The driving keyboard is what will get you in the end. Insanely catchy as the songs drive on mowing down everything in its wake. It’s like hypnosis through punk rock. ‘A Casual Death’ is anything but. Christ pre-pandemic (remember that?) there was a band out of Vancouver called The Corner Boys and they released one fantastic album then split. Another great record was Chain Whips well since Covid drummer/songwriter Patrick McEachnie has stayed as active as possible using his time to great effect by picking up a guitar and playing. Basically, he made an excellent record all on his own, and if you were paying any attention to his other releases you will know. Those who do just simply know what to expect, sure, of course, this is fucking right up there flat out excellent.

‘Coming After You’ is rapid and right to the point. Making a racket and finger-wagging and full of menace. The title track is a tub-thumping cross between some bedroom homage to the UK Subs and Tubeway Army it’s the synth that’s humming away throughout as the guitars sound like a twenty-year-old Tascam four-track at best only adds to the intensity and manic feel.

‘Two Sides Of Your Heart’ is akin to Chubby And The Gang in some ways – just thrashing away around a hypnotic melody and a blitzkrieg keyboard solo that is a face melter. The record isn’t hanging around either bopping til it drops with songs around the one and a half to two minutes long. Kick-off turn in an awesome melody – kick the listener in the tits then fuck off. Jobs a good un- Next!

When the tempo is turned down a shade (‘I’m No Sustitute’) it’s a killer with a twisted melody and that fuzzed-up synth. It’s not new at all, it’s not big or clever and it’s nothing to write home about if you’re after a polished modern production. Its infectious, banger after banger – twisted melodies layered upon thrashing guitars and monotonous melodies playing with your head. You know you like it but you haven’t the foggiest why? Is it the ripping pace? The Melodies? the mindless pogotastic beat? is it the Ramones love in of ‘Lost Cause’ and ‘Stay Away From Me’ reminding you what it was like to fall in love with punk rock? Of course, it’s all of it. A top tune is a top tune no matter what style it’s done in.

Hell, that was a blast! Ten songs in twenty-something minutes – perfect punk rock for the masses. Now how do we get to the masses? People need a face full of this DIY bad boy as soon as possible. Quality record – just buy it!

Buy Here

Author: Dom Daley

After numerous releases on Drunken Sailor, Total Punk, Neck Chop, then teaming up with The Beta Blockers for his last full release, Erk is back, this time on his own.
‘Bugs’ was released on cassette tape back in 2020, So it makes sense to follow it up a year later on vinyl. It might be a solo recording but damn, you wouldn’t think it, right from the total punk of the opening track ‘Our Hungry Fruit’ there is something of an outpouring a relentless no let-up – full audio assault from the weird headfuck opening introduction of ‘Bugs’ its full-tilt throw a grenade and see what happens musical journey.
Erik has that Devo influence, but with a “new new wave” sound Distorted, frantic, not afraid to run with a Bontempi synth rather than a thrashing guitar and the pots and pans drum machine as well, Erik knows what he’s doing. It’s punk for sure but with unashamed pop music thrown in with equal amounts of gusto.
It is packed with frantic schizoid punk like ‘Instant This Instant That’ followed by the more trad punk of  ‘Futurekick Again’ ‘Bugs’ is the sound of another pandemic summer that’s equal amounts of shit and enjoying the isolation you didn’t think you would get. Erik sounds like he’s had the best of times every time be it 202 or 2021 it still sounds fresh and fantastic.  ‘Wrong Weird’ probably sums up this record weird in a good heads fucked way of course and again followed it up with something completely different like the fantastically named ‘Piss Eyed Sleazoid’. We sort of end up where this record began with the ‘Bugs!!’ outro.  a Weird and slightly wonderful slab of work from the talent that is Erik Nervous so if you’re looking for some punk rock that’s impressive whilst being different and left of center then ‘Bugs’ is for you.
Buy Here
Author: Dom Daley

We’ve got a few suggestions this Bandcamp Friday and we’ve kept it lean for you so get yer credit card out and come with us on the Bandcamp Friday journey kicking off with a couple of recommendations from some artists we love and then a few labels who do such a great job of releasing some of our favourite records.  There are others that haven’t quite gone live at the time of writing such as a long out of sale Loyalties release you should go find and Steve Conte has an offer today

 

 

‘Be There’ (369 Music) is the next single from The Dowling Poole. Listen to the track on Soundcloud here.

