With ‘Your Disobedient Servant’ being, in my humble opinion, one of the very best albums released in 2019 thus far the prospect of catching Alvin Gibbs and his band of Disobedient Servants live on a short run around the UK was just too much of a “one of kind” opportunity to be overlooked, plus the gig is in one of the best venues Bristol has to offer, so a ticket for this must-attend event was duly purchased.

For those of you who might never have been to The Louisiana it’s got that fantastic upstairs above a pub vibe going for it and over the years it has seen everyone from Airbourne to Fleet Foxes treading its – oh so low it could be a step – stage. Views in this place are of a premium when it’s packed out so that’s why even before local street punks Criminal Mind takes to the stage the place is a tippy toe view only kind of full.

I’m actually embarrassed to say I’ve never seen or heard Criminal Mind before tonight, I’m embarrassed because with over 10 years together as a band, playing hundreds of shows around the UK, I’m not entirely sure how they have evaded me. Their set tonight is packed full of great tunes (which I’m of course hearing for the first time) all loaded up with chant-along choruses and delivered with the kind of enthusiasm and attitude that first made me fall in love with the ‘Total 13’ era Backyard Babies. There’s a hint of The Living End to be heard during the anthemic ‘Blood On The Cobbles’ plus a dash of Rancid on show when bassist Ben Dowling takes over the vocals mid-set but what Criminal Mind do have in spades is their own identity – something which is not lost on the diehards who holler back every word. We always love it when a new (?) band falls into our laps here at RPM towers and with their third album due to be released very soon you can bet your bottom dollar we’ll be catching up with Criminal Minds very soon indeed.

Promising tracks from the  ‘Your Disobedient Servant’ album along with some choice Gibbs voiced Subs tunes plus maybe a few surprises (and guests) along the way reports online that the aptly named Disobedient Tour has been doing brisk business ticket wise is reassuring to hear given the apathy a lot of venues (not the Louisiana I might add) across the UK seemingly has towards original music right now. The army of West Country UK Subs fans makes sure that tonight is no exception and the Cheshire Cat grins on the faces of Alvin Gibbs, Leigh Heggarty and Jamie Oliver as they fight their way through the crowd to the stage does indeed speak volumes. This promises to be everything I thought it might be…even if we don’t actually get any special guests here tonight.

Kicking off with the opening 1-2 from the ‘Servants’ album, ‘Arterial Pressure’ and ‘Ghost Train’ is simply stunning in the live setting, the latter still the best Iggy song Iggy never wrote with Alvin commanding the dual role of bassist and lead singer with consummate ease. ‘Bordeaux Red’ is the first of the UK Subs songs to be aired tonight and it’s here that Gibbs truly shines in his day job, twisting his body and the strings on his Fender Precision into places other bassists can only dream of going. Elsewhere there’s a ferocious two-song tribute (‘Down On The Streets’ and ‘1969’) to Alvin’s stint with Iggy all complete with a hilarious Iggy V’s Charlie anecdote that I won’t spoil here, and then there’s Leigh Heggarty taking over the mic for a fantastic version of ‘In A Rut’ that perfectly segues into ‘Warhead’ mid-song. Of the other Subs tunes aired ‘Stare At The Sun’ from ‘XXIV’ is the wildcard Gibbs has personally chosen whilst ‘Dragging Me Down’ from ‘Killing Time’ sounds reborn devoid of the awful late-80s production that drowned that LP.

Of course tonight is really all about the ‘Your Disobedient Servant’ album and the trio certainly do not disappoint delivering the likes of ‘Dumb’ (dedicated to Trump, Farage and Bojo), ‘Clumsy Fingers’, ‘Polemic’, ‘Camden Town Gigolo’, ‘I’m Not Crying Now’ and a frantic ‘Back To Mayhem’ like the band have been on the road for months…not days. Credit also that the guys effortlessly pull off the epic soundscape that is ‘Heaven And Angels’ even with Alvin complaining his throat was a bit sore after 6 consecutive shows this really is a faultless performance.

Encoring with a run through of Ian Hunter’s ‘Once Bitten, Twice Shy’ and Urban Dogs’ ‘A Bridge Too Far’ the Servants eventually have the venue lights turned on as a subtle reminder they have broken all the Sunday night curfew rules and probably should know better than that by now…but what the hell this is punk rock, right?

