{"id":24621,"date":"2024-04-24T05:00:00","date_gmt":"2024-04-24T05:00:00","guid":{"rendered":"https:\/\/rpmonline.co.uk\/?p=24621"},"modified":"2024-04-21T22:00:36","modified_gmt":"2024-04-21T22:00:36","slug":"the-tony-slug-experience-self-titled-suburban-records-wap-shoo-wap-alternative-tentacles","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=24621","title":{"rendered":"The Tony Slug Experience \u2013 \u2018Self Titled\u2019 (Suburban Records\/Wap Shoo Wap\/Alternative Tentacles)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><a href=\"http:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-scaled.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-300x300.jpg\" alt=\"\" class=\"wp-image-24622\" srcset=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-300x300.jpg 300w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-1024x1024.jpg 1024w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-150x150.jpg 150w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-768x768.jpg 768w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-1536x1536.jpg 1536w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-2048x2048.jpg 2048w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-1140x1140.jpg 1140w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/04\/The-Tony-Slug-Experience-65x65.jpg 65w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n<p>Posthumously released records tend to be hit or miss affairs, especially when they are put out by a major label looking to cash in on some unfortunate musicians untimely passing. Thankfully with \u2018The Tony Slug Experience\u2019 what we have is a record very much in the \u201chit\u201d camp, not only because it features a dozen new tracks assembled by Slug himself but also because he\u2019s dragged in a plethora of his showbiz mates to help hammer home his message and blow me if it isn\u2019t one of the best things the man has ever been a part of too.<\/p>\n\n\n\n<p>This isn\u2019t some fleeting comment you should take lightly either, especially when you consider that during his time on planet Earth, Slug had been a part of such bands as The Nitwitz, B.G.K, Loveslug and (the band with whom I first encountered his mighty bass thump) The Hyrdomatics.<\/p>\n\n\n\n<p>Having started out in punk rock all the way back in 1978 delivering fast and furious missives with the first two of those bands Slug immediately got to share European stages playing on bills with bands like the Dead Kennedys, whilst a decade on and long before grunge was a household term, as part of Loveslug, he got to work in the US with the likes of Jack Endino helping forge a hybrid punk\/garage rock sound and quite probably turning a few plaid shirt wearers\u2019 heads in the process. Then at the tail end of the 90s Slug got to record with both Scott Morgan and Nicke Andersson in The Hydromatics, starting with the awesome \u2018Parts Unknown\u2019 record before more recently picking up with both The Spades and Cheetah Chrome and The Knobs.<\/p>\n\n\n\n<p>The reason for this potted history lesson is to fully understand the true spirit of what The Tony Slug Experience is all about. Recorded across a 2-year period during various sessions in both Europe and the US. The biggest chunk being recorded in Tony\u2019s hometown Amsterdam with producer\/musician Steven van der Werff, this album assembles 30 of Slug\u2019s other musician friends, including Jello Biafra (Dead Kennedys), Jennifer Finch (L7), Nicke Andersson (Hellacopters), Jerry A. (Poison Idea) and Happy Tom (Turbonegro), to produce one of the most exciting swan song records of all time.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Road Goat\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/7-n-JDBhhg8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Blasting out the speakers with \u2018Road Goat\u2019 this is where the Slug story comes full circle with lead vocals provided by Jello Biafra (his first of two songs here). This song must surely have taken Slug all the way back to those early B.G.K days, whilst \u2018If I Make The Gates\u2019 which immediately follows (and featuring Nicke Andersson) is much more like the latter day garage punk music Slug would go on to be involved with. It\u2019s Jeven De Groot (guitarist\/singer with space rock outfit Temple Fang) who really shines on this tune though as he does on \u2018Wreckerball\u2019 a song that sounds like it\u2019s just fallen out of The Hip Priests\u2019 extensive back catalogue and is truly a world away from the singer\u2019s day job. Exhilarating stuff indeed!<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Wreckerball\" width=\"1140\" height=\"855\" src=\"https:\/\/www.youtube.com\/embed\/tIqSRuxkcaQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Elsewhere, Jerry A steps up to the microphone for a riotous \u2018I\u2019ll Never Forget\u2019 and Jennifer Finch slips into \u2018Someone to Blame\u2019 with the utmost ease. The latter is a song that reminds me of US glam punks (and Dom Daley Rebellion faves) Glitter Trash which is kind of ironic as their ex-guitarist Paul Grace Smith (who also played with Slug in a host of bands) features on \u2018Spy Satellite\u2019 which immediately follows. Plus let\u2019s not forget \u2018Smile\u2019 featuring Greta Brinkman on vocals that gives the record a full tilt rock n soul vibe at the midway point, she returns for the equally excellent \u2018Dumb Things\u2019 later too.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=g6d89eOapI\">https:\/\/www.youtube.com\/watch?v=g6d89eOapI<\/a><\/p>\n\n\n\n<p>You know, with so many different musicians and styles involved \u2018The Tony Slug Experience\u2019 could really have ended up sounding like a patchwork quilt of tunes, but it\u2019s true strength is that it doesn\u2019t, it plays out as one set of interconnected songs, and that\u2019s because Slug is at the heart of them all. Slug Rock to the very end!<\/p>\n\n\n\n<p>Set for release on May 5<sup>th<\/sup> 2024 \u2018The Tony Slug Experience\u2019 will be released via Suburban Records and Wap Shoo Wap in Europe and via Alternative Tentacles in the US, the vinyl coming in a gatefold sleeve with a foreword by Turbonegro\u2019s Happy Tom, accompanied by a fanzine-sized biography.<\/p>\n\n\n\n<p>Buy <a href=\"https:\/\/suburban.nl\/product\/the-tony-slug-experience\/\" data-type=\"URL\" data-id=\"https:\/\/suburban.nl\/product\/the-tony-slug-experience\/\" target=\"_blank\" rel=\"noreferrer noopener\">Here<\/a><\/p>\n\n\n\n<p>Author: Johnny Hayward<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Posthumously released records tend to be hit or miss affairs, especially when they are put out by a major label looking to cash in on some unfortunate musicians untimely passing. Thankfully with \u2018The Tony Slug Experience\u2019 what we have is a record very much in the \u201chit\u201d camp, not only because it features a dozen [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":24622,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[1787,1710,1681,5556,2052],"class_list":["post-24621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-its-a-revolution","tag-rpm-online","tag-rpmnews1","tag-suburban-records","tag-vinyl"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/24621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=24621"}],"version-history":[{"count":1,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/24621\/revisions"}],"predecessor-version":[{"id":24623,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/24621\/revisions\/24623"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/24622"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=24621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=24621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=24621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}