Scott Randolph Asheton (August 16, 1949 – March 15, 2014) born in Washington, D.C. but famous for when he and his brother Ron moved to Ann Arbor, Michigan where He co-formed the Stooges in 1967 along with his older brother, Iggy Pop, and Dave Alexander. The rest, as they say, is history.

During the Stooges’ separation, Scott was one of the few ex-members to play again with Pop, with the mini-reunion occurring during a 1978 European tour. Asheton also played drums with Scott Morgan in different bands, among which were the Scott Morgan Band, Scots Pirates, and most notably Sonic’s Rendezvous Band. He then went on to play drums touring in a late incarnation of Destroy All Monsters, under the name Dark Carnival. He also recorded extensively with Sonny Vincent, playing drums on four full studio albums along with Captain Sensible on bass, as well as making special guest appearances on other Vincent releases. In addition to recording with Sonny, Asheton toured the U.S. and Europe with Sonny and Steve Baise (on bass) of the Devil Dogs.

The Stooges reformed in 2003, and remained active until 2016, releasing a fourth album in 2007. Following the death of Ron Asheton, the group worked with guitarist James Williamson. Other than Iggy Pop, Asheton was the only consistent member of the Stooges after the death of his brother, guitarist Ron, in 2009.

After they played Hellfest Festival on June 17, 2011, he went into temporary retirement from live duty. He was replaced by Larry Mullins (a.k.a. Toby Dammit), who had played in Iggy Pop’s band in the 1990s. He died of a heart attack in March 2014 at the age of 64.

 

I love that during an interview about the Ashton Brothers Iggy said of Scott hes the least talkative person I know any words he needs to say he does it with his drums.  He played on some of the most influential records of all time for many of us here at RPM no question about it and it was pleasing that before he passed away he was able to reap some of the benefits of his work finally after the Stooges split the first time he was reduced to teaching drums to anyone who wants teaching and scratching around for a wage which is a travesty considering his contribution to an industry that couldn’t particularly give two shits for a period.  A rock and roll hall of Famer and drum legend.

Scott leaves behind a pretty impressive catalogue of records he played on from The Stooges and Sonny Vincent to Sonic’s Rendezvous band The guy deserves legend status and that’s what we afford him, Rest In Peace Rock Action you had rhythm coursing through your veins and a style and swagger that was the power behind such a monumental band as the Stooges. Gone but never forgotten.

One of shit Islands finest “Best-kept secrets” Black Bombers have only gone and recorded another barnstorming slab of garage rock n roll that played at volume will I guarantee – knock you off your feet. the only downside is this is only six tracks but then for the sake of our sanity it makes sense as anything more would be a waste besides, why release ten when you can say it all in six? ‘Volume 4’ begins with the call to arms riff-o-la and anvil pound before Alan Byron joins in with his vocals as his drawl is hitting the nail squarely on the head as the off kilt melody draws you in and then slips a Black Bomber under your tongue then you can relax as the trip takes you through a garage wormhole that’s dripping with attitude and bang on the money tunes. Over the next three minutes and fifty-two seconds this power trio give you a fantastic one-note guitar solo a bass and drums breakdown that is as good as anyone and all roads lead to the smashing climax and we’re straight into ‘Relentless’ and its train kept a-rollin’ rhythm mixed with enough Brian James tone playing some fuzzed up Stooges licks that is healthy to try and once you imagine that you’re in the right ballpark.  Its taken me quite a few plays to get through this record because as soon as one finishes rather than let the next one play I can’t help but press repeat.

Dave Twist (drums), Darren Birch (bass guitar), and Alan Byron (guitar and vocals) were clearly paying attention to what was the good and the great when spinning the black circles in their bedrooms now older and (hopefully) wiser they are unraveling all that pent up aggression and knowledge into their records with Black Bombers because this is excellent.  Sure there are shades of previous bands happening here and there (why wouldn’t there be) but the power and execution is exquisite on ‘Animals And Cages’ even with the ‘I Wanna Be Your dog’ lift it nails their colours to the mast with style but the real ace in the pack here is ‘Gnarley’ Now this is something I never thought I’d be saying out loud but a song with no words is absolutely fuckin’ killer.  Brooding with menace and mesmerizing from the opening chord through the Bass breakdown its worth the price all on its own.  Astounding stuff.

