{"id":14494,"date":"2021-02-17T05:00:32","date_gmt":"2021-02-17T05:00:32","guid":{"rendered":"http:\/\/rpmonline.co.uk\/?p=14494"},"modified":"2021-02-14T19:30:00","modified_gmt":"2021-02-14T19:30:00","slug":"zeahorses-lets-not-and-say-we-did-copper-feast-records","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=14494","title":{"rendered":"Zeahorses &#8211; &#8216;Let&#8217;s Not (And Say We Did)&#8217; (Copper Feast Records)"},"content":{"rendered":"<div><\/div>\n<p><a href=\"http:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-14562 size-medium\" src=\"http:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10-300x300.jpg\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10-300x300.jpg 300w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10-150x150.jpg 150w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10-768x768.jpg 768w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10-1024x1024.jpg 1024w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10-1140x1140.jpg 1140w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10-65x65.jpg 65w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2021\/02\/a2658419416_10.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>I have been fortunate enough here to be gifted with the task of reviewing the third album by Sydney noise-rockers Zeahorse. I feel like a broken record, but every alt-rock\/punk tinged Australian act coming through of late has been a winner. In scope of exports, I hope the government nail down these sorts of trade deals to ensure it doesn&#8217;t dry up.<\/p>\n<div><\/div>\n<div>Leading track &#8216;Designer Smiles&#8217; kicks in like a Steve Albini wet dream, an excellent distorted marriage of bass and guitar leaning towards Mclusky with some crossover appeal for rock radio while still maintaining the band&#8217;s dirgey ferocity.<\/div>\n<div><\/div>\n<div>As the album rolls out, the scope of the band&#8217;s sound develops greatly sounding fuzzier and with some great psych moments like the Butthole Surfers without the self-indulgent tendencies that plague their back catalogue.<\/div>\n<div><\/div>\n<div>Midway through the album, track &#8216;Cut The Slack&#8217; reveals yet further dimensions, the whole track is melody led but with a seedy underbelly thanks in part to the killer bass line. The vocals on display here like a sleazy crooning Black Francis which is absolutely fantastic, &#8217;90s tinged plaid shirt technicolour.<\/div>\n<div><\/div>\n<div>The album is very short and sweet, so quick-paced it takes you by surprise when it comes crashing down on the last track &#8216;Don&#8217;t Laugh&#8217;. Sounding like one of the more guitar-led numbers from Primal Scream&#8217;s &#8216;XTRMNTR&#8217; with the added appeal of the jangling lead guitar lines akin to Lee Renaldo.<\/div>\n<div><\/div>\n<div>Zeahorse showcases a loyal depiction of a &#8217;90s alternative rock sound but does so while also making ground on developing their own signature attributes. By all means, give these guys a listen to relive your glory days of the &#8220;Seattle Sound&#8221; etc. But you will be more than pleasantly surprised when you discover the original ways that our new friends are delivering this familiar formula.<\/div>\n<div><\/div>\n<div>Buy <a href=\"https:\/\/copperfeastrecords.bandcamp.com\/album\/lets-not-and-say-we-did\" target=\"_blank\" rel=\"noopener\">Here<\/a><\/div>\n<div><\/div>\n<div>Author: Dan Kasm<\/div>\n","protected":false},"excerpt":{"rendered":"<p>I have been fortunate enough here to be gifted with the task of reviewing the third album by Sydney noise-rockers Zeahorse. I feel like a broken record, but every alt-rock\/punk tinged Australian act coming through of late has been a winner. In scope of exports, I hope the government nail down these sorts of trade [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":14562,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[39],"tags":[6320,6319],"class_list":["post-14494","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-review","tag-copper-feast-records","tag-zeahorses","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/14494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14494"}],"version-history":[{"count":4,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/14494\/revisions"}],"predecessor-version":[{"id":14568,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/14494\/revisions\/14568"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/14562"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}