Ash have been at this pop song writing malarkey for over three decades, and to be fair, back in ’94 they were pretty bloody good at it to begin with. But, over time, they’ve ebbed and flowed, dabbled with stardom, but consistently released excellent records. They have always stood by their tried and tested style that has served them so well, and now in 2025, with ‘ad astra’ they’ve blasted off into the ether on another guitar pop-infested melody space raid with an album that’s full to bursting with style and class. It’s a record that flows superbly with memorable blasts of loud guitar pop, proper earworms huge guest slots adding to the quality and maintaining that decades-long mantra of always be better than the previous release.

From the opening big budget grand lift off, they rip into… ‘Which One do you want’ maybe not so much rip but gently ease you into it whilst the after burners settle down. This is a marathon not a sprint.

Sounding like prime time Smiths in the overall feel of the songwriting, with the big strumming acoustic guitars layering the song through verse, chorus, verse, chorus and big layers of goodness. It could and should be a hit. Enter Graham Coxon for a champion thunderous riff on ‘Fun Prople’, what a hook, when I say hook I mean hooks a bloody great big Jaws catching Hook!. The sound is huge, the chorus is a chant along earworm and the sound of a band having an absolute ball and knowing they are bloody good at this.

 The tunes come thick and fast, and long-time fans will be delighted with the fact it sounds like classic Ash but also never sounds dated or just ‘clocking in’. It really is excellent songs, superbly written and performed and produced to perfection. Guitar pop par excellence, no question about it.

There are lush sweeping melodies at times married with harder driving anthemic songs covering every inch of what a long player should do. It’s a journey of discovery, twisting and turning, never sounding ordinary or predictable but comfortably familiar, and to think they’ve been at this for over three decades and are delivering albums this bloody good is champion and should be well championed.

Be it the thumping, more dreamy journey of ‘Deadly Love’ or the all-out rocker with a huge grin leading the party with ‘Jump In The Line’ or the gentler string-laden ‘My Favourite Ghost’ Ash do it better than most.

With a dozen tracks that ebb and flow, lifting you up and leading you to reflect, they save some of the best til latter on as ‘Dehumanized’ which has all the hallmarks of an absolute Ash banger buried deep in this record. Be it a singles band or an album band, these three do bot,h and when these get added to the set list, they won’t sound out of place at all.

Their mucca from Blur is back to help put a full stop on this most excellent album. Don’t just take my word for it, go and pick up your own copy and come back and thank me later, be it a silver copy or an indy retailer colour or special limited artwork Ash have gone for broke on this on,e and it looks and sounds like a band loving life and making some of the best music they’ve ever done. No easy task, Buy it!

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Author: Dom Daley

Covers albums can be hit and miss affairs. There are plenty out there, the good, the bad and the ugly. Well, with 5 studio albums, 2 compilations and an album of artists covering their own songs, London-based collective The Urban Voodoo Machine have surely earned the right to release a covers collection of their very own.

Chief songwriter Paul-Ronney Angel certainly thinks so. And in a world saturated with AI versions of your favourite songs reimagined as funk, soul or reggae, it seems fitting the one of the most exciting live bands around take 11 songs (some familiar, some not so familiar) and record them using real instruments, played by real musicians in a real recording studio.

For me, the essence of a good cover version is to put your own stamp on it and create your own masterpiece from an already existing piece of art. The Urban Voodoo Machine do just that with the opening song of ‘Other People’s Children’. Their take on the AC/DC classic ‘Hell’s Bells’ was actually recorded many moons ago for a Classic Rock compilation CD (remember those?). Who knew that injecting some bourbon-soaked gypsy blues bop n’ stroll music would work so damn well? With that iconic riff picked on an acoustic guitar and a horns & brushed beats accompaniment, PR and his band of brothers do the unimaginable and make the song their own.

