{"id":19628,"date":"2022-08-21T05:00:00","date_gmt":"2022-08-21T05:00:00","guid":{"rendered":"https:\/\/rpmonline.co.uk\/?p=19628"},"modified":"2022-08-18T08:42:57","modified_gmt":"2022-08-18T08:42:57","slug":"slade-all-the-world-is-a-stage-bmg","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=19628","title":{"rendered":"Slade \u2013 \u2018All The World Is A Stage\u2019 (BMG)"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft size-medium\"><a href=\"http:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_-300x300.jpg\" alt=\"\" class=\"wp-image-19633\" srcset=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_-300x300.jpg 300w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_-1024x1024.jpg 1024w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_-150x150.jpg 150w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_-768x768.jpg 768w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_-1140x1140.jpg 1140w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_-65x65.jpg 65w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/08\/81w0bJmOYtL._AC_SL1400_.jpg 1400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n\n<p>Amongst the many hundreds of concerts I\u2019ve attended over the years, I still Slade as one of the best live bands I have been fortunate enough to see. I saw the classic line up of Noddy Holder, Jim Lea, Don Powell and Dave Hill twice, in Cardiff and Bristol, on the \u2018til Deaf Us Do Part\u2019 tour when I was around 14 years of age, and having initially fell in love with the band through their \u2018Sladest\u2019 album around 1974-75, I think this is proof positive that when you fall in love with a band early on in life they stick with you forever, especially when they are as awesome as Slade.<\/p>\n\n\n\n<p>I\u2019ve also collected the band\u2019s back catalogue with an almost religious fervour over the years, and with Salvo having provided the almost definitive reissues of their recorded output as recently as 2006, including the \u2018Slade Alive! (The Live Anthology)\u2019 two CD set (which features three of the albums\/concerts included here plus the \u2018Slade Alive Vol. 2\u2019 set which isn\u2019t included here) you\u2019ll forgive me if I admit that the purpose behind this all new \u2018All The World Is A Stage\u2019 5CD box set is somewhat frustrating.&nbsp; With only the CDs \u2018Live At The New Victoria\u2019 recorded on April 24 1975 and \u2018Live At The Hucknall Miner\u2019s Welfare Club\u2019 recorded on June 26 1980 proving to be of any real interest, and at around \u00a340 for the set, I have to say that\u2019s a lot of money to spend when things are getting pretty tight at the moment.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Slade - All The World Is A Stage - Unboxing\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/ShdWNay7qm0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Granted the \u2018Alive! At Reading\u2019 CD (which I\u2019m sure some will also be buying this set for given its almost legendary status) restores the classics\u2019 Tak\u2019 Me Bak \u2018Ome\u2019, \u2018Mama Weer All Crazee Now\u2019 and \u2018Cum On Feel The Noize\u2019 (all missing from the Salvo reissue along with the \u2018You\u2019ll Never Walk Alone\u2019 singalong) but it\u2019s still not the full fifteen song set, and to include \u2018Slade Alive!\u2019 and \u2018Slade On Stage\u2019 but miss out \u2018Slade Alive Vol. 2\u2019 simply feels like an opportunity missed to finally give Slade fans as near a definitive live document of the band as they always excelled in that setting.&nbsp; Or why not simply ditch the already released albums and just go with previously unreleased live sets, I\u2019m sure there must be enough fans who would have snapped that 5CD set up?<\/p>\n\n\n\n<p>To that effect, I find myself only briefly dipping into the review streams of \u2018Slade Alive!\u2019 and \u2018Slade On Stage\u2019 (they sound just as I expect them to), before moving quickly to \u2018Alive! At Reading\u2019 and that triumphant Sunday back in 1980 when Slade stepped in at short notice to replace Ozzy Osbourne\u2019s Blizzard Of Oz and Gary Moore\u2019s G Force on the Reading Festival bill and then proceeded to not only steal the show but also kickstart their \u201880s reawakening. There are a few sonic dropouts throughout this set, but it\u2019s great to once again hear it in most of its glory, as my tape recording from the Friday Rock Show had long since disappeared from my collection, most probably leant out to a friend and never returned.&nbsp;<\/p>\n\n\n\n<p>Moving on to \u2018Live At The New Victoria\u2019 from April 1975 and not only does it capture the band live at the time I first started listening to them, but it also has a set list that centres largely around the band\u2019s then new album and film \u2018Slade In Flame\u2019. The volume on the stream of this recording seemed to drop ever so slightly compared to the Reading set but it\u2019s a rip-roaring run through a dozen of some of the finest songs the band ever penned. Okay \u2018The Bangin Man\u2019 might be stretching that definition a bit but this set is worth investing in just for the versions of \u2018How Does It Feel\u2019 (which is also my all-time favourite Slade song), \u2018Far Far Away\u2019 and the B-side \u2018OK Yesterday Was Yesterday\u2019 where Noddy slips into an impromptu Tommy Cooper impression for the song\u2019s introduction. Amazing stuff indeed!<\/p>\n\n\n\n<p>The \u2018Live At The Hucknall Miner\u2019s Welfare Club\u2019 1980 CD that closes this set out is (as far as I can tell) pretty much the full live set that Slade did a few nips and tucks on for their Reading 1980 set, and here the band sounds absolutely fantastic from opener \u2018Dizzy Mama\u2019 through to \u2018Born To Be Wild\u2019 which brings things to a suitably high energy end. I\u2019m not sure how large the crowd was at this show but compared to the turbocharged sound Slade generate onstage they sound positively timid. This is the sound of Slade firing on all cylinders, yet seemingly on the verge of also splitting up due to their lack of commercial success at the time. Mind blowing stuff indeed.<\/p>\n\n\n\n<p>Unfortunately, as I\u2019ve only received a stream of this box set to review, I cannot tell what the twelve-page booklet or clamshell packaging is like, but what I can tell you is that the (mainly) previously unreleased live material really is exceptional.<\/p>\n\n\n\n<p>As I said at the top of this piece Slade will always rank as one of the best live bands I\u2019ve seen in my forty plus years of gig going and \u2018All The World Is A Stage\u2019 turns that fact up way past eleven\u2026and then some. Magical stuff, even if the set is seemingly somewhat overpriced. I\u2019ll let you decide if you snap one up now or wait for the price drop that will no doubt follow.<\/p>\n\n\n\n<p>Buy <a href=\"https:\/\/amzn.to\/3K4jShi\" data-type=\"URL\" data-id=\"https:\/\/amzn.to\/3K4jShi\" target=\"_blank\" rel=\"noreferrer noopener\">Here<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/SladeBandOfficial\/\">https:\/\/www.facebook.com\/SladeBandOfficial\/<\/a><\/p>\n\n\n\n<p>Author: Johnny Hayward<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Amongst the many hundreds of concerts I\u2019ve attended over the years, I still Slade as one of the best live bands I have been fortunate enough to see. I saw the classic line up of Noddy Holder, Jim Lea, Don Powell and Dave Hill twice, in Cardiff and Bristol, on the \u2018til Deaf Us Do [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":19633,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[2688,1787,1818,1710,1681,2330],"class_list":["post-19628","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-box-set","tag-its-a-revolution","tag-new-album","tag-rpm-online","tag-rpmnews1","tag-slade"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/19628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=19628"}],"version-history":[{"count":3,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/19628\/revisions"}],"predecessor-version":[{"id":19634,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/19628\/revisions\/19634"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/19633"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=19628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=19628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=19628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}