It will be released on Friday the 7th of March for Bandcamp Friday when the music platform waives their fees and all revenue goes straight to the artists.

‘Be There’ features guest appearances from long time collaboratorAndy Lewis (Jackdaw4, Sugar Plum Fairies, Jocasta), on bass. Darby Todd guests on drums. Darby’s recently played with Martin Barr (Jethro Tull), The Darkness and Kee Marcello (Europe) and featured on the recent The Dowling Poole songs ‘We Are The Noise’ and ‘Slow Genocide’.

Recorded in different locations in France and the UK, Jon and Willie are busy writing their fourth album to be released later this year.

Author: Martin Chamarette

 

Another favourite round here is Rich Ragany & The Digressions so check out the latest tune Here

“There’s a place in the universe callled Boötes Void… where it’s near empty. It’s also been called “The Great Nothing”.  A supervoid. One of the largest-known voids in the universe. Surrounded by galaxies and light.

It is believed the scale of the void is such that if the Milky Way had been in the center of the Boötes Void, we wouldn’t have known there were other galaxies until the 1960s.
That’s how long it would have taken light to travel… to journey through the darkness.

The song is from the perspective of someone who is within darkness in their lives and can’t unsee it.
Then, sees it in everything. Maybe even becomes it. But finds that through the very act of experience, and through the struggle of moving forward, can begin to see the warmth and light that also exists.

I find it very moving and inspiring that, even in the expanses of space, where there is cold chaotic changes that routinely destroy, that life and creation can, and do, emerge.

The idea of all these galaxies and filaments surrounding Boötes Void is light giving it a frame that can eventually travel through to the other side, is a comforting thought.

Not always easy… but our eyes, our hearts and spirits can stretch to see something beautiful.

I try to remember this (with varying degrees of success) when things get really rough… old ghosts and doubts whisper in my ear and tell me I am alone, not worthy or with no direction.

Stretch to see something beautiful.  That was the feeling I had when writing it.  Please forgive me if it’s a clumsy metaphor.  It’s not so linear that it can’t be interpreted for your own experience (or hopefully, it will just sound pleasing to you).”  What more can we add to that?

 

Some others who should benefit from Bandcamp Friday would be those independent labels who are the beating heart of the underground scenes we all love so much.  A few of our favourites would be Beluga Records from out of Sweden who have their Bandcamp page and offer some amazing records we’ve had many an hour rocking out to some of their releases and records they put out.

 

Some of the recent records they’ve put out have been fantastic such as More Kicks, Jordan Jones, Mud City Manglers and most recently a nice compilation from Asteroid B-612 and most recently a cracking single from The Erratix.

 

 

Heading south you have Ghost Highway Records outta Madrid Spain.  They’ve long championed underground garage rock and all other sub-genres including power pop, punk rock and more.  Some of their recent releases that deserve people’s attention would be The Boatsmen and their superb ‘Verses The Boatsmen’ album they co-released as well as the tribute to the New Bomb Turks compilation.  They’ve long been champions of UK kings of garage noise The Hip Priests and given access to some of America’s finest in the shape of Jeff Dahl, Electric Frankenstein and Pat Todd.  A worthy benefactor of anyone’s Rock and Roll coin on Bandcamp Friday.

 

How about heading across the pond to Spaghetty Town Records and a label who’s partnered up with their European brothers in vinyl.  they’ve also brought to the party some epic Rock and Roll records most recently in the shape of RMBLR who’ve just dropped their new EP and Spaghetty Town is the perfect label for these scuzzy rockers. The label has a wealth of great titles so you could do a lot worse things this Friday than delve through the Spaghetty Town wormhole and head off on a rockin’ discovery trip.

