As the band prepares to head to the Land of the rising sun for a couple of shows as well as some Tyla solo excursions the UK can head to Manchester and Belfast for a pair of intimate shows entitled Ballads and Banter that will feature Tyla and Matty James Cassidy enjoying the craic and sharing some stories tunes.

The upcoming tour dates and tickets for Tyla’s Dogs D’Amour and Tyla J. Pallas acoustic shows. Tickets Here

Remaking albums can often go spectacularly wrong as the artist often runs into a barrier that cannot be overcome- the nostalgia factor of fans. Following up the brilliant ‘In Vino Veritas,’ Tyla and his Dogs have unleashed a celebratory new version of ‘A Graveyard of Empty Bottles’ that will be my new go-to version of the album. I know there will be some that will think I have to be wrong as the original version was perfect back at the end of the 80’s. For you, I ask that you approach the album with an open mind and give it a listen. While Tyla also redid the album back in 2012, this version soars above it by essentially finishing what that one started. The 2012 version now sounds like a painting that wasn’t complete with Tyla saying as much in his notes about this penultimate version.

This album originally came with a note that these were ‘soft songs for hard people’ as they were all largely acoustic and the best unplugged album that ever existed. This version contains the same 13 songs that made up the 2012 version and did make me start wondering what people would think if the band had changed the running order. The vinyl version will contain the original 8 songs though which would have likely made it impractical to change the running order on the other platforms. Lead song ‘I Think It’s Love Again’ should have been a hit single back in the day and sounds as magical today as it did 30 years ago. An excellent production and mix allow every instrument to be heard with a nice bit of guitar by Gary added into the chorus here. Tyla sounds excellent and like he is having the time of his life. ‘So Once Was I’ slows the pace (as most of you already know) with the piano (by Scotty) being a nice addition to the darkness and serving as a great complement to the slow bluesy guitar licks. Some haunting backing vocals give the song some additional depth.

Picking up the pace with ‘Comfort of the Devil,’ the band hits an awesome groove with an excellent bass line by Matty given plenty of space to burrow into the brain. This was one of my favorites 30 years ago and has become even better over the years. Back on the 2012 version, I felt that ‘Saviour’ truly lost something in its incarnation there. The additional instrumentation here, especially the prevalence of the piano has created something very special as the pace is increased too. It has a very different feel from the original with it feeling more like a midtempo rock song than the ballad on the original. Simon’s drum work is outstanding, and it provides an outstanding close to the first third of the album.

Old school side 2 opener ’Errol Flynn’ has been a constant in the setlist and for good reason. This version burns nicely with the band in exquisite form. Another one that has been a fixture is ‘Bullet Proof Poet.’ This is another one where the added instrumentation is used to great effect. There is a haunting feeling to the music with the added piano and drums. This paean for Charles Bukowski contains some of my favorite lyrics by Tyla. He paints a portrait of this character with his words that makes him extremely real and relatable.

One of the biggest changes back in 2012 was on ‘When the Dream Has Gone’ which went from a short acoustic song, essentially a coda to ‘How Come It Never Rains’ into a full band song that almost doubled the length of the song. The 2012 version serves as the jumping off point here. Tyla sounds excellent, and the bass line by Matty remains as catchy and sharp as barbed wire. The spacing in the song helps it grow with the refrain from ‘How Come It Never Rains’ being an excellent reward for the listener. Original closer ‘Angel’ has been a constant on my Dogs and Tyla mix tapes and CDs over the years. While I really enjoyed the 2012 version, there is a charm with the original for me that it did not quite capture. The changes they have incorporated here bring back that charm though with aplomb. I cannot even imagine how many times I have listened to this song over the years. These first eight songs by themselves formed a classic album which has lost nothing in this awesome remake.

We received the added bonus of 5 additional songs back in 2012, and those same songs are also included as a bonus here. The piano based version of ‘Just an English Outlaw’ has been even further developed to create the penultimate studio version of the song. It branches out from the 2012 version at the first chorus when the drums and electric guitar make themselves heard. There is a depth to the mix here too that has found me hearing new things with each listen. The guitar work by Gary and Tyla compliments the song perfectly, and it maintains the momentum of ‘Angel.’ When the 2012 version was released, ‘Gone Are All the Angels’ was an immediate hit with me in this format. After hearing only an acoustic version for years, the full band version was a revelation. They have improved it even more here for my tastes. Tyla’s vocal performance sounds like it was lifted from the early ’90s or late ’80s. There is a positive energy in this band that just exudes out of the speaker. It was apparent on ‘In Vino Veritas’ and just as evident here. ‘Died Fore She Got Young’ could have easily got missed in the big shadow of the previous songs as the band slows the pace back down at the start of the song. The pace picks up nicely though as the song progresses. The electric guitar licks are well placed in the mix, and the hook in the song locks onto you like gum on your favorite shoes.

‘Stealing from the Devil’ provides an acoustic bluesy showcase and really serves as the curveball epic to the album. The band plays with a delicate touch that conjures images of dark deserted buildings with only hints of flickering candlelight. The backing vocal really helps take the song to a whole other level with how it is placed in the mix. The story in the lyrics reminds me of local Texas legend Ray Wylie Hubbard. In some ways, I am surprised they did not make this the closer of the album as it casts a very different feeling, but ‘Won’t You Let Go’ then feels like a sunrise coming over the ridge after a dark cold night. There is a tangible warmth in the music that soothes the soul and lets the listener know that things will be alright.

