Firstly I’d like to start by saying how good it was to see The Loveless and The Courettes on this bill as well as Hooky because they could have played it safe and gone for The Subs or Ruts DC etc which would have been cool don’t get me wrong but The Damned thinking outside the box for supports, its excellent not just because they are bands I love but two of em I’ve never seen before which is nice.

Right, let’s get down to business. First up is the Danish duo The Courettes, who embrace the Spector wall of sound and knock out psychedelic-tinged rock n roll with a tip of the hat to the originals back in the 50s and ’60s, but also embrace the rough and ready approach of punk rock which makes for a familiar yet modern twist and it helps that they have a raft full of top tunes as well and playing in the enormadome that is Wembley arena didn’t phase them nor did it take aways from their minimalist approach you might forgive them for the delivery on such a vast stage but no, they took to it really well and fulfilled their remit of opening act and getting a very respectful ovation from the Damned audience which was throughly deserved.

Peter Hook & The Light. Having seen them several times over the years and being a fan of Joy Division, New Order and the Light, I was looking forward to the twin Bass assault of this band and what they put into the set. The place had filled up nicely as the band entered the stage to some nifty Kraftwerk tape, it was looking like a Joy Division heavy set as ‘Dead Souls’ led the way. I like the dynamic of Hooks’ playing style, and his vocals suit the songs, and he commands the stage well, clearly more than comfortable on a big stage. By the time they hit ‘She Lost Control’, they were mesmerising with the Wembley sound being rather good to be fair. I’d not been in this place for about 30 years and always remember the sound being awful, regardless of who was playing, just the size of the concrete box possibly being the problem, but tonight so far it was excellent.

The highlight of the set was a stunning ‘Shadowplay’ followed by ‘Transmission’. It was commented that it would have gone to the next level had John Barnes entered the stage and a version of ‘World In Motion’ filled the concrete box, but alas, not tonight, opportunity missed and being in Wembley as well. Of course, the biggest cheer was for the final tune of the night from Peter Hook & The Light, which was ‘Love Will Tear Us Apart’, a song I’ll never tire of hearing. Job done, Peter Hook & The Light were just as good as the last time I saw them play support, absolutely fantastic performance.

Another first for me was the chance to catch The Loveless and hear Marc Almond deliver his alter ego, garage rock frontman ably supported by the talented Neil X. I loved the EPs and the album but not had the chance to catch them live until now so ‘Wild In The Street’ opened the set and whilst you might be forgiven in thinking they’re a glorified tribute covers band (which they are) they also have their own songs which are equally as good. Maybe it’s a chance to perform songs by legends like Alice Cooper Band and Sweet ‘Under MY Wheels’, complete with Ziggy tip of the hat from Almond and ‘Hell Raiser’ respectively. It was also great to hear them do a rocked up version of ‘Love Missile F1-11’ with X handling the vocals and Almond moving to backing singer. I thoroughly enjoyed the set, thought they sounded fantastic, and the added Saxophone was the cherry on top, but the curveball of the night goes to a rock n roll ‘Tainted Love’, not something I’d ever have imagined doing at a Damned show, but hey, why the hell not. A dozen songs done, and we had reached the headliners, ably supported by three most entertaining acts offering value for money and variety, who said play it safe?

