The Bloodshots – ‘No Way Out’ (Golden Robot Records). What time is it?  It’s cock Rock O’Clock kids.  Big chorus’s big guitars Big drums and big attitude. Who said cock rock was dead? Well, it ain’t, The Bloodshots are proving that.  Gang Vocals big enough for Two Dokken albums and guitar soloing like there’s no tomorrow. Check it out, kids.  I’m only disappointed they haven’t all got cowboy boots on and big hair I feel somewhat let down.  Never mind turn it up and lets rock. Sharing the stage with the likes of Danko Jones can only be a good thing as the band evolves.

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The Cavemen – ‘Euthanise Me’ (Slovenly Recordings) Oh baby it’s always a good day when an email drops from Slovenly and it contains the words The Cavemen and you can see it contains new music.  Damn, I love this band of reprobates.  They play perfect trash and bash rock and Roll and ‘Euthanise Me’ is a four-track EP that just nails it. From the sonic explosion of the title track and all its trashy sing along beauty.  If that wasn’t trashy enough then get a load of the raw delights that is ‘Eat Your Heart & Wear Your Face’.  As close as you can get to ‘Raw Power’  without melting in the heat generated. They’ve also got time to give you a ‘Nightmare’ as they OD on the 50s Rock and Roll.  Hang on a minute, ‘Over You’ is a slower groove and an absolute peach of a track with a banging melody. and those guitars are like you’ve just wiped your ears with an angle grinder.  Brilliant!  Single of the week? Fuckin’ right it is. Facebook

 

Bitch Queens / Delilahs ’77 – Split (Lux Noise Records) Boom! Bitch Queens have been a band I’ve loved since I very first heard them and over those years they’ve managed to get better and better with each new record and live they are one of the best hard rockin bands out there. This split is yet more proof that they just kick ass and take no prisoners. A classic attack and takedown of a classic tune.  Bitch Queens absolutely own it – brilliant!

For all you collectors out there its available in several highly collectable colours. As for Delilahs, it’s a Misfits mashup and to be quite honest the ‘fits haven’t sounded this good for – oh God I don’t know how long – fantastic version. The classic ‘Some Kinda Hate’ is totally owned.  These two have form for sharing splits and this is a worthy addition to anyone’s punk rock 7′ collection.  Of course I’m saying Buy It! Here

www.bitchqueens.com / Luxnoise /www.delilahsmusic.com

 

The Hangmen – ‘Thunderhead / She Walks’ (Acetate Records)  It’s not every day you get a treat like this.  The Hangmen covering Gun Club – wow!  What a storming take on the Jefferey Lee Pierce Gun Club number. Blood and thunder with the slippy slide guitar and crash bang wallop its a really good take on a great song. Small talks about his love of Gun Club and pours his heart out in this cover.

As for she walks its got swagger and some awesome ivory tinkling going on, Hell it’s The Hangmen just go get it!

IT might only be a digital release through Acetate and Bandcamp but I’d love to hear more make it happen Brian.  Get it Here

 

 

 

Jesse Malin – ‘Ameri’Ka’ (Wicked Cool Records) Laid back Malin knocks out the best single he’s penned in a while. Troubadour or bard of NYC its got great lyrics and in the darkness there seems a hope and a look to the future going on.  Tough times call for tough songs and this is a beauty.  But then I’m always going to say that sure I’d love to hear the guy rock out but I also love the guys more roots American vibe and this is the latter – and very good it is too.

Buy ‘Ameri’Ka’ Here

 

 

 

 

Vacuum – ‘Fixated’ (Wanda Records) Some usual suspects from the London Punk Scene drop a two-track slice of toxic punk rock with a heap of melody and a chorus you can jump around to and sing along at the same time. Uh, Ha Fixated alright.

The B side is like the sound of some punk keying your car door then kicking your speaker cone in.  It’s snotty it’s brash its an open wound you just want to scratch and I love the breakdown and solo.

Buy ‘Fixated’ Here

 

 

 

The Dirts – ‘#2’ (Self Release) Five songs in under ten minutes, what’s not to like? No-fi, Tick.  The spirit of The Stooges and the Damned coursing through this is just about perfect.  Where do I pay my money? opener ‘Zero Boys’ is trashy as fuck but ‘Inside My Head’ takes it to the next level.  The vocals are barely audible but the guitar is throwing out the licks life his life depends on it.

Recorded at home (if your home is a cell with no windows then cool! and Helvete which is just about right.  Satans doorbell would be the ideal place to hang this one. This EP absolutely rips and only gets better.  ‘Nowhere To Go’ is bursting with energy but ‘Homicide Eyes’ is plain Evil.  Get some at the link pop pickers its a Garage punk fire fest and I love it.

Buy #2 Here

 

Drive-By Truckers – ‘The New OK’ ( ATO Records) Patterson Hood pens the hard-hitting title track from the new Truckers album and shoots a video during the recent Portland unrest.  Hood is residing in the Portland area and asks the question is the New OK OK? and hits the spot.  Always astute lyrics but these strike a chord with so many right-minded people around the world and we stand side by side.  Everyone should have the right to peacefully protest and everyone should respect that and Hood shoots a hard-hitting video to accompany the track. Top tune from a top band check it out.

The False Positives – ‘Favourite Things’ (self Release)  When the sleeve has albums strewn over a floor and I spy such classics as The Damneds debut, Motorhead, DMZ, Nick Lowe and The Flamin Groovies I just knew this was going to be a winner and low and behold it is.  A vibrant Rockin’ slab of Power poppin goodness. Two and a half minutes of Swirling Garage organs and tasty distorted licks with a solid chorus and do wap harmonies to complete the job and a lead vocal that reminds me of the late great Nikki Sudden.  Very nice work indeed.

Buy The False Positives Here

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Continental Lovers – ‘Out Of My Head’ (Self Release) Glam bang Thank you, man. Trashy Rock ‘n’ Roll with a delightful smudge of glitter and attitude.

The shuffle on the verse leading to the chorus is great and the arrangement is quality.  It’s a rapid burst of energy and quite possibly the best thing Joe has penned to date be it as a Breakdown or any other project he’s been involved in.  It’s a top tune and if this is just a taste of what’s to come then bring it on as Continental Lovers have a bright future.  Buy ‘Out Of My Head’ Here 

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Baby Shakes – ‘Singles’ (Dimple Discs)  Glam stomping Rock ‘n’ Retro Roll.  Two Undertones-related records get the Noo Yawk makeover and to be fair they turn in a pretty faultless pair of beauties. ‘Sweet N Sour’ is a stomper that was originally released by Damian O’Neill on his solo record a few years back but my pick of the pair is ‘Really Really’ a song written by drummer Billy Doherty that could be found on the B side of the 1979 hit ‘Get Over You’ which they absolutely nail.