 

Heavy Medication Records have for a while had records reviewed on RPM and more recently put out a couple of really impressive releases primarily a New Bomb Turks tribute that’s available through their Bandcamp page.  Based in Warsaw Poland the label have been responsible for Doojiman & The Exploders record that’s a must-own as well as records from Poison Hearts.  Hit em up

 

 

 

What about some Taken By Suprise records?  Out of München, Germany the label does a fine service if punk rock n Power Pop is your thing then they have a big catalogue up on Bandcamp that deserves your attention.  Releases from The Briefs, Suspect Parts and more recently Neighbourhood Brats.  you certainly won’t be disappointed with your catch if decide to dip in.

 

 

TNS Records out of Manchester have some cracking offers up for Bandcamp Friday as well and in turn, help support some great punk rock bands such as Wales finest Pizza Tramp.  The new Jodie Faster is also a fine addition to their catalogue.  They also do a Spotify list of New Punk Friday where they champion the best in punk, Hardcore and Ska tracks released recently.  A label that does tireless work for a scene that deserves our attention.

 

Another German label that has always had the back of punk rock and roll is Wanda Records.  With some excellent releases from Peter & The Berlin Blackouts and Mom the label has always delivered brilliant product and ship anywhere (or the UK at least).  They’ll also be handling the Euro distro of the new RMBLR EP which is good for those having palpitations when faced with some of the overseas shipping fees.

 

Finally, another label releasing really good records is Drunken Sailor Records Banging out new bands and records like its nobodys business.  Drunken Sailor also struck a distro deal to handle Australias finest Stiff Richards that should be Sold Out but they don’t hang about and are also pressing up a couple of new records that are also available for you digital fiends in the shape of Australias Jackson Reid Briggs & The Heaters out on digital through the label but coming soon on vinyl.  They trawl through the worlds best underground bands to fit into their vision of what makes a great records and release it for our listening pleasure.  Head down to their Bandcamp page and get lost investigating what they have to offer and grab yourself a new favourite band.

 

Welcome one and all as we crack open the March batch of 7″ singles and as you’ll see we have a variety of bands and some superb singles for your delectation.  We welcome some old favourites and of course a format we always welcome the good old split with this months split coming from a pair of bands we love Bitch Queens and The Drippers.  We also welcome plenty of debutants to our exclusive club and hope you find something you can enjoy and support… hit it…

 

Johnny Thunders – ‘Chinese Rocks’ (Golden Robot Records/Die Laughing Records) All Johnny ever wanted to do was make the kids dance and he sure as hell did that Now a lot of his live shows were during the classic age of the bootleg and this bad boy is no exception the sound quality is not the best as you can imagine but it does capture the energy of his shows.  Taken from the upcoming live album; ‘Cosa Nostra: Live At The Mudd Club 1983 Gothenburg’.  which will be available as limited edition vinyl and on all streaming platforms.  We can argue over the merits of another release of a bootleg but hell, I miss this guy like no other performer I ever bought a record of, so, as one of those sad completist types I’ll be clicking the link.  They just don’t make em like Johnny anymore untouchable!  Pre-Order/Save HERE

 

 

Bitch Queens / The Drippers – Split (Lux Noise Records)  Kicking off this month’s Singles Club is a right pair of bangers.  Our favourite Basel boys are back with fellow European rockers the Drippers.  ‘Ignorance is bliss’ they say but if you ignore this then you’re ignoring the opportunity to get involved with the latest release from 7″  from one of the best loud Rock and Roll bands who just love to knock out singles as often as possible.

 

This is another riot ride of adrenalin with a solid melody and some lovely wah! and duelling guitars Get on it here kids you won’t regret it!  If that wasn’t enough to convince you then flip it over and get an earful of The Drippers who are the ‘Beach Kings’ and channelling their best Motorhead they hurtle off on a rapid drumbeat and more Wah! than you deserve.  Its a corker of a tune to be fair and a worthy companion for the mighty Bitch Queens split repertoire.