Make sure you catch Alvin Gibbs & The Disobedient Servants live at Rebellion Festival this August it’s one set you really do not want to be missing.

 

Author: Johnny Hayward

On this very date David Bowie unveiled his landmark album, ‘The Rise and Fall of Ziggy Stardust and the Spiders From Mars’. His breakthrough LP, it sells over 7 million copies and is hailed as one of the greatest albums of all time. As genius as it was it has to be said that without his Spiders Ziggy would have been nothing (or at least not a fraction of the success) Ronnos guitar playing was exceptional throughout as were the bass lines. Of course, the image was mind blowing even for the early ’70s.

The concept album serves as the introduction to Bowie’s most iconic of reincarnations: Ziggy Stardust, a flame-haired Martian messiah who visits Earth in an attempt to bring a message of hope to humanity in their final five years of existence. Flamboyantly dressed and dazzlingly androgynous, Stardust helps revolutionize ideas about gender and sexuality like never before.

The Rise and Fall of Ziggy Stardust and the Spiders From Mars is recorded over a two-week period in November 1971 at London’s Trident Studios – the same place where The Beatles made “Hey Jude” in 1968. The legendary album cover depicts a resplendent Bowie posing outside of a Mayfair furriers named K. West.

The album peaks at #5 in the UK, and remains on that chart for two years, bolstered by a groundbreaking performance of “Starman” on Top of the Pops in July 1972.

Although “Ziggy played guitar” for the final time in July 1973, his blazing legacy lives on.  The Rise and Fall of Ziggy Stardust and the Spiders from Mars is about Bowie’s alter ego Ziggy Stardust, an androgynous bisexual rock star who acts as a messenger for extraterrestrial beings (drugs who mentioned drugs). Bowie took Ziggy on tour through the United Kingdom, Japan, and North America. The album and the character of Ziggy Stardust explored themes of sexual exploration and social taboos and it wasn’t until that fateful night in The Hammersmith Odean that Ziggy made his last appearance as Bowie ruthlessly ended the characters existence.  this after shipping over seven million copies worldwide – still to this day an incredible decision from a man at the peak of his powers.  Amazingly the album only made it to number five in the UK charts whilst barely denting the US top 75!

 

Its no question one of the most influential albums for many reasons would there have been the huge new Romantic explosion of the post-punk 80s had it not been for Ziggy?  Also, it was a big influence on the UK punk scene with many of its detractors since citing this particular tour as being very influential fashionably and musically.

 

Track from the album has been covered many times over by many different artists including Bauhaus who did ‘Ziggy Stardust’ as did Def Leppard and RPM favourite Jeff Dahl.  ‘Moonage Daydream has also been covered by varied artists such as LA Guns, Mike Scott and Tim Wheeler of Ash. whereas ‘Suffragette City’ has been covered by such polar acts as Boy George, Steve Jones, Red Hot Chilli Peppers, Frankie Goes To Hollywood, Turbonegro and god forbid Poison! As well as recently on volume 1 of The UK Subs covers album.

https://www.bbc.co.uk/news/av/entertainment-arts-17521244/site-of-ziggy-stardust-album-cover-shoot-marked-with-plaque

I’ll put my cards on the table here and admit that when I heard there was a new Subs album coming out I got excited then when I heard it was more covers I wasn’t too bothered. Subversions was a pretty decent effort and there were some great takes on there but, when I saw the tracklist for this I think I was half way through reading and I found I was reading through my fingers and gasping at some of the suggestions.  However, I have a varied taste and it would be boring if they happened to take on songs you would, or could, associate with the band. So I waited for my copy to arrive and would make my mind up yay or Nay after I’d heard the interpretations.

OK here goes, nothing ventured nothing gained I guess. First up is ‘Diversion’ and a jolly uptempo ditty it is too they give it a right good seeing to so I guess I can sit back and relax – for the time being.  Once again Pat Collier has done a sterling job on capturing the band and pulling out a fantastic live feel where everything is crystal clear and super vibrant.   I guess ‘White Light White Heat’ isn’t too much of a stretch and then that riff chimes in as they take on Led Zepplin and ‘Immigrants Song’ and if for hearing Alvin’s bass playing alone this is a resounding success.  Now I obviously know who Led Zepplin are and I have heard them many times before but I can’t say I’ve heard them covered by a punk rock band and sounding so good.  I often joke that Zepplin had a great drummer and a few tidy riffs I might be joking I might not but quite why they get so many column inches is baffling to me but this is one of their better tunes and this version is very well delivered and has exceptional qualities.