Now cards on the table here, I’ve been lucky enough to see The Damned around a hundred times and been at some pretty memorable markers in their career as they ticked off Brockwell Park, a 10th Anniversery tea party in a massive tent, The Royal Albert Hall headline, captain reaching bus pass status show, multiple festival headline sets, supporting the biggest from the states in Hyde Park, headlining Hammersmith Odeon with the original line up as well as several previous OG line up shows, The London Palladium and the third phase of the band returning when Rat rightfully took back the drum stool and in a few months playing a fuckin castle! Right, I’ve also seen them play when Dave didn’t show up in a shambolic set in Cardiff and plenty of fly-by-the-seat-of-your-pants performances, which were always endearing and a part of The Damned that I love, the fact that you never knew what you were going to get or which side of the band would turn up. Hell, I even saw the night there were three Damned bass players on stage at the same time. Simply put there is no other band quite like The Damned (thank God some would say) I love ’em and would happily chew your ear off recounting memories fondly of sleeping on train platforms and trying to find venues in the middle of nowhere feeling like a stranger on the town, but tonigh I knew where Wembley Arena was and was chuffed for the band that they pulled off another caper that many would thing was way beyond their grade. Often overlooked for their place in the history of UK music, and absolutely nobody here or anywhere for that matter would have given these herberts a cat in hell’s chance of reaching 50 fucking years and capping it off with their boldest move yet – punk rock in an Arena.

It’s fair to say the Damned audience has evolved over the years, but they’re a demanding bunch and often hard to please, and Damned of you do Damned if you don’t in many ways, but I was just happy to join them to celebrate a remarkable feat this evening. As the band take to the stage bathed in fog, it’s ‘Phantasmagorias’ ‘Street Of Dreams’ that kicks off proceedings as we weave through a darker opening set, ‘Blackout’ follows before a wonderful intimate performance of ‘Dr Jekyll And Mr Hyde’ is played. ‘Stranger On The Town’ precedes ‘Under The Floor Again’ before we get ‘Eloise’, my least favourite Damned cover yet, a song I think they’ve played at every show since they first covered it. So the set was split in two, with set staples ‘I Just Can’t Be Happy Today’ making way for ‘Life Goes On’ and ending with a rowdy ‘Smash It Up’, then the intermission and a host of commercials from fifty years ago. Shake n vac, is it even a thing anymore? And who else fancied a flake? Anyway, I digress.

Set Two kicks off with the huge screen beaming their performance on The Young Ones as ‘Nasty’ was unleashed, then they got into gear with ‘Love Song’ and ‘ Etiquette’ before the first album got an airing with the awesome ‘Fan Club’. The Damned always put out killer singles and B-sides that never made albums, like the epic ‘Limit Club a song they’ve sadly not dropped into the set I’ve heard for many a moon, but we did get ‘Disco Man’ just before a crowd sing-a-long of ‘Ignite’.

A lot gets said about this band and the fans might be a demanding lot but at their advanced age I think its amazing I still get to see my favourite band regularly and they might not be as edgy and chaotic as they used to be why would they they are still a formidable band and on their day better than anyone and they still play the greates single ever recorded and released ‘Neat Neat Neat’ is thrashed out before we go all proggy as a rather restrained Captain leads the way through a shortened ‘Curtain Call’ before Rat has his five minute behind the kit which paves the way for a loose ‘New Rose’ and were done. Two fuckin hours of The Damned, who once again took us on a journey through some of the best music ever made. Was it their finest hour? I doubt it. Was it faultless? No, lyrics forgotten? Sure – so what, guitar parts fluffed? Of course, intros missed? – for sure. Without that edge, they wouldn’t be The Damned.

Tonight wasn’t about turning in the performance of a lifetime, it was a celebration of 50 years of anarchy, chaos and destruction and the fact that they are still here doing what we love. God bless the Damned and all who sailed with them from Brian, Algy and Bryn, who are no longer here. We salute you, and too many to name, who’ve borrowed a guitar or pair of sticks, we thank you, and to Dave, Captain, Rat, Paul and Monty, many happy returns, gents, that was a blast, and I wouldn’t have missed it for the world.

Author: Dom Daley

W.A.S.P. Announce Ten European “1984 To Headless” 2026 Shows

W.A.S.P. announces ten European shows  as part of the “1984 To Headless” 2026 Tour paying tribute to their 1st Four Albums… Live! Selected Hits from W.A.S.P.’s 1st Four Albums promise to create a True Rock ‘N Roll Spectacle complete with a Live Stage Show bringing those Albums Alive for the 1st… and Only Time. The Band will take the “1984 To Headless” Tour to Europe and the World in 2027.