Buy Here

 

 

 

Bipolar – ‘Bipolar EP’ (Slovenly Recordings)  Thinking about how to describe Bipolar whilst the EP is playing then gancing down at the press release and seeing them described as SCREAMERS finger-banging THE DICKIES while THE SPITS egg them on I knew I couldn’t beat that so I’m using it. Bipolar is the twisted creation of Pouya and Obash, two Iranians living in Brooklyn.

Think SCREAMERS finger-banging THE DICKIES while THE SPITS egg them on – Pouya has already done time on keys with The Spits.

Of course its crude, Lo-Fi noisy and hell of a lot of fun.  ‘Virus’ sounds like a twisted punk rock Motorhead on the wrong meds.  As for ‘Fist Fight’ it sounds like what went on before during and after they pressed record. Its uncomplicated, dark punk rock blasts from people who truly get it.  Go find em if you dare.  Top EP. 

 

 

Jakob Mind – ‘Watch The City Burn’ (Lövely Records) Rotten Mind singer/vocalist Jakob Arvidsson’s newly established solo project unveils the first track and its the sprightly ‘Watch The City Burn’ and bloody good it is too. It’s the first glimpse of what will be a new album early 2021 and Jakob promises songs from straight-up punk rock to a more Roky Erickson vibe so what’s not to like there? ‘Watch The City Burn’ sounds like he plays everything and a bit DIY but in the best possible way.  Great song, great vibe and one to look out for.  Pencil it in your diaries folks April 2021.   Facebook / Instagram

I See Vultures – ‘Neversafe’ (Self Release)  Something of a Gallows tip or post-punk hardcore – a little less in your face maybe but coming from the same place are these Brit hooligans I see Vultures. drawing from the At The Drive-In, Rage Against The Machine pool. Its Big vocals full of harmony that’s quite proggy sounding against the rough lead vocal but swirling guitars is the name of the game before they build up into that Rage groove.  It’s glossy and rough in equal measures.  Check them out for yourself in the youtube video below.

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Atomic Eater – ‘Broken Earth’ (Self Release) Another off the Lo-Fi conveyor belt.  Swedens Atomic Eater goes for the electronic garage punk with a Bontempi keyboard to lead you into the dense verse /chorus thump. Imagine if the early Buzzcocks used synths and riffed on Tubeway Army vibes then you’d be in the right ballpark. ‘Nightshift’ is another uptempo punch to the throat and one you’ll be toe-tapping along to but pick it up quickly because it’s over with in the blink of an eye.  Crazy scandi punks.

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Buzzard Buzzard Buzzard – 30,000 Megabucks (Self Release)   Riff it up boyos Its like a prime time slab of boogie-woogie on the intro like Angus was born in Brecon.  It’s a double denim stomp off.  When times are tough and you’re looking for a little ray of sunshine in strut four lads with electric guitars and a pocket full of top tunes. Get on it now my 70s inspired rock and rollas turn the amps up and play your rock and roll.  This tune is majestic like the band riding over the rainbow throwing out fistfuls of magic stardust that cheer up the people via the medium of rock, I didn’t know it was possible to smile like a Cheshire cat for three and a half minutes but I do now – Buy It!

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IF Kurt Baker is a new name on you then I suggest you sit up, Pay attention and get your purse at the ready. How could you not agree with that statement? It doesn’t matter what guise Baker releases music under be it solo or Combo or whatever the guy can do no wrong.  He has a fine ear and knows exactly what is required to make a sumptuous ear caressing tune.

What began as noises emanating from a Maine basement is poised to be the soundtrack to a pandemic as Kurt Baker gets back to his roots on this rocking new album.

“The idea for the Combo was always to be a band that showcased my more Garage/Pub Rock/Punk side, while the U.S. group is firmly rooted in Rock/Pop/Power Pop,” explains Baker. Counting those two albums with the Combo, ‘After Party’ is the artist’s sixth full-length record, in addition to his previous work with Pop/Punk band The Leftovers.

After heavy airplay on Little Steven’s Underground Garage and touring in Europe and the U.S. It seemed that the wider world was in on our little Rock and Roll secret that’s been cooking for a while over there.

Wyatt Funderburk, who produced, engineered and mixed the record, also played guitars and co-wrote all the songs with Kurt. The pair previously collaborated on songs for many of Kurt’s releases before he moved to Spain. “The fact that the songs came to us so easily, after such a long time not working together, made me realise how special this collaboration is,” Kurt recalls.

Keyboardist Kris Rodgers is now a successful Wicked Cool recording artist in his own right. The recent single “She Likes To Party” by Kris Rodgers and The Dirty Gems follows up “Every Little Crack,” which Stevie Van Zandt declared the number one Coolest Song Of The Year for 2018. “Kris shines with his vocals on ‘Wandering Eyes’ and piano on ‘A Song And A Drink.’”

Also on guitars is Geoff Palmer, well known to Underground Garage listeners with his band The Connection, who’ve received Coolest Song honors multiple times. “His guitar playing is just so Geoff and he makes sure you know that.”

Craig Sala, who has played with everyone from John Entwistle to Captain Kangaroo, rounds out the group on drums. “He tracked all the songs in a couple hours – a few in just one take.”

Most of the album was recorded in the basement of Kurt’s parents’ house in Portland last year. Funderburk tracked drums and finishing touches in his Nashville studio. “The best thing about these sessions was when we were all together singing into the same microphone, each of us doing our vocal parts, with Wyatt coaching us like Brian Wilson during a Pet Sounds session,” Kurt recalls.

Kurt rode out the terrifying early months of the pandemic in his Madrid apartment, amidst the epicenter of the first wave in Spain, where restrictions were serious. “Even when I’d go for a five-minute walk to the grocery store, the police would stop me to question what I was doing and what I was going to buy! It was a bit surreal. One thing that saved me during the lockdown was that each day Wyatt would send me a new mix of the record. This kept me positive and excited.”

The record opens up with ‘New Direction’ Nah he’s not gone death metal or techno, however, I’m sure if he did then he’d pull it off and make it most listenable. Anyway where was I? oh yeah, ‘New Direction’ immediately lockdown doesn’t quite seem so bad after all. The keys are light behind the big backing vocals and meandering guitar licks its classic power pop.  Had Cheap Trick opened their new album they’d be back playing enormadomes. The middle breakdown is cool with the spoken words just smile and chew your bubblegum with a bit of attitude.

 

‘I Like Her A Lot’ has a bit of punch like Baker had been playing some Green Day perhaps for inspiration. The song motors along and sounds fresh as. You’ll be singing along before the first play is over. It’s a shame chart music isn’t full of songs like this anymore.  If the kids only put down their game consoles and played some sunshine Rock and Roll maybe the world would be a better place, there would be more parties that for sure. Love the hook on the chorus and they nail those backing vocals. ‘Wandering Eyes’ is a killer track.