Joe Jacksons snappy ‘One More Time’ is afforded similar respect as the Subs do justice with a decent interpretation but it’s not as much of a stretch from the original. Vanilla Fudge ‘Season Of The Witch’ is up next and again kudos to Charlie’s vocals as the band really turn up a few stones to find songs to cover and take ownership of.  Put this one down as one I didn’t see coming but quite enjoyed, in fact, its the ones I was having the sweats over are turning out to be the ones I’m most impressed with.

OK so Alvin toured with Iggy and not the stooges so one of the more predictable covers and an absolute stone-cold classic and one you just knew they would slay and could never fuck up – obviously they don’t disappoint and knock it right out of the park.

Side two kicks off in style with a thunderous take on ‘This Is Rock And Roll’ originally from The Kids closely followed by a suitably sloppy ‘My Generation’ that gives the rhythm section of the Subs a chance to stretch their legs with some awesome solo breaks.  Take a bow Alvin and Jamie – sensational work. I bet nobody saw the Subs tip the hat to Tom Petty and the other Heartbreakers on ‘You Wreck Me’ and what a ball this one is.  As a band the Subs show just how versatile they can be and taking on a song like this and take ownership of the track is a real testament to just how good these boys are.

As we head into the home straight there are three big uns starting with the Neil Young anthem that is ‘Rockin In The Free World’ and rolling it round in the dirt and giving it some right yob treatment on the chorus is a joy to hear.  We know what the Subs are good at and this is them purring like an illite sports car – sure its easy to cover a song like this but you still have to do the right job on it and Straughan owns the solo by leaving it understated rather than running riot over it.  and the Riff is meaty which is nice. Great song great cover.  Now the song I feared most but to be fair the rest of the album is so bloody good I’m not bothered how ‘We Will Rock You Sounds’ but once the band stretch their legs and rock the shit out of it I’m chuffed to report that Charlie might not be Freddie he gives it a right seeing to. what was I worried about  The subs fuckin’ smash it so by the time ‘The Last Time’ chimes in I knew they’d do the Stones justice so finishing on a real high.  I can safely say that when anyone askes what does the Subs sound like doing Queen I can say without any irony or piss taking they do it very well and treat a cover with respect and a challenge check it out.  All thats left to say is I hope it’s not the Last time and there are more more more to come.  Long live the UK Subs. Buy it!

Buy subversions 2 Here

Author: Dom Daley

Forty years into his career as the number one 4-string plank spanker on the UK punk rock scene you can perhaps forgive Alvin Gibbs the “self indulgence” (his words, not mine) of a solo record. I mean he’s worked with some of the biggest names on the scene during that time, plus he’s also penned some absolutely amazing songs along the way too… and the musician’s modesty aside, I for one was straight out the blocks to order my copy when the pre-order for ‘Your Disobedient Servant’ went live on the T&M Records website just after Xmas. So, why all the rush of anticipation I hear you ask?

Well, the best place to start is with the guest list of musicians that Alvin has assembled to help him make this record. It reads like a veritable who’s who drawn from his expansive career and boasts the likes of Brian James, Mick Rossi, Timo Kaltio and James Stevenson amongst the names eager to offer up their services as Disobedient Servants. It was only the name of Iggy Pop that for me was the real glaring omission, but then when I first got to hear ‘Ghost Train’ the lead single from the album, I had to double-take. Could my jug-likes be deceiving me? That is surely Iggy crooning his way through this belting ‘Instinct’ like rocker, but no…it’s actually Alvin Gibbs, and what a great voice he has too. ‘Clumsy Fingers’ the flipside of that mega limited and long since sold out 7” also proved to be a fun time piece of Iggy influenced garage punk, and these two tracks alone were enough to convince me that this was certainly no vanity project and Alvin Gibbs was possibly about to do a Keef and release a solo album fans of his day job band would be clambering to hear too.

With Alvin having also released one of the best books about being in a rock ‘n’ roll band, the awesome ‘Neighbourhood Threat’ (recently re-released as ‘Some Weird Sin’) written about his time spent playing bass for Iggy Pop. It kinda feels eu natural for ‘Your Disobedient Servant’ to kick off with ‘Arterial Pressure’ a (just shy of 2 minutes long) barnstormer of a track written about how Alvin got to know Joey Ramone through Mr Osterberg.

