Seven weeks before the eagerly awaited release of The Psychedelic Furs new album, ‘Made Of Rain,’ The Furs are making available the song ‘You’ll Be Mine.’ This is the second new song to be lifted from their forthcoming album, alongside the breathlessly received ‘Don’t Believe,’ which was made available in January. Both tracks are available to stream now and download when you preorder the album from Here
The album is available on CD, Double Gatefold LP and limited splatter and colour variants as well as exclusive formats and signed options via Here
Further new tracks will be unveiled in the weeks leading up to the album’s release.
‘Made Of Rain,’ The Psychedelic Furs eighth album and their first in nearly thirty years, is released on May 1st 2020 . The band tour the US in April and as previously announced play their first ever show at the Royal Albert Hall in London (May 14th), with Jah Wobble & The Invaders Of The Heart as special guests, before heading to Europe and back to America for more shows. Tickets for the Royal Albert Hall are available here
From its exhilarating opening bars, Made Of Rain is classic Psychedelic Furs in both its sound and
execution. It’s a joy to hear again, fresher than ever. Their peerless permutations of art, aggression and ambience drive the dynamics, and it’s always been this originality which has set them apart, a cut above. The album was produced by Richard Fortus, whilst mixing duties were handled by Tim Palmer (David Bowie, U2, Robert Plant).
Led by vocal and lyrical genius Richard Butler with his brother Tim on bass, The Psychedelic Furs released seven critically acclaimed studio albums – ‘The Psychedelic Furs” (1980), ‘Talk Talk Talk’ (1981), ‘Forever Now’ (1982), ‘Mirror Moves’ (1984), Midnight To Midnight’ (1987), ‘Book Of Days’ (1989) and ‘World Outside’ (1991). They released many classic singles throughout the ’80’s and into the 90’s, including: ‘Sister Europe,’ ‘Love My Way,’ ‘The Ghost In You,’ ’ Pretty In Pink,’ ‘Heaven,’ ‘Heartbreak Beat,’ ’All That Money Wants’ and ‘Until She Comes.’
In recent years the band have toured continually completing a tour of North America in 2019 and played acclaimed shows at The Hollywood Bowl, All Points East, Hyde Park and Benicàssim. A celebrated handful of UK shows including headlining the prestigious Meltdown at the Royal Festival Hall at Robert Smith of The Cure’s request. This past October, the band played a sold-out tour of the UK and Europe which culminated in a triumphant show at the Roundhouse in London.
The last few years has seen the band’s legend growing, highlighted by the fact they have scored over 150 million streams of their songs worldwide. Their influence since arriving on the post-punk scorched-earth landscape four decades ago has reverberated and resonated from everyone from The Killers to REM to Foo Fighters to Bob Dylan has sung their praises.
The Psychedelic Furs are sounding stronger than ever and as anyone who’s seen the band lately knows, Butler remains one of the most watchable frontmen in the game.
Lead Track from The Professionals third EP release. Twenty Twenty Vision, the third EP from The Professionals’ 1, 2, 3 EPs 2020 series on Yellow 10″ Vinyl EP, from a limited edition of 500 and CDEP. This one features exclusive live ‘Join The Professionals’ and ‘Good Man Down’ Each 10″ record has exclusive tracks and comes on coloured vinyl all are limited editions. Get on it kids or pick up the bundle with signed print over Here.
After many hints and teases Manic Street Preachers have confirmed the reissue of a deluxe edition of their 1993 second album ‘Gold Against The Soul’. Available as a 120 page A4 book featuring unseen images from the bands’ longtime photographic collaborator Mitch Ikeda, many personally annotated by Nicky Wire and original typed and handwritten lyrics from the bands own archive. Pre-order now in CD Book, on Vinyl and in a bundle.
THE LEGENDARY ROCK ‘N’ ROLL EVENT CONFIRMED TO TAKE PLACE AT THE 02 SHEPHERD’S BUSH EMPIRE APRIL 1ST
RENOWNED PRETENDERS FRONTWOMAN CHRISSIE HYNDE CONFIRMED TO RECEIVE ICON AWARD
Staking its reputation as an essential rock ‘n’ roll date in the annual calendar, with two now fabled awards nights at the 02 Islington Academy in 2018 and 2019 which saw a vast array of iconic artists performing and rubbing shoulders, the 2020 Vive Le Rock Awards is confirmed to take place this coming April 1st.
This time, however, the event has gone bigger and bolder, moving to the 2000 capacity 02 Shepherd’s Bush Empire for the party of the year that also celebrates Vive Le Rock’s tenth anniversary in print, having published its first issue in 2010, it is now the world’s biggest rock ‘n’ roll and punk magazine, independently published by Big CheesePublishing Ltd in London.
