{"id":20596,"date":"2022-11-29T05:00:00","date_gmt":"2022-11-29T05:00:00","guid":{"rendered":"https:\/\/rpmonline.co.uk\/?p=20596"},"modified":"2022-11-27T20:24:05","modified_gmt":"2022-11-27T20:24:05","slug":"silverhead-more-than-your-mouth-can-hold-the-complete-recordings-1972-1974-purple-records","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=20596","title":{"rendered":"Silverhead \u2013 \u2018More Than Your Mouth Can Hold \u2013 The Complete Recordings 1972-1974\u2019 (Purple Records)"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><a href=\"http:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_-300x300.jpg\" alt=\"\" class=\"wp-image-20597\" srcset=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_-300x300.jpg 300w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_-1024x1024.jpg 1024w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_-150x150.jpg 150w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_-768x768.jpg 768w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_-1140x1140.jpg 1140w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_-65x65.jpg 65w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2022\/11\/81j49cOwffL._AC_SL1500_.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n<p>Sometimes I drift off to this place in my mind where it\u2019s the summer of 1973 and I\u2019m not six years old, but sixteen, and alongside a few hundred other lucky people I\u2019m crammed in to a venue watching three of my favourite UK cult bands from that same era; Hollywood Brats, Heavy Metal Kids and Silverhead.<\/p>\n\n\n\n<p>That gig of course is the stuff of dreams, pretty much like this soon to be released 6 CD box set from my dream gig headliners Silverhead felt like back in the days when a CD copy of the band\u2019s much sought after \u2018Show Me Everything\u2019 album (which is included here) would have cost you more than this box set does right now on pre-order. See dreams do come true after all!<\/p>\n\n\n\n<p>Silverhead, for those of you who might not be aware, were a glam tinged hard rock band from the UK fronted by actor turned singer Michael Des Barres, and featuring soon to be Blondie bassist Nigel Harrison along with soon to be Robin Trower drummer Pete Thompson and soon to be Robert Plant guitarist Robbie Blunt, the latter joining the band for their seminal second album \u201916 And Savaged\u2019, a song from which, this box set takes its name. The rest of band being made up of guitarist Rod \u2018Rook\u2019 Davies (who had played with The Riot Squad alongside David Bowie prior to Silverhead) and for the band\u2019s self-titled debut album guitarist Stevie Forest.<\/p>\n\n\n\n<p>Signing to Purple Records in the early 1970s to release said debut album they toured with the likes of their label bosses, Kiss, Nazareth, Uriah Heep and perhaps somewhat bizarrely highlifers Osibisa along the way to what they hoped would be the road to stardom.<\/p>\n\n\n\n<p>On paper at least, whilst their touring partners may seem to have been akin to some random lottery pairing, when you get to hear the band and in particular their (Martin Birch produced) self-titled debut record from 1972 it all makes much more sense. So, whilst the likes of album opener \u2018Long Legged Lisa\u2019 and \u2018Sold Me Down A River\u2019 both doff a top hat to Marc Bolan it\u2019s the more bluesy based boogie rock of their second single \u2018Rolling With My Baby\u2019 that the band seemed to become more renowned for producing.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Silverhead - Rolling With My Baby\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/MACVaU-2whQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>The five guys most certainly looked like New York Dolls (I mean just look at the video I\u2019ve linked here) but the semi-balladic \u2018Johnny\u2019 and \u2018In Your Eyes\u2019 sounded more like my imaginary gig partners Heavy Metal Kids during their more reflective times. In saying this their debut single \u2018Ace Supreme\u2019 is a knockout blast of Bowie-esque glam that everyone should have in their collection, and it\u2019s included here along with its b (that\u2019s b for boogie) side \u2018Oh No No No\u2019 and the 7\u201d version of \u2018Rolling With My Baby\u2019, which sheds 1 minute off the album version.<\/p>\n\n\n\n<p>It&#8217;s the band\u2019s self\/co-produced second album \u201916 And Savaged\u2019 (recorded with help from engineer Alan Harris and keyboard tech Stuart Wicks) that, for yours truly, is the absolute jewel in the band\u2019s crown. Here, they slightly up the glam influence of their debut on the likes of opener \u2018Hello New York\u2019, whilst also embracing a new Zeppelin-esque vibe on the album\u2019s title track (a direction Des Barres would most certainly follow with his next band Detective).<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Sixteen and Savaged&quot; - Silverhead\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/4j1MW55y99Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Elsewhere, during the fantastic \u2018Cartoon Princess\u2019 there\u2019s a Southern rock feel to the band\u2019s boogie rock via some of slide guitar playing, whilst on the album\u2019s sole ballad \u2018Only You\u2019 Des Barres still sings with all of the grit of an in his prime Gary Holton but the song itself is much more in The Faces camp rather than the Heavy Metal Kids this time of asking.