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Orange Goblin/Discharge/Hellripper/Naut – London Electric Ballroom 20/12/19

Orange Goblin/Discharge/Hellripper/Naut – London Electric Ballroom 20/12/19

OFFICIAL  – Just when you have written your best of lists for the end of the year you know something is gonna pop up and try and pinch one of those spots. The (almost) annual Orange Goblin Christmas party is that gig. This year Camden’s Electric Venue hosted the event and with a very diverse line up there really was something there for everyone to enjoy.

Opening the proceedings was Bristol’s Naut, who due to the early start was only playing to a small crowd, but by the end of their short set had held the interest of all those who ventured into the venue and won over a good few new fans. Naut kicked out a dark, almost hypnotic sound that brought to mind the best bits of Killing Joke and The Sisters of Mercy all held together by the powerful soaring vocals of Gavin Laubscher. By the time their all too brief set was over I’d already made my mind up they were a band I needed to see and hear more of.

 

“That was like deep-fried Scottish Venom” were the words one excited friend used to describe what he has just witnessed after Hellripper left the stage, and he wasn’t far wrong. Hellripper wandered onto the stage and frankly ripped the faces off everyone in the building with a fantastic display of blackened speed metal. They had that raw aggression of early Megadeth and Venom, but with some huge catchy hooks like Kill ‘em All era Metallica, and tracks like “All hail the Goat” had the crowd screaming along with the band with hair flying everywhere. As a bloke of a certain age, I immediately wanted to try and grow another mullet and find that long lost bullet belt. Joyous stuff!

After missing their soundcheck there was a point during the day that people were beginning to wonder if legendary punks Discharge would even make the gig. With travel mayhem all over the country due to horrendous weather conditions combined with the mass Christmas exodus home, Discharge cut things fine, but from the savage display they put in when hitting the stage, you wouldn’t have known any different. Vocalist Jeff “JJ” Janiak prowled the stage like a caged beast while spitting out lyrics to tracks like Protest and Survive making them sound even more relevant now as to when they recorded over 35 years ago.

 

AC/DC’s “It’s a long way to the Top (if you wanna rock n roll)” booms from the PA to welcome London’s favourite sons Orange Goblin onto the Electric Ballroom stage. From that moment on the next hour and a bit flies by as band and crowd give it their all.

As with every Orange Goblin gig you don’t know what to expect from the setlist, with some of the standards you expect to hear sitting nicely alongside deep cuts you don’t hear that often. Tonight’s set sees the gig opening with Diesel (Phunt) from Time Travelling Blues, and then scattered elsewhere throughout the night we got Hard Luck, Magic Carpet, Vagrant Stomp, and Bloodzilla, all of which are greeted with bodies smashing into each other and hair flying.

One thing that makes an Orange Goblin so good is that the band never take themselves that seriously or realise just what a great live band they are. Rhythm section Martyn Millard and Chris Turner hold the whole thing together and are as tight as a Yorkshire man with the generosity kicked out of him, while guitarist Joe Hoare really is one of the most underrated players out there playing with a real feel and precision throughout. Frontman Ben Ward is that perfect band leader with an obvious passion for what he does, demanding that the crowd goes “batshit fucking crazy” from the minute he walks on stage and continuously demanding and getting more.

 

By the time the monstrous riff of set closer Red Tide Rising kicks in the whole venue is bouncing in unison and when the song ends smiling faces and broken bodies can be seen all round the venue knowing that tonight they witnessed a band at their very best even though they are coming into their 25th year of playing together.

Gig of the year? Too fucking right!

Author: Nigel Taylor

Top of The Pops 2019 – Albums

Top of The Pops 2019 – Albums

RPM Online Album Of The Year

Well, we’ve reached that time of year again where the writers of RPM were forced into the voting both given a blunt pencil and forced to vote for their album of the year.  Unlike a certain General Election result this time I don’t think people were too disappointed with the final result and by a landslide rock and Roll won.

 

Interestingly this years winner didn’t win any single writers vote but featured very heavily throughout the writers lists more than any other artist or artists so its a fair cop guv and, to be honest, had the live show count been anything to go by it was a landslide and another good year all around. With writers coming from several continents and five different countries there might be a few miles between us but we all have some things in common and one of those is a love for Rock and Roll. I’m sure had it been a Top 20 people would have still had a headache as to what to put in.  Don’t let anyone tell you that it’s been a shit year for new music as there were plenty of records released and many of them reviewed on RPM Online and with over 50 albums getting a mention from the team of writers (that’s just their top 10!).

I’d like to take this opportunity to thank not only all the artists who’ve released new records in 2019 and to all the excellent press departments and Labels especially the independent ones who’ve worked tirelessly to bring us the music and obviously to the songwriters and musicians whose work we’ve had many many hours of enjoyment listening to and raving about you know who you are many of whom it’s been a pleasure to get to know throughout the year.

What we’ll do is give the top ten a rundown in reverse order then each individual writers ten albums in no particular order so here goes.