 

 

Rich Ragany & The Digressions – ‘Marionette’ (Self Release) Like a rush of adrenaline the first song from the brand new Rich Ragany album is birthed into the ether and ‘Marionette’ is uplifting and boundless with heartfelt energy as the band head into the difficult second album but on this evidence, it’s not difficult at all. Subtle melodies clash with some fantastic duelling guitars throughout. The sound is big and makes you wanna get up and move as you search for the tennis racket and hairbrush when you’re alone in the house to join the Digressions for the solo and chorus.  Get on it kids its a grower. Bandcamp 

 

 

 

 

Marc Ribler – ‘Shattered’ (Wicked Cool Records)  Like a lazy Sunday morning bit of Rock and Roll with a gentle chorus and melody, some nice slide guitar playing. ITs got that swirling organ laying down underneath the beat as the song jogs on like a shot of Tom Petty.  The B side is even more laid back with eastern flavours from the New Jersey man as he kicks back.  Bandcamp

 

 

 

 

 

Wheelz – ‘Twenty Twenty’ (No Front Teeth)  “No Coast” punk rock outta the Midwest. Four new sloppy ’n’ snotty anthems in the vein of UK ’77 meets American Punk like a blend of The Briefs, Spent Idols, Toy Dolls and Partisans. Sure take a look at the picture, drink it in because they sound exactly like you want them to sound.  Its a perfect snotty sound capsule from the late 70s’ with modern production. ‘Politicians’ is a mash-up of ‘The Last Time’ (Stiv would approve) and mid-period Rancid. Buy UK Here / Facebook US: Boulevardtrashpunk.com  Hipsters can get it on Cassette: EU: Tapeordie.bigcartel.com

 

 

Dead Meat – (No Front Teeth)  The second single from London’s snotty KBD punks Dead Meat. Another four killer cuts Featuring members of Kool and the Gangbangers, The Cavemen and the Speedways. The regular edition is spray paint on genuine leather… yes it smells like a new sofa, genuine dead meat… loads of different colours of leather chosen at random with each order (mine was a lovely pink).  Anyway, don’t let the waffle distract you Dead Meat are four noisy fuckers who could wake the dead (Meat) with their raw punk rock.  Buy Here from the excellent NFT label direct or the bands Bandcamp page Here. ‘Through The Heart’ starts off like the bastard son of Motorhead but descends into a sloppy tasty slab of punk rock.  It’s like the partisans never happened but with added gob and glitter. Hold onto your knickers boys because ‘Hanging On The Weekend’ is a belter.  Snotty rapid punk rock with the sloppiest solo ever before falling into a gluey mess with ‘Son Of Sam’ about the NYC killer from the 70s.  ‘Don’t blink or you’ll miss em as this four-track EP is brought to a stunning halt with ‘Nuffin New (For Trash Like You)’ – Punk as fuck and you should be on top of this before they’re all gone!

 

Black River Delta – ‘Burning And Burning’ (Sofaburn Records)  FacebookHailing from Sweden Black River Delta delivers a gritty bluesy rock and roll sound but avoid many of the cliches and pitfalls and deliver a pretty fresh take.  ‘Burning And Burning’ is an impressive introduction if you don’t believe us check out the video.

 

 

Local Drags – ‘Think Straight’ (Self Release)  Sure we’ve raved about previous offerings from Local Drags why wouldn’t we the guy writes great songs.  This new track from Springfield’s favourite rocker does what he does best and that’s writing feel-good rocked up power pop and boy does he does it well.  ‘Think Straight’ is an indication of what we can expect from the new album.  as we look forward to the full-length LP ‘Keep Me Glued’  this will do.  Bandcamp

 

 

 

 

 

 

The Stools – ‘Feelin Fine’ (Drunken Sailor)  Crash bang wallop! we’re off lo-fi garage punk rock that would get a pit going in a morgue as ‘Can’t Feel Good’ is an attack on your senses and as rapid and fucked up as possible.  What a fantastic way to introduce yourselves. Hang on ‘Half-Track Mind’ has the brown noise inducing bass rumble before soaring into the stratosphere.  You’ll be fist-pumping and chanting along before you know it “Half Track Mind” indeed.