Next up is the aforementioned ‘Ghost Train’ which here perfectly segues into the equally Iggy -like strut of ‘Dumb’, and right here we have as near a perfect opening 1-2-3 to any album I’ve heard in many a long year. Seriously folks if these tracks were on a new Iggy record the mainstream music media would be spunking their chinos over them.

‘Camden Gigolo’ takes things down an anthemic gear or two before ‘Clumsy Fingers’ speeds off in a frenzy of glam tinged punk rock guitar complete with few week’s road dirt under those nails.

Not unlike Glen Matlock’s excellent ‘Good To Go’ album from the tail end of 2018, where ‘Your Disobedient Servant’ really excels is when it throws you a curveball and in side one closer ‘Heaven And The Angels’ Alvin delivers a menacing slice of southern fried psycho-drama that challenges the listener with each new listen twisting and turning itself into your very soul.

Flipping the record over and side two kicks off with perhaps the most UK Subs like track on ‘Your Disobedient Servant’, the riotous ‘Back To Mayhem’ a track that simply fizzes with raw energy, that’s before the more subtle slide driven ‘Polemic’ takes you on a fascinating trip through what influenced Alvin to get into the music business in the first place.

It’s here that for me the LP flips from the overarching influences of Iggy and garage punk to that of one drawn from the likes of Mott and Bowie with ‘No!’ hinting at latter day Hunter and ‘Desperate Dave Is Dead’ doffing its baker boy cap to one of the young dudes passed all to soon. ‘I’m Not Crying Now’ too has more than just a little bit of cracked acting going on within its grooves, whilst album closer ‘Deep As Our Skin’ hints at just how great Cheap And Nasty might have been if Alvin had been given more a role in front of the microphone.

Having been lucky enough to get a good few preview listens of ‘Your Disobedient Servant’ the immediate thing that leapt out at me was just how much this sounds like a band, not a solo record. So kudos indeed to the real heartbeat of The Disobedient Servants; guitarist Steve Crittall, drummer Jamie Oliver and of course Alvin himself for making this one hell of a riotous rock ‘n’ roll record….and one I just can’t wait to get my finished vinyl copy of.

As I mentioned in the intro to this review ‘Your Disobedient Servant’ is available to pre-order right now via T&M Records on LP/CD and via Bandcamp for the download (the links are below). If you are after the LP/CD combo you best make sure you snap one up sharpish as when those red and white splatter babies are gone they really will be gone. So, trust me when I say, ‘Your Disobedient Servant’ is one record you really do not want to be without.

 

Buy It Here

Bandcamp

Author:Johnny Hayward

 

Not Just your regular summer, no sir, this one is hot! and its only getting hotter!

June 2018

 

Whilst May was relatively quiet (slang) June was positively bristling with releases and live shows for the RPM crew and the beginning of the festival season was open.  But we couldn’t mention June 2018 without a few tributes to fallen comrades in Rock and Roll.

Firstly, Heavy Drapes frontman Garry Alexander Borland passed away the first week after returning from Holland after a really successful show at Rebellion over there.  Garry’s passing was a huge shock to people close to him obviously but his passing was also felt in the wider alternative community with his band on the verge of much bigger and better things what with the up and coming decent billing at Rebellion UK and their debut album ready to go so its only right we record this moment and pay tribute to Garry.  May he rest in peace.

Another sad passing was that of  DJ Fontana who was Elvis Presley’s drummer for many a year, Dominic Joseph Fontana was responsible for laying down the backbeat on almost 500 songs with the king which is no mean feat and a really impressive CV by any standard also it’s only right we recognise his contribution to music.  Rest in Peace DJ.

Sadly a third influential musician passed away in June this year, none other than Nick Knox the second but longest-serving Cramps drummer. Nick joined the band from the Electric Eels and occupied the drum stool from 1977-1991, Knox toured with the band and appeared on some of the Cramps’ best recordings, ‘Songs The Lord Taught Us, ‘Psychedelic Jungle’ and ‘A Date With Elvis’. Rest In Peace Nick Knox the man behind Lux and the man behind the shades.