Number 10

Duff McKagan – ‘Tenderness’ (UMC)

Review 

 

Number 9

Jim Jone & The Righteous Mind – ‘Collectiv’ (MaSonic Records)

Review

 

Number 8

Jesse Malin – ‘Sunset Kids’ (Wicked Cool Records)

Review

 

Number 7

Redd Kross – ‘Beyond The Door’ (Merge Records)

Review 

 

Number 6

Rich Ragany & The Digressions – ‘…Like We’ll Never Make It!…'(Glunk Records)

Review

 

Number 5

Andy McCoy – ’21st Century Rocks’ (Ainoa Productions)

Review

 

 

Number 4

Hunt Sales Memorial – ‘Get Your Shit Together’ ( Big Legal Mess Records)

Review

 

Number 3 

The Hip Priests – ‘Stand For Nothing’ (several independent labels)

Review 

 

Number 2

The Wildhearts – ‘Renaissance Men’ (Graphite Records)

Review 

 

Number 1

Michael Monroe – ‘One Man Gang’ (Silver Lining Music)

Review 

 

 

So congratulations to all the bands who made the RPM Online top ten.  Especially Michael Monroe for taking top spot in the hotly contested category as well as all the ones that didn’t there were dozens and dozens of albums released in 2019 that we reviewed.  We managed to catch up with a few of the bands who made it onto the pages of RPM Online in 2019 to find out what made it onto their turntables this year and to find out any highlights they might have had.  Here is some beginning with Jeff from The Brothers Steve…

 

Jeff Whalen (Guitar /Vocals – The Brothers Steve)

“I don’t think I listened to any records that came out in 2019!  So I picked my top 5 records that were new to me in 2019!”

 Tiny Tim—God Bless Tiny Tim
The Beagles—Here Come the Beagles
White Reaper—The World’s Best American Band
The Speedies—You Need Pop
The Millennium—Begin
Rich Jones Guitarist (Michael Monroe/Black Halos) –
Pup – Morbid Stuff
The Wildhearts – Renaissance Men
Jeff Rosenstock – Thanks, Sorry! / Sorry, Thanks!
Berlin Blackouts – Nastygram Sedition
The Menzingers – Hello Exile
BEST RE-ISSUE: The Replacements – Dead Man’s Pop
Duncan Reid – Duncan Reid & The Big Heads
Starcrawler – ‘Devour You’ (especially the track No More Pennies)
2 Albums which spoke to my Country Side:
The long Ryders – ‘Psychedelic Country Soul’ (especially Greenville)
Kim Lenz – S’lowly Speeding’
Not an album but the single ‘Fire Ready Aim’ by Green Day which was superb
And The Baby shakes  ‘Cause a Scene’  (especially the title track)
As for Highlights, there were Many highlights of 2019 especially Rebellion which went superbly for us and I’m really looking forward to the release of our new album early 2020 as well as playing the Kubix Festival.
Steve Coulter – (Drums) The Brothers Steve 
The Gold—T’he Gold’
The Armoires – ‘Zibaldone’
The Cutthroat Brothers – ‘Taste For Evil’
The Coolies – ‘Uh Oh! It’s…The Coolies’
The New Pornographers – ‘In The Morse Code Of Brake Lights’
As for the highlights of 2019 it has to be making the Brothers Steve ‘#1’ & The Go All The Ways as well as writing about music ‘Go All The Way A Literary Appreciation Of Power Pop!

Lee Love (The Hip Priests)

Clowns – ‘Nature/Nurture’

TV Crime – ‘Metal Town’

Bitch Queens – ‘City Of Class’

The Drippers – ‘Action Rock’

Schizophonics – ‘People In The Sky’

 

Melchior Quitt (Bitch Queens)

Clowns – ‘Nature / Nature’

Amyl & The Sniffers – ‘Amyl & The Sniffers’

The Hip Priests – ‘Stand For Nothing’

Saint Agnes – ‘Welcome To Silvertown’

The Schizophonics – ‘People In The Sky’

As for the Highlight of 2019, There are several. Two for Bitch Queens were to put out our brand new album ‘City Of Class’ and to finish our new recording studio to keep on doin’ what we are doin’ far away from the big business.

The Best event this year was Sjock. “What could be better than hanging out with my boys from The Hip Priests and seeing the best Action Rock bands from all around the world! I am looking forward to touring with Bitch Queens in Europe next year and to record a shitload of new singles and split 7“ And of course, there are two of the probably best records 2020 in the pipeline – The Good, the Bad & the Zugly and Kvelertak. 2020 is gonna be good!