If you’re waiting for the love ballad then you’re listening to the wrong record but if you want raw in your face blues-infused punk rock then welcome. ‘Rockpile’ is a slower more groove-based song with some cool maracas for mixing it up I’m sure.  Taking this sucker home ‘Eyeball Crush’ is like a punk rock fuck up garage blues hand jive – about as subtle as a flying mallet but all together thoroughly enjoyable. pick it up here

 

 

Continental Lovers – ‘Doesn’t Matter At All’ (Self Release) Another new song from the mind of former Breakdowns main man sees the catchy punch of ‘Doesn’t Matter At All’ as Joe unleashes a subtle melody that burrows into your ear and works its way into your head and as all good pop songs do start scratching its name into your memory. Joe mixes up his love of bands like Cheap Trick and T Rex and uses the influences to great effect and ‘DMAA’ even after a few plays sounds like a song you’ve heard a thousand times but still remains fresh as the first time you heard it.  Backed by a nice acoustic run through ‘Sister Saint Joan’ is a nice one-two from Continental Lovers.  Hopefully, when this pandemic pisses off we can get a full album recorded in a studio with a full band and we can all hold in our hands another great slab of Rock and Roll – power pop. Bandcamp 

 

 

Johnny Casino – ‘Twenty Twenty’ (Golden Robot Records)  What a barnstormer from Casino.  Letting out all his lockdown frustrations in a three-minute record which kicks serious backside. Then flip it over and you have a more dreamy acoustic cover of the Bored track ‘People Say’.  Best of both worlds and a worthwhile investment. With an impressive history in Australian Rock and Roll Casino doesn’t do bad records and this is a fierce shot in the arm that I’m sure we can all get down with.   Instagram / Bandcamp / Facebook 

 

Harker – ‘The Beast Must Die’ (Wiretap Records) Get a load of this Brighton based band taken from their soon to be released album that drops at the end of April. With its fuzzed up guitar its a fine introduction to the band and an indication of what we can expect from the album. check out the video below.

 

 

The Mercury Riots – ‘Save Me A Drink’ ( ) Hailing from the USA ‘Save Me A Drink’ is the first single from the band and is a combination of loud, fast, jet-fuel powered rock n roll its classic rock kids but with a modern twist.  A classic power trio but keen followers of Bullets and Octane and The Brave Ones will recognise the band.  With a swaggering riff and big groove, its got it going on and will have the classic rock writers salivating at a new band on the scene to breath new life into it.

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The Blips – ‘Throw Me Around’ ( Cornelius Chapel Records)  what an earworm this was.  From the first play, it started to burrow in my ear and I began to crave it more and more.  Birmingham, Alabama’s The Blips are set to release their debut long-player and this is just a sample of what they have to offer and on this evidence alone it’s got the potential to be a corker if this bright and breezy number is anything to go by.  Pick it up Here  or visit their Bandcamp page Here

 

 

 

 

 

The Lurkers – The Boys in the Corner (Damaged Goods Records)  The original Lurkers none the less turn up with a pair of bangers that steal the crown of the singles club with a classic slice of pub rock punk rock Lurkers style.  This, the second single from last years impressive album ‘Sex Crazy’  (still makes me giggle when I look at the cover) anyway one exclusive track ‘We Close The Door’ is a wonderful slice of Lurkers noise that’ll have you singing along before you’ve finished the first playthrough. with a wonderful guitar break that perfectly compliments a really vibrant song. Pick one up whilst they’re still available from Damaged Goods Here

 

You get an instant high from the runaway riffarama of ‘Mouthful Of Snakes’ and in an instant the vibrant uptempo post-punk hits you square between the eyes coming on like Hot Snakes.  The guitars sound fantastic from the off and there is no relenting as ‘Dark Thoughts’ slam dances into your speakers.

This German band is definitely influenced by those Californian Rocket from the crypt boys but they have their unique DNA in this as well.

Ten tracks that never outstay their welcome and by the sounds of it weren’t labored over in the studio either which has helped maintain the live feel and the vibrancy of the recordings. There is an air of familiarity here and songs like ‘Face Up To The Mist’ sound familiar. However, its got a tonne of energy and the way the year is heading its the closest your gonna get to pogoing on the spot in front of your stereo and with the energy level you’ll require to keep up it’ll be some workout. 

‘7070s’ is a royal banger with its hypnotic screaming guitar break its a real contender and, trust me at volume sounds fantastic.  You’ll be punching the air before you’ve finished the first chorus of “7070s”.  Bands like Zero Zeroes must be chomping at the bit to get out there and blast these out in some sweaty club and I’m sure that when the time is right the gang vocal sing-along of ‘Le Fay’ will be like the best night out in an age.

