HRH Sleaze Cycle IV ticket and line up news

HRH Sleaze Cycle IV ticket and line up news

This really is a huge one for the HRH family – the very best in sleaze rock all under one roof for a weekend of bands and booze over the 29th and 30th of August 2020

 

Tickets: Here

HRH Sleaze Cycle IV has gone into overdrive – we are bringing you one of the most exciting lineups ever, with bands from around the globe descending on The O2 Academy in Sheffield! Tracii Guns and Phil Lewis return to HRH Sleaze with the classic lineup of L.A. Guns – every time this iconic L.A. band hit the HRH stage we are treated to a masterclass in sleazy hard rock and Sleaze IV will be no different. Take a listen to their latest live album “Electric Gypsy Live” and you’ll soon hear why this legendary band are back to the very top of their game. https://youtu.be/hdpRskEqsgo

A firm favourite of the HRH family, former Hanoi Rocks frontman Michael Monroeimpressed everyone present at HRH AOR V with an incendiary performance that will be long remembered.  The latest single by Finland’s finest – “One Man Gang” – is testament to his seemingly un-faltering talent.

The HRH Family surely need no introduction to The Quireboys – suffice to say that their latest album, the critically acclaimed Amazing Disgrace, is making waves in the music world.  Spike, Guy and the gang are as busy – if not busier than they have ever been, with the quality of their recorded and live work still as vibrant and strong as it was back in 1990 when they took the world by storm with “A Bit of What You Fancy”.

Another welcome return to the HRH fold is the legendary Jizzy Pearl – one of the most recognisable voices in rock, he brings his Love/Hate to the O2 Academy Sheffield to treat us to classics from timeless albums such as Blackout in the Red Room and Wasted in America.

True veterans of the sleaze rock scene, Californians Jetboy were formed in 1983, and are in their second active spell having re-formed in 2006.  Their latest album – 2019’s Born to Fly – is a staple on Hard Rock Hell Radio and is the band’s first full album of brand new music since 1990.

Hollywood leather boyz Pretty Boy Floyd have been playing with their electric toyz since 1987 with just a 5-year break in the ‘90’s – and a minor spat in the 2000s.  Although they have only released 3 studio albums (the latest being 2017’s “Public Enemies”) the band are still very much active on the sleaze circuit playing iconic venues such as The Whisky and Rainbow Bar in Hollywood – the capital of sleaze.

Set to deliver a huge kick in the balls for HRH Sleaze IV next year will be Americans Kickin’ Valentina.  With ex-Jetboy singer D.K. Revelle now on board the band are going from strength to strength as one of the leading lights of the new wave of sleaze rock.

The quality of bands at HRH Sleaze IV is beyond compare – in addition to L.A. Guns, Michael Monroe, Jizzy Pearl’s Love/Hate, The Quireboys, Jetboy, Pretty Boy Floyd and Kickin’ Valentina we are stoked to announce a further 15 incredible bands:

Sweden’s Confess are making their HRH debut and we can’t wait – also hailing from Sweden are Pretty Wild as they continue their goal of taking over the world with their “in your face” live set, having just released their latest album “Interstate 13” this year.

Now based in L.A., Bullets and Octane have toured with the very best from Avenged Sevenfold to Stone Sour, releasing 6 albums in almost 20 years.

One of the most active bands on the UK sleaze rock circuit are Midnite City.  Formed by Tigertailz frontman Rob Wylde, the band are filling rock clubs around the country on a regular basis, and have just announced a tour of Japan.

Also joining us for HRH Sleaze IV are 3-piece The Spangles, featuring members of The Main Grains and The Idol Dead – they list cider as the band’s main interest, so that could get messy.  Self-proclaimed bastards of rock’n’roll, RanKelson are back after a 32-year break – and ready to carry on where they left off.  Circus Junkie Rebels make the short hop from Stoke, and Bare Knuckle Messiahs – led by former Tigertailz frontman Kim Hooker – make the trek from Wales.