It’s a strong start, but they keep the pace up with a rip-roaring one-two that really captures the live feel of the band. You could argue that ‘Rhinestone Cowboy’ and The Stones ‘Factory Girl’ were made to be covered by Paul at his most inebriated, and the delivery just fits the feel of songs. Its captured beautifully, as our ringleader wails whisky-soaked tones over crashing, rustic instrumentation. The latter especially works so well with banjo and horns to the fore, creating a gypsy style party vibe.

Noone can deny the pop suss of ABBA, and ‘Chiquitita’ has never been tackled with such drunken aplomb. Side 1 ends with a spaghetti western drenched version of ‘Destiny Angel, an emotive song written by sadly departed founding member Nick Marsh. It has been re-recorded here with the help of members of Nick’s family.

Side 2 carries on the tribute to lost members theme with ‘The Lodger’, a song written by Mark Gilligan, who played with the band on and off for many years. His son Tristan joins the band on guitar for this Pogues inspired folky ditty, it’s a killer tribute. Originally a hit for The Standells in 1966, ‘Dirty Water’ is a rock n’ roll party that sounds like about 5 UVM songs rolled into one. With a faster pace and a fistful of energy, it’s probably my favourite song on the record right now.

Ry Cooder’s ‘Across The Borderline’, with its re-tagged “London, you’re my home” refrain is topical and suitably delivered in an acoustic based, gypsy blues style. The late night ‘live in the studio’ vibes continue with the smoky ‘Jimmy Jazz’, where PR and his harmonica take the spotlight to do justice to The Clash and make this London Calling cut even more jazzy.

The Urban Voodoo Machine love a good instrumental and if you’ve seen them live, you may well have seen them open with the classic ‘Popcorn’. Here it comes on like it’s been ripped straight from a Tarantino movie. The gospel classic ‘I’ll Fly Away’ brings things to a close nicely, a song the band play regularly in their other incarnation as The Urban Voodoo Machine Marching Band, who play funerals with a New Orleans style twist. Maybe I’ll get them booked in for my send off!

The live energy Of The Urban Voodoo Machine is captured magnificently by Alex McGowan at Space Eko Studios, and the great thing about this album is that it sounds like a regular Urban Voodoo Machine record. They bring the party every time, whether it’s their own songs or these other people’s children that they have made their own.

Like I said at the beginning, covers albums are hit & miss affairs, and this one is very much a hit as far as I’m concerned.

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Author: Ben Hughes

After months of speculation, Babyshambles are delighted to announce their live return, after eleven long years, with ten shows this autumn and winter.

The tour coincides with the 20th anniversary of Babyshambles’ much-loved, critically lauded debut album Down In Albion. Ittakes in a whole host of venues that were the scene of many of their previous triumphs: in Birmingham, Liverpool, Manchester, Newcastle, Glasgow, Leeds, Nottingham, Norwich, Plymouth and London’s celebrated Brixton Academy.

Peter Doherty“It’s unfinished business and everywhere I go I get ‘what’s happening with the ‘shambles.’ It’s a no brainer for me, a real desire to play some of them old tunes and have a little shindig.”

Drew McConnell: “The death of Patrick (Walden) made us determined that we have to tour now.”

Tickets go on general sale at 10:00am Friday 5th September from GENERAL TICKET LINK To make sure you bagsie a ticket an exclusive pre-sale is available at 10:00am on Wednesday 3rd September, sign up herePRE-SALE TICKET LINK

NOVEMBER

14th FRI Norwich The Nick Rayns LCR

16th SUN London O2 Academy – Brixton

26th WED Birmingham O2 Academy

29th SAT Liverpool Mountford Hall

30th SUN Manchester O2 Victoria Warehouse

DECEMBER

2nd TUE Newcastle O2 City Hall

4th THU Glasgow  O2 Academy

7th SUN Leeds O2 Academy

8th MON Nottingham Rock City

10th WED Plymouth Pavilions

Babyshambles have released three Top 10 albums: Down In Albion (2005), Shotter’s Nation (2007) and Sequel To The Prequel (2013)… scored four Top 10 Singles KillamangiroFuck ForeverAlbion and Delivery

Babyshambles are Peter Doherty (vocals/ guitar), Mick Whitnall (guitar), Drew McConnell (bass guitar)and Adam Ficek (drums). 