The two previous years have featured live appearances from The Damned, The Stranglers, Shakin’ Stevens, Suzi Quatro, members of AC/DC, Sex Pistols, The Specials, Buzzcocks and even England football legend Stuart Pearce, and the event this year continues to grow in stature and size!
This year the 2020 Vive Le Rock Awards takes great pleasure in honouring Chrissie Hynde, the primary songwriter and frontwomen for the enormously successful American rock band The Pretenders, with a much-deserved icon award. Chrissie Hynde has long been the embodiment of rock’n’roll cool; a woman of principles and a gifted songwriter with a voice that can melt hearts. Her pivotal role in the early days of punk saw her working in Malcolm McLaren and Vivienne Westwood’s Sex shop, leading to musical involvement with the majority of punk’s key players, including even a brief stint in Johnny Moped’s band, before embarking on a multi-million selling rock career with smash-hit songs such as ‘Brass In Pocket’ and ‘Talk Of The Town’. She is truly worthy of this special award.
Vive Le Rock are also very proud to welcome London rockers The Only Ones onto the line-up. Frontman Peter Perrett returned in recent years to launch a successful solo career with two fabulous albums in 2017 and 2019 and now we celebrate The Only Ones legacy, who will be picking up a ‘Classic Song’ award for their timeless 1978 hit ‘Another Girl Another Planet’, which will be performed on the night.
Also confirmed to join the melee is soul-brother Jim Jones; Hypnotic, Righteous Mind and Revue, a man who IS rock ‘n’ roll incarnate, who will bring his hand-clapping grooves to the night, alongside former Hellacopters and BackyardBabies guitarist, Swedish rock-god Dregan, who will present an award on the night.
Then, just when you thought the evening couldn’t get any hotter, along comes the crazy world of Arthur Brown with his red-hot 1968 hit ‘Fire’, bringing his wild show and worldwide number one smash hit to the event.
These join the previously announced artists, Original Rudeboy – The Specials Neville Staple, along with a very special one-off reformation of 80’s goth rockers The Lords of The New Church, fronted by Finnish Hanoi Rocks legend Michael Monroe on vocals. The Vive Le Rockers all-star band will once again back specially invited singers and compere for the night which will see the return of Ed Tudor-Pole of Tenpole Tudor fame (and also 80s T.V show, The Crystal Maze!) and The Damned’s Brian James will accept the Pioneer award.
There will be a special section for rockers we have lost in 2019 including Gang Of Four’s Andy Gill, Eddie and The Hot Rods Barrie Masters (who played the 2019 VLR awards) and surf guitar legend Dick Dale.
The audience will comprise of invited members of the media, television, fashion and the music world as well as an allocation of tickets for the general public. The VLR Awards are a truly unique, international event celebrating the legends of our music scene. “This isn’t some chicken in a basket awards show, this is a party with the coolest people in rock n’ roll” said Vive Le Rock editor Eugene Butcher.
Dropping this baby onto the virtual deck and what leaps out in opener “Stop everything” is a sound grounded in the underground, hinting at punk, fuzzed-up rock “ala” the MC5. Does it move towards the new genre that I seem to hearing about everywhere “Action Rock”, I don’t think so, even though this will appeal to anyone with more than an affiliation to the underground. No, it draws on a much richer musical tapestry, but ultimately pinning your ears back and screaming “LISTEN TO ME!!!!!”
Next up “No Money, No Peace”, moves up the intensity, there’s a hint of the much-missed Stiv Bator’s sneer, but blink and you’ll miss it, this ain’t prog in any way shape or form. Moving into “How much will this affect us” and things get a darker heavier feel, that bass run holds you, before the guitar demands your attention, I really like this track it’s a real burner. “Worlds within a world” hits the raw fuzzed up psychedelia of the fuzztones, while at the same time kicking it up the arse, with that incessant punk underpinning. “Language Lesson” comes tearing out of the speakers, that iggy and the stooges madness taking centre stage, this is a blinder, but for once I’d have liked it a bit longer!!, “Slow Shadow”, moves to a very different beat, more commercial? Dare I say? Yup, it would make a cracking single, this just drips fuzzed-out psychedelia, dropping into 13th-floor elevators territory, complete with the space rock exit!
“The Process” kicks in with a tasty Tribal drummed intro, before it takes off and moves you on a very different path, this is rapidly becoming a fave for yours truly. “Strange Melody” again revisits the psychedelic sounds of the sixties, but with an added pop sensibility reminiscent of The Only Ones.
