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<\/a><\/figure><\/div>\n\n\n\nAfter an unusually long silence (for Tyla), Dogs D\u2019amour have returned with this new EP featuring songs that will not be on the new \u2018Tree Bridge Cross\u2019 album, which is also about to finally see the light of day following a very long delay due to issues pressing the vinyl. These songs are slightly rougher production-wise than the \u2018In Vino Veritas\u2019 album and the aforementioned \u2018Tree Bridge Cross.\u2019 The five songs plus the instrumental piece at the end work very well together and will have me tagging these onto a playlist of the new album when it is finally released.<\/p>\n\n\n\n
The Dogs these days have been functioning as a tightknit unit for many years with Tyla joined by Gary Pennick (guitar), Matty James Cassidy (bass), and Simon Hanson (drums). \u2018Blow on my Dice\u2019 rings in the proceedings here with Tyla\u2019s distinct voice serving up the first lines over the guitar notes before the rest of the gang crashes through the door. This midtempo song is extremely addictive and catchy with some tasty background vocals serving the song perfectly. This is not cutting edge by any means but a fun lighthearted singalong. What follows in \u2018Every Scar\u2019 I would say is essential and a killer epic at nearly 7 minutes. The spaghetti western acoustic guitar and whistling set the tone as a dark somber verse takes hold. The slow build in this song has made it a favorite on the EP for me. At times, I am reminded more of a song that would feel more at home on \u2018Libertine\u2019 or \u2018Nocturnal Nomad\u2019 than on a band release. Hanson\u2019s drum work has to be noted as it is just perfectly executed. The haunting vocals executed perfectly. I am hoping this one will get translated over to the live shows.<\/p>\n\n\n\n
Returning with the quicker tempo \u2018Jimmy Moonblood\u2019 next, the band shines in another hook-filled delicacy that reminds me of \u2018Johnny Silvers\u2019 in the chorus from way back in the day. My only issue with this one is it is over way too fast at just two and a half minutes. The band again slows the tempo way down on \u2018Memphis\u2019 featuring the last piano Scotty played with the guys before his passing. First time I heard this song, the comparisons that came to mind musically were Johnny Cash and Elvis. It\u2019s a beautiful song that could be a close cousin of \u2018Empty World\u2019 in its feel and delivery.<\/p>\n\n\n\n
The last proper song on the EP gets rocking and bluesy with \u2018Nazarine.\u2019 Cassidy\u2019s bass work with these Dogs has always been top-notch, and the groove he and Hanson serve here is extremely tight. With Tyla and Pennick rocking out on the guitars over the top and adding a simple vocal hook that does not let go, it serves as the perfect closer. \u2018Never Forget That Day\u2019 then adds the musical ending as the credits scroll down the screen. This adds a very different touch to the EP that what we have seen Tyla and the Dogs do in the past.<\/p>\n\n\n\n
Tyla\u2019s Dogs D\u2019amour are not going to revolutionize music or start any new trends in the mainstream. They deliver vital rock n roll packed with the blues, sincerity, spirit(s), and heart which have kept me hooked on Tyla\u2019s music since the 80\u2019s. This EP hits the mark and has constantly been in the rotation since it arrived. Now, I\u2019m going to play it through all over again and enjoy the musical journey.<\/p>\n\n\n\n
\u2018Dice Clown Man\u2019 is available Here \u00a0<\/a> \/ Tyla’s Art Tavern <\/a> <\/p>\n\n\n\n