{"id":22624,"date":"2023-07-11T05:00:00","date_gmt":"2023-07-11T05:00:00","guid":{"rendered":"https:\/\/rpmonline.co.uk\/?p=22624"},"modified":"2023-07-08T16:42:54","modified_gmt":"2023-07-08T16:42:54","slug":"brodie-lane-pain-is-gold-redplay-media","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=22624","title":{"rendered":"Brodie Lane \u2018Pain is Gold\u2019 (RedPlay Media)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><a href=\"http:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb-300x300.jpg\" alt=\"\" class=\"wp-image-22627\" srcset=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb-300x300.jpg 300w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb-1024x1024.jpg 1024w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb-150x150.jpg 150w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb-768x768.jpg 768w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb-1140x1140.jpg 1140w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb-65x65.jpg 65w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2023\/07\/1200x1200bb.jpg 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n<p>Over 30 years ago here in Texas, three brothers started a band that would make a sizable impact here in this state but was never able to make the leap to wider audiences despite record deals with TVT and Sony. Vallejo was the name of the band, and they fused alternative rock with Latin rhythms. I first heard the band just over 20 years ago when they were transitioning from Sony to their own record label when I saw them live in Austin. I was blown away by what I heard and immediately became a fan. The band continued to self-release albums every few years or so but have been seemingly put on long-term hiatus over the past few years with the band members remaining in music but doing different projects. A.J. Vallejo (vocals) put Brodie Lane together who released their debut full-length \u2018Hot Dirt\u2019 back in 2020, which partially connected with me. I felt like the band was trying to find their footing, and I have found live versions of those songs much more compelling. Following a few non-album singles, the band has just released their excellent and varied follow-up album \u2018Pain is Gold.\u2019 I have been playing this album consistently since it dropped, and my favorites from it keep changing with each listen. While it is not strictly a concept album, it is an album that follows a guy through some life and relationship trials and tribulations.<\/p>\n\n\n\n<p>A brief spoken word intro leads into the title track that has a swirling guitar riff and a strong hook. Vallejo\u2019s vocals (also guitar) are immediately recognizable with a song that I think most of us can relate to when we are hurting. I remember Henry Rollins once saying something to the effect of \u2018when life gives you lemons, squeeze them and embrace the pain.\u2019 That sentiment seems to be in alignment here where we are channeling into the pain and knowing that we have to experience it to be able to cherish life when the pain subsides. The driving rhythm pounds the message home. \u2018My Heart\u2019 should be a single with a midtempo beat matched with a catchy vocal hook and lyrics that spill from Vallejo\u2019s heart.\u00a0 Brodie Lane is completed with Ray Kainz (guitar), Alex Geismar (drums), and Joe Fladger (bass) who each bring their own special ingredients to the band with Kainz\u2019 and Vallejo\u2019s guitar work standing out in the second half of this song.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Brodie Lane - Yeah\" width=\"1140\" height=\"641\" src=\"https:\/\/www.youtube.com\/embed\/dJmsNrNkxJk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Next song \u2018Lover\u2019 has grown on me since my first listen where the band delivers a straightforward rock song with a catchy chorus that I can see being a singalong song at future shows. The band delivers some nice background vocals at the end of the song as well. One of my early favorites was \u2018Hard Livin\u2019 which reminds me a bit of Brother Cane. Geismar and Fladger provide a great rhythm template where the guitar notes have plenty of space to rise to the surface. The bluesy solo takes the song to another level, and the lyrics include a nice throwback to the title track with our main character on the album dealing with the loss of his mother. The band has released a video for \u2018Yeah\u2019 which rides a hard bluesy beat and some excellent slide guitar. It might not have been my choice for the first video from the album, but it is extremely catchy. Lyrically, this is another one where we are trying to move past the things that suck and find something better.<\/p>\n\n\n\n<p>One of my current favorites, \u2018Damn You\u2019 finds the band settling into an awesome groove and showcasing Vallejo\u2019s vocal skills. The clean production and mix serve the album very well and allows the music to have a rich mix of dynamics when the guitar solo hits, it jumps out of the mix perfectly.&nbsp; The band brings the tempo down for the ballad \u2018Til the Right One Comes Along\u2019 where the band channel into a bit more of a Red Dirt sound and could find the band maximizing some crossover success. The acoustic guitar intro to \u2018Amnesia\u2019 leads into a southern bluesy rock song that hits all the right notes.