Tickets and VIP: www.WASPnation.com

W.A.S.P. cemented their place in the Rock History in those 1st Five Years with their iconic first album in 1984, followed the next year with “The Last Command”, “Inside the Electric Circus” in 1987 and capped with the their Greatest yet, “The Headless Children” in 1989.

“It’s hard to express the genuine excitement I’m feeling in describing the “1984 To Headless” U.S. Tour. Playing those songs from those 1st Four Albums in a combined package like this is something we’ve never attempted before. In addition to the songs, the entire Stage Show will look like the Album Covers from those Records will Come Alive… right right before your eyes!

Complete with all the History and Bombastic Live Presentations that’s made this Band one of the great Live Bands in the Theatrical Rock World. When elements of those Album Covers start to come alive, right on the stage before the people it’s gonna be something they’ll not soon forget!” — Blackie Lawless
 
W.A.S.P. will be again offering fans VIP tickets to all European shows that give fans a chance to meet Blackie Lawless, get a personal photo with Blackie, autographs, and take part in a very personal Q&A with Blackie. VIP tickets can be purchased at https://waspnation.myshopify.com

“W.A.S.P. – 1984 TO HEADLESS” 2026 TOUR

European Dates

06-24 – Basinfire Festival – Czechia

06-27 – Tons of Rock 2026 – Norway

07-24 – Kuopiorock 2026 – Finland

12-04 – Storm Out Festival – Germany

12-05 – Pott Out Festival – Germany

12-07 – Belgrade, Serbia – Hangar

12-08 – Bucharest, Romania – Arenele Romane

12-09 – Sofia, Bulgaria – Inter Expo Hall

12-11 – Rock Out Festival – Germany

12-12 – Knock Out Festival – Germany

U.S. and Canada Dates

09-10 – El Cajon, CA    The Magnolia

09-11 – Los Angeles, CA    The Wiltern

09-12 – Riverside, CA    Fox Performing Arts Center

09-13 – Phoenix, AZ    Celebrity Theater

09-14 – Santa Fe, NM    Buffalo Thunder Resort & Casino 

09-16 – Austin, TX    Emos

09-17 – Tulsa, OK    Tulsa Theater

09-18 – Dallas, TX    House Of Blues

09-19 – San Antonio, TX    Aztec Theater

09-20 – Houston, TX    House Of Blues

09-22 – Clearwater, FL    Ruth Eckard Hall

09-23 – Daytona, FL    Peabody Auditorium

09-24 – Jacksonville, FL    Florida Theater

09-25 – Raleigh, NC    The Ritz

09-26 – Jim Thorpe, PA    Penn’s Peak    

09-27 – Portland, ME    Aura 

09-29 – Boston, MA    House Of Blues

09-30 – Hampton, NH    Hampton Beach Casino

10-01 – Wallington, CT    Toyota Oakdale Theatre

10-02 – New York, NY    The Palladium

10-03 – Carteret, NJ    Carteret Performing Arts Center

10-05 – Montreal, QC    Mtelus

10-06 – Ottawa, ON    Hard Rock Casino

10-07 – Pickering, ON    Pickering Casino Resort

10-09 – Des Plaines, IL    Des Plaines Theater

10-10 – St Charles, IL    Arcada Theater    

10-11 – St Charles, IL    Arcada Theater

10-13 – Glenside, PA    Keswick Theatre

10-14 – Harrisburg, PA    Capitol City Music Hall

10-15 – Cleveland, OH    Agoura Theater    

10-16 – Milwaukee, WI    Pabst Theater

10-17 – Green Bay, WI    EPIC Event Center

10-19 – Winnipeg, MB    Burton Cummings Theatre

10-21 – Edmonton, AB    Midway Music Hall    

10-22 – Calgary, AB    The Palace Theater

10-23 – Coquitlam, BC    Great Canadian Casino Vancouver – SOLD OUT

10-24 – Coquitlam, BC    Great Canadian Casino Vancouver

10-25 – Seattle, WA    Moore Theater

10-27 – San Jose, CA    San Jose Civic

10-29  – Rancho Mirage, CA    The Show @ Agua Caliente

10-30 – Las Vegas, NV    House Of Blues

10-31 – Anaheim, CA    The Grove

Tickets and VIP: www.WASPnation.com

Sold-out shows are pretty cool, right? Album launch shows are always pretty cool, but when you have two for the price of one at the same show, it kinda raises the bar. I find myself in London for the weekend after booking to see the Damned almost a year ago so imagine my joy of finding out The Sideshows were launching their debut album the night before and had Marc Valentine as support, what a result that is.