Baker drops a line in the inspiration pond and pulls out a staple from the fab four songbook for the light ‘Waiting For You’.  We then build it back up with the new wave tones of ‘Good’ sure Costello looms large here but its shaping up to be such a great record so far and we’re only half way through and we’ve ventured through several of the power pop subgenres and done it with that seal of quality that comes with a Kurt Baker record.

The record continues to ebb and flows really nicely from the easier listening of ‘Used To Think’ with its doo wap diddy BVs through the synth-heavy ‘Keep Dreaming’ to the harder rockin Ramones meets Green Day vibe of ‘She Don’t Really Love You Dude’. ‘A Song And A Drink’ is a strange one something of a jazzy barroom number with a really dreamy vibe but an impressive vocal from Gina Brown to bring this one home and something that sits nicely on this record but not something I’d generally gravitate towards but hey, there’s a first time for everything.

To close this record off Baker pays tribute to Single Bullet Theory and it leaves you filled with hope at the end of the record and no matter if you’re feeling lousy this will pick you up as it builds and builds and confirms Kurt Baker as something of a power-pop genius and once again hes crafted along with the help of some supremely talented friends and musicians that ever clud indeed has a silver lining and ‘After Party’ is a lockdown tonic we should all take a swig of. Get on it!

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Pre-save/Pre-add ‘After Party’ Here

Stream the single ‘Over You’ Here

Author: Dom Daley

Strange… when I was assigned this album to review, I was vaguely familiar with the band and went to check out a couple of the early songs released from the album. I wasn’t blown away by them at the time. With that said, I approached the album with some apprehension, even knowing the members of the band have a wealth of greatness among them. It turns out I was either in the wrong frame of mind to hear the early songs, or they did not necessarily immediately translate in the video format to me. At the end of the day, this has become a very enjoyable album for me, which sounds fresh, even if it channels its sound from the glorious nuggets of the past.

Perhaps the difference in how this album came to life for me is the brilliance of opening song ‘Coat-Tailer,’ which I had missed on YouTube. The tasteful group vocals that open it with the classic feeling rock n roll guitar that is buoyed by the piano perfectly set the table for the album. The harmonies are outstanding, and there are multiple lines in the song that will get stuck in the listener’s brain. The guitar solo by Elliot Easton is right on the spot. Second song ‘Remember Days Like These’ features Ringo Starr and is a song that I have a feeling I will like more down the line. It has been a slow grower so far and really reminds me more of something Phil Spector would have produced. The band gets right back into the classic rock n roll vibe with ‘Well, Look at You’ featuring some great horns and a killer chorus. Wally Palmar’s smooth vocals are perfect for this music. They continue to mix things up with the bluesy ‘Jonathan Harker’s Journal.’ The sound effect laden intro suits the opening guitar perfectly. The rhythm work of Clem Burke (drums) and Andy Babiuk (bass) is razor tight and establishes an awesome groove. The vocal work here is awesome as well, especially throughout the chorus.

The up tempo ‘Sometimes Shit Happens for a Reason’ once again takes us back to a classic rock feel with a song that should feature on a cool indie romantic comedy. This song reminds me of everyone from John Cafferty to the rocking side of the Texas Tornados to the light hearted side of Bruce Springsteen such as ‘Glory Days.’ At this stage, this is probably my favorite song on the album. Follow up song ‘The Best That I Can’ keeps the rocking going but suffers in the shadow of the previous song for my tastes. Each member gets a chance to show off their musical chops here. Much like ‘Remember Days Like These,’ I think this one will benefit as the album gets more and more plays in the time to come. ‘If I Could Change Your Mind’ roars in as another nuggets style rocker that features more brilliant vocals by Palmar. This is another brilliant slice of poptopia that should receive a ton of plays on Little Steven’s Underground Garage.

‘Come On and Try It’ was one of the songs I heard before listening to the album, and it still really does not grab me. I think part of it is that refrain of ‘nah nah nah nah’ just feels repetitive in this rocker.  In the context of the album, I like it better, but this is not likely to be a song that I seek out to play on its own.  The ballad ‘The World as we Know It, Moves on’ definitely works better for me as a great change of pace song with some tasteful backing vocals in the chorus. It is also one that does not overstay its welcome either. ‘The Haunting of the Tin Soldier’ settles into a midtempo feel which features some great drum work by Burke but still one of the ones that doesn’t fully grab my soul.

The closing group of the album starts with the attitude filled ‘Death by Insomnia.’ The harmonica work here adds a great feel to the song with the slow bluesy groove designed to get the body moving. This is another one of my early favorites from the album. ‘The World’s Gone Insane’ was another song I heard on YouTube prior to the album, and I like it much more here. The rocking tempo serves to get the album in full rock n roll mode again with a classic feeling riff. The chorus is simple but hooky. I cannot see it ever being my favorite on the album, but it is one I look forward to hearing when I play the album. The closer ‘Indigo Dusk of the Night’ is also the longest song on the album with its acoustic introduction immediately different from everything else on the album. The lyrics paint a picture that you can experience throughout all of your senses. Musically, this one could sit on the Beatles ‘White Album’ and really makes a great finale to the album. The added instrumentation as the song moves forward is terrific, and I imagine it will sound even better on headphones. The closing of a door then ends the record.

This album really provided me with a nice surprise and hit that nuggets sweet spot while still sounding current and fresh. I am very glad that I did not let the first song or two I heard ahead of the full album form my impression of the whole record. This album will be receiving a lot of plays, and I anticipate several songs from the album will make their way onto monthly playlists of mine in the future.

‘The Second Album’ is available now. Buy Here

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Author: Gerald Stansbury

Kurt Baker (Kurt Baker Combo, The Leftovers, etc) Delivers New “Over You ” Video That’s “A Total Spoil of Riches For Any Fan Off 80’s Culture.”  New Solo Album ‘After Party’ Out October 23 on Wicked Cool Records

Melbourne, Australia’s The Mercy Kills are back, with the release of their newly remastered single, ‘Fall’ and accompanying video. Fall comes from their upcoming EP X, which will be released by Golden Robot Records on October 2nd.  Facebook  / Instagram / Twitter

Finally this Monday we bring you the brand new video from Dinosaur Pile-Up and their take of the classic ‘It’s tricky’ from Run DMC.  The band have announced rescheduled live dates, which include their largest headline show yet to take place at London’s O2 Forum Kentish Town on February 26th 2021, with a warm up show at The Wardrobe, Leeds on February 20th. Dinosaur Pile-Up will be completing a full UK tour with Enter Shikari throughout May and June 2021, which finishes with a London show at Alexandra Palace on June 12th. The band are also set to perform at festivals including Mad Cool and Burn It Down next summer. All tickets are available via The bands Website

 

 

The break-up album can be an artist’s defining career moment. Time after time it has been proven that heartache and relationship breakdowns have fuelled the writing and inspired some of the greatest albums of all time. Whether we talk Fleetwood Mac’s ‘Rumours’, Nick Cave’s ‘The Boatman’s Call’ or Bob Dylan’s ‘Blood On The Tracks’, writing and recording music can be an exorcism of the pain, anger and confusion of a break-up. It has been said that when an artist is at their most vulnerable…they are at their best.