Sadly the fourth person to pass away in June was none other than West coast punk rock legend Steve Soto of The Adolescents. Steve was originally the bass player in Agent Orange back in ’79 he then served as bass player in the Adolescents until passing.  the most recent album ‘Cropduster‘ being his final piece of work and easily one of 2018 finest albums.  The band went on to tour the summer around Europe with stand-in player and dedicated the set each night to Steve where they had a backdrop replacing the band’s logo and replacing it with SOTO at Rebellion in August Tony Reflex dedicated the show to his bandmate in a touching speech and subsequent performance that was electric and memorable,  Rest In Peace Steve 54 is way too young. 

 

Right hopefully onto much happier matters for the month of June 2018. With Festival season in full swing Fraser headed to Download and watched The Bronx, The Hives and Turbonegro show the festivals other acts how Rock and Roll was meant to be delivered to the people. elsewhere it seemed like the world and his Mrs were off to see the Rolling Stones play some enormadome or should that be a field?

IT might have cost the GDP of some countries to get close enough to see the band measure up to the size of a subbutteo player but it has to be said nobody was disappointed in either the performance or the setlist the band was knocking out on this leg of the tour. Jagger was ever his peter pan like self careering from one side of the huge stage to the other like he was a child with more energy than most performers more than half his age and some.

Nev decided he’d bowl darn London way and take in what Camden Rocks had to offer.  Basically, all the pubs of any note and the dive bars, as well as the more famous landmarks such as Dingwalls, Electric Ballroom etc throw, open their doors to live Rock and Roll for the day and if you have a wristband and there’s room at the inn then uh, you’re in! Just wear some comfortable shoes and a stage planner.  You might just happen across your favourite new band or someone you’ve been meaning to catch and hey presto there they are. (Deep Breath time) This year Nev caught The Ramonas at the Dublin CastleDirty Thrills at The Underworld Talia Dean in Brew Dog then back to the underworld for Sonic Boom Six and some knees up skanking ska which went down rather well with Nev. It wouldn’t have been right had our roving scribe not caught Urban Voodoo Machine down at the lock where the place to be was indeed Dingwalls then to finish off a marathon of live entertainment it was Camden Assembly for some Ryan Hamilton & The Traitors before the Rifles was a curtain call for Mr Brooks but he wasn’t banking on bumping into Paul-Ronny Angel either so his night wasn’t quite over!

Not wanting to be a party pooper Nev still had to take in Nick Cave & The Bad Seeds playing the All Points East Festival along with an impressive support cast of Patti Smith, St Vincent and Courtney Barnett.

Ben went to Rambling Man Fair and enjoyed the performances of such heavyweight rockers as The Cult and also managed to catch RPM favourites  Jim Jones and The Righteous Mind as well as the real mock rockers Steel Panth..Nah I can’t type it sorry folks I’d be doing RPM a disservice even mentioning them. anyway, Ben also managed to take in the large club gig of the month that was the triple-headed Britrock Must Be Destroyed touring carnival that featured a rotating line up of Reef, The Wildhearts, and Terrorvision. there were multiple dates to be fair and it was decided on the day how the running order would play out. I reckon each band made new fans on the night as reports were coming in of all three raising each others game and an excellent way to tour. The night Ben had in Leeds also saw Dodgy added to the lineup.

 

Our intrepid European correspondent or one of them Craggy got to see Repetitor live at Kabinet Muz, Brno I said Craggy got to see Repetitor in Brno…oh forget it he enjoyed it anyway said it was one of his highlights of the year to be fair.

Now with a sharp intake of breath June was positively overflowing with album releases that would bother top tens come the end of the year. Just a few of those contenders has to be The Interrupters with their ‘Fight The Good Fight’ that saw them leap up the rankings with a fantastic collection of tunes that was shaking up not just fans of the bands previous two albums but new music fans who heard one of the many potential hits on the radio or tv with the album set to just keep on selling and selling we are looking at the next big thing as they won’t be playing clubs for much longer.

Getting Tim Armstrong in to produce the record is a great move as the guy oozes class and knows his way around a ska-punk record and if he had a hand in any of the songwriting or arranging then boy pat yourselves on the back because the infectious ‘A Friend Like Me’, ‘Shes Kerosene’ and the awesome ‘Got Each Other’ are three reasons why this record will deservedly be in many ends of year top 3’s and rightly so..

