We recently reviewed the brand new long player from Weird Omen and from that record they now reveal the new video for ‘The Goat’ A hellish energy to send the listener through a swirling nightmarish journey of gothic psych garage rock. The Goat can be seen here
Don’t say we never have off the wall Rock ‘n’ Roll or we don’t go the extra mile for you good people because we certainly do. Weird Omen is a garage rock trio with Baritone Sax along with Guitar and drums being the weapons of choice for Weird Omen. The sound, however, is a shimmering slab of Cramps meets Fuzztones meets psychedelic garage if there is such an axis. Sometimes it’s chaotic sometimes it’s trippy sometimes its killer but depending on what mood you’re in I guess will be the deal breaker.
I love the slow groovy blues harmonies of ‘The Goat’ but I haven’t got a clue what the fuck it’s about but I suspect it doesn’t matter one single Jott. The album kicks off with the echoing head fuck of Baritone Sax honkin’ like a good un as the guitar and drums join in and take you on a walk through some choppy waters. The song builds and builds and gets you in a right trance. It sets the tone and I love it.
I do think you have to be in the right headspace for a bit of Weird Omen as sometimes it can get overwhelming and the sound can take you under but the garage goodness of ‘Please Kill Me’ is most welcome anytime. ‘Earworm’ races like ‘Fortune Teller’ on jazz fags and acid. By the time you hit the ’60s tinged San Fran psych of ‘Out Of My Brain’ if you’ve done it in one sitting then you’re doing exceedingly well.
Clocking in at just over half an hour I liked it I wouldn’t say I loved it but it certainly has its moments in both directions. I would however go and watch them live no doubt about that because in the moment I reckon they could be awesome with all that sax appeal. Go check em out and see for yourself.
Author: Dom Daley
Another year begins and so we embark on other singles roundup. With January barely alive and the songs begin to trickle into RPM HQ not so much an avalanche but a gentle stroll through the door. But that’s not to say the quality drops because we can assure you that’s not the case at all and we start as we mean to go on with the first banger out of the traps in 2019 we give you…
Watts – Breaking Glass (RumBar Records) Never let us down before so no reason to doubt their impeccable taste in Rock n Roll and from previous reviews, Watts is a band not to be ignored or passed over and ‘Breaking Glass’ is a wonderful way to begin the year. IT got big loud guitars and is the sound of a band with its head held high and chest puffed out because it knows how fuckin’ good it is. From the intro of breaking glass and the throbbing bass guitar you know this is happening as we riff towards the chorus this is a breath of fresh air not because it’s original or groundbreaking but because its bloody good. They know it – Rum Bar knows it – Boston knows it and RPM knows it and now you know it. Amps turned up Riff – n – Roll and Rock solid. Watts are winning every day of the week with songs as cool as this watts not to like and for $1 how can you refuse? Bandcamp
Tad Overbaugh & The Late Arrivals – Demons In The Dust (Rum Bar Records) Well Rum Bar are setting the bar high in 2019 as the label gets off to a blazing start with some quality releases and the second this month is Tad Overbaugh’s whose songs fall somewhere between the twang of Steve Earle and Ryan Hamilton with a little dash of the countrified Supersuckers and the songwriting of Tom Petty. No question this collectives five songs veer from the big open roads of the southern states and barroom saloons and smokey bars and late nights. the excellent ‘Lethal Charm’ is a soft song for tough guys taken from ‘Beauty And Barbed Wire’ but its opener ‘Hey Lonely’ that sets off this EP. Sounding like Mellencamp when he rocked it up its a beautiful thing and superbly played and arranged. For a change of pace check this out via Bandcamp
The Lurkers – Electrical Guitar (Damaged Goods Records) with Pete Stride and guest vocalist Danie Centric sharing lead vocal duties, the first fruits of which being this brand new 7”, limited to 750 copies on split black/clear vinyl Damaged Goods Records release this two-track slab of noise. In typical Stride fashion its a blunt to the point slab of punk rock. Like the lyrics say its simply a direct statement of belief in the essence of rock ‘n’ roll – 4 beats to a bar, electrical guitar, sometimes that’s all you need! its as simple as that folks and the B side is a darker riff but a bludgeoning riff all the same with lead vocals going to Danie. This will wake you up of a morning no doubt about that – banging! return to form. Buy Here
The Mistakes – Walk Tall (NBQ Records) Taken from the new LP “Upstarts and Heretics”, Walk Tall is no-nonsense street punk rock – Ave it!
Bad Sons – Kick Rocks (Self Release) Chicago punks Bad Sons are back with their second release and it’s more of the same sleazy punk rock n roll played with a tonne of swashbuckling gusto and just the thing that RPM HQ loves. The second track ‘Hammers’ pounds away and lives up to the band’s mantra of only having two rules – Loud and Fast and we say a big fat Amen to that brothers and sisters and you know what? They don’t let you down either as they kick the shit out of my speakers. The only downside I can see is there are only two tracks on this single whereas ‘Cry Tough’ had four tracks. My only hope is there’s an album on the way because I’ll have some of that if there is What an excellent debut on RPM this is go check em out – you won’t be disappointed we guarantee it! Facebook
Glitter Piss – Demo (Self Release) Garage punk rock n rollers Glitter Piss hail from Brighton and peddle a noisy trashy garage punk that Iggy and the Stooges used to do many many moons ago ‘Life Is Deadly’ is fast and fucked up just like Those Hip Priests but more fucked up and..well…Glittery and trashy but the DNA is in there. Not afraid t work with the feedback or the odd out of tune string it matters not a fuckin’ jot. what does matter is the fact they can kick up a shit storm with their instruments and we like that and will always have time for a band who have passion and as they succinctly put it a stench of piss. There is no big budget studio finery on display here just guts and great ideas and tunes aplenty and we’ll take that any day of the week. Oh, and Iggy would love ‘Party Town’ I’m sure of it. Bandcamp
Weird Omen – A Place I Want To Know ( Dirty Water Records) Primitive garage trash brass, reverb, and fuzzzzz”, Mixing ‘60s pop and psychedelic garage This French three-piece are carving a genre of their own and whilst there are aspects of bands like The Cramps and early Stones along with some of the more trippy psychedelic bands there is a shade of riotous punk beating away in there along with a big bold saxophone. VU has an influence on the lead track for sure and the second song is a trip as well ‘Girls Are Dancing On The Highway’ wins this month’s oddest title and I’m sure these cats will take that. It’ll draw you in and put your brain in a blender but one thing you’ll know is you like it and you will be back for more. Warning highly addictive!
Happy to squeeze in a quick video. This offering is from Ditchbanger and it sounds like they’re in league with the big red feller down there as they release a video from ‘Pure Hell’. click the link in satan red and let em know RPM sent you they might have mercy on our souls then.
So there you have it. Welcome to 2019 and a bunch of singles that require your attention in our humble opinion. Half a dozen good reasons to be in love with music and discovering something old and new. Until next month enjoy and if you hear anythign you think we would like or should like then give us a shout at firstname.lastname@example.org you know it makes sense.