Playing on their home turf at HRH Sleaze IV are Sheffield based Silverjet, while Londoners Paradise Alley have been active in one form or another since 1992.  Finland are represented by veterans Plastic Tears, formed in 1992 and making a rare UK appearance while Nottingham’s Todd Michaels and the Screamin’ Heartstake a short ride up the M1 to join us in Sheffield.

Last but not least, we welcome Southampton’s The Smokin Prophets, The Suicide Notes who describe themselves as the “illegitimate sons of punk and sleaze”, and hard rockers Liberty Slaves from nearby Huddersfield.

https://www.facebook.com/hrhsleaze
http://www.hrhsleaze.com

Steve Vincent – Paradise Alley – interview exclusive

Steve Vincent – Paradise Alley – interview exclusive
A UK based sleaze Rock band from the 90s have picked up the baton and began treading the boards again.  After a recent return to the stage at Camdens Dublin Castle Paradise Alley are back in the ring taking another swing so we thought it was about time we got comfortable with frontman Stevie Vincent and found out who the hell is Paradise Alley and where do they fit in in 2019.
Can you remember the point when you realised you wanted to be in a band?
I remember when I was a little kid being obsessed with Elvis and Glam Rock. My Uncle gave me his old Elvis signature guitar which was as big as me and I would thrash away on it singing Elvis and Sweet songs so the spark probably started there, lol. Consciously though it was probably when I was around twelve and my friends and I started to talk about having a band, it just seemed to make you really cool and I was never one of the cool kids, hahaha.


How did you find your music as a kid?
To begin with, it was just through watching Top Of The Pops every week which when you were a kid in the 70s was the law, you had to watch it. Even your parents watched it just so they could moan about these new-fangled bands making a racket. Then I became friends with this other kid who was a year older and was totally obsessed with music, regardless of the type of music, he was into it so through that friendship I just started trawling record shops for hours every weekend and being exposed to lots of different types of music and bands.

Was it tough putting a band together when you first started out compared to now in 2019?
I would say easier back then than now. You could just meet people when you were out at the pub or in record or music stores which was really organic. Plus you had lots of ways to advertise for musicians, local music stores were everywhere and had notice boards and you had Sounds, Melody Maker and Kerrang classifieds so it seemed easier to network then. Strange when you think about social media now but so many “musicians” now seem purely driven by how much money are they going to get paid or when you ask for influences they just blurt out what they like and then say I want a band like that – there isn’t a band that sounds like Guns N Roses mixed with Slayer and Perry Como as far as I know, hahahaha. I mean, I like a lot of diverse stuff, but when it comes to the music I play, all of us in the band know where we are coming from musically.


When or what was the spark that made you want to resurrect the band?
Never say never eh? I was actually in Helsinki at the time and was with my friends from Plastic Tears, Miqu and Edu and we started talking a bit about our shared history and stuff and it cam up about how we had never actually managed to tour together which was something we had mentioned in the past. Anyway, by the end of the night I had contacted Taj and asked him if he fancied us putting the band back together and carrying on the legacy.


Did you reach out to the other past members or don’t they do Rock and Roll anymore?
Other than Taj, no. We had tried that before back in 2013 and that did not work out at all. People’s heads were in different places, old habits that had caused problems in the past were still there and it just became hard work to be around. In the end we were doing it for fun and certain individuals were making it anything but so we played our last show with a rag tag line-up in June 2015 and just walked away.


You recently returned to the stage. How was it?
It felt really good, we had some fire back in the belly and the audience reaction was just like the old days. It was a bit rough round the edges but that’s rock’n’roll and as we play more shows, etc things will smooth out more.


You have finally got all the pieces of the band together tell us about the band in 2019? who what and where did you find them?
Well, we are still drummerless actually and relying on session drummers to do the shows at the moment so that’s not ideal. We have a couple of really good guys helping us out on drums but it would be good to have the role filled permanently. Sadly everyone who contacts us either assumes we are signed to Universal Music and expects a massive salary, or just does not get what we are doing musically, so the search continues. 
Taj has been in the band since 1998 and been a friend even longer (since about ’89 or ’90), I always say he is my Nasty Suicide. We work together well and we both have a shared love of Hanoi Rocks.
Ben Webster, the other guitarist we actually found through Facebook. We had been looking for ages and his name kept cropping up and in the end, his mate put him forward for it. We met up and just sat around, had a few drinks, jammed and it gelled right away. He had the right attitude and was under no illusions that we were about to get signed for 10 million dollars or any of that crap. He has definitely helped put the fire back in the belly. Ben Alexander on bass was actually a fan of the band and again we were linked through social media. We knew he played bass so when we started putting the band back together we asked him if he was up for this  That was pretty much it.