Mathius Engelbrekt Carlsson – “Demons”  – 
 All right. My top picks for 2019.
Jeff Dahl – ‘Electric Junk’
Guitar Wolf – ‘Love & Jett’
Amyl & The Sniffers – ‘Amyl & The Sniffers’
The Hip Priests – ‘Stand for Nothing’
Bitch Queens – ‘City of Class’
The Drippers – ‘Action Rock’
Dead Furies – ‘Stay Gold Ponyboy’
“One of few highlights of 2019 was getting ‘Kiss Off’ off the ground. This has been one of those years. For music it has been a great year though and especially for Rock’n’Roll.
Next year it’s the 25th anniversary for “DEMONS” and we hope that we can tour as much as possible starting with Japan in January. A new record will be out as well as some old stuff. Hopefully our first unreleased album and possibly a Demonology II. See you on the other side.”

POP CULTURE SCHLOCK at RPM: Exhibit G – Daily Mirror Pop Club annual 1982

POP CULTURE SCHLOCK at RPM: Exhibit G – Daily Mirror Pop Club annual 1982

Season’s greetings to all RPM-People! This time of year is prime for accumulating all manner of collectables that you really don’t need, but really must have: Christmas is coming, the goose is getting tat, and all that. With that skewed mantra in mind, for this latest of my Pop Culture Schlock columns I present a righteous rockin’ relic that I found loitering under the Xmas tree at my childhood home on December 25th, 1981…

I have extolled the virtues of the annual previously in the virtual pages of RPM; detailing the must-have Rock On! annual from Christmas 1979 in an earlier column. It would be very remiss of me, however, to not dip a cowboy-booted-toe into the waters of this hard-backed veteran of youthful gift lore at the time of year when, once upon a happier time, an annual was as Christmas as mince pie.

 

The Record Mirror Pop Club annual 1982 – released in time for Christmas 1981 – was given to my then-ten-year-old self by a cool aunt. She had once won a beauty contest, almost got scalped in a car accident, and had got the top of one of her fingers cut off at a zoo so, yeah, she was cool. The cover photo of said annual was a great live shot of The Police, the first band that I, post-childish Showaddywaddy infatuation, really got into and had posters on my bedroom wall of. I guessed that this cover was the reason why this annual had resided in a pile of now-crumpled wrapping paper under my tree. But, no; a quick finger of the pages informed me that this gift was pointed in my direction due to the inclusion of my latest (and arguably greatest) musical infatuation, KISS!

Yes, a full-page colour feature entitled “The KISS of Success” was the reason why this annual found itself in my possession, where it would remain for almost four full decades. The photograph that accompanied the article was, and remains, simply awesome. Messrs Simmons, Stanley, Frehley, and Carr, the newest band member, looking slick in the photoshoot used to promote the band’s 1980/81 ‘Unmasked’ world tour. Now, I know that the photos were taken on the day of the band’s 1980 show at the New York Palladium – the only show where Eric Carr wore the original “silver fox” version of his make-up. Then, I, like many others, I guess, was left wondering just how this great new drummer looked a little different. The photos were used for the tour books of the European and Australian legs of the ‘Unmasked’ world tour with crude touching-up of Carr’s make-up to remove all traces of the silver outlines. I wouldn’t hold an ‘Unmasked’ tour book in my hoarder hands for many a year, so this was my first experience of the original (not to be confused with Carr’s hawk make-up trial which was mocked more than Gene’s future hair hats) fox look and it felt special.

 

The feature spoke to me of enthusiastic acclaim for ‘Attack of the Phantoms’ from Australia and Germany; of how the solo albums sojourn had seen the band members return stronger, with astonishing new energy, to produce sensational albums like ‘Dynasty’ and ‘Unmasked’; and of how former member, Peter Criss, would always “remain as a member of the KISS partnership.” As frothy as the feature was, the fact that I now had a full-page colour feature to drool over rather than the minuscule black and white cuttings collected by each and every UK-based KISS Kid meant everything.

The annual wasn’t all about KISS, though: the pages featured many intelligent articles on all manner of (then-)current bands and artists. The Daily Mirror Pop Club was, you see, an actual club that offered money off concert tickets, free to enter rock and pop contests, and a members-only cassette lending library which boasted over 5,000 titles. Mick Jagger and the Rolling Stones were honorary presidents of the club. If proof were ever needed that the Daily Mirror once had a life beyond indentikit idiocy enabler then here it is.

 

“Things Look Good For Dire Straits” yelled a headline accompanying a two-page spread; “Go Quo in ’82!” another such piece. Cover stars The Police got a three-page article where each band member’s private life was dissected; guitarist Andy Summers revealed to have once shared an apartment with actor Paul Michael Glaser – yes, Starsky himself! Sheena Easton, Olivia Newton-John, Joan Armatrading, Kelly Marie, and Earth, Wind and Fire all got one-page features, as did Barry Manilow and Neil Diamond in a dedicated crooners section. To even things up a little, The Tourists, XTC, and Hazel O’Connor all featured, as did a lengthy John Peel article. With Elton John and Billy Joel spreads rubbing inked shoulders with features on Air Supply and Don McLean, the eclectic mix of the hit parade of the early Eighties was captured almost perfectly. But what of the rock and metal, I hear you cry over your Manowar records – full colour posters of Judas Priest and Thin Lizzy would surely quench any metalli-thirst.

