{"id":2211,"date":"2018-11-17T05:00:38","date_gmt":"2018-11-17T05:00:38","guid":{"rendered":"http:\/\/rpmonline.co.uk\/?p=2211"},"modified":"2018-11-17T11:00:43","modified_gmt":"2018-11-17T11:00:43","slug":"x-darlings-dead-toy-capital-of-the-world-lux-noise-records","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=2211","title":{"rendered":"X-Darlings – \u2018Dead Toy Capital Of the World\u2019 (Lux Noise Records)"},"content":{"rendered":"

\"\"<\/a>Out of all the many excellent underground bands I\u2019ve encountered internationally whilst writing for various music websites over the past decade or so, one of my absolute favourites has to be Bitch Queens from Switzerland. They just have that little something extra special about them (coupled with some truly excellent songs) and 10\u201d dildo mic stands aside plus perhaps a few lucky breaks, who knows, they could perhaps transcend their current underground cult following and break through into the mainstream and be huge.<\/p>\n

The band\u2019s drummer Harry Darling must already sense this because here with X-Darlings he\u2019s teamed up with Isabella Eder (from powerpop quartet Delilahs) to release a debut album that bears all the hallmarks of a true stadium rock contender. Think Ginger Wildheart\u2019s Hey! Hello! jamming with an in their prime Backyard Babies with just a smidgeon of Muse\u2019s pomp and ceremony added for maximum (special) effect and you certainly won\u2019t be a bazillion B-Movie influenced miles away from what X-Darlings are all about.<\/p>\n

Released earlier this month via Lux-Noise Records on LP and digital download \u2018Dead Toy Capital Of the World\u2019 contains 9 songs that skip surreptitiously into your psyche prompting the same kind of post-apocalyptic thoughts that bands like Grave Pleasures do in your frightmares, albeit here the X-Darlings give proceedings a slightly lighter pop undercurrent.<\/p>\n

Take opener \u2018Are You Talking To Me\u2019 for example, this baby conjures up images of Travis Bickle fronting an electro version of The Cramps and believe me it sounds every bit as fantastic as it looks in print. Elsewhere \u2018Particle Collison\u2019 manages to twist one of Dregen\u2019s most memorable riffs into a twisting dark pop waltz complete with gloriously camp hand claps that punctuate the verses with a hint of Bitch Queens magic, whilst in album closer \u2018Brand New Day\u2019 that aforementioned sense of epic grandeur that has Muse headlining stadiums all around the world is nailed to total perfection.<\/p>\n

I must admit that when Dom sent this one over to me to review, he kind of gave me the impression that this was an out and out glam record, but nothing really could be further from the truth on the throbbing \u2018In Transit\u2019 a track which actually sounds like the soundtrack to an imaginary electro spaghetti western. Fear not though glam fans because you will love tracks like \u2018There For You\u2019 and \u2018Snap Out Of It\u2019 and you\u2019d be quite within your rights to simply scream the choruses into your hairbrush like you did back in the day plus with the curiously monikered \u2018Laxative\u2019 X-Darlings thankfully prove they are anything but shit at the glam punk game.<\/p>\n

\u2018Dead Toy Capital Of the World\u2019 then is a mighty fine solo\/side-project from Harry Darling, it\u2019s a fascinating look behind the scenes into some the more melodic influences of his day job band, and whilst it took me a few plays to get fully into it, I do think that all the best albums in my record collection have always tended to be like that.<\/p>\n

It\u2019s one to get on the X-mas list that\u2019s for sure and it\u2019s an interesting precursor to the all-new Bitch Queens album which is due in early 2019<\/p>\n

 <\/p>\n

Website<\/a><\/p>\n

Facebook<\/a><\/p>\n

Bandcamp<\/a><\/p>\n