I am quite aware there will be a handful of people that will not take the time to listen to the album and cling to the original. The original is a classic album, but this version by the current Dogs is also a classic that does not copy the original. In some ways, this feels like the electric version of the album as it carries a bit more of an edge. The additional songs add essentially a side 3 to the record and can stand toe to toe with the original 8 songs. It is a special time in Dogs D’amour camp as these 4 gentlemen have amazing musical chemistry. I may need to find a way to change the rules I impose on myself around Album of the Year nominees….

‘A Graveyard of Empty Bottles MMXIX 30th Anniversary Edition’ is available Here   

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Author: Gerald Stansbury

 

 

As the pledge Music debacle rages on Tyla has issued a message as he and his band try to salvage some positives from this whole sorry mess. Releasing a statement about his new release – The wonderfully titled ‘The Fuck Pledge Tapes’ fans are offered details of a project he and his band are putting together   

 

Here at RPM we’ve been involved and told of many campaigns that have caused sleepless nights, fans were let down and a company who has said very little publicly if anything at all.  Hopefully, something can and will be done and the musicians union can gather names and projects and maybe band together to salvage something for the carnage left in the companies wake. Both bands and fans who are out of pocket and without their agreed items and payment should have some sort of closure. 

F**K PL**GE

Dear Friends and Pledgers,

Hope all’s well in your world.

We just wanted to give you a quick update on the shenanigans over at PledgeMusic.

As many of you may have heard they’re in dire financial straits. They owe independent artists between $1million and $3 million collectively and – unable to pay – are now in the process of declaring bankruptcy. Yes, you read that right! They owe struggling artists up to 3 million dollars and are reneging on their payment responsibilities by putting the company into liquidation!!

It would appear they’ve f**ked both fans and artists by stealing everyone’s money! And, worst of all, they lied about it for months during which they continued to collect money from fans without paying it through to the artists for whom it was pledged.

As such, many artists have been left with debts, unfinished projects and unfulfilled dreams whilst numerous pledgers have been left without Vinyl,
CDs, T-shirts and various other merch items for which they have paid.

Understandably, social media is aflame with anger and outrage. Many believe this is more than mismanagement of funds or a simple betrayal of trust. They believe the theft is a calculated and deliberate fraud for which the perpetrators
should be prosecuted. In fact, the UK government have been urged by Music Industry bodies to investigate the Company for illegal activities.

On a personal level, Pledge still owes us $20,000!! All of which was earmarked to pay-off our album recording costs and Vinyl, CD and T-shirt manufacturing costs. (In their defense we did receive an initial part-payment of some of the
monies we were owed – which went towards our recording costs).

In some ways though, we consider ourselves lucky. When we saw early signs that Pledge was in trouble we made the decision to cover all our outstanding debts ourselves. We wanted to ensure that anyone who participated in our Tyla’s Dogs D’Amour ‘In Vino Veritas’ album campaign would receive everything they pledged for. And they did! Thankfully! No-one who pledged as part of our campaign has been left without their items! It took us a while admittedly. And we were grateful for everyone’s patience, but we managed it.

And, against all the odds, the album even charted! #3 in the UK Album Breakers Chart and #23 in The Independent Album Chart. Result!

Of course, we secretly hoped that a buyer would purchase Pledge and we’d receive the money we were owed! But now we know for certain there’s no
chance of us being paid we’d like to try and recoup some of our losses by offering you the opportunity to buy an exclusive, limited-edition, 10-song F**K PL**GE CD.

With original artwork by Tyla the CD won’t be available in any shops. It’ll be strictly limited to the number of orders we receive here. It’ll contain a selection of songs from our trilogy of ‘In Vino Veritas’ albums – ‘In Vino Veritas’, ‘In Vino
Veritas Acoustica’, ‘In Musica Veritas’ and a couple from the forthcoming, newly recorded ‘Graveyard of Empty Bottles MMXIX’ anniversary edition. And a few others! Some you’ll have heard, some you’ll already own, some you’ll know and some will surprise you.

We know you’re all suffering from Pledge fatigue but shall we have one final
dance as the sun sets?

As an added bonus, everyone who orders the CD will be entered into a prize draw to win the original hand-painted cover art, plus 10 lucky runner-ups will receive A3 signed prints!

That’s gotta be worth the price of admission right? Go on. You’re worth it.

Thanks again for all your support.
See you on the other side,

Tyla, Gaz, Matty, Simon

 

F**K PL**GE – A 10-song, limited-edition CD containing a collection of
songs to treasure forever. £15 plus p&p.

Tracklist:

1. Fuck Off Devil – from ‘In Vino Veritas Acoustica’
2. When the Dream Has Gone – from ‘Graveyard… MMXIX’
3. Everything to Me – from ‘In Vino Veritas’
4. My Best Friends Girl – from ‘In Musica Veritas’
5. 111 – from ‘In Vino Veritas’
6. Movie Star – from ‘In Vino Veritas Acoustica’
7. Died & ‘Fore She Got Young – from ‘Graveyard… MMXIX’
8. Summertime Blues – from ‘In Musica Veritas’
9. Love Comes True – from ‘Black Confetti’ EP
10. Another Girl, Another Planet – ‘Homesick Angel’ EP

Pre-order now only from tylasarttavern.com