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<\/a><\/figure><\/div>\n\n\nHaving been down something of a Seattle themed rabbit hole in my listening pleasures this past few weeks, when RPM head honcho Double Dee asked me if I fancied reviewing German Grunge trio Daily Thompson\u2019s soon to be released seventh studio album \u2018Glue\u2019 I was like \u201cpass me a Lucozade\u201d (think about it), and I was off, albeit without the accompanying Iron Maiden soundtrack (got it now?).<\/p>\n\n\n\n
Formed all the way back in 2012, whilst singer and guitarist Danny Zaremba, bassist Mercedes Lalakakis-Bee and drummer Thorsten ‘Babblz’ Stratmann can\u2019t take any credit for ridding the music world of the 90s pop metal movement, the genre of music from which they draw their influences from most certainly can, hooking up once again with producer Tony Reed (he also worked on the band\u2019s previous album \u2018Chuparosa\u2019) at APL Recording Studios in Port Orchard\/Washington to get that full US West Coast feedback driven garage punk sound.<\/p>\n\n\n\n
Kicking off with perhaps my favourite song of the album, \u2018Heart of Bones\u2019 is the type of track of you\u2019d hear\/see everywhere on early nineties music channels. A breezy, lilting Lemonheads-esque refrain that would be a surefire chart hit if those places still existed.<\/p>\n\n\n\n
Talking of which, the band\u2019s first video and single from \u2018Glue\u2019 is \u2018BTK\u2019 which also sees Mercedes Lalakakis-Bee take over the microphone for the first time, and also has more than a hint of US college radio about it, but this time more in Breeders\/Pixies territory.<\/p>\n\n\n\n