Elsewhere June saw the release of London Towns Portuguese legends The Parkinson’s return with the LP ‘The Shape Of Nothing To Come’ that confirmed that these gentlemen still had it and it was a fine return to the fold in every way. Now expanded to a five piece you can take the boys out of punk rock but you can’t ever take the punk rock out of the boys and that boys and girls is a fact. the Parkinsons still have the chops.

Another couple of worthy mentions in the albums released in June has to be Smash Fashion and their ‘Rompus Pompous’.  Which has gone down a right storm at RPM as they’ve really hit their stride on this one and joioning them would have to be Nottingham’s The Speedways with the fantastic slice of power pop that is ‘Just Another Regular Summer’ the brains behind the idea to write an album was Matt former guitarist of The Breakdowns he’s since formed a band after the success of the record and has played  a number of shows and next year they’ve already planned some shows in Spain and London.  It really is power pop perfection and a record we highly recommend.

The old school shouldn’t be forgotten either because June was also the month when the phrase you can’t teach an old dog new tricks was debunked because The Uk Subs once again released a new album ‘Subversions’ of some of their favourite songs by other people – sure a cover album.  there might well be some you could see coming but there are others on the album that you would never have seen coming. 

Over in NYC the birthplace of hardcore and home to some of the best bands around Madball made a new record they put out in June 2018 and the brutal ‘For The Cause’ was unleashed on the world and immediately felt at home with the RPM crew.

Finally a mention of records released in June this time for the magnificent London power poppin’ punk rockin’ Los Pepe who released their long playing Greatest Hits on Snap Records! it came with a CD of the album and they also got to knock out a single this month as well which was nice. Don’t get me started on singles that appeared this month because ther were plenty with my pick of the pack coming from the Randy Savages who were ‘Guilty Of Nuthin’ .

 

Hot on the heels of another kinda UK Tour the Subs have been into the studio to record some brand new tracks.  Not content with completing the A-Z compendium of records and releasing a pair of amazing box sets as well as a solo album from Alvin the Subs headed back into the studio and let the tapes roll to capture some more of that irrepressible magic.

‘Screaming Senile’ is five songs four new ones and one rework of an old but classic. opening up with the Gibbs penned ‘Crank It Up’ which as you can probably imagine from the title is a hard-hitting rocker. Complete with Alvin’s vocal leading the way this mid-paced tune has your usual sparkling performances from Alvin’s huge glugging bass line to Stevens great off-kilter solo that totally rules another great song for a band that keeps on delivering.

‘Geordie Ray’ is a ferocious humdinger as the Subs hammer out a real banger with a wonderful huge riff handled by drummer Jamie Oliver before heading back into the verses.  Superb stuff, really.  From the backing vocals to Charlie spitting out the lyrics to that killer riff over the chorus. what a tune! Geordie Ray is the ultimate superfan tribute.

Not a band to let the grass grow under their feet nor do they stay still and bask in their achievements ‘Hounds At The Door’ is another high tempo tune that would show most new bands a clean pair of heels.  This is how to do punk rock in the 21 st century – always something to say and always delivering, brilliant.

‘Keep On Running’ gets a freshen up. Apparently, this is closer to the original written by Alvin in ’81 as it was Garret who insisted on the picked guitar part rather than Alvin’s Thunders styling that he originally intended and it’s only ever been released on 7″ so a good chance to own it again on vinyl I guess.  Great songs are great songs no matter how they’re recorded and this is certainly a great song.

To finish off this EP we have ‘2000 years’ which is a slower more measured tempo with a Stonesy like riff and has some honking Charlie harmonica all over it another reason to pick up a copy of this EP.  Again the Subs release a must own EP that shows their exceptional talent and ability to pen great songs.  Snooze you loose on this one folks.

Buy EP Here

Author: Dom Daley

2018 is quickly running out of weeks and before we know it we’ll be crashing into 2019 and another year of new records and great bands to see. Before everything blurs into one we have to reflect on what happened last week never mind last year so the final week of November saw RPM review some amazingly talented artists like the brand new up and coming force of nature that is Nikki Hill and her album ‘Feline Roots’. 

As well as the new talent we also welcomed back the return of US Bombs with their long player ‘Road Case’  

There was also musical collaborations that we found really appealing like The wicked EP by The Dahlmanns that we would highly recommend you check out and seeing as its Christmas why not give yourself a little treat.

