Canadian rock icon Lee Aaron will release the first official live album of her long career exclusively on Metalville Records on September 20th.

 

“Power, Soul, Rock N’ Roll” was recorded during the German tour 2017 at the concerts in Balingen and Nuremberg and will be released as a CD-DVD set in Digipak.

 

In addition to their greatest hits, there are also some songs from the successful last studio album “Diamond Baby Blues”.

 

With Sean Kelly on guitar, Dave Reimer on bass and John Cody on drums, Lee is joined by a band that has worked with Nelly Furtado, Bryan Adams and BTO, among others.

 

“Power, Soul and Rock’n’Roll” is a “no fixes and no tricks” recording, recorded and mixed by legendary Canadian producer John Webster. The DVD editing was done by Frank Gryner (Def Leppard).

Pre Order Here

 

TRACKLIST –

1.   Mistreated

2.   Tomboy

3.   Rock Candy

4    Metal Queen

5.   Fire And Gasoline

6.   Powerline

7.   I`m A Woman

8.   Some Girls Do

9.   Sex With Love

10. Barely Holdin On

11. Whatcha Do to My Body

12. Diamond Baby

13. Hot To Be Rocked

 

The DVD also contains the following bonus videos

 

1.  American High

2.  Diamond Baby

3.  I`m A Woman

Young Guv is dedicated and prolific songwriter Ben Cook. Today he’s announced the second part of his double LP series, GUV II, coming via Run For Cover on October 25. Just off the heels of GUV I, released earlier in the summer, GUV II serves as a sequel collection of profoundly poignant and infectious pop tunes with choruses you’ll never forget and lyrics whose dry wit and understated acuity will knock you flat.

He’s revealed the album’s lead single “Try Not To Hang On So Hard” which Cook notes was written “on a bit of acid. I was house-sitting for my mom and looking at all the photos and all the very British trinkets she keeps around and on her walls that make her happy. It had a pretty profound emotional effect on me, probably due to the LSD, so I wrote a song about how it’s ok to feel a little lost or lonely and to keep things around you that make you feel comforted.”

Think of the contemporary guitar music that’s meant something to you in the last 18-odd years. Ben Cook has probably had something to do with making it or influencing it. Think of No Warning, which he’s fronted since he was in high school in the ’90s, who pioneered a self-aware, intertextual, and technically adept style of New York hardcore that has became a subgenre unto itself, dominating scenes all over the world for close two decades and counting. Think of Fucked Up, for which he’s played guitar since 2006, the aesthetically omnivorous, thematically ambitious punk-rock-deconstructing band-like entity that, unlike the bulk of their contemporaries in the late-2000s festival-circuit indie-rock boom, no one is ashamed of having associated themselves with. Think also of his behind-the-scenes presence, the co-writing and production work he’s done for a host of artists at all levels of renown.

Ben Cook doesn’t like talking about his music but he understands it. “To me Young Guv songs are like people-watching in a foreign country in the morning,” he says, ever the master of the vivid metaphor. “I’m there and I’m trying not to cry from the overwhelming feeling of sadness and happiness.”

As it happened, when the new songs started coming in May 2018, Ben was in a foreign country, albeit one – the U.S.A. – where he knew his way around, and could speak the language, observe local custom, and blend in, effectively disappearing, into the streetscape, into thoughts and longings, and, inevitably, back into his Brooklyn apartment, in the confines of which he wrote a song every single day.

People-watching in a foreign country. Another way of putting that would be to say that Young Guv songs are about being alone. As the years have passed, as material and social conditions have conspired to make everyone feel increasingly alone, Ben has built a Guv discography out of invoking the desolation that arises when you’re isolated in physical and mental space but surrounded nonetheless by millions of other isolated, solitary people, literally any one of whom you could, for all you know, love with all your heart for the rest of your life, but almost none of whom, you’re forced to admit, will become anything more than a briefly transfixing stranger, at best a wraith that recurrently haunts your dreams.

