{"id":29150,"date":"2026-10-15T05:00:00","date_gmt":"2026-10-15T04:00:00","guid":{"rendered":"https:\/\/rpmonline.co.uk\/?p=29150"},"modified":"2026-10-14T13:02:32","modified_gmt":"2026-10-14T12:02:32","slug":"levellers-levelling-the-land-35th-anniversary-edition-warner-records","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=29150","title":{"rendered":"Levellers \u2013 \u2018Levelling The Land \u2013 35th Anniversary Edition\u2019 (Warner Records)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><a href=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_.jpg\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"297\" src=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_-300x297.jpg\" alt=\"\" class=\"wp-image-29156\" srcset=\"https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_-300x297.jpg 300w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_-1024x1014.jpg 1024w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_-150x150.jpg 150w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_-768x761.jpg 768w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_-1140x1129.jpg 1140w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_-65x65.jpg 65w, https:\/\/rpmonline.co.uk\/wp-content\/uploads\/2026\/10\/91AZoyiD8mL._AC_SL1500_.jpg 1500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure><\/div>\n\n\n<p class=\"has-text-align-left\">The Levellers breakthrough second album \u2018Levelling The Land\u2019 holds a special place in my heart. After growing up on rock music through the 80s, they were the first proper alternative band I got into in the 90s, opening my mind to a whole host of bands and genres that would soundtrack my formative years.<\/p>\n\n\n\n<p class=\"has-text-align-left\"><br>You may have forgotten how big The Levellers were back in the mid-90s. With little commercial success or radio play (\u2018One Way\u2019 didn\u2019t even reach Top 40), they were taken under the wing by the traveller and indie communities and enjoyed sold-out tours which culminated in headlining the Pyramid stage at Glastonbury in 1994 to a record-breaking 300,000 people. <\/p>\n\n\n\n<p class=\"has-text-align-left\"><br>\u2018Levelling The Land\u2019 was originally recorded with certain production constraints leaving it sounding thin compared to modern production values. So, for the 35th anniversary, the band called on original producer Al Scott to remix the album, and what he&#8217;s done is quite remarkable. While there is not a duff tune anywhere on this album, it now sounds fresh and reinvigorated. The songs jump out and punch with a new sense of vigour. It\u2019s like they\u2019ve been transported from 1991 to the modern world in 4K. From classic opener \u2018One Way\u2019 to anthemic live favourites such as \u2018The Game\u2019, \u2018Liberty Song\u2019 and \u2018The Road \u2019, everything sounds fresh and as vital as it was in 1991. There are instruments and parts I have never heard before; the strings are crisp, the rhythms pound deeper. Mark Chadwick\u2019s vocals sound as fresh as the day he recorded them, and the bass rumble that opens \u2018Sell Out\u2019 is thunderous and full of extra intent. It\u2019s like they\u2019ve stepped the album up a gear, notched up the RPMs a touch. <\/p>\n\n\n\n<p class=\"has-text-align-left\">The band\u2019s political message has not changed, and the lyrics remain as vital and current as they were in 1991. The Levellers gave a voice to communities that were harassed by the authorities, the travellers, squatters and those who wanted a different, free way of life. This music brought them all together, whether it was at free festivals, dirty squats or dark, patchouli-filled bedrooms country-wide.<br><\/p>\n\n\n\n<p class=\"has-text-align-left\">It\u2019s crazy to think that a song as good and vital-sounding as \u2018Fifteen Years\u2019 wasn\u2019t even on initial pressings of the album and was only added as track 3 after its success as a single. It\u2019s true The Levellers were on a roll creatively, and the wealth of bonus material on this release is testament to that.<br><\/p>\n\n\n\n<p class=\"has-text-align-left\">The expanded 3 CD version adds a disc of album-era B-sides and outtakes and another disc of recently unearthed demos that show the beginnings of greatness and the development of these songs. While any Levellers fans worth their salt already has the likes of \u2018Dance Before The Storm\u2019, \u2018Last Days Of Winter\u2019 and their raucous cover of The Charlie Daniels Band\u2019s \u2018The Devil Went Down To Georgia\u2019, the demos are well worth exploring. <\/p>\n\n\n\n<p class=\"has-text-align-left\">From folk rock battle cries to melancholic acoustic balladeering, The Levellers have given a voice to the alternative masses who chose their way of life over the norm. And 35 years down the road, \u2018Levelling The Land\u2019 remains a defining document of defiance and uprising in 1990\u2019s Britain. A timeless classic that has been revamped to sound the way the artists originally intended it to sound. The album is essential<br>listening; the bonus discs are for the die-hards.<\/p>\n\n\n\n<p>Buy <a href=\"https:\/\/link.amazon\/B0fPH6vND\" data-type=\"link\" data-id=\"https:\/\/link.amazon\/B0fPH6vND\">Here<\/a><\/p>\n\n\n\n<p>Author: Ben Hughes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Levellers breakthrough second album \u2018Levelling The Land\u2019 holds a special place in my heart. After growing up on rock music through the 80s, they were the first proper alternative band I got into in the 90s, opening my mind to a whole host of bands and genres that would soundtrack my formative years. You [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":29156,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[39],"tags":[726,1787,1818,1681,1680,1967,1833,2052],"class_list":["post-29150","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-review","tag-ben-hughes","tag-its-a-revolution","tag-new-album","tag-rpmnews1","tag-rpmonline","tag-the-levellers","tag-tourlife","tag-vinyl"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/29150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=29150"}],"version-history":[{"count":4,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/29150\/revisions"}],"predecessor-version":[{"id":29161,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/29150\/revisions\/29161"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/29156"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=29150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=29150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=29150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}