The music climate has changed massively since the 90s what are the biggest changes you’ve noticed?
How people consume music. I mean, there does seem to be a bit of a shift back to CD and vinyl and actually listening to albums rather than just random tracks which is a good thing, but also, we don’t have the whole tribe culture that was there when we were growing up. There are punks, rockers, mods new romantics, goths in the way that there used to be. I think that is really sad. No one nails their colours to the post anymore and you don’t see people having the same passion for music or bands. Mind you, how could anyone be passionate about Ed Sheeran or bloody Jess Glynne? hahahahahaha


what about new music? Have you picked up a guitar and written any material?
We are right in the middle of doing that now. When we tried back in 2013, that had been one of my hopes but no one showed any real interest. When I first spoke to Taj in 2017 about doing this, I said I wanted to move forward and not just play the same ten songs forever or I would knock it on the head. So, we are looking to release something very, very soon as a bit of a taster and then work towards a full new album sometime next year. So, we ARE writing new songs, we are demoing too and something will be coming VERY soon.


You spent time in NYC and LA have you been recently? They were always great Rock and roll towns but it seems the world is heading to hell in a handcart and not holding a bottle of jack but wearing loafers and no socks with a lovely smelling beard? Do you think sleazy Rock and Roll will ever come full circle? 
I think it will always be there as long as there are people out there showing interest. It is very niche but then, I guess it always was. Even when GnR went massive, there were a lot of confused Mums and Das and “normal” people at the live shows because it wasn’t all sweetness and light, hahaha. Look at events like HRH sleaze, there is an audience and a younger audience too. I love seeing another generation coming through wearing cool clothes again and embracing the rock’n’roll world, without that music just becomes gentrified like all our cities and towns. I mean, look at the crap we are force-fed by the mass media, it’s Starbucks /identikit bland rubbish designed not to offend or make you think. I want music that makes you go “holy fuck!”, I want the musicians to look like they landed from another planet, not like they are here to fix a leaky tap.
Haven’t been back to LA or NYC recently although I know they are both shadows of their former selves. There are plans to visit both from a band point of view, but I’m not saying more than that just yet, don’t want anyone else stealing my plans.


What new music have you been listening to? (If any)
Does the Michael Monroe band count? hahahaha. I try and listen to new stuff but most of it just leaves me cold and even when I say I have listened to something new, it usually turns out to be from the late 90s or early 2000s. I do like The Struts. Got into them when the first album came out and no one here had a clue who they were. Sadly, I can see the rough edges getting chipped away and they are becoming slicker and slicker. I hope they resist it and keep that little British edginess, but I reckon the mighty dollar will win in the end. Can’t blame em, they are there to make money, but I like my artists to have a little bit of integrity.


Will there be any other live shows? who would you like to tour with?
Of course, there will, we are back and live is where we shine. We’re back in London at The Big Red on August 10 then off to Y Lew Coch in Mach as part of the Rock’n’Roll Circus weekend on August 25. There are other dates confirmed but we’ll be announcing those soon enough. We will tour with anyone we can. I don’t want to get stuck in the nostalgia circuit though which is very easy to do. It’s lazy on the part of some sections of the industry to just lump you in with certain bands but we seem to attract all types of music fans and we aren’t out to just live in the past.


If you were to explain what your band is all about how would you best describe your sound (we all love a pigeon hole) 
oooooh, that’s sneaky, hahaha. We’re just a rock’n’roll band that takes influences from all over the place and it comes out sounding like Paradise Alley. If you wanted to narrow it down I guess I would say Aerosmith meets the Ramones….that sound like a good pigeonhole to you Dom?