The city told him, in its aloof way, that a great record was waiting to be written and, most important, to be offered like a bouquet of flowers to the people of the world, in a humble act of love and communion. Ben‘s been a true songwriter long enough to have recognized, and heeded, the coded command when it came. He’s since moved back to NYC and plans to stay awhile.

Young Guv has confirmed September dates with label-mates Turnover this month and will confirm more North American dates soon. See below for a full list and go here to pre-order GUV II, and listen to GUV I here.

Young Guv Live Dates:

09/07: Toronto, ON – MattyFest
09/08: Rochester, NY – Montage Music Hall #
09/10: Cleveland, OH – Phantasy #
09/11: Indianapolis, IN – Citadel Music Hall #
09/12: Grand Rapids, MI – Pyramid Scheme #

# w/ Turnover

Young Guv: InstagramTwitterRun For Cover.

Brand new Michael Monroe video from the new album ‘One Man Gang’ filmed whilst in Japan recently.

“Last Train To Tokyo” is the second single from Michael Monroe’s new album “One Man Gang” available to pre-order NOW on CD, Coloured Vinyl and Digital formats: Here and as special D2C bundles: Here

The album was recorded and mixed by Petri Majuri at E-Studio in Sipoo, Finland over three weeks in March 2018, the 12-song record was mixed that following Autumn with Monroe and band-mates Rich Jones and Steve Conte on production duties.

2019 TOUR DATES:

Oct 22 John Dee Live Club & Pub Oslo, Norway

Oct 23 Pustervik Gothenburg, Sweden

Oct 24 Fryshuset Klubben Stockholm, Sweden

Oct 25 High Voltage Rock Club Copenhagen, Denmark

Oct 26 HeadCRASH Hamburg, Germany

Oct 27 FRANNZ Club Berlin, Germany

Oct 29 La Maroquinerie Paris, France

Oct 30 02 Academy Islington London, United Kingdom

Nov 01 Brudenell Social Club Leeds, United Kingdom

Nov 02 The Craufurd Arms Wolverton, United Kingdom

Nov 03 Engine Rooms Southhampton, United Kingdom

Nov 04 The Mill, Digbeth Birmingham, United Kingdom

Nov 05 The Garage Glasgow, United Kingdom

Nov 06 Manchester Club Academy Manchester, United Kingdom

Nov 07 The Fleece Bristol, United Kingdom

Nov 08 The Sugarmill Stoke-on-trent, United Kingdom

Nov 09 Hard Rock Hell Chapter XIII Vauxhall Holiday Park, Great Yarmouth, United Kingdom

Follow Michael Monroe: Facebook : Twitter : Instagram : Youtube : Spotify

A genuine rock star since birth, Michael Monroe innately knows exactly how to sing, swagger and walk the most glamorous and colourful of walks. One Man Gang, the former Hanoi Rocks man’s brand new offering on Silver Lining Music, is all about the fun of Friday nights, seven days a week, letting your hair down (or up!) for a dirty, dangerous, damn good time, and embracing a total escape into the rock ‘n’ roll dream. He’s unveiled the album’s second single ‘Last Train To Tokyo’ – a track equipped with the sort of sticky-yet-crispy riffs that were designed to take over radios from Japan to Jamaica.

The ‘Last Train To Tokyo’ video was recorded in Japan and features footage from the band’s dynamic performances at the Summer Sonic 2019 festival in Osaka and Tokyo.  Directed and edited by Toni Kristian Tikkanen, the video fully captures the vigour and rock ‘n’ roll essence of Michael Monroe, Rich Jones, Steve Conte, Sami Yaffa and Karl Rockfist.

“It’s a groovy, rockin’ track paying homage to Tokyo and Japan, one of the most rockin’ countries in the world” affirms Monroe. “In the ‘80s Hanoi Rocks had, and I have always had a very special relationship with Japan and it will always be one my favourite countries. Plus, they still live for rock ‘n’ roll as it should be celebrated, they still have physical product, they still make it crazy, exhausting and really exciting every time you go there, which I am really grateful for.”