When Texan singer/songwriter Ryan Hamilton was faced with an unexpected divorce last year, he was a broken and confused man. He did the only sane/insane thing he felt he could do. He cut off his hair, packed up his troubles in the back of his car and took to the road with just an acoustic guitar and his dog Peaches for company. Travelling Route 66 and living in the back of his car, this time of solitude and soul searching was designed to ease the heartbreak and maybe help him find direction. Whether it made things better or worse, you would have to ask Ryan, but it certainly spawned new music and a new album.

 

Taking its title from one of Ryan’s heroes, Jack Kerouac, ‘Nowhere To Go But Everywhere’ is a trip through the mind of a man searching for answers and re-evaluating his life, to a soundtrack of radio-friendly Americana, backed by his transatlantic rock ‘n’ roll band. Recorded at his home studio in Texas and finished off back in the UK by his band and producer Dave Draper, this is a more introspective and emotional journey than we are accustomed to, from a man who deals in catchy, power pop ditties.

Opener ‘Only A Dream’ sets the tone with sweet acoustic guitars and Ryan’s even sweeter vocals. It has definite Tom Petty vibes as Americana marries dreamy, folk pop to perfection. Highlighted by swathes of keys and a rhythm section who know exactly how to take it where it needs to go. It builds nicely in the pre-chorus with great chord progression, to soaring vocals in the chorus. An emotive and harmony soaked introduction to the album.

Second track (and second single) ‘Oh No’ is a duet with Letters To Cleo singer Kay Hanley. Classic album titles make up pretty much all the lyrics in this clever celebration of musical influences. Upbeat and summery, this is more in the vein of what we know and love from the Texan songwriter. The juxtaposition of male/female vocals in the chorus is complete radio fodder. How many album references can you spot?

Yet, ‘Jesus & John Lennon’ is probably the most radio friendly single on offer. That “na-na-na-na” intro is an instant earworm, both euphoric and spiritual in equal measures. Co-written by Steven Van Zandt and featuring The Alarm’s Mike Peters on backing vocals, this could be the happiest sounding song about a break-up ever written. Referencing Brian Jones &The Rolling Stones and Martin Luther & the Catholic Church, it’s a break-up song about how some things were never meant to be.

 

The 11 track album feels like a journey, as we travel with Ryan through many emotions. From happy-go-lucky love songs such as ‘Out Of My League’ and Geordie anthem ‘Newcastle Charm’, onto the struggles of a religious upbringing and going back to the roots on the likes of ‘Can I Get An Amen’ and ‘Southern Accents’ respectively. Even though it is mostly upbeat, throughout there is a sense of yearning and heartbreak. It only hits home on the heartfelt ballad ‘Don’t Fall Apart’. Prime mixtape fodder for the girl you love, pedal steel gives a countrified, Americana vibe. A song overflowing with sentiment, as he sings the words of a man coming to terms with his whole world crumbling around him.

‘We Gave It Hell’ seems like the natural album closer. A goodbye and thanks for all the fish moment, as Ryan bids farewell to past love, and looks forward to pastures new to an accompaniment of pedal steel and understated percussion. Album closer proper ‘Pick Yourself Up’ seems like more of a reprise, as Ryan continues the theme of starting over accompanied by a lonesome piano.

It must be said that Dave Draper has done a great job of capturing Nashville vibes as he did on ‘Grand Ole Otley’, Ryan’s collaborative covers album with Terrorvision frontman Tony Wright. And as always the long time rhythm section of Rob Lane on bass and Mickey Richards on drums play their parts to perfection.

 

To avoid being consumed by the sadness of his marriage break-up, Ryan Hamilton has used songwriting as therapy and channelled his emotions into his art. This is not an angry album, it’s more of a cathartic look back over a failed relationship. Dissecting what was good and not dwelling on the bad, trying to figure out where it all went wrong and where to go from here.

As he bids farewell to one chapter of his life and looks forward to what the future brings, it seems through no fault of his own or any grand design, Ryan Hamilton has written a poignant and confessional album that could well be the best of his career.

Buy ‘Nowhere To Go But Everywhere’ – Here

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Author: Ben hughes

 

 

 

 

 

Bringing you the finest new releases from across the genres of Rock, Punk, power pop and Alternative RPM Singles Club opens its door for September and the wind blew these fine tunes in

 

The White Ribbons – ‘Leftovers’ (STP Records) When you take 4 musicians enjoying nothing more than a jam session in mid 2017, and that jam session then develops into a band that was formed to support the amazing work done by www.whiteribbon.org.uk  which is part of the global White Ribbon movement to end male violence against women by engaging with men and boys, raising awareness, and influencing change and providing resources to make change happen, ladies and gentlemen what you get is The White Ribbons band.

‘Leftovers’ is exactly how I imagined they’d sound.  There’s a vibe about the band that says Joy Division and the sparse intro until the distorted guitars crash in its got a subtle hook but never pours over into a frenzy.  ITs a cold feeling of a post-punk mid-80s however the real gem is ‘S.O.P.H.I.E’ and a powerful subject matter is tackled really well and all wrapped up in a fine tune I especially like that bass sound on the breakdown. There are hidden gems here after the song fades away with ‘Social Work’ sounding like they’ve been jammin’ with the Levellers with that powerful lyrics and acoustic-driven alternative music with added Clash thrown in as a reference what’s not to like? Strummer would have approved no doubt about it.

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Guerrilla Teens –  ‘Upside Down’ (Self Release)  COVID lockdown has been nicely punctured by the one and only Scott Drake Deluxe and his wonderful Guerrilla Teens and their regular Bandcamp drop of a pair of bangers that are shaping up nicely to what would easily make one of the best albums this miserable year.

This weeks drop is an altogether darker more menacing tune in the shape of ‘Upside Down’ with the ringing lead guitar and Drakes vocals softer and more restrained its another drop of pure class from the Teens.  Then the second tune is an altogether more bruising number thats the sound of a band windmilling the opponents with a super cool laid back chorus ‘Fight Or Flight’ is a top tune. Deaf Jeff and Saul Teen are on fire here kicking up a shit storm with those buzz saw guitars.  You’d be a dummy if you pass by on these tunes and the previous offerings. Top of the pops this edition?  You bet!

Pick it up Here

 

Rock N Roll Manifesto Split  ‘7″ Series Vol. 1’ (Self Release)  We love a split single round here and when it has some of our favourite artists on that we’ve reviewed many times before it is always a pleasure so when this one dropped from down under and JJ & The Real Jerks popped up we knew we were in a good spot. Pressed on three different coloured slabs of wax this is a bargain we knew we had to tell you about.