<\/p>\n\n\n\n<p>If that all wasn\u2019t enough, there\u2019s four curios added here as additional tracks, with both \u2018James Dean\u2019 and \u2018Marilyn\u2019 showcasing a Silverhead fired up post the Purple Records deal turning sour, and by direct contrast we also get to hear \u2018Leon\u2019, the middle of the road post Silverhead 7\u201d single released by Des Barres, complete with its b side \u2018New Moon Tonight\u2019, which has a country rock influence running through it.<\/p>\n\n\n\n<p>The other four CDs included in this mighty box set are given over to 4 previously released live albums (one and a half of which, I\u2019d never heard before) which given the nature of the band\u2019s brief post Purple Records existence all come with a health warning regarding the quality of some of the source material.&nbsp;<\/p>\n\n\n\n<p>It\u2019s the \u2018Live At The Rainbow\u2019 that gets me closest to feeling what it must have been like to have actually seen Silverhead live. Recorded in November 1973 when the band supported Nazareth, the original eight track LP (originally released via EMI in Japan in 1975) is expanded to thirteen tracks here (adding in tracks from a BBC In Concert show from 1973 recorded at London\u2019s Paris Theatre), and they sound absolutely astounding. Des Barres spitting out his gravelly vocal lines over a band that sounds like they are playing as though their lives depended on it. Well for the Rainbow set at least. That\u2019s because for the additional BBC tracks the band sound much more like they are merely playing through tracks from their then current album, but such is the nature of those kind of radio shows, I guess. They still sound ace mind, just not so fired up as during the Rainbow set.&nbsp; &nbsp;<\/p>\n\n\n\n<p>The \u2018Show Me Everything\u2019 CD I mentioned at the top of this review is up next, and this echoey semi-bootleg quality recording of the band\u2019s seven track set at Alexandra Palace in 1973 complete with a further six tracks from a much better sounding Japanese show, recorded on January 19th, 1974 (more of which in second), is a decent enough live document of the band, albeit the king\u2019s ransom it once used to command on a certain online auction site is most certainly put into context here.<\/p>\n\n\n\n<p>The fifth disc here is the 2019 released \u2018Berlin Blackout\u2019 soundboard quality recording, which captures Silverhead\u2019s eight track live set from a February 1973 show at the Sportpalast, Berlin. This is a head and shoulders above the quality of Alexandra Palace show on the proceeding disc, and having never heard this show previously whilst it doesn\u2019t quite match the intensity of the Rainbow 1974 show its still the sound of Silverhead firing on all cylinders in the live setting.<\/p>\n\n\n\n<p>Originally released in Japan back in 2021 as part of a double CD set going under the curious title of \u2018Hitting Japan, Beating Japan\u2019, the sixth CD in this box set captures an eleven song Silverhead live set from January 19th, 1974. Which, those more eagle eyed amongst you might have already spotted was the source for the bonus cuts on the \u2018Show Me Everything\u2019 disc. Yup it appears that is indeed the case and \u2018Live In Japan\u2019 is in fact the expanded version of those songs, complete with Deb Barres\u2019 between song patter restored instead of the between song fade outs that are on the \u2018Show Me Everything\u2019 extras. &nbsp;I find this more than a little disappointing as the other disc in the Japanese only release was from Tokyo Koseinenkin Hall on January 10th, 1974, so if I want to hear that one, I need to look for it outside of this \u201cComplete Recordings\u201d box set.<\/p>\n\n\n\n<p>That very small quibble aside, this is still a top notch purchase for anyone looking to discover the music of Silverhead and the excellent Malcolm Dome penned sleeve notes reprinted from the 2016 Purple Records CD reissues of the first three albums presented here as a 24 page booklet make for a very interesting history lesson indeed.<\/p>\n\n\n\n<p>Buy <a href=\"https:\/\/amzn.to\/3u2VHbR\" data-type=\"URL\" data-id=\"https:\/\/amzn.to\/3u2VHbR\" target=\"_blank\" rel=\"noreferrer noopener\">Here<\/a><\/p>\n\n\n\n<p>Author: Johnny Hayward<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sometimes I drift off to this place in my mind where it\u2019s the summer of 1973 and I\u2019m not six years old, but sixteen, and alongside a few hundred other lucky people I\u2019m crammed in to a venue watching three of my favourite UK cult bands from that same era; Hollywood Brats, Heavy Metal Kids [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20597,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[8060,8061],"class_list":["post-20596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-purple-records","tag-silverhead"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/20596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20596"}],"version-history":[{"count":1,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/20596\/revisions"}],"predecessor-version":[{"id":20598,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/20596\/revisions\/20598"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/20597"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}