‘Last Train To Tokyo’ follows the release of previous single ‘One Man Gang’ – the bombastic ballroom blitz that serves as the title track for the upcoming album. Recorded at E-Studios in Sipoo, Finland in about three weeks in March 2018, One Man Gang was produced by Monroe and his band-mates Rich Jones and Steve Conte. The album was engineered by Petri Majuri who also mixed the album in the fall of 2018.

“A gigantic sike is an escape plan,” says Billy Jeans. “It’s the idea of being able to just drop a big ‘ol whoopsie-daisies on everything we’ve done up to this point — the songs, albums, the band’s existence, my own personal existence — and play the whole thing off as a goof. It’s a joke on the fantasy of sneaking out the backdoor on a crummy identity you didn’t necessarily mean to create.”

Gigantic Sike is Mean Jeans’ fourth full-length — or fifth, if you include last year’s Jingles Collection, a 23-song assemblage of unsolicited product jingles written for brands like Totino’s, Skoal and Mountain Dew. (“I think the jingles are our best work, but I guess you can’t mosh to windshield-wiper endorsement ballads,” Jeans explains.) The trio recorded Gigantic Sike‘s 11 songs over three days in Los Angeles in December 2018 (the first day was spent learning the tracks; the next two spent hammering them out). Like all prior Mean Jeans albums, Gigantic Sike falls into the category of three-chord, heavily Ramones-influenced party punk.  Um? What else can I say? Thats pretty much it.  Band loves The Ramones and plays fast catchy punk and does it well with a great production.  What are the songs like? Well, The record opens with “Party Line,” and within the first 15 seconds, Billy Jeans sings about Coors Light, cocaine and mentions his actual phone number. Wow imagine AC/DC gave out Angus number on Whole Lotta Rosie. Loons.

‘Basement Animals’ whilst having the Ramones buzz saw guitar riffing away it has a real power pop melody and I’d say more so evident on ‘Just A Trim’.  Sure The Ramones homage is such a mountain to get over but if you can get over that and just appreciate a band knocking out some punk rockin’ power poppin’ rock and roll then there is plenty to enjoy here thats for sure.  Even if they never ever stray from the formula.  I’m OK with that.

‘I Fell Into A Bog’ is inspired by the time drummer Jeans Wilder actually, literally fell into a Florida bog during the Fest and wasn’t located by the band until the next morning (true Story apparently) — ‘Gigantic Sike‘s’ mission statement  is the idea of being able to run away from all of the stupid decisions you’ve made so far in life, ‘Time Warp’ is the exit strategy,” Billy Jeans says. “Siking a misled party life and taking the time warp to start over again is a theme in the record — laughing at what you’ve become and wondering if you can just warp your way out of it.” How can you not have a soft spot for that outlook on life?

At times I’m reminded of one of the finest exponents of wall of sound power pop punk rockers Los Pepes take ‘Stuck In My Head’ as an example and the rather good ‘Buddys Leaving’ before we head back out on the Dee Dee highway of ‘I Fell Into A Bog’.  wait, What a synth? Sure is ‘What The Fuck Is Up Tonight’ is pushing the envelope.  Nah not really but its a welcome sidestep.

Nowadays, Mean Jeans’ members are scattered across three different states, and they’re probably feeling the effects of being in a party-punk band for more than a decade. But Billy Jeans says despite the loose theme of Gigantic SikeMean Jeans isn’t going anywhere. “How do you function as a band when you live in three different cities?” he asks. “You gotta wing it. Make up the rules as you go. We never had band practice when we were all in Portland, so what our new strategy presupposes is, maybe that’s punk?” Maybe it is Maybe punk doesn’t even exist anymore in 2019 maybe its just a value or a nostalgia trip you like taking, who knows. Maybe its all things to all men and as long as there are bands like Mean Jeans knocking out snappy two to three minute punk rock tunes the world is still spinning and is still a pretty neat place to live.  Party on dudes