‘Sometimes’ is more of the same with its raw power (sorry couldn’t help myself) and boundless energy. Closing with a cover of the most excellent ‘Hair Of The Dog’ that’s every bit as sleazy and hanging on by a thread as the original if you’re going to do a cover then this is how you do it.

These Black Bombers aren’t illegal but they will keep you up all night my only advice would be to pick up a copy of this right now and enjoy the trip it’s awesome.

 

Buy Vol 4 Here

 

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Author: Dom Daley

Dave Alexander original Stooges Bass Player (June 3, 1947 – February 10, 1975) in Ann Arbor where he met brothers Ron and Scott Asheton. “Zander” (as Alexander was known) dropped out after 45 minutes on the first day of his senior year in 1965 to win a bet. Later in 1965, Ron sold his motorbike and they left for England to see The Who and to “try and find The Beatles”.

Alexander and the Asheton brothers soon met Iggy Pop and formed The Stooges in 1967. Although Alexander was a total novice on his instrument, he was a quick learner and subsequently had a hand in arranging, composing and performing all of the songs that appeared on the band’s first two albums, ‘The Stooges’ and ‘Fun House’. He is often credited by Pop and was credited by the late Ron Asheton in interviews with being the primary composer of the music for the Stooges songs “We Will Fall”, “Little Doll” (both on The Stooges), “Dirt” and “1970” (Fun House).

Alexander died of pulmonary edema in 1975, at the age of 27 in Ann Arbor after being admitted to a hospital for pancreatitis, which was linked to his drinking. Sadly it was drinking that ultimatly got him sacked from the Stooges as its believed to have been the reason he was fired in August of 1970 after turning up drunk to a show and not being able to perform. Rest In Peace and thank you for those awesome tunes. ‘Funhouse’ has one of the greatest basslines ever in Rock n Roll music, full stop not even up for debate.   Gone but not forgotten. 

Buy The Stooges Here

On a happier note on this day in 1979, Rod Stewart started hit No.1 on the US singles chart with ‘Da Ya Think I’m Sexy’,  Also today Rod started a three-week run at No.1 on the US album chart with ‘Blondes Have More Fun.’ An absolute killer record in my humble opinion.  right up there with his earlier work.  It might not have been of the same quality as his work with The Faces but has stood the test of time as he demonstrates in this video for the title track.

Buy Blondes Have More Fun Here

Finally how about this for some news. On this very day in 1977, The Clash started recording their debut album at CBS studios in London,  The album was recorded over three weekends at CBS Studio 3 in the month of  February 1977. By the third of these sessions, the album was completed, CBS then sent it for production in the March.and then released in the April, It cost just £4000 to produce! Imagine that? Such an iconic album recorded so quickly and for 4K you’d be lucky to replicate that today it would take you three months in the queue at the pressing plant.

 

Easy Action has always had a love of good old Rock n Roll and always seem to go that extra mile when reissuing a record on vinyl. Even if your not familiar with a release but have a vague knowledge it’s always worth checking out because odds are you’re going to dig it big time.  Sure I know who Scott Morgan is but I’d never bothered or got around to investigating Powertrane before now and with this issue on wax with a bonus 7″ single was offered up for review how could I possibly turn it down?  You’re right I couldn’t.

Kicking off with the title track this is power garage rock bordering on what has affectionately been named Action Rock and the groove the band hit from the off is spectacular.  It sounds like a freakin’ juggernaut and by the time ‘Chilly Willy Is Missing has rolled on past I’m bought hook line and sinker.