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X

IST IST

ANNOUNCE AWAITED FIFTH ALBUM:

‘DAGGER’

OUT 6 FEBRUARY 2026, VIA KIND VIOLENCE RECORDS

IST IST are pleased to confirm details of their keenly anticipated new album: ‘DAGGER’.

Due for release on Friday 6th February, the record will be their fifth full-length studio album, and arrives on the heels of last year’s acclaimed Top 30 effort ‘Light A Bigger Fire’. 

With a swelling fanbase across Europe and some of their biggest UK shows to date on the horizon, including a totemic hometown show at Manchester’s Albert Hall, the hungry, anthemic quality of ‘DAGGER’ feels destined to cut through even the most capacious of spaces.

Wasting no time to sit on their laurels, IST IST launched into laying down the bones of what would become their upcoming fifth album. As guitarist Mat Peters reflects: 

“We started working on the album as soon as we got back from the European tour in late 2024. The momentum you carry from a tour into the studio is powerful and you’re still in that live headspace, so the music you write in those moments tends to be more visceral. You go with the flow a little bit more rather than it being methodical. What you end up with is a collection of songs already primed for the stage.”

Alive with ambitions for the band’s next evolutionary stage, IST IST approached esteemed producer Joe Cross (Hurts, Courteeners, Slow Readers Club), tasking him with creating a conduit with which to conduct their big ideas. Rekindling the chemistry that had spawned their previous work together, pretty soon, something special began to materialise from the partnership again. Bass player Andy Keating adds:

We wanted to make some braver and more brash choices during the recording process. We wanted to make this record for ourselves first and foremost. There was no agenda beyond capturing the post-tour energy and playing the sort of things we wanted to listen to. The result of that is our most direct album since our debut ‘Architecture’.

Lead single and album opener “I Am The Fear” is demonstrative of this brave new world; an electrifying juggernaut piled high with oscillating synth strokes, meteoric basslines, and stacked guitar tones.

Whilst the intrinsic, shadowy essence of IST IST’s trademark sound remains firmly in place, a panoply of new influences and inspiration ripples across these 10 tracks with a striking sense of redefinition.

From the lightning bolt pop immediacy of “Warning Signs”, to the skyscraping synth reachings of “The Echo”; the loping rock swagger of “Burning”, to the scintillating sci-fi soundtrack-primed “Encouragement”, and the spacious ambience of “Song For Someone”, ‘DAGGER’ glitters from the darkness with luminescent melodies and incisive hooks.

While ‘DAGGER’ charts another seismic step forward for the band in terms of confidence, control, and execution, fans will be reassured to hear that it has come at no sacrifice to their modus operandi. Completely self-funded, and due to be released completely independently via their own Kind Violence Records imprint, five albums in, ‘DAGGER’ symbolises the driven DIY ethic that has been programmed into IST IST’s DNA since day dot.

In light of their upcoming album, last week IST IST released its lead single “I Am The Fear”. 

Catch IST IST marking their decade long career and teasing new music from ‘DAGGER’ at the following UK and European shows:

IST IST  – 2025/26 EUROPE & UK TOUR DATES

Thursday 9th October – Rome – Invincible Fest @ Hacienda 

Friday 10th October – Ravenna – Bronson Club 

Saturday 11th October – Pordenone – Astro Club 

Tuesday 14th October – Den Haag – Paard 

Wednesday 15th October  – Zwolle – Hedon 

Friday 17th October – Eindhoven – Effenaar

Friday 28th November – Leeds – Warehouse

Saturday 29th November – Glasgow – Oran Mor

Friday 5th December – London – 229

Saturday 6th December – Birmingham – O2 Academy2

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Friday 1st May 2026 – Manchester – Albert Hall

w/ Support from DESPERATE JOURNALIST + THE YOUTH PLAY

Tickets for all shows on sale here:

https://www.ististmusic.com/pages/live