There is also a healthy dose of Ramones in songs like ‘Three Foxes’ which is never a bad thing either. The floor tom gets a good seeing to on ‘Tamam Shud’.  To be fair this is an excellent album full to bursting with decent songs and another quality Drunken Sailor Record to help you through the pandemic.  What else are you going to spend your money on?  Dive in!

Buy Here

Author: Dom Daley

Debut album from Clevelands Knowso sees the punks dish up a record that’s spiky in your face full of challenging punk where they’ve been influenced by the likes of Fugazi, No means No, Devo Black Flag and other such luminaries of the US scene.

Take second track in ‘Chosen Sun’ and its complex time changes it’s not a sloppy three-chord smash it out that’s for sure. Lyrics that mean something and bass lines that poke and jar at the listener juping out from the verses and poking rather than swinging punches.

Cuts like ‘Calamine’ is a great hight end bass-thumping, jarring and slicing that slashes like Devo if they were full of fury.

They use tapes and try to fuck with the listeners head with ‘Wrong Calculator’ being a fitting example. They then get a bit funky with the jazzy ‘Peaceful & Extinct’ as they throw in some serious time changes and keep a tight ship on those changes whilst throwing in everything including the kitchen sink into the chaos. This record is like a Heston Bloomenthal creation what you see on the outside isn’t necessarily what flavour is on the inside once you take a bite. ‘Digital God’ is a good example.

Taking the ten tracks in one sitting is at time punishing and I found myself drifting mentally maybe you have to physically prepare like an athlete and this isn’t a record you can enjoy cold without warming up.  Maybe small bursts to begin with before building up to a full-on takedown of Knowso. I guess it was always there to fuck with you and they do that and the bass is an audio assault for sure constantly jabbing a punching your ears.  Ajit punks need only apply, is there a genre for Math punk yet? Its alternative I know that much.

Buy Here

Author: Dom Daley

Think the Ramones ‘Wart Hog’ and the DK’s and you won’t stumble far from what Chain Whip are all about.  It’s fast it’s caustic and abrasive, oh, and its loud, noisy and fuckin’ pissed like a Bad Sam record and as punk rock should sound when you’re surrounded by fascist Right-wing governments,  and sheeple who have tunnel vision and only give two fucks about themselves and would happily climb over the people they consider their social underclass or lefties to get to their next fad or to fill their own pockets and out of that comes bands like Chain Whip.  There are no laughing matters here no amusing quips no sarcastic poking fun at the other lot but its ok to feel like this and it’s ok when a band shines a light into the dark corners of mankind and soundtrack it with a powerful racket, well, chain whip are that band and they’ve shone the light and punched a wall.  ‘Turner Street Ghost Motel’ did that to me it’s lie bloodletting to get to the other side of all the shit that’s wrong with the world you have to keep your eyes wide open.

Hailing from the Canadian city of Vancouver and comprising members of Fashionism, Corner Boys and more, Chain Whip doesn’t so much sound ‘in thrall’ to the sounds of 1980s hardcore punk as ‘completely inhabited by the spirit’ of it, in the best way possible. They snarl, they holler, and they do it all in under twenty minutes! The subjects ranging from half-baked cultural commentators to not wanting to live in a fucked-up world (say it three times: this makes sense). This is hardcore as in ‘the snottiest rock’n’roll imaginable’; no shitty metal involved no sir this is as my learned friend says “Punk As Fuck”.

‘Negative Justice’ is old school and says all it needs to in a shade over sixty seconds. Tight as fuck as they thrash and scream into the frantic ‘Black Beauty’.  ‘Code White’ doesn’t so much carry the album home tired it puts a rocket under itself and sets it ablaze.  what a fuckin’ rush that was I feel alive and whilst anger is an energy Chain Whip harness it and take it out on those poor instruments now get the fuck out of here and check this out and always remember to turn it up.

Buy ’14 Lashes’ Here

Author: Dom Daley

Those Dirtbag republic rockers have unleashed a brand new slice of Rock and Rolla for your listening pleasure  Check out ‘Pandemic Blues’.  It was all recorded remotely and mixed professionally by Ear Art Music Studios. We hope you like it as much as we do.