Posters, you say? What kind of savage would cut up a frigging annual? Not me! If, however, you were some kind of imbecile then matt-finished photographs of Debbie Harry, Kate Bush, Rod Stewart, Madness, Sad Café, Cliff Richard, and Leo Sayer in a bike jacket could have covered up the woodchip in your boxroom.

 

I hope that an annual resides under the Xmas tree of all cool kids who have taken the time to read my retro ramblings on RPM this year. I shall return in 2020 with more tales of rock ‘n’ roll spit being swallowed by the worlds of comic books, board games, action figures, and the like. I know that the world appears to be more fucked up than it has for some time but, if you’ve ever asked the question offered by the theme tune of one of the greatest television shows of the twentieth century – “is the only thing to look forward to, the past?” – then I may be able to bring you brief moments of solace via my much-loved, well-fingered pieces of tat. Have a cool yule, y’all!

 

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Author: Gaz Tidey

Gorilla Riot announce that their first full-length album

Gorilla Riot announce that their first full-length album

UK’s dirty rock n blues mavericks, Gorilla Riot announce that their first full-length album, PEACH, is now available for pre-order at gorillariotband.com

PEACH is available in Digital, CD and Vinyl formats and released through Off Yer Rocka Recordings (OYR). Distribution via Cargo Records with a release date of Friday 31 January 2020. An album launch show will be held at Rebellion, Manchester, UK on Sat 08 Feb 2020.

The Riot’s frontman, Arjun Bhishma said, “After our last EP many people put us in the ‘Southern Rock’ bracket. With this record we wanted to show that, although that genre certainly is an influence, it is one of many. You will hear from the first second of the first song that this is not just a Southern Rock record, even if it has elements of that to it. This record takes inspiration from a broader set of genres, from classic rock to grunge with a base in the blues.

“We wanted to show how we have progressed as a band in terms of groove and specific parts. The guitars in this are all intertwining around each other, whilst playing their own individual parts during each song. Having three guitars allows us to layer music in a way that can be recreated live. Therefore, everything you hear on this album is how it will be done live.

“We like to think that people will enjoy its immediacy but that it will also take a few listens to discover every nuance and subtlety.”

The album includes the two singles released so far, ‘Half Cut’ and ‘Young Guns’ along with 10 further brand new songs, with variations in running order across each of the formats.

 

Gorilla Riot are a 5-piece dirty rock n’ roll blues machine from Manchester, England. Using a 3-prong guitar attack with multi-part vocal harmonies; they play raucous blues-based rock, combining elements of grunge, stoner, and country to create a full-on high energy show.

Created by mainman, Arjun Bhishma, he surrounded himself with the best talent in Manchester to form Gorilla Riot.  Arjun, Liam Henry (guitars & vocals), Charly T. (guitars & vocals), James Degnen (bass), have been recently joined by Will Lewis on skins.

Equally at home acoustically or electrically they recently played in Spain and France earlier this year, they then returned home for shows with fellow OYR act, MASSIVE and then as part of the recent Roadstars tour.

LIVE DATES:

Sat 08 Feb – Album Release Show, Rebellion, Manchester
Sat 29 Feb – Winter’s End Festival, Poole
Sat 21 Mar – Bannerman’s Edinburgh
Sun 22 Mar – The Waterloo Music Bar, Blackpool
Fri 27 Mar – Cobblestones, Bridgwater
Sat 28 Mar – Crazy Cowboy 5, Facebar, Reading (headline)
Sat 18 Apr – NWOCR Fest, Leo’s Red Lion, Gravesend (special guests)
Fri 05 Jun – Loverocks Festival, Nr Bournemouth
Sat 06 Jun – Echo Music Club, Hook

www.gorillariotband.com
www.facebook.com/GorillaRiot

‘R3L0ADED: The Best Of GUN – Up Close and Personal’

‘R3L0ADED: The Best Of GUN – Up Close and Personal’

Scottish rockers GUN are thrilled to announce a series of UK shows in March / April next year – entitled “R3L0aded: The Best Of GUN – Up Close and Personal Tour”.

The band, who are currently out on their co-headline UK tour with Dan Reed Network & FM, continue their 30thAnniversary celebrations into 2020, taking a greatest hits set into some smaller rooms to be “Up Close and Personal” with their audience.

Last Month, GUN celebrated the release of their critically acclaimed “R3L0ADED” album, a double CD set, featuring choice cuts from their previous studio albums as a “Best Of” package together with some great cover versions and live favourites.  The “Up Close and Personal” Tour will combine tracks from this album together with a few other surprises.  Tickets are priced at just £18.00 including all booking fees.

Gun’s Dante Gizzi “We thought it would be great to take in some small clubs where we can play our songs in a very intimate setting and can keep the ticket price to a minimum – to really give back to our fans for 30 plus years of support. We are really looking forward to this, so hope to see you all there!”