<\/p>\n\n\n\n<p>The band open \u2018You Don\u2019t Love Me Like That Anymore\u2019 like it might be another ballad but turn it into a great rocker after the first verse. This would be another one that I think would make an excellent single and stand out on the radio. The guitar notes in the chorus work perfectly. If you are a fan of Roger Clyne and the Peacemakers or Cody Canada\u2019s work, this should definitely appeal to you. One of my other current favorites follows in \u2018The Door.\u2019 Some excellent keys start the song with the feel of a classic 70\u2019s slow burning rock song. There is not a wasted moment over the song\u2019s four minutes with every element in the band showcased from the rhythm work to the guitars (with former member Bruce Castleberry on this one) to the vocals. This is sublime from start to finish with the pace and urgency building to a fiery climax. \u2018Let Me Go\u2019 is another southern rocking anthem with a solid hook but perhaps currently suffers on the album in that it follows \u2018The Door.\u2019 I think this will be one of the slow burners for me that will eventually get a lot more plays.<\/p>\n\n\n\n<p>If you are keeping track of the number of songs, you have likely figured out this is not a short album. At 15 songs, it runs the risk of musical overkill, especially these days when some people spend less time with albums and focus on specific songs. The band erase any worries with the musical variety and depth on the 15 songs offered here which leads us to another potential crossover song, \u2018You\u2019re Welcome.\u2019 Lyrically, our main character ends a relationship with the message that one day she will thank him as she will find someone better. This should be played a lot on the radio here in Texas with a similar feel to Cross Canadian Ragweed or a touch of Blackberry Smoke. The band then channel the blues with \u2018When I\u2019m Gone\u2019 which rises from the swamp into a hard rocker with more excellent slide guitar. This will hopefully be a live staple as the band tap into an amazing groove, and I can see this leading into an extended jam where the song goes from three and a half minutes to more than double its length.<\/p>\n\n\n\n<p>The band stay with the blues for \u2018The Bottle\u2019 which also features Guy Forsyth. As opposed to the previous song, this stays acoustic and deliberate in its pace. The intensity builds as the story unfolds, but the tempo remains the same on this eight minute epic. Close your eyes and you can feel the magic as you sit out on the porch with the wind blowing and the storm clouds approaching at sunset. I will not reveal what happens in the story here, but the lyrical pay off is extremely well done. Final song \u2018Love is On the Way\u2019 opens with a spoken word like the opener did, giving way to an acoustic guitar. This would have been a nice closer to the movie \u2018Almost Famous.\u2019 I don\u2019t think this one could have been placed anywhere else on the album as it leads to the perfect close on the album with Vallejo\u2019s vocals showcasing range, heart, soul, and passion. The band slowly rise into the mix right near the end for the final send off of the album. We end with a message of hope through all the darkness.<\/p>\n\n\n\n<p>&nbsp;While this likely won\u2019t appeal to all RPM readers, I know a lot of you like a wide variety of rock music so wanted to introduce you to Brodie Lane. I have revisited the debut a couple times since this one dropped, but it still doesn\u2019t grab me as much. This album though takes us on a musical journey where we feel and experience the songs throughout the album. These guys have poured their souls into this album, and we are the lucky recipients.<\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"https:\/\/www.facebook.com\/BrodieLaneTX\" data-type=\"URL\" data-id=\"https:\/\/www.facebook.com\/BrodieLaneTX\" target=\"_blank\">Facebook<\/a><\/p>\n\n\n\n<p><a href=\"https:\/\/www.brodielane.net\/\" data-type=\"URL\" data-id=\"https:\/\/www.brodielane.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Website<\/a><\/p>\n\n\n\n<p>Author: Gerald Stansbury<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Over 30 years ago here in Texas, three brothers started a band that would make a sizable impact here in this state but was never able to make the leap to wider audiences despite record deals with TVT and Sony. Vallejo was the name of the band, and they fused alternative rock with Latin rhythms. [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":22627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[],"class_list":["post-22624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/22624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=22624"}],"version-history":[{"count":1,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/22624\/revisions"}],"predecessor-version":[{"id":22628,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/22624\/revisions\/22628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/22627"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=22624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=22624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=22624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}