Buy Gigantic Sike Here

Author: Dom Daley

The band head out on a nice tour of North America with the awesome Clowns and Teenage Bottlerockets

catch them at-

·06 Sep in Fort Worth, TX, US @ MASS (Fat Tour)

·07 Sep in Oklahoma City, OK, US @ 89th St (Fat Tour)

·08 Sep in Kansas City, MO, US @ Riot Room (Fat Tour)

·09 Sep in St. Louis, MO, US @ Fubar (Fat Tour)

·10 Sep in Omaha, NE, US @ Lookout Lounge (Fat Tour)

·11 Sep in Green Bay, WI, US @ Lyric Room (Fat Tour)

·12 Sep in Milwaukee, WI, US @ Company Brewing w/ Clowns

·13 Sep in Minneapolis, MN, US @ Turf Club (Fat Tour)

As well as being added to the exciting HRH Sleaze line up in the UK in 2020 Bullets & Octane have a new album “Riot Riot Rock And Roll” coming out early 2020!! The “Riot Riot Rock And Roll” tour cycle begins this November!!

They will be hitting the road a lot to promote this album and are stoked to be starting in Eastern Europe and Scandinavia ‪on Nov 21st‬ in Stockholm! More dates for this run to be announced in the coming weeks.

Over the next few months we will be announcing more tours for all over the world!! Leave comments on the bands Facebook page as to what city you want them to come and play!!

Stay tuned as we have a big announcement coming ‪on September 17th‬ that can have you help them conquer the world!! So exciting!!


Nov. 21st – Pub Anchor – Stockholm, Sweden

Nov. 22nd – Backstage Rock Bar – Trollhättan, Sweden

Nov. 23rd – Bomber Bar – Motala, Sweden

Nov. 27th – Astra Strube – Hamburg, Germany

Nov. 29th – Club Eletkrownia – Żagań, Poland

Nov. 30th – Wild Fest/Voodoo Club – Warsaw, Poland

Dec. 1st – Maidan – Lutsk, Ukraine

Dec. 3rd – Republic Pub – Chernitvsi, Ukraine

Dec. 5th – Robot – Budapest, Hungary

Dec. 6th – S Pub – Teisendorf, Germany

Happy Birthday Steven Edward Duren born on this day in 1956 Better known to you and me as Blackie Lawless of the Rock band WASP.  His first break was replacing Johnny Thunders when New York Dolls toured Florida when we remained for the rest of the tour.  He was first known as Blackie Goozeman.  

Lawless is best known as bass player and singer (cough) in WASP which he started with Randy Piper who he played in previous bands before settling on the classic line up of Holmes, Piper, Lawless, and Tony Richards the band signed to Capitol Records but it was their single ‘Animal (Fuck Like A Beast)’ that caused a right stir partly due to the lyrics (obviously) and the PMRC who were on a collision course with Rock music after the bands label refused to include the track on their debut album so it was released by Music For Nations and became an instant classic.

 

Lawless has sort of distanced himself from the track and hasn’t played it for a number of years however the band went on to enjoy great success with subsequent releases ‘The Last Command’, ‘Inside The Electric Circus’ and almost twenty albums since. He’s courted controversy with canceled shows and line up changes and the use of tapes but regardless of all that Happy Birthday Blackie that debut album is a belter.

 

Strung Out has been together for almost 30 years –You would be forgiven for thinking they are a new band such is the energy of these songs. Produced by Cameron Webb, who was behind the helm of 2009’s Agents of the Underground, it’s a record that has the fire of a new band.

The band are older (obviously) and dare I say it wiser. Yet they play like young men musically and lyricly they view a “big Picture”  as they struggle to make sense of the chaos of the world we live in.

Much of frontman Cruz’s lyrics come from the death of someone he was incredibly close to. That’s something which has exaggerated and exacerbated Cruz’s emotional fragility and continues the spiritual and philosophical journey he says he’s found himself on in recent years. At the same time, though, these songs are also infused with a spirit of hope and defiance.

