Rattlesnakes – Sin City Swansea

Holy Holy – Tramshed Cardiff

 

 Gareth Hooper
Duncan Reid, Cyanide Pills, Bruno – Louisiana Bristol

Ginger & The Sinners – St John’s church Cardiff

Clowns, BBSC – The Exchange Bristol

Amyl And The Sniffers – Louisiana Bristol

Rich Ragany & The Digressions, The Speedways, More Kicks, The Spangles – The Blackheart London

The Wildhearts, Janus Stark – Komedia Bath

The Hip Priests – Le Pub Newport

Bar Stool Preachers, Rich Ragany & The Digressions – Clwb Ifor Bach Cardiff

Jim Jones & The Righteous Mind – Jacs Aberdare

The Stray Cats, Selector, The Living End – Hammersmith Eventime London

Johnny Hayward
Bar Stool Preachers, Rich Ragany & The Digressions, Social Experiment –  Clwb Ifor Bach, Cardiff (Reviewed Here)

The Hip Priests, Rotten Foxes, Flash House, Glitter Piss –  The Pipeline, Brighton

Rebellion Festival 2019 – Winter Gardens, Blackpool

Jim Jones & The Righteous Minds, Heavy Flames, Deathtraps –  Jacs, Aberdare

Death By Unga Bunga, Seek Warmth –  Hy Brasil, Bristol

Dboy, The Vega Bodegas, Nigel –  Clwb Ifor Bach, Cardiff

The Stray Cats, The Selector, The Living End –  Hammersmith Apollo, London

Grave Pleasures – The Fleece, Bristol

Pulled Apart By Horses, Baba Naga, Dactyl Terra –  Le Pub, Newport

Clowns, Broken Bones Gentleman’s Club, Glug – The Exchange, Bristol

Fraser Munro
Adam Ant – St Davids Hall Cardiff

Kiss – Kiss Kruise, Miami

Michael Monroe, Electric Eel Shock – The Fleece, Briatol

The Hip Priests – The Drippers, Deathtraps – JT Soar, Nottingham

Alice Cooper, MC50, Motorpoint Arena, Cardiff

Turbonecro, The Hip Priests – The Chameleon, Nottingham

Dboy – Clwb Ifor Bach, Cardiff

The Damned – KK’s Steel Mill. Wolverhampton

Skidrow, Backyard Babies – The Forum, London

the Wildhearts, Towers Of London – Tramshed, Cardiff

Ben Hughes
Michael Monroe – Brudenell Social Club, Leeds (Reviewed Here)

Duff McKagan/Shooter Jennings – Academy 3, Manchester

The Wildhearts – Stylus, Leeds

Frank Carter & The Rattlesnakes – Brudenell Social Club, Leeds

Low Cut Connie – The Fulford Arms, York

Amyl & The Sniffers – Brudenell Social Club, Leeds

Ryan Hamilton Songs & Stories Show – Bloomfield Square, Otley

Tyla’s Dogs D’amour – The Fulford Arms, York

Levellers – The Minack Theatre, Cornwall

Hands Off Gretel – The Fulford Arms, York

Nigel Taylor 

The Stray Cats – O2, Birmingham

Saint Agnes – Plymouth Junction, Plymouth

The Wildhearts – Cavern, Exeter

Motörgoblin (Orange Goblin plays Motörhead) – St Moritz Club, London

Ginger Wildheart – St Johns Church, Cardiff

Queensryche – Islington Assembly Hall, London

Mother Vulture – End of the World Festival, Plymouth

Uriah Heep – Steelhouse Festival, Wales

Cradle of Filth – London Palladium, London

Ghost – Motorpoint Arena, Cardiff

Blaze Bayley – The Junction, Plymouth

Dom Daley
Rebellion Festival – Winter Gardens, Blackpool (Reviewed Here)

The Damned – London Palladium, London

Michael Monroe, Electric Eel Shock – The Fleece, Bristol

Duncan Reid &The Big Heads, Cyanide Pills, Bruno – Louisiana, Bristol

Amyl & The Sniffers – Lousiana, Bristol

Ginger & The Sinners – St Johns Church, Cardiff

Clowns – The Exchange, Bristol

Rich Ragany & The Digressions, The Speedways, More Kicks, The Spangles – Black Heart Camden, London

New Model Army – Tramshed, Cardiff

The Wonder Stuff – O2, Bristol