Via Bandcamp on JSK Records. Normally, when I see the biography blurb saying ‘re-recordings of unreleased songs’, I have a tendency to think “run to the hills!”. Because there’s usually a good reason why they were never released, add to that the fact that these come from a band/artist who was gigging the UK toilet circuit of the 1980s, alongside yours truly, and I worry. There were many bands, few of them worth listening to now.
However, do not despair this time, because Johny Vincent will be familiar to some of you as Johny Skullknuckles; brother Johny of the mighty Goldblade; solo artist and head honcho with the fabulous Soda Poppers.
The ten songs here were written between 1983-87 for his band, White Trash, and originally recorded on “a twin cassette karaoke machine purchased from Argos, and the crappy mic that came with it”. They have been lovingly re-recorded this year by Johny at his, now updated, home studio, and they merit the effort. From the opening rama-lama of ‘So Vicious’, there are hooks that stand up to the best bands of the era. There’s a hint of Pete Shelley in Johny’s voice, which suits the melodies which veer between Buzzcocks and early Hanoi, especially on ‘Two Time Train’, and that was before the sax solo came in. It’s like a missing track from ‘Self Destruction Blues’, yes, it’s that good.
‘City Girl Lips’ is very much what current ‘carriers of the flame’, Continental Lovers, are adept at penning. Johny was obviously a precocious, young talent, and it’s a joy to hear these songs in 2025. This is essentially what I was trying to write at that time, and falling some way short. I am very glad our album was never released! I have learnt how to pen a catchy tune, but Johny clearly had the ability early on.
‘Sweet Gasoline Dreams’ has something of The Boys about it, with a trashier edge, and some ‘McCoy’ flourishes. Very nice. ‘Live Fast, Die Pretty’ sounds exactly like it should. I can imagine Stiv would nod approvingly, it’s a banger. The guitar tone is perfect throughout, just the right amount of distortion, and the songs are well recorded without losing their edge. I’ve really enjoyed listening to this.
It’s like discovering a lost, great album. File it under “as good as Hanoi Rocks, Buzzcocks, The Dead Boys”. I know, it sounds unlikely, but pop over to Johny’s Bandcamp page, have a listen, then tell me I’m wrong. Whether it’s the sleazy drawl of ‘Psycho City’ or the clout of ‘Promise Of Tomorrow’, it doesn’t disappoint. I’m sure a certain Mr Knievil will also appreciate the high “whoah” content throughout.
‘All Night Electric Rodeo’ would be playing at Gossips in 1985, ‘Talk, Talk, Talk’ blasts along, before the inevitable (for the era) acoustic number of ‘Baby, Baby, Please Don’t Strangle Me’. But, at 1 minute 30 seconds, it ends this collection nicely.
It’s a pleasure to hear these songs, and to know that Johny is still out there making music that he is passionate about. Check all his music out on Bandcamp. It’s fun, it’s quality, and it will improve your life, punk pop pickers. Nod arf!
Buy Here
Author: Martin Chamarette

















Recent Comments