{"id":25370,"date":"2024-10-07T05:00:00","date_gmt":"2024-10-07T05:00:00","guid":{"rendered":"https:\/\/rpmonline.co.uk\/?p=25370"},"modified":"2024-10-06T19:23:28","modified_gmt":"2024-10-06T19:23:28","slug":"the-bridge-city-sinners-in-the-age-of-doubt-sbam-records","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=25370","title":{"rendered":"The Bridge City Sinners \u2013 \u2018In The Age Of Doubt\u2019\u00a0(Sbam Records)"},"content":{"rendered":"\n<p><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><a href=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_-300x300.jpg\" alt=\"\" class=\"wp-image-25372\" srcset=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_-300x300.jpg 300w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_-1024x1024.jpg 1024w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_-150x150.jpg 150w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_-768x768.jpg 768w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_-1140x1140.jpg 1140w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_-65x65.jpg 65w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2024\/10\/91JudtbrJBL._AC_SL1500_.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n<p>The self-proclaimed \u201cdark folk band from Hell\u201d, otherwise known as The Bridge City Sinners, started life busking on the sidewalks back in 2016. This took them from the pine covered hills of the pacific North West to clubs and festivals the world over. Led by Libby Lux on vocals and banjolele, the band incorporate punk and bluegrass in their own brand of upbeat Americana. Featuring resonator, upright bass, violin and banjo and players named Clyde McGee, Lightening Luke and Michael Sinner, the band deliver their 4<sup>th<\/sup> album \u2018In The Age Of Doubt\u2019, a collection of songs that tackle themes of escapism, self-reflection and insecurity.&nbsp;<\/p>\n\n\n\n<p>The scene is set with opener \u2018Break The Chains\u2019, a high energy mash-up of frantic banjolele and soaring strings that immediately gives a spaghetti western feel to proceedings. Like some other worldly Ennio Morricone movie the band deliver their rustic instrumentation as Libby wails a tale of finding hope in uncertainty.&nbsp;<\/p>\n\n\n\n<p>The New Orleans jazz inspired duo of \u2018Port Street Strut\u2019 and \u2018Midnight To Vice\u2019 transport the listener to some prohibition era speakeasy with brass and strings in the ears, tobacco smoke in the lungs and malt liquor coursing through the veins. Not unlike our very own The Urban Voodoo Machine, The Bridge City Sinners belong to a begotten time, a forgotten era.&nbsp;<\/p>\n\n\n\n<p>\u2018Heavy\u2019 is more commercial, the melody brings to mind the Bugsy Malone soundtrack, the chorus then soars to great heights over mournful fiddle and strong vocals. Great dynamics going on here, the sweet harmonies build to a cool chorus, it&#8217;s a trip through emotions as the band take you up and bring you right down again.&nbsp;&nbsp;<\/p>\n\n\n\n<p>Every song sounds like an old movie track, &#8216;Crawl\u2019 has a cabaret feel with its theatrics and drama, \u2018Crazy\u2019 has a swing that takes you back in time and \u2018Doubt\u2019 mixes up folk punk with acoustics and string with unexpected death metal undertones. Lyrically the songs deal with the struggles of mental health, inner turmoil and self-doubt.&nbsp;<\/p>\n\n\n\n<p>The old worldly vibes continue on \u2018Sinners Saloon\u2019 with its tinkling of the ivories and gang vocals, and \u2018The Good Ones\u2019, both bring to mind the old western movies. The likes of \u2018Spears And Blades\u2019 and \u2018Eye For An Eye\u2019 have an upbeat drinking song vibe and must go down well live. In fact, the whole album comes across remarkably upbeat considering the lyrical subject matter, and you get the feeling they are a band to see live.&nbsp;<\/p>\n\n\n\n<p>With \u2018In The Age Of Doubt\u2019 The Bridge City Sinners have upped their game. An eclectic album that should appeal to even those who shy away from the term \u2018folk punk\u2019, the band cover modern topics to a rustic, old time soundtrack, and there&#8217;s an intensity and punk energy to the delivery that leaves a lasting impression long after the last note of the mournful and fitting \u2018Epilogue\u2019 has left the building.\u00a0<\/p>\n\n\n\n<p>Buy <a href=\"https:\/\/amzn.to\/3NgpFT4\" data-type=\"link\" data-id=\"https:\/\/amzn.to\/3NgpFT4\">Here<\/a><\/p>\n\n\n\n<p>Author: Ben Hughes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The self-proclaimed \u201cdark folk band from Hell\u201d, otherwise known as The Bridge City Sinners, started life busking on the sidewalks back in 2016. This took them from the pine covered hills of the pacific North West to clubs and festivals the world over. Led by Libby Lux on vocals and banjolele, the band incorporate punk [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":25372,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[1787,1710,1681,8590,2052],"class_list":["post-25370","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-its-a-revolution","tag-rpm-online","tag-rpmnews1","tag-the-bridge-city-sinners","tag-vinyl"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/25370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=25370"}],"version-history":[{"count":1,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/25370\/revisions"}],"predecessor-version":[{"id":25373,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/25370\/revisions\/25373"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/25372"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=25370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=25370"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=25370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}