Whilst on the live front RPM were present for the umpteenth show from the amazing UK Subs who are forever on tour as are The Quireboys but it was the line up of Helldorado that really caught our imagination as Europe seems to have really hit paydirt as far as the amazing line up goes. With top turn after top turn hit the stages and RPM was there to regale the magic for our readers.

Interviews we had them as well as Leigh spoke To Mike Christie about Guitars, Amps and general Guitar related Tech and we also caught up with Sal from Electric Frankenstein to hear all about his compilations and a general EF chat. On the feature front, Ben continued his adventure across the West coast of America and managed to catch a few live shows whilst he was talking in what Frisco, Vegas and LA had to offer.

Anyway enough looking back how about looking forward and this coming week on RPM we’ve got plenty of live action coming your way from some of our favourite bands still making music as well as some tasty new albums as well as a bunch of reissued classics you might have missed out on first time but now is your chance to pick em up. So we welcome December with a cheeky snap from He Who Cannot Be Named for you and as always Stay Sick and keep it RPM. Til next week that is.

 

Another week rolls by and we head towards Christmas but there are no mince pies or sherry being overindulged round here when there are records to review and Shows to see and last week was no exception as RPM brought you a diverse bunch on the live front as well as on the death decks.

 

Sadly the last seven days saw another rock n roller pass on to the next life and we said goodbye to Peter Blast.  I had the pleasure of reviewing several of his albums and spoke to him in the last twelve months.  On behalf of everyone here at RPM I’d like to offer our condolences to his family and friends and raise a glass to his memory.

 

We also brought you an interview with Phil Privilege from the  awesome kings of power punk n pop Cyanide Pills with an amazing trail of singles and albums as part of their repertoire Phil told us they were on the way to deliver the next long player as well as answer a few of our questions about the band, Catch up with it here

 

We also had some pretty diverse live reviews from the likes of hard rockin’ Junkyard Cowboy Junkies and a doubleheader from He Who Cannot Be Named and the Awesome Hip Priests. But our bread and butter has to be our album reviews and with Black Friday RSD releases in thin supply some of our favourite labels did manage to put out some quality must have records in the shape of MC5. UK Subs ‘Sub Mission’ got its first pressing on record  and we again scoured the four corners of the globe to bring you the likes of Civic from Australia, X Darlings from Switzerland, Paris’ Youth Avoiders and Californias Smash Fashion to name a few.

As for the coming week, we continue with Bens California Dreaming road trip where he visits some pretty amazing places as he skips across the USA. we also caught a few amazing live shows and bring you some fantastic records by some well-known people as well as some of the finest new performers current kicking up a storm on record players and concert halls around the planet. Remember to stick with RPM for all your alternative news and reviews. As Lux used to say “Stay Sick” www.rpmonline.co.uk its a rock n roll revolution!

 

 

 

Over the years I have witnessed dozen and dozens of performances with almost as many lineups but I think its safe to say that the current line up is right up there with the best ever if not the hands-down top of the pile although I appreciate that is open to debate.  Stephen Straughan has been in the band for several years now and to put it one way – is part of the furniture and adds the required bite to proceedings which the current Subs line up deserves. Alvin and Jamie are without a doubt the driving force and an incredible powerhouse rhythm section that is up there with the best anywhere.  As for Charlie.  what can you say about the guy?  An incredibly likable frontman with an insatiable lust for life and one whose talent shows no sign of abating.

Of all the times I’ve seen the band I think this was my first foray into Bristol but I wouldn’t swear by that and with a healthy crowd inside the exchange on a school night the Subs casually saunter onto the stage and proceed to knock out a fantastic set with the required amount of mainstays and some very welcome additions to the ever-evolving set list.  Let’s be fair they have a bazillion songs to choose from yet always seem to throw up a new gem or two every tour. This one is no exception. 

 

They could easily get away with playing for seventy-five minutes and do the best of but they keep writing new material that is as strong if not stronger than their impressive back catalogue.  Tonight begins with the likes of ‘Fragile’ followed by ‘Quintessentials’ ‘Mouth on A Stick’ then to follow that up with ‘Ladt Esquire’ from the first album was some excellent choices. It then became apparent that this decent-sized audience that some down the front wanted to hold up their blessed camera phones which rightfully got Charlie’s goat a little, to say the least.  Sure take a few pics I do but that takes a few seconds then it’s gone but I’m also baffled as to why somebody would go to see a show and spent the entire evening watching it through a phone screen!  When did that even become a thing? Charlie became more and more perturbed by the actions of a few but he wasn’t the only one.