Tour Dates are as follows:

31stMarch – Cambridge – Portland Arms
1stApril – Nottingham – Rescue Rooms
2ndApril – Cardiff – The Globe
3rdApril – Manchester – Night People 
4thApril – Keighley – Studio 5 Live
5thApril – Newcastle – The Cluny

Tickets are on Sale from Saturday December 20thfrom
www.gigantic.com

Doors for all shows 7:30pm
There will be a different guest act in each city – to be announced soon.
GUN have also been announced to play Stonedead Festival, Newark, UK – 29thAugust 2020

GUN are – Dante Gizzi – Lead Vocals; Giuliano Gizzi – Guitar; Paul McManus – Drums,
Andy Carr – Bass, Tommy Gentry – Guitar

Useful Links:
Website: https://gunofficial.co.uk
Facebook: https://www.facebook.com/gunOfficialUK/
Twitter: https://twitter.com/gunofficialuk
YouTube: https://www.youtube.com/user/gunofficialuk

Rainy Days & Mondays

Rainy Days & Mondays

The first video from the soon to be released album ‘Succubus’ from Scanirockers Beat City Tubeworks hits the streets so here it is for your viewing pleasure You can  Pre-order ‘Top Rock’ Here:‘Freight Train’

Seconds out round Two and our favourite Hat wearing dandies from South Wales Deathtraps have a new video out for the track ‘Lets Fall Out Of Love’ which is the first of their new songs to be released an album is set for release in 2020..

To round things off we’ve had the new video from Southern rockers The Jab sent in so for all you rockers reading RPM here goes. Chicago’s The JAB Debut Music Video For Latest Single “Riot”; New LP ‘Consume’ Out Feb 4 Via Medicine/The Orchard For more details on these southern rockin boys check em out – Website  Facebook  Instagram

 

Supersuckers announce album details and more tour dates for 2020

Supersuckers announce album details and more tour dates for 2020
PLAY THAT ROCK -N- ROLL
 
The band’s 13th studio album arrives February 7th via Acetate Records
Listen to the single “Ain’t Gonna Stop” HERE
Pre-order HERE
“Ain’t gonna stop until I stop it, Ain’t gonna let it go until I drop it,” growls Eddie Spaghetti on the first track off the Supersuckers 13th studio album, “Play That Rock n’ Roll.”  Tracked over the course of four sweltering days at Willie Nelson’s Austin, TX studio, “Play That Rock n’ Roll” rocks with an amphetamine intensity, delivering muscular riffs, big choruses and more than a few tricks up it’s sleeve.
Raw, immediate and often times hilarious, “Play That Rock n’ Roll’ is the album a band makes after slugging it out on the road for thirty years (barring a one year hiatus while Eddie battled throat cancer).  No frills, no guest stars and no collaborations, the album earns the listener’s ear – the Supersuckers have lived this shit and you can feel it.
Songs like “Bringing It Back” and “Last Time Again” deliver a Ramones-like wall of sound, courtesy of guitarist Metal Marty Chandler, while “You Ain’t The Boss Of Me” recalls Dirty Deeds-era AC/DC – and never one to be taken too seriously, Eddie and company make sure to keep the Supersuckers tongue firmly planted in cheek with “That’s a Thing?” and “Gettin’ Into Each Other’s Pants”.   The album also includes a rousing cover of Michael Monroe’s “Dead, Jail or Rock n’ Roll” and a long overdue revival of the Allen Toussaint penned “A Certain Girl,” which appears as an “unlisted track.”
All in all, “Play That Rock n’ Roll” delivers the middle finger brand of Rock n’ Roll the band has been known for since signing to Sub Pop in the early 1990’s.  Combining the ferocity of Motörhead, the off kilter humor of Cheap Trick and the swagger of Steve Earle, the ‘Suckers earned their spurs playing everywhere from dirt floor dive bars to The Tonight Show. Thirty years later, they still deliver the goods, or in the words of Eddie Spaghetti himself…
“The Supersuckers have been doing this for a long time. A LONG time. And the fact that we’re still doing it is not lost on us. We still love Rock n Roll. I mean, we must. There’s no other explanation for why we would still be putting out fresh, new rock music anymore. No one NEEDS it. Hell, hardly anybody even WANTS it. But here it is. Another master class in quality Rock n’ Roll. Sure it’s for the few, the proud, the People of Impeccable Taste, the Connoisseurs Of Quality but it makes us happy to know we still got it. And we do. We might be better than we’ve ever been and that’s exciting. So here it is, our love letter to good, ass kicking rock n roll. Turn it on, turn it up and listen to the Supersuckers play that Rock n’ Roll!!”
US TOUR DATES:
  • 1/16 – Steamboat Springs, CO @ Schmiggity’s Live Music
  • 1/18 – Denver, CO @ Globe Hall
  • 1/19 – Albuquerque, NM @ Launchpad
  • 1/22 – Dallas, TX @ Three Links Deep Ellum
  • 1/23 – Austin, TX @ Empire Control Room & Garage
  • 1/24 – San Antonio, TX @ Paper Tiger
  • 1/26- Houston, TX @ White Oak Music Hall
  • 1/29 – Outlaw Country Cruise
* Full European tour starts Feb 7, US dates continue in May 2020