Tiger Touch is first out of the traps with a right banger. ‘Problems’ is all up in your face poking and jabbing with that nasty guitar hook and a vocal that’s not pausing for breath until it’s finished whatever the fuck it wants to say.  What a great tune to kick this split off.  Oh if you’re not convinced how about Fret Rattles and their ‘Thanks For Nothing’ with its super snotty garage, frantic dash to the solo punk rock.  Hip Priests fans will have to check these bad boys out because they might have a new champion stateside. Then halfway through our old pal JJ & The Real Jerks are back in town with a right high octane blast of energy in the shape of ‘Split Decision’ complete with JJ blowing that mean Saxophone solo to raise the bar a little bit more.  Excellent stuff and to take this sucker home how about the punk fueled Missile Studs wrap this awesome EP up like a wrecking ball.  We featured their split a few weeks back they did with Thee Evil Twin. They’re Straight outta shitville USA and are on fire, this is the fourth awesome track on an EP that is unrelenting and reeking with quality. If you love loud fired up Rock and Roll you’re gonna want this in your collection no doubt about it. Pick It Up Here

 

Dead Low – ‘Listen Up!’ (AUDIO EPIDEMIC RECORDS!)  Buy Here / Digital Copies

First Boy On The Moon – ‘Sofia’ (Manic Records) Relocated Californian David Pedroza is now set up in Sweden and his band ply their post-punk trade drawing influences such as The Cure and Early U2 on this wonderfully vivid pink coloured vinyl 7″.  The lead track is an uptempo throwback if you like to that mid-80s guitar-driven sound and with a good hook on the chorus it’s not a bad introduction to the band at all.  The flipside is a heavily effected bass throbbing builder. Not a million miles from the more chart orientated American Indie of early Killers.  Me, I prefer the first track much more I like the later years Bowie influence going on which is never a bad thing.  Facebook
Minatore – ‘Boys Tell Lies’ (Self Release)  Nottingham based two-piece sound like a whole band and some on this ‘Boys Tell Lies’.  A dark tale dealing with Rape Culture this walk on the dark side is surprisingly uplifting and whilst its steeped in grunge meets punk along the lines of early Nirvana and Dinosaur Jr it sounds huge. Aggressive and measured it’s a fine introduction to a band.  The second track is more of the same but a little less fury and more in keeping with the band influences of Smashing Pumpkins with all the time changes. Pick it up here

In The Whale – ‘Drugdealer’ (Riot Records/ golden Robot Records)   Just so you don’t think we’ve gone soft, coming on like Helmet when ‘Betty’ was a thing this has a huge groove that crosses over into prime Downset territory. Heavier than two anvils In The Whale are in da house kids!
IN THE WHALE have been turning heads and accumulating a mass of die-hard fans and followers thanks to a relentless tour schedule and an explosive live performance. Artists and festival promoters have taken notice, with the band playing Riot Fest, Lollapalooza, Austin City Limits, and Afro Punk, as well as shows with Jane’s Addiction, The Descendents, The Offspring, Gogol Bordello and many more

 

HOOKERS & BLOW ‘Trampled Underfoot’  (Golden Robot Records)  Moving into the 21st century Dizzy Reid & Alex Grossi Releasethis from their soon to be released covers album. They tackle Bowie, the Stones and Eddy Money, as well as this, Led Zep classic with all parts recorded in quarantine during the pandemic.  Of course they turn in a near-perfect rendition if classic Rock is your thang then you’re going to love this.

Hookers & Blow would like to dedicate the release of ‘Trampled Underfoot’ to their good friend and colleague, the late Frankie Banali, who passed away recently after a battle with cancer. A portion of proceeds from this single will be donated to https://www.pancan.org/

 

The Nude Party – ‘Lonely Heather’ (New West Records) Second album set for release next month but first this very listenable jig that’s equal parts VU and The Stones (early ’70s) comes with a catchy animated video. Besides when can a song have too much cowbell?

 

The Jimmy Tarbuck Experience – ‘Under Class’ (self-release) Now Heres a top tune.  Catchy with a bit of a punch.  The band got in touch to say the EP they were going to put out has been held back due to the obvious but did release this one track and accompanying video featuring some of their punk pals; Kevin Nixon from Anit Pasti, Glynn Barber from Chron Gen, Paul Rooney from Vice Squad and Pete R Jones from PiL / Department S and every other band in London (so it says here)   but we certainly love the tune and the more we play it to more it gets stuck in your noggin’ just what a singles supposed to do right?.  Tidy!

 

Kurt Baker – ‘Over You’ (Wicked Cool Records)  Don’t take my word for it just click the link and decide for yourself but just in case you need convincing.  Kurt Baker is one hell of a talent regardless of what guise it is be it solo, with his combo or with the Leftovers the guy has no visible faults or weaknesses.  He pens infectious upbeat Rock and Roll power pop and probably does it better than almost anyone you could name.  Here he is with the lead track off his new album that released next month. Pre-save/Pre-add ‘After Party’ Here / Stream the single “Over You” on all digital platforms: Here

 

Frankie And The Studs – ‘(Not Your) Victim’ (Golden Robot Records) What a great tune.  Sure its fairly generic style-wise but I love that backbeat and the chorus is quite memorable. Hollywood rockers Frankie and the Studs just signed with Australian Punktured Media and this is their first single since signing.  It’s about women being empowered and the inherent strength they possess and not to forget it.  Sure it’s inspired by Quatro and Jett but what’s wrong with that?  If you’re going to seek inspiration then go to the top and it shows in this single and the more plays to more it stands out.  A decent earworm for sure. Preorder/SaveHere 

 

If it were a six a side knock about I’d be quite pleased these bad boys were on my team some old some young some borrowed and, well, nothing Blue  Check out the last six singles for August and an amazing month for releases…

 

Divine Horsemen – ‘Mystery Writer’ (Self Release)  The first new music in thirty-three years and it’s pretty bloody decent to be fair.  With the duet vocals, it’s a slow-burning Rock and Roller reminding me of when the sisters of mercy rocked it up and some old school Keith inspired Rock n Roll.  As the guitars weave their merry web the melody rolls on.  On the virtual B side is the chunky riff of ‘Mothers Worry’.  A live cut with a bit of guts and plenty of attitude.  A decent offering and great pallet taster for the new music they must be releasing soon.

Buy Here

 

 

 

Jesse Malin – ‘Todd Youth’ (Wicked Cool Records) We jumped the gun a few weeks ago when we covered this Jesse Malin release but it’s here now. With an A-side paying tribute to former bandmate and guitar legend Todd Youth Jesse has penned a pretty upbeat number and not the tear-jerking ballad you might expect and he also gets Bad Brains legend HR to join him on the song. There’s a Motown feel here and a great way to pay tribute to one hell of a player and popular musician from coast to coast and continent to continent Youth touched many and its great he’s remembered here in such a fine way.  The flip side sees a funky ‘Sally Can’t Dance’ that I’m sure even Lou Reid would give a standing ovation to from the horns to the Bv’s and beyond.  Malin nails it again.