Anyway, the songs came hard and fast and the heat was raised by the time we hit a purple patch of classic Subs tunes and one to add to the list has to be ‘City Of The Dead’.  Not that the crowd needed warming up but to follow that with ‘I’ve Got A Gun’, ‘Emotional Blackmail’ and ‘Another Cuba’ was exceptional. I’m sure there are many who would say that their favourite album is ‘Endangered Species’ I flip-flop from one week to the next putting this at the top of the pile so it was great to hear ‘Fear Of Girls’ but when they chime up with ‘Bitter & Twisted’ I’m loving ‘Quintessential’ but enough of that their cover version of ‘Here Comes Alex’ sounds as bright as the first time I heard it.

We head into the home straight and from here on in its a sing-along classic fest.  ‘Teenage’, ‘Party In Paris’ they all lead to that classic bass line and ‘Warhead’ signals the crowd participation as some people lose their collective shit.  It is great that these songs we’ve possibly heard too many times still hit the spot and tonight ‘Warhead’ sounds as fresh as it ever has and as relevant as it ever has.  I guess our leaders have learned nothing over the decades.

For an encore tonight we’re treated to the trio of UK Subs classics in the shape of ‘C.I.D’, ‘I Live In A Car’ and to send us into the cold Bristol night its the ‘New York State Police’ and then we’re gone.  Another night in another town with the same familiar songs sounding as fresh as the day they were written watching a band killing it time after time and night after night already I’m checking my diary to see when I can catch them next and Cardiff Tramshed in 2019 it is. Phenomenal band phenomenal back catalogue and still giving, new EP and then there is Alvin’s solo album to look forward to – bring it on – the more the merrier.

Time & Matter

Buy UK Subs Here

Author :Dom Daley

The lesser known of the Record Store Day family would be the winter version that leans more towards North America and this Black Friday offerings might well be a bit thin on the ground that might all be changing with Jungle being involved in knocking out a few must-have purchases and this latest offering will be of great interest to UK Subs fans (obviously).  Sure this summer just passed the Subs released their entire back catalogue over two box sets that were nicely housed inside a book like cover and split over two periods they housed every single A-Z in the bands releases which was very nice as it had stuff that was fairly hard to find even for avid collectors of Subs stuff but it was all available for under seventy sheets in most places with Charlie’s signature and limited to 1000 pieces.  Well maybe someone somewhere will take on the same collection but on vinyl, however, I’d imagine it might be a little more expensive so one will have to make do.  there is one album included in that set that was released as part of the A-Z but it never got a vinyl release ever.  Until now that is and the good people at Jungle and Fall Out records have taken on the job of producing a double album pressed on yellow and blue vinyl and limited to 500 pieces so you’ll have to be fairly diligent and quick to find a copy before they are all hoovered up.

 

housed in a gatefold sleeve with pictures of all the Subs who passed through the band in the time period and a brief description of each track and where the versions come from.  the one thing that shines through is how diverse the Subs have always been and they certainly aren’t a one trick pony.  I particularly like the Gibbs vocals on ‘Drag Me Down’ from the Killing time Album and the take of Die Toten Hosen ‘Here Comes Alex’ which was done in return for the version of ‘Stranglehold’ that Hosen did prior to this. Subs lyrics have always been on point and relevant except maybe fo r’Hey Santa’ depending on how you view things but ‘Ozone Death’, ‘Warhead’ ‘Riot’ could all have been written yesterday to be fair as sad as it is to say.

Having seen the band recently they are indeed alive and well and still on tour and kicking up a shit storm and as relevant as ever with a new EP on the way as well as Alvin Gibbs having his debut solo album ready to drop.

‘SUB MISSION’, was compiled by Charlie Harper, how he chose the best 20 tracks from their albums F – R I’ll never know although this is indeed a pretty good starting point.  And the bonus of a previously unreleased live recording of the Subs in top form in Bristol 1991adds exceptional VFM. Now we can carry on arguing as to which is the best line up.  any of these? The first? Current?  Does it matter as long as there is a UK Subs playing a venue near you someday soon.

Buy Vinyl RSD Sub Mission Here

Time&Matter Website