Duncan Reid And The Big Heads / Cyanide Pills / Bruno, The Louisiana, 13th December 2019

Duncan Reid And The Big Heads / Cyanide Pills / Bruno, The Louisiana, 13th December 2019

As this line up was months in advance of the show I know several were disappointed to see White Trash fall off the bill but they were replaced with the maverick that is Bruno & the Outrageous Methods Of Presentation (to give him his full title) this local lad is pushing the boundaries of punk / art/ audio interference call it what you like its often in incoherent racket but to be fair its engaging and as Bruno marches out into the audience and barks the lyrics into the faces of the unsuspecting audience its engaging and you can’t ignore him and what it is he does.  As for the names of the songs I couldn’t telly you and half the time I doubt Bruno could either.  Enjoyable?  Of course it was he was only on stage (in the loosest terms) for a short period and in that time he sounded like a youthful Jilted John (same barber) , Early Stooges and bands like ex ray Spex gone loco jamming on Suicide as a band with no synths in sight just a fistful of 70s garage riffs.  Basic and primal you should all go see Bruno.

Next up and it was the turn of the highly rated much anticipated Yorkshire men that are Cyanide Pills. First up I’d like to declare my admiration for this band by stating on the record that they’ve never ever written a bad song but they have written some of the brightest bestust power pop punk rock tunes and some of the finest lyrics ever in punk rock not just recently but ever! there I’ve said it.  With the results leaving the four of us Welsh tourists venturing across the Severn with our tits on the deck after the last evenings political catastrophic shit shower we decided only rock and Roll could save us and there was nowhere I’d rather be than in the Louisiana tonight  turning my frown upside down and trying to stay positive with some of the fiest bands the UK has to offer.

Right, Cyanide Pills entertain me, pretty please. As if I needed to ask. Right from the top they proceeded to knock out top tune after top tune and then for good measure they dispatch another. With songs pulled from all their albums, its without pause mind, and tonight they were on fire. What you get is some absolutely on point punk rock n roll with some of the best power pop melodies and harmonies ever written. Its power pop with snot , full of clever and intelligent social observational lyrics that are nothing short of genius, I kid you not. With stand in bassist BB Quattro fitting right in  they kicked off with ‘Wrong’ and never looked back. You know the drill its one bosh two bosh three bosh and so on.  Theres no time for chatter its on with the relentless entertainment. ‘up Against The Wall’ seems apt for last nights Election victors. Anyway mustn’t dwell it ‘Mail Order Brides’.

If I had to pick a favourite album I couldn’t but I can pick my favourite tunes and one of them is ‘Dance With You’ and ‘Sliced And Diced’ opens with the epic ‘I Don’t Remember’ and when they chimed up with that this was turning out to be the ultimate post election tonic. They were thundering through the set plucking tunes for all three albums unable to stand still  to enable us to snap many decent pics but fuck it ‘Alone tonight’ tips the hat to the Ramones (of course it does). A lot of bands like to meander their way to the high point of the set before attempting to go out in flames but Cyanide Pills just start high and aim higher coz simply they have the tunes to do it but by the time ‘Can’t Get It up’ rips through the speakers you wonder how they can top it and then ‘Johnny Thunders Lived In Leeds’ struts in like a punk rock peacock (no Leeds pun left unturned) I was going to avoid punctuation and gaps between the words and just blast through (much like the band), I do wonder how they manage to grab a breath between songs and what would happen if they broke a string? it would be carnage. Did they play ‘Apathy’? of course they did.  ‘Still Bored’, ‘Government’ then ‘Suicide Bomber’ and we’re done.  Fan-fuckin-tastic! just what the doctor ordered yet again a suitably smashing set from the best punk rock n rollers anywhere great tunes, great lyrics and great entertainment – follow that!

Duncan Reid & The Big Heads do follow that and with consummate ease.  They’re not the competition but equals and whilst Duncan writes fantastic power pop the dynamics and the sound are poles apart but has the same DNA and another thing they share is they all have tunes!   Kicking off with ‘Can’t Stop’ off ‘Bombs Away’ Duncan commands his big heads and rises to the occasion and the gauntlet laid down by the opening bands. With a new album in the bag Duncan is buoyed and after a quick romp through ‘Soda Pressing’ its a glimpse into the new album with ‘Welcome To My World’.  Now it’s fair to say he’s been at this for a number of years and has seen a thing or two and happened to work with some exceptional songwriters in his time and that time wasn’t wasted as the band take care of the exceptional ‘Lets Skip To The Good Bit’ then its an introduction to some new tunes and one in particular politely entitled ‘Motherfucker’ about a certain Tory politician we are all familiar with that goes down rather well and whets the appetite for the new album.