Buy Here

 

Pre Cog In The Bunker – ‘Precogs Dream’ (sister Raygun Records) Italian pair churn out a hellish noise of Garage rock goodness in the shape of Precogs dreams and on a wonderfully vivid pink vinyl.  It’s just Rock and Roll in the time-honoured Cramps, 60’s VU style. They hit things & chop out some phat riffs and throw in plenty of howls!  Its pretty much the MO for all three tracks its been done before but it will no doubt be done another million times with varying degrees of quality. This is a decent listen and whilst the songs are all mid-tempo its pretty good.  So the final track is hanging on by a thread before the breakdown which is very VU if I’m honest and there’s nothing wrong with that at all and ‘On The Run’ is my pick of the three tracks on offer here. I certainly wouldn’t object to hearing more of this when I get round to hearing the album they also released earlier this year until then this will do. Buy Here

 

Joe Desglose – ‘Too Much TV’ (Self Release) Joe thought he’d sneak these demo tunes out and people wouldn’t notice or more likely Facebook and their algorithm wouldn’t let it reach too many people but we’ve always liked Joe from his Breakdowns days and through his tenure with DeRellas Joe has a great pedigree and these raw song ideas show he’s lost none of that trashy fury even with just an acoustic guitar and a voice you can see and hear the songs taking shape.  From the uptempo ‘Tattered Star’ through the tribute to Ms. Jett in the shape of the excellent ‘St Joan’.  You have the more laid back ‘Conversations With The Girl’ which has a slightly continental feel and with the Johnny Thunders guitar break we like a lot and when this virus eases to the point where Joe can get into a studio with an electric band this might just get a lot more exciting if this is the quality of songs we can expect. Not a bad one amongst them and ‘Wedding Song’ sounds like a long lost Frankie Miller number Joe is on form and long may it continue. Check them out here

 

The Candy Snatchers – ‘Picture My Face’ (Fandango Records)  Heres the story for these two tracks and how they’re now getting their digital birth some time after the crime so to speak. The Candy Snatchers shouldneed no introductions to be fair I’ve said on numerous occasions how immense Larry Mays vocals are and how intense he makes every record sound and its always better than the last one and this is no exception absolute stone cold classics and this band should have been Fuckin huge no make that HUGE!

“Sometime in late 1997, Matthew Odietus handed Jake Starr a DAT with two new Candy Snatchers songs on it for a split 7” with Adam West on Fandango Records. Jake chose “Picture My Face,” a raucous cover of the Teenage Head classic, and released it as FR-012 limited to 510 copies. The 7″ single sold out nearly overnight and has never been repressed or released digitally… until now. This version of “Treda Douche” is the first take on the song and was originally released on a rare LP compilation on Intensive Scare Records. Both songs have now been remastered and are available for the first time digitally. These two songs also feature Black Market Baby drummer Tommy Carr, who was briefly in the band in between permanent drummers. Fandango is so proud to re-release these songs for your listening pleasure. Enjoy, kids!”  I couldn’t have said it better myself

Buy Here

Chaser – ‘Look Alive’ (Self Release) Its hard not to admire any band who donates 100% of the band’s proceeds from record sales will be donated to Equal Justice Initiative, Educational First Steps, Crisis Aid International, and Surfrider Foundation so here you go fill yer boots with the video of the track taken from the album of the same title.  Right out of the Bad Religion pocket.

Here are some details of where to pick up a physical copy –

The track, now streaming on all digital platforms, appears on the band’s upcoming ‘Look Alive’ 7″/EP out on September 4. Vinyl copies of the 7″ have sold out, but digital copies and merch are available at www.chaserpunkrock.com.

The sold-out ‘Look Alive’ 7″ was limited to 333 copies, and available worldwide in 4 different color variants via Thousand Islands Records (Canada)Sound Speed Records (USA)SBAM Records (Europe) and Pee Records (Australia).

Mickey Leigh has been a fixture on the New York rock scene since the late 1970s, fronting the Rattlers and Stop, appearing regularly at CBGB, joining Lester Bangs in Birdland and his brother, Joey Ramone, in Sibling Rivalry. The guitarist, keyboard player and singer has become something of an elder statesmen. In addition to being an author (‘I Slept With Joey Ramone’) and an all-around swell guy, he organizes the annual Joey Ramone Birthday Bash charity concert.  Here he is with his brand new video for ‘Little Cristine’.

Whilst not strictly a video but a great track off the new EP.  Ships from Europe and the UK and can be purchased Here and as you know RPM Online loves to champion independent artists who write and play great music and Craggy Collyde does that.  check out ‘Dead Refrain’ from ‘Wrapped Up In Ribbons’.

Finally it’s pop-punkers Catholic Guilt from Melbourne Australia. Taken from the upcoming EP ‘This Is What Honesty Sounds Like’ out at the end of the month on Wiretap Records. Website / Facebook

SO EXCITED to announce a BRAND NEW ALBUM, “Nowhere To Go But Everywhere”!  The album comes out Sept 18th, BUT, our new single, ‘Jesus & John Lennon’, is OUT NOW!

Swiftly following on from their Independent Music Award winning debut album, Ryan Hamilton & The Harlequin Ghosts are delighted to announce its follow-up: ‘Nowhere To Go But Everywhere’. Pre-order here.

Little over a year since the release of his enthusiastically received debut ‘This Is The Sound’, the Texan maestro backed by his trans-atlantic band will release 11 brand new tracks on 18th September 2020 in what will be their sophomore release for the Wicked Cool label.

& Here’s a handy link to listen to the new single, pre-order the album, and/or pre-save it on Spotify, iTunes etc…

CLICK HERE!

Like some of the greatest records in history, the bittersweet and often beautiful songs of ‘Nowhere To Go But Everywhere’ have their basis in break-up. In the wake of a divorce and in urgent need of a new start, Hamilton hit the highway and embarked on a long, soul searching road trip across the US. Losing himself in the heartlands of old America, Hamilton found himself gazing upon the crumbling motels and diners that line fabled arteries like Route 66 and picturing what once might have been; their fading grandeur offering a unique sense of solace and inspiration. As the milometer ticked-on and new experiences began to ease those unshakeable notions of hurt and heartbreak, unexpectedly Hamilton felt himself writing some of the most intimate and personal music he has ever written.

“It’s a group of songs about heartbreak, and finding yourself.” says Hamilton of the new record. “It’s not like anything I’ve ever done. I am certain they’re the best songs I’ve ever written. When this album comes out, it will be like baring my soul… and I’m ok with that.”

Literature fans may be quick to identify the title as a quote from another creative work written “On The Road”, by a certain Jack Kerouac. Though a fan, Hamilton insists its pure serendipity in this case. Or, the influence of a lucky charm perhaps (also seen to feature on the upcoming album artwork)…

“I knew it had to be the title for this album.” he says. “Kerouac is a hero, and because of the way this album was written, his spirit is all over it. I actually own Jack Kerouac’s belt. That he wore in the 60s… It’s a cherished possession.”