“I lost my best friend six or seven months ago,” explains Cruz. “It was right before we started writing this record, and that really put a shadow on things. Some of these songs – especially “Monuments” and “Bloody Knuckles” – reflect that loss. But that’s what’s always made our band work. The music is this metal machine and then you get these vocals that express this vulnerability in a melodic way – and there’s love and there’s searching in all that machine. This record starts out hopeful and then it kind of degrades. It sobers and ends with loss. But there are so many things on this record that I’m still figuring it out.”

The albums starts with ‘Rebels And Saints’ and don’t get lulled into a false start becasue its a woven dash and the sunny Californian feel hits you. Melodic and fast. whilst ‘Daggers’ might be darker its almost punk metal in the riffs and pace it tells a story of personal turmoil within the backdrop of an increasingly dystopian America.  Strung Out’s trademark melody and aggression is more metal than Bad Religion and its ebb and flow is maintained throughout the album. Its not really a scene that has taken off massivly in the UK and has a very American feel to it songs like ‘Dissapearing City’ cross over as does the pacey and layered harmonies of ‘Politics Of Sleep’.

Penultimate track ‘Strange Notes’ is bordering on Anthrax metal thrashing mad with a frantic drum roll on the intro like I say some might say it ebbs and flows through the gears throughout the album whilst the next man might say its that constant ebb and flow that pulverises that detracts from the songs as there doesn’t seem too much light and shade throughout the three quarters of an hours worth of music. They could totally land a slot at Download though which might well help US punk cross over to the UK.

The band head out in support of the album for the rest of the year throughout North America where I’m sure they’ll hoover up audiences with their energy alone.  To be fair they’ve always had a tonne of energy  but this is a little more metallic that say ‘Suburban Teenage Wasteland Blues’ that was just the right side of this frantic paced style of music.

Buy Songs Of Armour And Devotion Here

Author: Dom Daley

Strung Out will be making the following appearances this fall. Dates below.

SEPTEMBER

18 – Ybor, FL – Crowbar

19 – Gainesville, FL – The Wooly

20 – West Palm Beach, FL – Respectable Street

21 – Jacksonville, FL – 1904 Music Hall

22 – Atlanta, GA – The Earl

24 – Wilmington, NC – Reggie’s 42nd St.Tavern

25 – Virginia Beach, VA – The Bunker

26 – Baltimore, MD – Otto Bar

27 – Asbury Park, NJ – Asbury Lanes

28 – New York, NY – Le Poisson Rouge

29 – Boston, MA – Brighton Music Hall

OCTOBER

01 – Portland, ME – Port City Music Hall

02 – Montreal, QC – Club Soda

03 – Quebec City, QC – La Source

04 – Ottawa, ON – The 27 Club

05 – Toronto, ON – The Opera House

06 – London, ON – London Music Hall – Rum Runners

08 – Pittsburgh, PA – The Crafthouse Stage & Grill

09 – Detroit, MI – Small’s

10 – Chicago, IL – Cobra Lounge

11 – St. Paul, MN – Turf Club

12 – Omaha, NE – The Waiting Room

13 – Englewood, CO – Gothic Theatre

31 – Portland, OR – Hawthorne Theatre

NOVEMBER

01 – Vancouver, BC – Rickshaw Theatre

02 – Seattle, WA – El Corazon

03 – Boise, ID – The Olympic

04 – Salt Lake City, UT – Metro Music Hall

08 – Dallas, TX – Three Links

09 – Corpus Christi, TX – House of Rock

10 – Austin, TX – Come and Take It Live

12 – Scottsdale, AZ – Pub Rock

13 – Las Vegas, NV – Dive Bar

14 – San Diego, CA – Irenic

15 – Santa Barbara, CA – Velvet Jones

16 – Sacramento, CA – Holy Diver

17 – San Francisco, CA – Slim’s

19 – Fresno, CA – Strummer’s

20 – Morro Bay – The Siren

21 – Lancaster, CA – American Legion

22 – Garden Grove, CA – Garden Amp

23 – Los Angeles, CA – El Rey Theatre

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Vancouver’s hard-rock icons ART OF DYING are set to release a new studio album, “Armageddon”, on the 4th October 2019. The album will be preceded by a new title track single taken from the album