First up tonight was Marc Valentine with his third long player in the bag, ‘Uncommon Side Effects’, and I think it’s fair to say his best as well. Having been lucky enough to have had the album for a few weeks and familiarised myself with the new tunes Marc and his band ripped through the new songs like they were old friends and were well worn into the set that was nothing short of a masterclass in loud power pop with some awesome accompaniments from his band with Richard Davies laying down some fantastic licks on his trusty Les Paul Jr and birthday boy Neil tinkling the ivories.

Marc has perfected the ragged rock n roll love letter to the underground that has a far wider appeal, be it the fantastic ‘You Are The Jet’ or ‘NY UAP’ the support set didn’t do him or his band proper justice they could have headlined and given us twice as long and I’ve no doubt the audience would have stayed with them lapping up every second. The feel-good Friday night was up and running to a wonderful starter choc-full of catchy melodies played with passion and a true belief in what they do. Marc Valnetine laid down the marker for The Sideshows to follow, and the bar was set pretty bloody high.

You can catch the band live all over the place in the coming weeks, and I would highly recommend you do so and get hold of that album, it’s a belter.

With the opening slot lighting the way, The Sideshows have been in rehearsals in Spain for the last week or so and are rightly taking this seriously, with the show being sold out months ago. The self-titled debut album was also released on this day, and if you’re asking, yeah, I think it’s the best work Rags has delivered since the first Role Models album. The thing stinks of great melodies, well-worn stories, and having Sami Yaffa on board shows the level of pedigree you can expect from this record.

The set begins with ‘Brand New’, and for the next hour we are taken on a rock n roll journey through some pretty wicked tunes, and having Gaff joining for added guitar licks and general oomph. The sound is fantastic. We were promised the album in full as well as other gems from the band’s catalogues, so it didn’t take long before Yaffa stepped to the centre of the stage to deliver a thumping ‘Selling Me Shit’ from his solo material, which wasn’t something I was expecting, but a most welcome addition it was too.

Role Models ‘Saturday Night Sailor’ sounded awesome, and it’s hard to believe this is their first live show the sound was exciting and as tight as you’d want for for a first outing the packed room was clearly enjoying it as much as I was and the fact most people in here hadn’t ever heard most of the songs being played but had already bought into it 100%.

After the excellent tribute song to Scott Sorry ‘Not Sorry’ it was a treat to hear Hanoi Rocks ‘Lost In The City’ being bashed out complete with some pretty mean harmonica honking for added coolness. All in all the fifteen song set flew by and with it all being pretty upbeat I couldn’t think of anywhere I’d rather be on a Friday night in ole London Town and to cap it all off with a brief encore they return to lap up the well deserved rapturous applause and a run through the Johnny Tunders classic ‘I Wanna Be Loved’ well, seeing as you’re asking the answer is, The Water Rats Loved ya, lets do this again and if there is any chance of a follow up album down the line I’d be all in to hear what these talented guys can do next but for now lets bask in the glory of a mighty fine record and a memorable rock n roll show just like we used to get.

What a wonderful evening of Rock n Roll from two bands who deserve so much in return. If you can pick up their records and spread the word the world would be a better place and have the perfect Friday night soundtrack. If they hit your town don’t sit on it get out there and let em know the world needs bands like these.