With a lifelong adoration for the work of Tom Petty, listeners will no doubt detect the influence of the great man in the warm and radiant arrangements of album opener “Only A Dream” or the gentle Califonian kissed balladry of “Pick Yourself Up”. But it seems a final pit-stop and pilgrimage to the famed Norman’s Rare Guitars in LA, would play its part in determining the resultant sound of ‘Nowhere To Go But Everywhere’ too.

“Norman is the go to guy for a lot of big names out there. Including my hero, Tom Petty.” reflects Hamilton. “I went in the store at the end of that aforementioned road trip from Texas… and had no intentions of leaving with a guitar. But, Norm and I got to talkin’, and we talked about Tom… and before I knew it, I was leaving with a vintage Martin acoustic. That guitar feels like my child. I cherish it.”

Returning home filled with a sense of rejuvenation and alive with new ideas, Hamilton reconnected with The Harlequin Ghosts (aka Mickey Richards and Rob Lane) and a host of talented musicians to help recreate his journey in the songs of what would become: ‘Nowhere To Go But Everywhere’.

Taking a similar approach to the recording process of their debut, ‘This Is The Sound’, the new album was recorded using both Hamilton’s home studio in Texas and that of producer Dave Draper’s in the UK, who also produced, mixed & mastered the final cut. Hamilton laid down the bulk of the record whilst also touring his solo acoustic tour in February 2020, before the declaration of the global pandemic saw Hamilton forced to return home to add the finishing touches.

Not one to sit still for long, Hamilton even found time to write an additional EP’s worth of material, ‘Incommunicado‘. Connecting remotely with producer Draper, plus other fellow musicians in lockdown in the UK and France, the EP recorded and released completely in lockdown. Dropped without prior warning in May 2020 and with all proceeds going to the Music Venue Trust’s ‘Save Our Venues’ campaign, it shot straight up the charts to become Hamilton’s first number 1 album (iTunes Country Chart) and sets the precedent for a magnificent long player to follow this Autumn.

Wise with the experiences of life and glowing with the sense of adventure of his travels, ‘Nowhere To Go But Everywhere’ is an exceptional new chapter in the Ryan Hamilton & The Harlequin Ghosts story. Just make sure to save them a table at the awards ceremonies next year…

RYAN HAMILTON & THE HARLEQUIN GHOSTS – NEW ALBUM:
‘NOWHERE TO GO BUT EVERYWHERE’- OUT 18 SEPTEMBER 2020, VIA WICKED COOL
PRE-ORDER HERE || LISTEN TO JESUS & JOHN LENNON HERE

FOR MORE INFORMATION
Website / Twitter / Facebook

SV & The Eruptions – ‘Football In The Sun’ (Avenue Recordz) Always on point with his lyrics and always relatable. Spunk Volcano does it again with a laid back summer sizzler. ‘Football In The Sun’ is right up there as far as songwriting goes and Spunk makes it look easy as falling off a grifter.  Maybe Spunk headed too many of those rain-soaked leather balls and it did something magical because apart from being able to pen catchy relatable music this band hasn’t made a single bad record yet. Prolific would be an understatement as for the tune It’s understated, less in your face and a real grower it gives you a chance to listen to the lyrics and smile. It’s a top tune none the less and adds some more class to this line up of new releases in June/early July. The fact that SV & The Eruptions make music they want to and don’t compromise in any way only adds to the quality of songs on offer they don’t have to all be out and out noise as this single testifies but once it’s in yer noggin you’ll be gripped like a vinnie jones nut grab and chanting Ozzie,Ozzie,Ozzie, Ozzie Ardiles. Bastards! Available on CD or download. Get it.  Website

 

Benji & Beddis – ‘Ebony & Ivory’ (Self Release) Well who saw this coming?  With the current climate seeing racial tension being brought front and center these two ‘Port legends kick up a shit storm with the perfect cover.  You know what to do you, beautiful people.

“Ebony and ivory, live together in perfect harmony.” Couldn’t have said it better myself

To make a donation towards the pair’s fundraising efforts, visit justgiving.com/crowdfunding/dean-beddis-45

To download the single, visit Here

The Cocktail Slippers – ‘Like A Song Stuck In My Head’ (Wicked Cool Records) Very much a slow burner The cocktail Slippers deliver exactly what it says on the tin and a song that could easily be heard on your daily commute to work on some clued up radio show.  It’s power-pop with the emphasis firmly on the pop side with a catchy chorus and easy on the ear guitar chords. Facebook Buy it stream it download it whatever it is you do do it here

 

 

 

 

Moot – ‘I Hate Hippies’ (Riot Records)  Australian punks Moot declare that they indeed hate hippies raging on a steady diet of Jello (Biafra) and Prime Time Black Flag its punk rock baby.  Plain and simple no-frills no clever production no synths just old school. Just one thing,  The artwork alludes to a hipster not a hippie have Moot had one too many Victory Beers?

Indonesian Junk – ‘Pillbox’ (Rum Bar Records) A track taken from the band’s new long-player that hooks in all the Singles and rarities entitled ‘A Life Of Crimes’.  If this take on the joneses classic is a hint as to what’s on offer then get excited kids because Indonesian Junk has got it going on.  It was always a blinding track and has been covered many times but this version is an absolute barnstormer and Da Junk have embraced the spirit of the original and captured the DNA and that little sparkle of magic that was sprinkled into the original but could only be unlocked by people who are worthy. It looks and sounds like Indonesian Junk are indeed worthy of being passed the baton to carry into the future.  If you have a beating Rock and Roll heart then you’d be foolish to pass this one by. Bandcamp

 

The Woggles – ‘Nothing More To Say’ (Wicked Cool Records)  Retro rock and roll with a real ’60s vibe from the keys to the melodies The Woggles have nailed it from those slightly overdriven guitars and layered vocals but its those scooby doo keyboards that really nail this tune. Not since T Rex has this much bongo gone into a single.

‘Sweet Freedom’ is on the flip side created by Barry Mann & Cynthia Weil and in my humble opinion steals the show from its marching beat and Little Steven clanging guitars, its a confident pop tune struttin’ its stuff like these cats were paying attention thank God. Facebook Pick up a limited press here

 

 

Decrepid – ‘Plagued By Mortality’ (Xtreem Music) Follow this one fuckers. As some of you might know we love a bit of extreme music here at RPM and had to share with you the new single from Decrepid.  There is nothing more metal I’m just glad they put the lyrics on the video otherwise I wouldn’t have a clue what they were saying and neither would the kids.  From the wonderful band name to the music and the playing to the title of the song this is the most metal track we’ve had dropped on us in a while.  Enjoy

Cocktails – ‘Bun E Carlos’ (self Release) San Fran has always been a destination for hip rock and rollas and Cocktail have just released a single off their new album that’s got sunshine in abundance and a title paying homage to one of the best drummers from one o the best bands the US of A ever gave the world.  It’ll also cleanse your pallet if you clicked on the Decrepid video this is something of a polar opposite.  Power Pop goodness with nothing but fluffy clouds in the sky and not a pitchfork, devil horn in sight. Click Here

 

 

 

The Psychedelic Furs -‘Come All Ye Faithful’ (Cooking Vinyl) Cool as new single from them Furs. ITs a slow cooker comes to the boil nicely and not an instant hit but it does grow as you can tell for yourself from the video below.  Besides its always cool to hear some saxophone on a rock n roll record. Here

Sin City – ‘High Noon’ (Dirty Water Records) Their love for Sergio Leone spaghetti western schlock is proudly worn on their western-shirt sleeves and the video makes numerous references to the western films of the 50s and 60s. So smell the gun smoke and ride into the drunken, sepia-toned glory of Sin City! Murder ballads never sounded so good.