The Art Of Dying story starts with their talismanic front man Jonny Hetherington. From hours busking on the corners of frozen streets to gatecrashing some of North America’s biggest venues, to writing and recording records of truly earth-shattering proportions, the trajectory of the quartet’s career has astonished both fans and industry insiders alike.

ART OF DYING have been able to create muscular, vivacious hard-rock bursting with lung-shattering choruses and a sincerity that is impossible to fake. Equally at home with a lead-fingered riff or a deft slow-burner, there is an ease of breadth in AOD’s repertoire.

“I was blown away when I first heard their independent record,” enthuses DISTURBED guitarist Dan Donegan. “I lived with it for quite a while and I was so impressed with the quality of the songwriting that I had a feeling there was something special going on. David (DISTURBED vocalist David Draiman) and I had been looking for someone to sign to our imprint for a while, but I wanted to make sure the guys could do it live – it’s hard to find a band that are the complete package these days. So, we invited them out on a DISTURBED tour of America, we really threw them in the deep end!”

The band introduced guitarist Tavis Stanley and bassist Cale Gontier to their ranks on the eve of the run with DISTURBED – the quartet playing onstage together for the very first time during the soundcheck of the opening show of the tour. But suddenly, everything clicked. “The moment I knew that we had it right was when our voices started harmonizing,” says Hetherington, of the band’s now-trademark three-way vocals for which David Draiman has dubbed them “Eagles in Chains” referencing a blend of 70s supergroup The Eagles and 90s grunge rockers Alice In Chains.

Now, with two critically-acclaimed and widely-played major label releases under their belts, Art Of Dying are returning with Full Length Album “Armageddon”, their most imperious effort to date. “It’s a dark record.” Says Jonny. “Even the cover art (featuring NYC artist Stefano Losi’s painting of Pharaoh Thutmose III) is inspired by the album title. Thutmose lead the historic battle in Megiddo, (aka Armageddon) the first war in history where proper records were kept and a body count was taken.”

Themes like “No One Ever Wins”, “Dark Days” and “Unoriginal” take the listener down to visit the depths of the deep end. But no Art of Dying record would be complete without the inspirational balance of spine-tingling anthems like new single “Armageddon”, “Cut It All Away” and “ShatterProof”.

Of first single “Armageddon” Jonny Hetherington says, “Life sucks. Life is beautiful. Writing Armageddon got me through a tough time and helped shake a few of the demons off my back. If you feel like your world is caving in, like you’re trapped in your own personal Armageddon, I hope you will find the strength to get out.”

If ARMAGEDDON is about one thing above all else it is a study on the power of human will and the uplifting capacity of one’s own self belief. This is rip-snorting rock ’n’ roll that will smash your self-doubt into a million pieces.

 

“Armageddon” is released through Get A Grip on the 4th October 2019. The new album is available to preorder now, including a limited transparent red vinyl pressing:
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It is a remake of the “Hip To Be Square” scene from American Psycho in which Emily puts herself in the place of the axe-wielding Patrick Bateman.

 

It’s such a glossy track that sounds sort of like Mazzy Starr meets Nick Cave & Patti Smith. It was produced by Stew Jackson of Massive Attack and comes from Emily’s new album ‘Rituals’ which is due out on September 6th on Sugar Shack Records.

 

She’s also had BBC 6 Music and Radio X airplay recently as well as some great press acclaim so far.

The third single from forthcoming Emily Breeze album Rituals (Out September 6th) is a shimmering indie pop anthem entitled “Work”. The glossy sonic exterior and radio friendly chorus act as a foil for the ice cold cynicism and pitch black humour of the lyrics which were inspired by Patrick Bateman (American Psycho) and Emily’s own experiences of hauling herself out of bed every morning to make a pointless profit for somebody else.