It’s at this point you begin to realize how good an LP this is, crammed full of ideas, honing a musical heritage, taking hints of the past, reimaging them for a current listening audience. I’m starting to drift here but I’m as always thinking about how this will play out live and smiling to myself. Maybe these years Camden Rocks?
“Shark Bait” again grabs you from the start, holding that crossover vibe, hinting at a more commercial line, there’s an almost gothic Guitar underpinning and extra to this track. “Some Colours”, “No Barriers” and “The People I see” maintain the power and intensity, “No Barriers” in particular mixing up the vocal style and again rapidly becoming a favourite, while “The People I see” moving into territories held up by The Ruts.
Finishing up with “For Barbara Dane” an acoustic gem with an underlying message, think The Kinks meet the Subways!!! Before the lp plays out with “The American Empire”, I love this Hardcore blast and what a way to finish up a powerful LP from a band that I’ll look forward to picking up on the live scene, and definitely an LP I’ll be investing in.
Well when one EP arrives you can bet your bottom dollar that another is close behind. the thing this month is when one os followed by another then another and another how could we ignore them? We couldn’t and when they are as varied as this bunch we tell you were blessed to have such talent sent our way. But above all this bunch of EPs and splits were of such a high standard it would be a crime had we brushed over them or not given them all a fair hearing. If another month dishes up a collection stronger than these then I’ll eat my favourite hat.
Motherfuckin’ Motherfuckers – ‘Dance Motherfucker’ EP (Lux Noise) What an exhilarating rush this is. Easily the best songs the band has penned so far. Sure its a breakneck blood rush but fuck me sideways it’s good. Like the kick off a defribulated donkey with size 13 hoofs, the title track lasts the length of a blink of an eye. It’s a beauty alright. So its sweary, Hard, Fast, Loose n loud but the tunes are absolute Boss. ‘Cat In Hell’ also comes with a beautiful guitar solo that sounds like a fuckin’ Jedi lightsabre being wielded around the studio pure bliss.
‘It’s All Shit’ is a bruiser with a great slasher intro as it builds into the frenzy you want it to. Where are the scandi bands who used to do this so well? A pair of nerdowells from middle England and a couple of reprobates from Switzerland are leading the charge and doing it so well. Now when are the tour dates to do this shit live. We don’t want it we demand it! oh and the cover is a banger too but we all kinda knew it would be. Essential purchase? Of course it is.
The Suicide Notes – ‘Pleasures Of Despair’ (Self Release) When Billy and Alex first had the idea of doing some fairly lo-fi recording of ‘a couple of acoustic numbers’, I bet they weren’t expecting it to seel out its initial 100 copies quite so quickly and before it even had the chance to be birthed properly.
So the idea was to record some tracks in Alex’s studio, maybe record a live version or a cover or something, somewhere, unique to the EP, and then package it up with some exclusive artwork from Billy and put it out there. The fact that they are now discussing artwork and packaging for a second, non-limited ‘general’ run over and above the limited first 100 will come as a relief to everyone who didn’t get in there. Let’s run through the damn thing then. ‘Mama Sang The Blues’ sees the whiskey and cigarette vocals of Billy croon over the acoustic shanty of the first track. It’s called Mama Sang The Blues what do you think it sounds like? It’s late, we’re all drunk and the band has got the tunes nicked from the devil and if you howl loud enough they’ll sing em. ‘Ragdoll’ is a haunting acoustic rendition and with less of a party going on its a wonderful melancholy number. Sure there’s an elephant in the room but hell if it sounds like the Dogs D’Amour did back in the 90s then so what if it’s good then that’s all that matters its a big world out there and there’s more than enough room for a few singers with velvet tones wrapped in too many cigarettes. Its a simple song but the delivery is spot on. Talking of cigarettes next up is ‘Smoke It Like A Cigarette’ this initially came out with an accompanying video if I remember correctly and dark and brooding its a wonderful slice of the darker side of the city and again the delivery is superb.
To wrap up this one you have the slide guitar and harmonica honking of ‘Take A Bullet’. Sounds to me like the electric versions and studio album can’t come quick enough. the Suicide Notes are happening and I’d love to see them blow right up because the devil hasn’t got all the best tunes The Suicide Notes have nicked some of ’em the cheeky scamps. I expect big things this year and hope that this is just the very beginning.
Craggy Collyde – ‘Wrapped Up In Ribbons’ (Self Release) After a cracking 7″ single last year this duo are back for more except this time they are armed with a 10″ record that contains a nicely varied six tracks. Totally self-financed and independent Craggy Collyde are killing it and as the opening track says “worth investing in” RPM says Hell yeah! Built around a nice 12 bar riff and cool backbeat ‘Dead Refrain’ is a great opener. We stay on it for ‘Roll Me’ as the good times keep playing. sure its a well-trodden path but when it’s done well who cares, The backing vocals and melodies are great.