The song is taken from their second long-player ‘Next Exit Sin City,’ which follows fast on the heels of their April debut. In fact, Sin City has proven themselves to be a two-man quarantine song factory, as two brand new tracks accompany the High Noon single and rumours already abound of further offerings to come… There are clearly no flies on Sin City!!

The Sinclairs – ‘Dodgems’ (Cleopatra Records)  Order Here Taken from The Sinclairs album “Sparkle” The Sinclairs are: Rat Scabies (The Damned) and Billy Shinbone (The Neville Staple Band / Flipron) with their instrumental filmscape tunes check out the video for the first single off the album ‘Dodgems’  

NEVILLE STAPLE, SUGARY STAPLE & FTS BAND – ‘Lockdown’ (Self Release)  Hit up their Kickstarter page for exclusive offers here. The sun is shining and I’ve come indoors to escape the heat and then this hit my inbox – Perfect!  what a great tune from Neville and Sugary Staple.  After catching them a few years ago from the side of the stage at a big festival they were blistering that night and this sounds like a worthy addition to their awesome catalogue of tunes.

Blind Channel – ‘Gun’ (Ranka Kustannus label) Intense new track from Finnish rockers who mix up pop with their nard n heavy riffs.Not a million miles from Linkin Park at the peak of their powers. ‘Gun’ is a dark song for dark times and the band assures fans it’s their method of using their music to get back at their critics. The band is hotly tipped to be the next big thing out of Finland and have mass appeal. On this evidence, I can see why Facebook

 

 

 

 

Electric Death Rodeo – EP (Ghost Town Noize) Who’s up for a new band playing some sweet sleazy snotty Punk N Roll? That should be-  hell yeah! from every one of you. Well, Electric Death Rodeo is in the house featuring members of Radio Dead Ones, Motor City Mayhem and Johnny Firebird oh now you’re listening I’ve got your attention now well ‘I Don’t Care’ no not literally its the opening slab of snotty Punk N Roll mixing up early Scandi rock with some attitude (not that early scandi rock didn’t have any but you know what I mean) its a measured slick slice of bad boy boogie.  Catchy with cool gang vocals on the chorus great solos and a real good time as Iggy would say. If you think the opener is a great tune then wait until you happen on the second, ‘Never Back Down’ its loud and understated but a great tune none the less. ‘Nighthawk’ is anthemic but in a good way again it’s a great riff I’m hearing Mick Jones Clash in this one on the verses especially – great effort. Then to wrap up what is my pick of the lot is some Kiss like duelling guitars (I mean early Kiss obviously) As far as new bands go Electric Death Rodeo will have all the Action Rock fans salivating as they put on their shit kickers turn the amps up and let rip.  Jump on this one boys and girls it’s out the first week in July Here

 

Thumper – ‘Topher Grace’ (Reckless Records) Dublin’s fair city is throwing up a few alternative bands at the moment and Thumper kick up enough of a racket to wake ole Phil Lynott to clock your second single in at a nosebleeding six and a half minutes is pretty ambitious but Thumper look like a band who dance to their own tunes and not conform with convention.  Check out the video and decide for yourself  Website / Facebook / Twitter /  Instagram

 

 

 

 

Matty James Cassidy – ‘Someone’ (Pirate Heart Records)  A special version of the song with all proceeds going to the Samaritans not just shows what a talent Matty is but what a humble and big-hearted artist he is. The message of the song is fitting to raise awareness of an organisation who work hard to make sure there’s always someone there for anyone who needs it.

The idea is that people will use the song as a way of reaching out, so people are encouraged to not only stream it and buy the download for themselves, but also use the ‘send as gift’ feature on Bandcamp to pass it on to anyone you feel might need to know they have a friend right now. You can also choose to pay extra if you wish.

The single’s artwork features a fantastic illustration by Kevin Mc Hugh Art and by teaming up with Hollow Hill Apparel, there is some very special merchandise on offer to help raise funds also. Listen / Buy – Here
And for more information or to seek help from Samaritans, call for free on 116 123, email jo@samaritans.org, or visit www.samaritans.org to find your nearest branch.
The Idolizers – ‘Stranded (Again)’ (Rum Bar Records)  As the phenomena that is Rum Bar Records the purveyors of fine records since God knows when but still not released a duff record have only gone and done it again.  This time they’ve stumbled outta Boston and headed south into NYC and happened across the most excellent Idolizers who have their debut album ready to go in August but first we have this taster in the shape of ‘Stranded’ and what a snotty jet fuelled rocker it is. If you don’t believe me hit the link and check it out for yourself. Hit this here
Dead Horse – EP 1 (Self Release) Dead Horse I is the Debut EP from the Garage Punk Trio Dead Horse a new down & dirty garage/punk trio from London influenced by the likes of Jay Reatard, The Cramps, Gallon Drunk & 80s Matchbox.

The EP takes a debauched, tongue in cheek journey through over indulgence, relationships, death, sex and lust across just shy of 14 minutes. Some might argue that it’s not technically a single but I’m in charge so it’s in, besides its a glorious racket so it was always going to get in.The EP will be released across all major digital platforms as well as a limited edition run of cassettes.  (bloody hipsters) The EP ‘Dead Horse I’ was recorded, mixed, produced and mastered by Connor Jones at Humm Studios, Bristol. The band were formed in 2019 and they’ve not looked back since. Featuring five tunes with the first being a sprightly heavy on the reverb rocka. I love the fact that it’s ever so slightly unhinged but you know they can bring it back from the brink but you hope you’re there the night they cant because that is gonna be one of those nights, funnily enough, the track is entitled ‘Night’ there a slight western feeling to ‘Secrets’ whereas ‘Headstone’ is most excellent a dirty slice of dark rock and roll with a time-honoured riff that hanging on by a thread. they check out with ‘Creeper’ which does what it suggests it might.  Like a band who’ve struck a deal with ole Beelzebub and had to trade in their souls for a good time which on this evidence seems like a fair swap.  I like it, I like it a lot check em out. Facebook