 

The video for the single re-enacts the American Psycho “Hip To Be Square” scene with axe-wielding Emily taking the place of Patrick Bateman. The refrain ‘I’m dead inside’ repeats amidst washed out guitar noise as we’re left with Emily covered in blood, her victim laid out on the floor.

Emily’s first two singles “Limousines” and “Ego Death” received airplay from Radio X, BBC Introducing in the West, Tom Robinson (BBC Radio 6) and led to Emily being described as “Nancy Sinatra on Ketamine” (Louder than War) and “a 21st Century Patti Smith” (Tom Robinson BBC Radio 6).

Produced by Bristol luminary Stew Jackson writer, producer for Massive Attack, who has also worked with Tom Waits, Patti Smith and Nick Cave and performed by Emily’s Stellar Band of Rob Norbury (lead guitar), Andy Sutor (drums), Graham Dalzell (bass) and Duncan Fleming (keys/synth), “Work” is the soundtrack to the world gradually falling apart in an absurd state of late capitalism, insurmountable admin, antidepressants and unreachable targets.

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OK readers can I ask you not to take the brown acid  drop some blues its time to choose switch on tune in and drop out because this website is heading down a wormhole that’s mainlining right back to the glorious glam stomping rock and Roll of the mid-seventies and your captains for this trip are Jeff Ward on Guitar and Vocals ably assisted by Cynthia Ross on Bass Guitar and backing vocals and finally, Dahm Majuri Cipolla on Drums.  We might encounter some bumps on the way but trust me – when we arrive it’ll be a trip youre glad you made and will want to make again and again.  Outta Noo Yawk Citee these cats know their way around a three-minute pop song and know a thing or two about how to deliver the good to your ears time and time again.

‘4 a.m Strangeways’ is a ragtag loose as hell baby number that has that T rex grit to their pop n roll.  they’ve certainly captured that vibe perfectly well as the mid-tempo tune cruises along on a sweet vibe with some low down dirty riff that sounds like its been draggin’ itself around the LES since getting lost in about ’74. Then to follow it up with the low down twelve-bar jig. Jeffs almost hushed tones are like a warm fuzzy comfort blanket as the music wraps itself around you and you just sit back and drift away.

There are some pretty awesome guests on this record firstly some of that fuzzed-out and fucked up six-string wall of noise is from the deft hands of the one and only Ray Hanson former thee Hypnotic six-stringer and some of the sax blowing through this record is courtesy of Dannyl Ray which makes sense as hes got NYC coursing through his veins. The best use of these cats is ‘Ladykiller Blues’ as they trade off of each other superbly.

I love the laid back drift of ‘How Could You (B Girl)’ and then the jazzy blues of ‘Sonic Ray’.  To be fair this whole record is pretty laid back especially the trippy ‘Darkness’ where Cynthia takes lead vocals but no singing please just narrating.

The decay on the drums is so Marc Bolan related and ‘Suicide Spaceship’ nails that sound almost as much as the twelve-bar jig of ‘Morphic Resonance’ Of course I don’t know what it’s about I don’t wanna ask either just get into that vibe man and enjoy the tunes.

Sure I dig the Thunders romp that is ‘Favourite Male’ complete with honkin’ horn and ragged riffs and the solo is pure Johnny.   Not too many albums are made like this anymore so we should embrace it when one does come across our path.  Pull-on your space boots tease your hair and strap yourself in and let’s go. Grab a bag of ‘Roxy Epoxy’ and lets go on a trip before they leave without us and we get left behind.  They’re treading a well-worn path but it seems New York is alive and well when you scratch the surface and come across these and the likes of Beechwood and long may it continue.  I love Electrajets they’ve got it goin’ on for sure.

Buy ‘Transatlantic Tales’ Here

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Author: Dom Daley