This line up of Big Heads Duncan has assembled have worked really well together and playing more and more shows is paying dividends and Nicks backing vocals on ‘Rolling On’  sound great much like the chemistry between the band as well.  the minutes are flying by and from ‘Bombs Away’ through ‘Kelly’s Gone Insane’  this is proving to be an immense nights entertainment. the room is jumping by the time ‘C’mon Josephine’ pipes up and the final new song ‘Better Get Them In’ is dispatched. With the clock ticking there’s time for a doff of the cap to previous employers as Nick gets the punters involved on the classic ‘Brickfield Nights’ followed by some high praise for the wonderful songwriting of Honest John Plain from his old pal as ‘Terminal Love’ leaves just one song left before we all have to steal away onto the cold Bristolian cobbles and back home.  The inimitable Mr Reid leaves us for ‘The Last Time’ tonight (other than to run his merch table) after another faultless performance of great songs that fly’s by The curtain falls on 2019s live gigs for me as I try to take it all in and what a way to end the decade with a punk rock n roll show thats up there with the best of them in fact it is the best of them.  Variety, consistency, smiling faces, great tunes what more could you ask for of a gig night?  If in 2020 you get the chance to witness Cyanide Pills and / or Duncan Reid & The Big Heads don’t hesitate or procrastinate just buy your bloody ticket it’ll be a memorable nights entertainment that much is a given.  Brilliant as expected – always a pleasure and never a chore.

Author: Dom Daley

 

Handsome Dick Manitoba – ‘Born In The Bronx’ (Liberation Hall/MVD Entertainment)

Handsome Dick Manitoba – ‘Born In The Bronx’ (Liberation Hall/MVD Entertainment)

Anyone who has ever visited New York has a story to tell about the city, so you can bet your bottom dollar that having lived there all his life Handsome Dick Manitoba has volumes of the buggers just filed away ready to regale you with.

 

Mantitoba’s debut solo album ‘Born In The Bronx’ takes a dozen of these tales and adds a rock ‘n’ roll soundtrack (provided by al all-star cast) to truly bring them all to life, and the resulting sound is so authentic you can almost taste the New York City air.  Add in a cover version of P.F. Sloan’s ‘Eve Of Destruction’ to the Big Apple pie and what you have is a 13 track album that Handsome Dick Manitoba has been waiting all of his life to release.

 

With it being 18 years since ‘DFFD’ and 29 years since ‘And You?’ I have to admit a Handsome Dick Manitoba solo record was the last thing I’d expected to be reviewing as 2019 draws to a close. The surprises don’t stop there either as ‘Born In The Bronx’ was actually recorded in Nashville not NYC, thus enabling producer Jon Tiven to draw on the local talent pool of Buddy Miller, Harry Stinson, Beth Hooker, Shannon Pollard, Chuck Mead and Donte M’Shawn alongside the likes of  Mickey Curry, Mat Reale, Simon Kirke and Mike Shrieve who provide a rock solid backbeat throughout.

 

Opener ‘Shelley’ sets the tone of the record perfectly, a rock ‘n’ roll love story that shuffles its way into your heart on 6 inch platform heels it’s a song that is instantly recognisable due to Manitoba’s unique vocal delivery. ‘Back To My TV’ and ‘Surfside’ which fall either side of the faithfully reproduced run through of ‘Eve Of Destruction’ are for me the highlights of ‘Born In The Bronx’ both of them being raw blast of proto-punk that take the Sonics and dresses them up as Dolls. Likewise, ‘Big Army Brass’ is a one finger piano boogie bastard that will have you dancing all night long and ‘Callie May’ sees Manitoba’s songwriting influences extend into late 60s/early 70s Detroit for a truly riotous shindig.  Absolutely breath-taking stuff!

 

After this ‘The Cooker & The Hit’ treads more of a bluesy path whilst ‘Thicker Than Blood’ could very well be a song written for a certain Mr Springsteen, and then there’s the title track which saunters in like The Thin White Duke after spending a weekend missing in the Bronx in the mid 70s, and here Manitoba allows his storytelling to go into overdrive cramming as much history as he can into 3 minutes and 59 seconds.

 

Look I’m not going to do my usual track by track run through here because there is so much to discover within the grooves of ‘Born In The Bronx’ that I’d really like you to go and discover the record the same way that I did. It’s a really up sounding set of songs that’s for sure, and it’s an album that deserves to be played in full and given repeat listens -something quite exceptional in this age of here today gone today one hit wonders.

 

With ‘Born In The Bronx’ the party really does start now!! So go out and get your copy and tell the ‘Soul Punk King of NYC’ that RPM Online sent you.