Marc Valentine

The Sideshows

Author: Dom Daley

Natural History is a compilation album by The March Violets, originally released in October 1984, collecting their early singles and BBC Peel Session tracks. Well, thanks to Jungle, it’s once again available on lovely Violet wax (Obvs) for RSD 2026. It also comes with an insert of a one zillion-dollar note.

The band has reformed and is playing dates in 2026, so why not get this out there to help people reacquaint themselves with their post-punk drum machine adjit noise. Sounding like the forerunner to New Order’s Blue Monday on the album’s opener ‘Religious As Hell’, the thick bass lines are certainly of their time as is the punchy drum machine, but that caustic, abrasive guitar tone is majestic, layering the vocals that sound like they were recorded in a big fuckin cave (prob were).

It’s no surprise they were label mates with fellow Leeds noise niks The Sisters Of Mercy and Jungle put out their early singles last year as a very much sought-after set, and there’s no reason to think this won’t have as wide an appeal. Whilst it does sound of its time, the production sounds great sparce yet huge, and that bass thump is excellent ‘Groovin In Green’ is particularly jarring and an epic trip. Imagine the sisters and Bauhaus never happened, March Violets would have been huge. Eleven tracks for your buck so if you want to take a chance then might I suggest getting this in your greasy mitts come RSD.

As a side note if jungle wants to continue this rich vein of form for RSD, can I request some Creaming Jesus for next year please.

Author: Dom Daley

With spring finally sprung, Radio Days are back with two slices of power pop goodness. Taken from their forthcoming album, due in September. Guitarist/singer Dario is often busy with The Peawees, but this is a welcome return. While both groups have similarities, ‘I Won’t Give Up’ is pure power pop, handclaps and hooks galore, much like the fabulous Speedways. 

‘Bang, Bang!’ is more upfront, almost a glam stomper, but equally addictive. Forget your bikini/ budgie smugglers, this is what you need to be summer-ready. Check both tracks out online now. The single is available on Wild Honey Records now, while the album ‘Off The Record’ will be available for preorder soon. 

Buy Here

Author: Martin Chamarette

PLUS GLOBAL ALBUM LISTENING EVENTS – WATCH/STREAM THE SINGLE

PLUS, PREORDERS HERE – https://venomslegions.lnk.to/intooblivionPR

BRAND-NEW ALBUM, ‘INTO OBLIVION’

RELEASED ON NOISE/BMG ON 1st MAY 2026

The second single from Venom’s forthcoming new album, Into Oblivion, is the bludgeoning Kicked Outta Hell, which is a ferocious thrasher of a track and while it has hints of classic Venom it also has a modern twist of brutality. Destined to be another crowd pleaser in the live arena, it’s without doubt one of the heaviest tracks Venom have ever penned. Cronos smirks, ‘This one is me just having fun. I’m putting myself above the Devil in the lyric, which I think is an interesting twist. The Devil’s pissed off with us!’. Dante gestures, ‘You’re not staying in hell, get out!’. Rage affirms, ‘It’s one of the heaviest songs on the album, it’s grinding & straight ahead.’

‘Into Oblivion’ is Venom’s sixteenth studio album and features the long-standing line up of Cronos (bass/vocals and founding member), Rage (guitar) and Dante (drums) and marks their first new recordings since 2018’s, ‘Storm The Gates’. Into Oblivion consists of thirteen songs that are signature Venom: heavy, evil and catchy. There’s a combination of their classic 80’s sound adjacent to a more modern, progressive approach but without losing any of their fire and brimstone of old.

To celebrate the release of Into Oblivion, Venom will be hosting several album listening parties around the world on the day before release, Thursday 30th April. There will be freebies and a chance to win a signed set of test presses at every event. Come along and enjoy an evening of Metal Bloody Metal at these venues!