 

I’m not quite sure why this wasn’t already in my collection because I love the ‘Three Chords And A Cloud Of Dust’ compilations but there was only a couple of Powertrain tracks on that set but having this album rattling my speakers is a treat. man the groove this band hits on tracks like ‘Ain’t No Time’ is spectacular but the Detroit soul n roll of ‘Pearl’ is worth picking this up on its own.

Morgan and the who’s who that have graced his records is stunning and easy to see why people would want to be associated with his songs from The Stooges to Nicke Royale and Deniz Tek to name a few.  But this record was made for vinyl and to be played at volume no doubt about it.

When you flip it over side two is more of the same high-grade rock n roll as the band simply glides and rocks like fuck and to close it off ‘Talk Is Cheap’ is one hell of a vocal to boot but we’re not finished yet because the final two tracks on the album are live from WDET radio broadcast and the first is an Al Green track where Morgan certainly channels them soulful blues and the bonus 7″ single is a further two tracks sourced from these sessions that features two more Morgan penned tracks that sound like they were recorded as loud as possible.  Raw live soulful rhythm and blues a marvelous way to end this power-train.  Get your groove on folks it’ll satisfy the garage rockers and blues guitarists looking for a fix of the loud stuff no doubt about it.  Scott Morgan sonic grooving genius.

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Author: Dom Daley

I like it when a band takes its time to get the album they want but we all giggled when Axl took however long to knock out a guns n Roses album well Johnny Seven don’t like to rush a record release either but these punk rockers took forty years! Yup, I did say Forty Four Zero.  Don’t giggle at the back it’s true. Anyway its here now the format might be different to what was originally envisaged but times change and so do lineups.

 

you might well ask yourself what this Teeside foursome are all about well, let me tell you they clearly have a collective ear for a decent tune and I’m pretty sure judging by the songs they wrote we’d share a lot of similarities in our record collections.  One thing they got spot on is when they declared you can’t escape Rock and Roll and that spot on as is this tune.  It’s sloppy – it’s rough and ready – its got a great guitar sound and I love a good gang sing-a-long chorus and ‘Can’t Escape’ has certainly got that. ‘LSD’ is a rolling riff borrowed (or Stolen) and the lyrics show the band has a sense of humour and a rollicking interlude between the more serious elements of Rock and Roll. Don’t do drugs kids they’re bad for you.

‘In Detroit’ they give the Wah Wah a good work out and rattle through Motor City Nice n sleazy does it boys nice n sleazy. They turn the clock back for a sid style romp through ‘Burning Love’ I wouldn’t say its rubbish because its not but if you want to pop the kettle on nows your chance.  I’m not sure this record needed a cover smack bang in the middle to be honest because they were going so well with their own material. ‘Pumping The Pop’ is more like it.  snot ‘n’ sweat flying everywhere as the band get trashy not a million miles from The DeRellas here or the Babysitters when they weren’t singing about trembly noses. and the guitar and handclaps remind me of Hanoi when they were doing the duck and the guitar lick isn’t a million miles away from ‘Shakes’ so I was always going to like this one.

There’s a reckless edge to ‘Car Crash Girls’ and I like it it sounds spontaneous and at any point could fall or stumble over and Rock and Roll needs that sometimes it keeps proceedings exciting which is where we head as the album moves towards its conclusion.  ‘Skinheads’ is a wonderful stomping slice of glam pop in the same snotty vein as The Boys, great melody and a great look back. Finally, we reach the end of what has been a really good record and one I have enjoyed and ‘Hang Loose’ takes this bad boy home with another sleazy rocker that kinda pulls all the previous influences together for one last hurrah as the band goes over the top and into battle once more.

I spose like busses the follow up will be right behind this one dyou think someone should tell the band that Blakey won’t be collecting the fares on it though? Forty years for fucks sake but like a good wine it’s finally reached maturity and its ready to be enjoyed and I certainly did that.

Buy The Album Here

Author: Dom Daley