Buy ‘Born In The Bronx’ Here

Author: Johnny Hayward

 

The Wonder Stuff – O2 Bristol – 12th December 2019

The Wonder Stuff – O2 Bristol – 12th December 2019

The power of hindsight is a wonderful thing and for the most part, my mind was elsewhere today rather than on attending another Stuffies show in 2019 but once I get inside the packed venue I take stock and switch off the outside world and prepare myself to be entertained.  With a fantastic new record, Milo has certainly turned back the clock and tonight he’s promised to turn the clock back a full thirty plus years and dish up a helping of ‘Eight Legged Groove Machine’ and ‘Hup’ as well as some off the new album ‘Better Being Lucky’.

Milo took to the stage and individually introduced the band to the stage Malc Treece, Erika, Mark Gemini Thwait on Guitar and Bass, Pete Howard On Drums and Tim Sewell on Bass milo explained that before the band set about turning the clock back that they would be opening up with some off the new album ‘Better Being Lucky’ and with Mark joining Malc on guitar duty  they opened up with the fantastic ‘Feet To The Flames’ which opens the new album and already it sounds like its been in the set for ever with a familar wonder stuff rhythm and Erika adding her considerable talent all over the song its then into ‘Lay Down Your Cards’ a more gentle number but showing how the band have evolved and are still capable of writing exceptional music. Tonight with the two electric guitars riffing it up ‘No Thieves Among Us’ sounded great with the audience welcoming the new material and considering it was the third new song at the top of the set and their heaviest in a long time this is being brought to the boil nicely. Bringing the end of the new songs (the fifth to be exact) ‘When All Of This Is Over’ the band take to the stage left and announce that that was the end of act 1 and in a short while they would be returning with ‘Hup’.

As you might imagine there would be many in attendance tonight who might have had considerable more hair when this album came out a full 30 years ago!  The Wonder Stuff were about to try and wind the clock back to some of those memorable nights when they were the darlings of the NME and ‘Hup’ hit the indie charts full on and carrying on where ‘eight Legged Groove Machine’ left off Milo had unquestionably improved as a songwriter and possibly written their career defining album.  Me, I still love it and hearing the intro tapes go up for ’30 Years In The Bathroom’ I get the hairs on my arm stood to attention and think back with a beaming smile of times gone by and following the band around on some amazing adventures. By the time we reach ‘Golden Green’ the audience are loosening up and the 40 – 50 year olds throw caution to the wind and gingerly get into the spirit of the evening. Milo (still ) with his mob of curly hair which he throws around to good effect is like the peter pan of indie tonight complete with beaming smile as ‘Cartoon Boyfriend’ sounds as fresh as the first time I heard it.

Milo does comment that by the time ‘Don’t Let Me Down’ chimed in Manchester peaked too early but he had high hopes for Bristol that they had more stamina and he wasn’t wrong. the place was alive as ‘Hup’ cruised to a finale with the brilliant ‘Room 410’.  As we wound the clock back a little further for the thirty first anniversary performance not quite the same as the twentieth or thirtieth but still, totally in keeping with the Stuffies doing it their own way  it was time for the ‘Eight Legged Groove Machine’ portion of the set as the band predominantly stripped back to Mark picking up the bass and milo and Malc sharing guitar duties with Pete still behind the kit it was ‘Red Berry Joy Town’ time and we’re off.

To be fair they played it in sequence and true to the debut album and boy did it sound good. they managed to capture that urgency and vitality that was what ‘Groove Machine’ was about it was youthful and fresh and still to this day reminds me of my youth and seeing a band kick ass not giving two flying fucks what people thought and if you were with them then jump on board they were happy to have you and if you didn’t like em then so what they never gave a fuck but thirty one years later not a lot has changed they still fill decent sized venues and this is their second time around the UK this year and with that new album in tow the Wonder stuff are having it and without much fanfare they seem to be going about their business with purpose and contentment less a lot of the drama from the early years but with a back pocket stuffed with great songs. Tonight saw two albums in their entirety and half a brand new album seamlessly work together and had they played the best of the rest we’d have been there all bloody night.

I started to day dream about some of the amazing shows I’d witnessed in the early years of seeing the band and songs like ‘wish Away’ were great markers. Damn, by the time Milo introduced ‘Ruby Horse’ as the “horsey One” I realised it was almost time and the evening would be done. I didn’t want it to end it had been that good.  Mark and Malc worked well together and Mark fitted right in with the Wonder Stuff 2019 and as the band left the stage again after a spectacular and anthemic ‘Poison’ I realised there had to be an encore as there was one song missing.  It was the obvious encore even if Milo didn’t have his loud hailer at hand it was time for ‘Good Night Though’ and one by one as the song played out they left the stage for a final time that was it 2019 done and dusted there were no awful songs and all that glittered was indeed gold the best line up of the wonder stuff for a long time just tore Bristol a new one.  Can we do it all again next year for the twenty ninth anniversary tour of ‘Never Loved Elvis’  to coincide with the twenty seventh year tour of ‘Modern idiot’ you know it makes sense. why wait? call the bookers, It has to happen. Over and out.

Author: Dom Daley