  • HELGI’S BAR, LONDON UK
    • 177 Mare Street, London, E8 3RH
  • HEADBANGERS PUB, MILAN, IT
    • Via Tito Livio 33/A, 20137 Milano
  • DR FEELGOOD: ROCK BEER TEMPLE, PARIS, FR
    • 34 Rue Keller, 75011 Paris
  • DUFF’S, BROOKLYN NEW YORK, USA
    • 168 Marcy Avenue, Brooklyn, NY 11211
  • THE METAL BAR, SAO PAULO, BR
    • R.Artur De Azevedo, 637 – Cerquiera Cesar, Sao Paulo – SP 05404-011
  • BALLROOM KAPERFAHRT, HAMBURG DE
    • Landungsbrücken – Brücke 6, 20359 Hamburg

‘Into Oblivion’ will be released on 1st May 2026 via Noise/BMG and is available for preorder now and is available in these formats.

  • Double, gatefold smoke vinyl
  • Double, gatefold clear, black & red splatter vinyl (Limited Edition)
  • CD digisleeve with 16-page booklet
  • Digital

PETER HOOK INDUCTED INTO ROCK & ROLL HALL OF FAME AS JOY DIVISION & NEW ORDER FOUNDER MEMBER AND BASSIST

UK FESTIVAL DATES

AUSTRALIA & NORTH AMERICA TOURS

The Rock & Roll Hall of Fame Foundation have announced Joy Division and New Order as one of the acts to be inducted into the Rock & Roll Hall of Fame for 2026. Peter Hook was a founding member and bass player for both bands, playing a critical role in what defined their respective unique sound.

On the announcement of the news, Peter Hook shared: I am so happy to be accepted into the Rock & Roll Hall of Fame, you would not believe it! It’s such a compliment to all the fans of Joy Division and New Order and it’s now been confirmed. My thanks to Ian Curtis, Rob Gretton and Tony Wilson – your hard work and inspiration has meant everything to me. I will be delighted to be inducted and I’m looking forward to the night so much! See you there. Peter Hook.

Meanwhile, Peter Hook & The Light will this year play major tours of Australia and New Zealand in July and the USA and Canada in September and October, interspersed with select UK dates and festivals throughout the year. Full UK dates as follows:

MAY

Sat 09 BRISTOL Gigantic All-Dayer

Fri 22 DERBYSHIRE Bearded Theory

JUNE

Thu 04 MANCHESTER Academy (with Buzzcocks)

Wed 10 GLASGOW Kelvingrove Bandstand

Thu 11 LINCOLN Summer Sessions (with OMD)

Fri 19 SOUTHAMPTON Summer Sessions (with OMD)

JULY

Fri 03 ALTRINCHAM Britfest

Sun 26 SUFFOLK Latitude

AUGUST

Fri 07 ROCHDALE Town Hall (with OMD)

Sat 15 SCARBOROUGH Interzone

TICKETS: https://peterhookandthelight.live

The 2026 dates follow a mammoth run of live shows last year, taking in tours of Europe and North America and a full UK tour at the end of the year – which saw the band play the Get Ready album by New Order in full – and a full EU tour earlier this year that took them to the Netherlands, Germany,

Poland, the Czech Republic, Austria, Croatia, Slovenia and Belgium.

Peter Hook first revisited the seminal Joy Division album Unknown Pleasures back in May 2010 for a commemorative charity concert and has followed it each year by performing subsequent albums from the repertoire of his bands, Joy Division and New Order. His dedication to his back catalogue has now seen him move through Unknown Pleasures, Closer, Still, Movement, Power Corruption & Lies, Low Life, Brotherhood, Technique, Republic and Substance to arrive at the Get Ready album. Having toured the albums extensively, the band have now amassed approaching 1000 concerts.

Among the many highlights since he reintroduced his early repertoire to a legion of audiences across the world, both old and new, have been appearances at Benicassim, Primavera Sound, Kendal Calling, Bestival, Victorious and Rebellion, alongside extensive touring in Europe, North and South America, China, Japan, Australia and New Zealand to great acclaim from both fans and critics alike.