‘Don’t Put Me Down’ has a nice mellow intro before breaking out with a melody straight from Alternative American radio that gave us the likes of Buffalo Tom. ‘Better Than A Lie’ is a chilled out laid back vibe and Craggy tells a decent story like lying on your back on a deserted beach staring at the sky as the clouds roll by its another side to the band and another really strong song. ‘Wrapped Up In Ribbons’ is an acoustic ensemble with a rolling piano and shuffle snare beat and possibly my favourite on the EP for sure. An excellent song well written and well played out. To wrap up this record there is the excellent ‘In The Shade Of The Wide Oak Tree’ with its sparse intro you keep waiting for it to break out but it doesn’t which helps keep you engaged. All in all, another super-strong offering that covers all of Craggys loves from the Rockers to the acoustic laid back minstrel a most worthy addition to anyone’s collection.
Glitter Piss / The Damn Shebang – Split EP (Guru Disques) I jumped on this the minute it became available this week and boy what a glorious decision that was. The Damn Shebang kick off with the shimmering seedy Rock and Roll of ‘Molly’ gets things off to a top start. Part Sleazy Gallon Drunk Part punk rock part Urban Voodoo Machine part Cramps is just where you want a band to sit. ‘Molly’ deserves to be played loud, no not loud, LOUD! you fuckers. If that doesn’t stir your Rock and Roll pants then surely song title of the year ‘Goths On A Beach’ will. Love it Love It Love It! love the guitar tone, love the solo, love the vocals love the backbeat love the lyrics. ‘ave it! If you thought the first two were good then get up and lace up those creepers because ‘Richochet’ is a dance floor filler with attitude. Don’t put away your flick knife comb yet ‘Be Your Baby’ is a howling good time. and this is only the first four on this must-own Cassette EP split!
Glitter Piss. Hell yeah, what a great name. ‘Nothing To Lose’ is the sound of a band being fired out of a canon with their asses on fire. fuckin’ champion tune. If youre not convinced yet then shove ‘Suck My Soul’ up your backside. Garage rock with attitude and a whole bunch of Riff-a-rama to boot – awesome stuff. when they say ‘Party Town’ sit up and listen for fucks sake. Shaking like Iggy shitting on a hot tin roof this is a blast. With a final blast of VFM the eighth track crammed onto this split is the groovy ‘Not Like You’. If I don’t hear another split all year it doesn’t matter because it can’t and won’t be better than this bad boy. Now if you haven’t already rushed over to the link to buy a copy then what’s the matter with you? Do it before they’re all gone. You need this bad boy RPM Online Fact of the day #1.
Mansion Harlots – ‘Happier Alone’ / ‘Until We Work It Out Tomorrow’ & ‘KUNM Sessions’(Magic Cat Records) Whilst doing the rounds to promote the Mansion HArlots record back in 2018 Baz and Rachel ended up in Luxembourg City at a radio station and laid down A quite exquisite rendition of ‘Happier Alone’ and ‘Until We Work It Out’ as Baz lets loose as part of his radio sessions found here. Also last year Baz ended up in New Mexico where he recorded six tracks that make up the KUNM Sessions anyway Baz lets the music do the talking with a heartfelt and thunderous take on songs from across his solo album and Mansion Harlots.
‘Live, Raw as it is’ Baz is a unique talent with a fantastic sense of melody and a keen ear for a great delivery raw and live without a safety net it’s engaging and at times quite beautiful. ‘Until We Work It Out’ is a beautiful number and laid bare here sounds majestic and proves that the art of balladeering is alive and kicking as Baz is in fine form. As for the KUNM Sessions again yet more proof of the exquisite talent that is Baz Francis Duarte. ‘Eyes Of A Fool’ is chilling whilst ‘Panda Eyes’ stripped back works really well. A great melody is a great melody be it electric or acoustic and Baz knows how to write both. Lay back chill out and get an ear full of Mansion Harlots and Baz Francis Duarte you won’t regret it and if you’re here reading this you deserve it. Quality counts in a world that moves so fast sometimes music can be overlooked and we wouldn’t want you to miss out. Hit em up folks.
Three piece punk band DBoy, hailing from who knows where (allegedly Welland, ON), came by and blasted off one quarter of their latest album ‘New Records in Human Power’ – “Why Do You Only Luv a Dboy (Who’s Down?)” / “Thumbless” / “Red Ultra Glide”. Sideways opened its doors and arms to the boy, and in turn the boy gave us one hell of a performance.
