{"id":20962,"date":"2023-01-14T05:00:00","date_gmt":"2023-01-14T05:00:00","guid":{"rendered":"https:\/\/rpmonline.co.uk\/?p=20962"},"modified":"2023-01-11T23:05:12","modified_gmt":"2023-01-11T23:05:12","slug":"various-artists-whats-it-like-to-be-50-pirates-press","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=20962","title":{"rendered":"Various Artists \u2013 \u2018What\u2019s It Like To Be 50?\u2019 (Pirate\u2019s Press)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><a href=\"http:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x.webp\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x-300x300.webp\" alt=\"\" class=\"wp-image-20963\" srcset=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x-300x300.webp 300w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x-1024x1024.webp 1024w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x-150x150.webp 150w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x-768x768.webp 768w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x-1536x1536.webp 1536w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x-1140x1140.webp 1140w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x-65x65.webp 65w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/01\/PPR350_2000x.webp 2000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n<p>This eight-track gold vinyl compilation (it\u2019s also out there on all the usual streaming platforms) snook out over the festive period as a surprise gift to the Godfathers of streetpunk Cock Sparrer, by way of a \u201cThank You\u201d from their US record label Pirates Press.<\/p>\n\n\n\n<p>Bringing together eight of the label\u2019s finest bands, who all in turn got to choose their own Sparrer tune to cover, what it actually turns out to be is perhaps the almost near perfect way to bring down the curtain on Sparrer\u2019s fiftieth anniversary year celebrations.<\/p>\n\n\n\n<p>Kicking things off in true style are Seattle punks The Drowns who give us a right rollicking (and dare I say it, perhaps a little poppier sounding) version of \u2018Riot Squad\u2019. Having already reinvented one of my all-time favourite Slade tunes, \u2018Know Who You Are\u2019, for a previously released 7\u201d single, I was a little surprised that they chose to play this one straight, but as the old adage says \u201cif it ain&#8217;t broke, don&#8217;t try and fix it\u201d.<\/p>\n\n\n\n<p>Up next is former member of Civet and frontwoman for Turbulent Hearts, Suzi Moon, who having wowed the RPM office during 2022 with her \u2018Dumb And In Luv\u2019 album dusts off the early Sparrer classic deep cut \u2018Platinum Blonde\u2019 and gives it a glam slamming workout. Something that actually has me wondering what might have been if Joan Jett had chosen to cover a Decca days Sparrer track back in the early 80s when she what looking for her next top 20 US smash.<\/p>\n\n\n\n<p>That\u2019s the thing with Cock Sparrer though isn\u2019t it, they have written so many great songs that should have been huge hits over the years when picking just one to cover it must be almost impossible. So, its German punks Plizzken who make perhaps the most obvious choice (given this album\u2019s title) in the shape of \u2018What\u2019s It Like To Be Old\u2019. Which is once again a faithful retelling of the original, albeit here it comes complete with a little bit of metallic chug thrown into the guitars.&nbsp;<\/p>\n\n\n\n<p>There\u2019s no doubting that Grade 2 are one of the very best punk bands in the UK right now and just to hammer that point home yet again the IOW based trio go and make \u2018Roads To Freedom\u2019 from Sparrer\u2019s \u2018Guilty As Charged\u2019 album actually sound like one of their own songs. I really can\u2019t wait to hear what this band does next, and if their soon to be released \u2018Self Titled \u2018album is as great as expected then 2023 really could to be their year.&nbsp;<\/p>\n\n\n\n<p>After this, the straight bat rendition of \u2018Where Are They Now?\u2019 by New York punks The Ratchets actually strikes me as being a little subdued, that is until they mix things up a little during the second verse and this curveball proves to be the perfect introduction for what is about to follow.<\/p>\n\n\n\n<p>Everyone\u2019s favourite band of 2022 The Interrupters then treat us to a faithful rendition of \u2018We\u2019re Coming Back\u2019 which for me sadly misses that subtle twist that The Ratchets were bold enough to drop into their cover. I simply expected more, I guess.<\/p>\n\n\n\n<p>It\u2019s American reggae punks The Aggrolites reworking of \u2018Take \u2018Em All\u2019 that really stands out from the pack here though, as they have totally deconstructed the \u2018Shock Troops\u2019 classic and turned it into a dirty reggae anthem. I can see a few people going \u201cwhat the fuck?\u201d when they get to hear this cut for the first time, but this is what makes the difference when covering a song and having the minerals to stamp your own identity all over it. Can you do the rest of the album now please guys?&nbsp;<\/p>\n\n\n\n<p>This is something Brighton punks The Bar Stool Preachers also do with the minimum of fuss via their skanked-up version of \u2018Suicide Girls\u2019, and given that their singer TJ is the son of Sparrer\u2019s singer Colin McFaull I can almost image Tom did this just to prove to his dad that his musical legacy is safe in his hands as the Preachers prepare for the release of album number three (\u2018Above the Static\u2019) via a major label deal with Pure Noise Records and hopefully taking them to all new levels of greatness.<\/p>\n\n\n\n<p>Sitting here writing this I do have to wonder how much this record was inspired by Sparrer\u2019s two sell out 50<sup>th<\/sup> Anniversary London shows, as during those gigs between sets we were treated to some truly off the wall Sparrer covers by way of an appetiser for the band\u2019s greatest hits set that was due to follow.<\/p>\n\n\n\n<p>Enough of my hypothesizing though as back in the here in the real world there are but 1,500 of these highly treasured gold vinyl records available worldwide (direct from Pirates Press, see the link below) so you best not hang around too long as these are no doubt going to fly out to members of the Cock Sparrer family all over the globe.<\/p>\n\n\n\n<p><a href=\"http:\/\/www.cocksparrer.co.uk\/\">http:\/\/www.cocksparrer.co.uk\/<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.facebook.com\/cocksparreruk\/\">https:\/\/www.facebook.com\/cocksparreruk\/<\/a><\/p>\n\n\n\n<p>Buy <a href=\"https:\/\/shop.piratespressrecords.com\/products\/whats-it-like-to-be-fifty-12\" data-type=\"URL\" data-id=\"https:\/\/shop.piratespressrecords.com\/products\/whats-it-like-to-be-fifty-12\" target=\"_blank\" rel=\"noreferrer noopener\">Here<\/a><\/p>\n\n\n\n<p>Author: Johnny Hayward<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This eight-track gold vinyl compilation (it\u2019s also out there on all the usual streaming platforms) snook out over the festive period as a surprise gift to the Godfathers of streetpunk Cock Sparrer, by way of a \u201cThank You\u201d from their US record label Pirates Press. Bringing together eight of the label\u2019s finest bands, who all [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":20963,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-20962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/20962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20962"}],"version-history":[{"count":3,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/20962\/revisions"}],"predecessor-version":[{"id":20967,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/20962\/revisions\/20967"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/20963"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=20962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=20962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}