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Cult Figures’ fourth album, ‘Reports of People’, is a collection of eleven tracks that span a variety of post-punk genres, but the one thing that is front and centre is the album’s authenticity and what a wonderful-sounding record it is.  I wasn’t sure what to expect at all but once the air was full of the well rounded production it was full on and before I know it this album had grabbed my attention as it pivotted from all out thuggish post punk to lush wonderful melodies, urgent, visceral, and abrasive, with a mix of punk, post-punk, and other influences it sounds familiar yet fresh. One thing it does is show that since the band’s inception in the late 70s, they have picked up like magpies a thing or two that has helped them grow in their confident sound and produce a most excellent listen flowing from gentler tempos like ‘Scum’ that closes out the record as something of a recovery tune to its predesessor ‘Lunatic Friend’ that is full of fire and menace just like the title might suggest. The band’s creativity around a scene is excellent, and every play delivers a new favourite song and something that grabs you that previously had washed over you.

With clever working-class lyrics and tales of everyday people we can all associate with, it helps draw you in
‘Death Of A Thousand Cuts’ and the previously mentioned ‘Scum’ are two great examples you’ll smile and ponder when listening, but the overwhelming thought will be this sounds fuckin excellent, no question about it.

Having said all that, my favourite track from the first play to the last has to be the ‘Lunatic Friend’ with its boundless energy and cheeky lyrics we’ve all drank in those pubs and have that one mate, what a killer thrasher it is, like a flying headbutt audio style. Buy this record!

Buy Here

To coincide with two sold-out shows at London’s iconic 100 Club, Lenny Kaye (Patti Smith Group, original Nuggets compiler), alongside Joe De Lorenzo (former The Damned tour manager), who co-promoted the London shows, assembled an all-star Nuggets Band and headed to BBC Maida Vale Studios to record a session for Marc Riley & Gideon Coe on BBC 6 Music. That electrifying session is now set for release as Lenny Kaye’s Nuggets Live At The BBC, arriving exclusively for Record Store Day as a limited edition 10” vinyl.

Released via Johnny Depp’s In.2 records label, this four-track EP captures the spirit and legacy of the original Nuggets era, brought to life by a powerhouse line-up: Nick Detroit (Rat Scabies/The Damned), Dave Treganna (Sham 69, Lords of the New Church), Marty Love (Johnny Moped, Wingmen), Doctor Clive Jackson (Dr & The Medics), Greg Rice (Whiskey Town) and Jim Jones (Jim Jones All Stars, Thee Hypnotics).

Recorded live on 4th April 2024 and broadcast shortly after on BBC 6 Music, the EP features: I Had Too Much To Dream Last Night / My Little Red Book / Little Bit O’ Soul / Gloria.

The release comes full circle with I Had Too Much To Dream Last Night, famously the opening track on the groundbreaking 1972 compilation Nuggets: Original Artyfacts from the First Psychedelic Era, curated by Kaye. That seminal collection, featuring artists such as the 13th Floor Elevators, The Electric Prunes, and The Seeds, is widely regarded as one of the most influential compilations of all time and helped define the term “punk rock” in its earliest usage.

Pressed as a strictly limited run of 1,000 copies (500 black vinyl, 500 blue vinyl), Lenny Kaye’s Nuggets Live At The BBC is a must-have artefact for collectors and fans alike, celebrating the enduring impact of garage rock, psychedelia, and the spirit of Nuggets

To mark the release, an exclusive listening party will take place at The Spice of Life in Soho from 2pm on Record Store Day (18 April), with limited access for fans and Industry. The event will include – 

  • a preview of Riot on Oxford Street: Nuggets Live at the 100 Club
  • a screening of Alan Blizzard’s short film The Nuggets Movie
  • an on-stage Q&A
  • an exclusive playback of Lenny Kaye’s Nuggets Live at the BBC EP