You can donate directly to the bands campaign to help the foodbank in Vancouver – https://my.ugm.ca/PandemicBlues

The brand new video taken from the forthcoming album from Scandi glam rockers Plastic Tears.

Finally how about this little blast of sunshine from Goldie Dawn

Debut LP from The Mark Vodka Group oh you know those guys from Nova Scotia, Canada. Well, it’s the place to be and the best band there are called The Mark Vodka Group, that’s a fact I’ve not seen disputed and they include members of the Booji Boys? Their 2019 opus ‘Tube Reducer’ was reviewed on these very pages last year. This however is a different beast altogether as ‘I Wanna Piss In The Face Of The World’ kicks things offs we strap ourselves in for a rocket ride of punk rock that raw, rapid and reckless.  It’s taking no prisoners as it rattles through the catchy fast-paced opener.

This is different from the Boojis, of course. While they bury hooks in clouds of distortion, the Mark Vodka Group go for a more accessible sound, Sure its still ‘lo-fi’ and very much DIY. They’ve had their sound described like “a bare-bones Descendants at their most irritably bratty, stealing the Oblivians’ homework and doodling stupid faces all over the most insightful parts”. I wouldn’t dispute that.  ‘Goon’ is fash and sharp and to the point, it sounds dumb and full of fun as it races to the finish line, Punk as fuck one might say.

It might be quick but its tuneful and ‘Boy (I’m Allergic To You)’ has a tip of the hat to the kings of melodic punk-pop Buzzcocks.  It’s not the only time the homage to the Buzzcocks is aired on this record either ‘Everybody’s Punk Now’, which also boasts a killer Buzzcocks homage. Truth be told, Homages seem like a good idea as ‘You’ve Got To Split’ tips the cap to the Ramones.  That’s two greats being aped so you know where these guys are coming from right? Right! Even the song titles give a hint ‘Now I Wanna Be A Bad Boy’ they’ve even got a tune for big-time Charlies and they spit out contempt on ‘Big Time Rocker’ and throw in a suitably smart solo to ram their point home even if they are playing to the converted. 

‘Touch Of Grey’ reminds me of the great Pete Perrett and his only ones with its gentler less confrontational strummings. Which only leaves ‘Mark’s Blues’ laments at the album’s close, even when the world turns to shit, there’s always booze: “The drinking hasn’t let me down yet.” I guess Mark Vodka isn’t just a random name. This is a really good record, in a time when new bands are thin on the ground especially ones who can pick up the torch and run with it so raise a glass to Mark Vodka Group. 

Record Label :Facebook

Author: Dom Daley

Ditches, from outta Stockholm Sweden which is already a good start seeing as the country has always thrown up great garage punk rock n roll bands from the Nomads to Hellacopters to the Hives and many many more well, Ditches picked up the baton and seem to be running away with it.  If you were to cut em through the middle they’d have a core of Buzzcocks melodies with some bubblegum holding it together via some pretty nifty power-pop whilst heading through the backstreets after dark wearing skinny jeans and sneakers they only stop to smoke a cigarette and pogo before they get back to it.

The melodies come thick and fast with an emphasis on the fast. Opener ‘Out Of This’ sets the pace and the tone and that Shelley melody blueprint is evident on ‘Get Away’. For a debut LP, they are right on the money with leather jackets with the collar turned up these snotty oiks have to know that they can pen some top brain candy that gets in and settles for a while making you feel great inside with that power pop punk rock glow of satisfaction.

The production is bright without glossing over the rough edges, ‘Stitch Me Up’ being a great example.  Cool chorus and a real sugar rush of a tune. With eleven songs sticking to the formula its a great debut and with all the promise of another top turn hailing from Sweden in 2020 is exactly what we need another generation of punks coming through re-energising a scene and really appreciating what it takes to write great music. Its like hearing stuff like the Undertones again but from a different time totally – I bet these songs are great live n loud in some sweaty dive bar where you can really lock into the rapid beat and chiming guitars.  they seem to know exactly what they’re good at and stick to it well. not a bad track amongst the eleven on offer.  Let’s hear it for Ditches more peaks than troughs.

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Author: Dom Daley