{"id":26620,"date":"2025-06-06T05:00:00","date_gmt":"2025-06-06T05:00:00","guid":{"rendered":"https:\/\/rpmonline.co.uk\/?p=26620"},"modified":"2025-06-05T21:58:02","modified_gmt":"2025-06-05T21:58:02","slug":"annihilator-king-of-the-kill-refresh-the-demon-remains-more-noise-vol-1-earmusic","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=26620","title":{"rendered":"Annihilator \u2013 ‘King of the Kill, Refresh the Demon, Remains, More Noise Vol. 1’ (earMusic)"},"content":{"rendered":"
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The Canadian kings of technical thrash metal, Annihilator, have been on my radar ever since I saw the video for Alison Hell on Headbanger\u2019s Ball back in 1989. Their blend of thrash, prog, and a touch of classical gripped me from the start. I bought their debut, Alice in Hell, as soon as I could get my grubby hands on it. I played it to death, but it was their next album, ‘Never Neverland’, released in 1991, that propelled Annihilator into the big leagues. I saw the band supporting Judas Priest in Newport, and their performance cemented my love for the band. These 2 albums are still considered their best releases, their next effort, 1993\u2019s Set the World on Fire, had its moment,s but the line up changes seemed to be the beginning of the band becoming guitarist extraordinaire Jeff Waters’ solo projects, with him taking full control of Annihilator\u2019s output. This was the band’s last release on Roadrunner Records.<\/p>\n\n\n\n

We are now getting a revival of the band’s catalogue from the years 1994 \u2013 1997 called The Annihilator Years 1994 \u2013 1997 <\/em>(catchy title, eh?) This was still a productive time for Annihilator despite the constant line-up changes and new record companies.<\/p>\n\n\n\n

By the time we get to 1994 King of the Kill<\/em> Jeff Waters had taken over on vocals, producing, and recording every instrument apart from the drums, which were recorded by Randy Black. Waters does a fine job, too. There are some fantastic songs on the album, including the title track, 21, Annihilator, Fiasco<\/em> and my favourite track on the album, the Box.<\/em> The remastered albums sound great; the tracks literally jump out of the speakers. We also get some demo tracks here, which are a nice insight into the creative process.<\/p>\n\n\n\n

Refresh the Demon<\/em> was released in 1996 on Music for Nations, and it contains one of my all-time favourite Annihilator tracks, Syn. Kill 1, what a tune that is! I do have a soft spot for this album, even though it isn\u2019t held in such high regard as the earlier albums. The hilariously tilted The Pastor of Disaster<\/em> is another highlight alongside Ultraparanoia. Refresh the Demon<\/em> is an album that deserves another airing. A real solid metal album that holds up well.<\/p>\n\n\n\n

I never delved into the next album, ‘Remains’ at the time of release in 1997, but bloody hell, I wish I did! It\u2019s superb. Heavy, fast, with a touch of the industrial sound that was everywhere at the time. Tricks and Traps <\/em>is a classic Annihilator track, crunchy riffs, pounding double bass drums, not sure if a drum machine was used here? Murder<\/em>, Never Forget<\/em>, Reaction<\/em>, and the amazing Dead Wrong <\/em>are some choice cuts from the album.<\/p>\n\n\n\n

On the More Noise Vol.1<\/em> bonus CD, we get a real glimpse into the creative process of the albums in this era of Annihilator. Bonus tracks, demos and live tracks make a great addition to the albums. The 90s were an amazing time for metal despite the consensus that grunge killed it all. These albums by Annihilator are proof that metal was alive and well. These releases are the first of more remastered and revisited albums in the extensive Annihilator back catalogue to come.<\/p>\n\n\n\n

If you\u2019ve never heard these albums before, or if you are thinking of adding these shiny new versions to your Annihilator collection, go ahead, you won\u2019t be disappointed.<\/p>\n\n\n\n

Buy Here<\/a><\/p>\n\n\n\n

Author: Kenny Kendrick<\/p>\n","protected":false},"excerpt":{"rendered":"

The Canadian kings of technical thrash metal, Annihilator, have been on my radar ever since I saw the video for Alison Hell on Headbanger\u2019s Ball back in 1989. Their blend of thrash, prog, and a touch of classical gripped me from the start. I bought their debut, Alice in Hell, as soon as I could […]<\/p>\n","protected":false},"author":2,"featured_media":26621,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[6399,3699],"class_list":["post-26620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-kenny-kendrick","tag-thrash"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/26620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=26620"}],"version-history":[{"count":1,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/26620\/revisions"}],"predecessor-version":[{"id":26622,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/26620\/revisions\/26622"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/26621"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=26620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=26620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=26620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}