We can’t get enough of em here at RPM and seeing as its Friday and it looks like the world is being derailed by a virus we thought you could drift away with this so check-in and drop out in self-isolation with DBoy.
RANCID’s first “Skeletim” Throbblehead was such a hit, they asked them to make another one!
This version is limited to just 1000 hand-numbered units, stands at 7″ tall, and is made of a high quality polyresin.
Skeletim is rocking a studded denim jacket, black docs with white laces, and a lime green mohawk.
Whilst were on the subject of statues HR of Bad Brains is back! ORDER HERE
The return of a classic from PressPop (Japan), this officially licensed figure of H.R. is made with PVC and ABS and has articulation in the neck. His shirt and pants are made from fabric. Designed by Sof’boy comic creator, Archer Prewitt. Comes in beautifully designed large box packaging. Sculpted by Japanese master sculptor, Tomohiro Yasui.
Enduring and endearing that’s the threesome that makeup Therapy? they’ve have never been ones to follow convention even when they do something quite conventional like releasing a greatest hits album.
‘The Greatest Hits’ takes tracks from throughout their career of highs and maybe not so highs. This their 30th-anniversary run sees this new album breathing a fresh breath of brutality into already fiery songs. I’ve always seen Therapy? as an iron fist in a velvet glove kinda band. they can write some right out and out abrasive in your face slabs of noise but they can also be touching and heartfelt whilst delivering that punch (if you know what I mean?) Oh and before I forget it also comes with a bonus live album. Always offering value for money. I always thought the old adage about Motorhead applied to Therapy? because they will survive after any holocaust along with the cockroaches then probably put on a show before feasting on the mites such is their dogged determination to push on and never stand still even when looking back at themselves and what they’ve achieved they twist it and push the boundaries rather than offering up some cut and pasted best of and that’s because they give a shit about their legacy, their fans and the future.
‘Teethgrinder’ is first up and with a sparkling production, it has to be said. The band worked with producer Chris Sheldon, who produced the original ‘Troublegum’ album as well as working on ‘Semi-Detached’, ‘High Anxiety’ and ‘Cleave’ so a safe pair of hands – someone who knew the band and what they were/are about and was able to give them that extra piece of x-factor needed on this project. No cost spared as they headed for Abbey Road none the less and its paid off in spades.
The 12-track album includes all their UK hits including ‘Screamager’ and a reworking of ‘Diane’; Featuring James Dean Bradfield of the Manics. I forgot how fuckin’ menacing ‘Turn’ sounds with that grinding bassline twisting the listener’s inner ear throughout. The one thing that stands out is how damn fresh these songs sound. They never suffered from a shit production but this is another level as 2020 sees songs reborn. ‘Nowhere’ still sounds epic and a real rush of adrenaline. I can’t help but feel there’s a little chuckle being made having James Dean Bradfield singing on ‘Die Laughing’ maybe they should have renamed it ‘Dai Laughing’.
‘Diane’ is one of my favourite song from the band and this new take is brilliant. Welcome to the church of noise one and all and those old-timers this is a great celebration happening here and those new to this band you’re most welcome but where the fuck have you been you maniacs? Heres to the next milestone and something else from Therapy? Oh, I guess I should mention the bonus disc, well, that’s fifteen songs one from each album live as a bonus with the CD version. It’s a great time to be a fan of the band then with so much going on as they head out the door to promote their 30-year plan so you can see them after you’ve played this greatest hits package to death.
As far as greatest hits go this one is up there with the best in the noisy bastard genre. Still on fire – Still not compromising – Still doin’ the biz. Therapy? I love em
unfortunately, Biff Byford announces the cancellation of his UK and European Tour dates.
We are very sorry to announce the cancellation of the BIFF BYFORD solo tour previously scheduled for April & May 2020. The cancellation is mainly due to low ticket sales, which may or may not have been affected by the current Worldwide Covid 19 Virus pandemic.
Biff Byford “The honest truth is the tickets for the forthcoming tour have just not sold as everyone expected for whatever reason, so we have cancelled the dates as scheduled with a view to hopefully re-visiting at a later date.
It’s sad as I was looking forward to the spoken word & live band show but it’s just not to be at this time. I want to thank everyone who bought the album and supported me. Keep the faith and see you on the road with Saxon”
The show was to take an “evening with” format and will be split into two halves. The first half featured a spoken word show compared by American Comedian and star of VH1 Classic’s “That Metal Show” DON JAMIESON, where Don would quiz Biff on all aspects of his life and career. The second half consisted of a live show with Biff and his band.
Ticket refunds are available from point of purchase.
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