{"id":5667,"date":"2019-06-01T05:00:13","date_gmt":"2019-06-01T05:00:13","guid":{"rendered":"http:\/\/rpmonline.co.uk\/?p=5667"},"modified":"2019-05-23T16:41:09","modified_gmt":"2019-05-23T16:41:09","slug":"hot-suede-hot-suede-self-released","status":"publish","type":"post","link":"https:\/\/rpmonline.co.uk\/?p=5667","title":{"rendered":"Hot Suede \u2018Hot Suede\u2019 (Self-Released)"},"content":{"rendered":"

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Hot Suede are another of those bands that randomly come to my attention and send me scrambling to learn more about them. This time it wasn\u2019t Facebook though, but, instead, it was a compilation CD from a print magazine that made me sit up and take notice. Hot Suede does not want to be put in a box as they bring together a multitude of influences that really establish their own identity. It also perfectly sets the stage for them to continue to explore their sound in the future. If you enjoy rock music (which I gather you do since you are reading this), I suggest you keep reading or pop over to their Bandcamp page and listen while I talk about this one. Hot Suede hail from Kansas City which has possibly worked to their advantage in creating their own sound on their debut album. To be fair, the only other band that immediately comes to mind from the past couple of decades for me is the awesome Paw.<\/p>\n

Perhaps the \u201970s are the best place to start as Hot Suede clearly pull the foundation of their sound from a time when rock did not have a million subgenres in different puddles of water but was instead one big ocean. They then add in some power and crunch of a band like Queens of the Stone Age to create something new and fresh while also feeling very familiar. \u2018Roll a Bone\u2019 features a cool groove that immediately make Brett Southard (drums) and Chad Toney\u2019s (bass) impact felt right at the beginning. Bobby W. Topaz\u2019 vocals are powerful and assertive with a clear tone that has many dimensions. Add in some clever guitar work by Doug Nelson and Scott Reed, you have a song that captures the attention but does not overwhelm you with a chorus. It is instead subtle and insidious as the song will be there in your brain later\u2026 trust me. \u2018The Otherside\u2019 incorporates a hooky chorus that is again not over the top but extremely effective. The hard rocking beat and guitar riff working perfectly in unison. There is a breakdown in the middle of the song which serves to ram the hook in even deeper. \u2018Forget About You\u2019 was the song that made me dig deeper as the band takes a hard-driving beat that lets Topaz propel the song with some nice vocal transitions with a razor sharp hook that reminds me a bit of Brother Cane without the southern influence.<\/p>\n

The bluesy hard beat of \u2018Get What You Came For\u2019 provides an awesome take on modern rock but would also sound at home on a classic rock station between Led Zeppelin and Deep Purple. There is a great tone to the guitars throughout the album with the band also benefitting from a great mix that really lets everyone be heard. The quiet intro guitar riff of \u2018Watch Me Burn\u2019 turns into a rocker that provides some bounce as it picks up steam, but it is made more powerful by working back in the quiet guitar riff again after its first run through the chorus. A jangly riff brings us \u2018Make It Harder\u2019 with Topaz trying to entice every female listening with his crooning in full effect. It provides a much different musical slice to end the first half of the record but just as effective at planting hooks in us that we will be humming and singing in no time.<\/p>\n

\u2018Got It Made\u2019 turns up the speed to start the back half of the record with a sound reminiscent of Queens of the Stone Age set against a more traditional rock chorus that is simple and very effective. Next up is \u2018Interlude\u2019 which contains some backward vocals and twisting musical notes over its minute long existence. It sets the change for \u2018Tell Me\u2019 very well as the song really feels different from the first half of the record. The beat by Southard and Toney is awesome with the guitars embracing something moodier, perhaps a bit of Pink Floyd. I don\u2019t know if the record would have flowed the same without the change that the \u2018Interlude\u2019 brings.<\/p>\n

\u2018Occasional Lover\u2019 finds the band bringing forth much more of a Queen influence. The band settles into a great groove and unleashes an outstanding chorus. At six minutes, this one would struggle on traditional radio but is one of my favorites from the album. The breakdown in the middle of the song allows everything to come to a halt before it builds back up for the end where I wish it would have had one more chorus. \u2018The Trail\u2019 reminds me a bit more of 90\u2019s rockers like Tonic or Naked who borrowed elements of grunge, college rock, and classic rock to create catchy songs that people could quickly pick up and sing, but they also add some Pearl Jam inspired musical goodness with the instrumental break. Closing out the album, Hot Suede bring forth \u2018Good Maroon\u2019 which runs under 2 minutes and serves as a nice acoustic based outro for the album.<\/p>\n

Hot Suede make a very favorable debut here that will get plenty of plays from me this year, and I look forward to hearing what they do next. They bring plenty of variety to the table here so they can continue to branch out in the future. Give the album a sample on their Bandcamp page and don\u2019t be surprised if the songs keep pulling you back.<\/p>\n

\u2018Hot Suede\u2019 is available now<\/p>\n

Bandcamp<\/a><\/p>\n

Website<\/a><\/p>\n

 <\/p>\n

Author: Gerald Stansbury<\/p>\n","protected":false},"excerpt":{"rendered":"

Hot Suede are another of those bands that randomly come to my attention and send me scrambling to learn more about them. This time it wasn\u2019t Facebook though, but, instead, it was a compilation CD from a print magazine that made me sit up and take notice. Hot Suede does not want to be put […]<\/p>\n","protected":false},"author":2,"featured_media":5668,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[39],"tags":[1097,2104,706],"class_list":["post-5667","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-review","tag-bandcamp","tag-hot-suede","tag-queen","post_format-post-format-image"],"_links":{"self":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5667"}],"version-history":[{"count":1,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5667\/revisions"}],"predecessor-version":[{"id":5669,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/posts\/5667\/revisions\/5669"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=\/wp\/v2\/media\/5668"}],"wp:attachment":[{"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rpmonline.co.uk\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}