If you have anything else you’d like to say nows your chance –
Just that we are glad to be back and to be moving forward, if you love rock’n’roll in all it’s forms, check us out, listen on Spotify or Amazon or one of the other streaming platforms. We are here to entertain and make rock’n’roll glamorous and fun again. The world needs a little bit of escapism right now

45 RPM Its A Revolution

45 RPM Its A Revolution

Roll up, roll up one and all as the 45RPM Club is in session and this month we bring you a whole bunch of singles to mull over and for those who love the 7″ format we have a couple of pure gold must haves whilst it seems a lot of bands prefer to release a video as part of their press kit to promote a single which is cool we’re a broad church and we’ll check out old school wax as well as digital-only singles and video singles just get em into us and leave it with us.  So here we go.

 

The Hip Priests/ Electric Frankenstein – Split (Speedowax Records) It just wouldn’t be a 45RPM round up if The Hip Priests weren’t in town so thank fuck for Speedowax and this delicious split with the North American kings of Action Rock Electric Frankenstein.  Side A sees EF knock out ‘Generation Void’ with its beautiful riff-ola that takes us to the chorus that we can all join in on and throw our fists in the air – Amen to that motherfucker’s EF are in the house. The second offering is ‘I’ll Be The One’ which is a stronger tune with its Dead Boys vibe in the verse to that gang vocal chorus this is a wonderful opening side to any single.  Bring it on I say let’s see or rather hear a new full-length EF album that would be tremendous wouldn’t it? Flip it over and Shit Islands bad boys offer the excellent ‘Deja FU’ taken from their outstanding album of the year contender ‘Stand For Nothing’ and the second track is one that didn’t even make the cut on the album – imagine that, you have tunes you can save for a single that would be the first choice on pretty much any other bands album in this field ‘Nihilist Twist’ is a banger  and has a magic guitar break.  Record of the month? What do you think you silly billys. Join the Spasm Gang and get a limited edition press with a Hip Priests tote Bag  ooooh! Still winning at life!

 

Spirit In The Room – EP (Neon Garage Records, Black House) Fucked up spat out rock from Los Angeles featuring the headwork of Dennis R. Sanders aided and abetted by Darren Howard, Phillip Bailey, and Kevin Bombay the three songs are somewhere between Bowie meets NiN (‘U R My Religion’) full-on freak out that is the epic ‘the Future Is Immediate’ Motorhead meets Cave and some of everything else thrown in for good measure.  Menacing and thrashing about is the name of the game please don’t play neat a strobe light or you’re fucked. ‘Monetary Prayer’ is Jim Jones meets Gun Club meets birthday Party and Gallon Drunk not so much of a stretch for sure but quality a plenty and a most excellent listen besides Rock and Roll is meant to be a bit dangerous and foreboding and SITR is all that and more. Pick it up on their Bandcamp page Here Facebook

 

The Turbo AC’s / V8 Wankers – Split (Savage Magic Records) New York City’s The Turbo A.C.’s and Offenbach, Germany’s V8 Wankers come together for a 4-song split 7″ EP of high octane punk ‘n’ roll. Each band brings a stand-out track from their latest album plus an exclusive track just for this release. ‘fuckin Up Big Time’ is classic turbo AC’s big chorus and chugging riffs its a no brainer action rockers go fill yer boots.  a band made for split 7″ records (they’ve had more than most) Whereas V8 Wankers have been plying their action Rock for a decade and a half out of Germany and have stayed true to loud Punk Rock and Roll

Turbo Website  V8 Facebook or email: info@savagemagicrecords.com to pre-order now!

 

 

Plastic Tears – Dark Passenger (City of Lights Records)
– Taken from their last long player ‘Angels With Attitude’ Another band who’ve held fast on their trademark sleazy Punk n Roll – Plastic Tears have and will endure. Check out the video below. Facebook

ANC4 – ‘You´re the one’ (Beluga Records)  Digital Release from Beluga of the track ‘you’re The One’.  ANC4 (Arvidson & Nilsson Combo Four) is a newly formed Swedish band that will be releasing their first Long Player this Year.  The band consists of 4 members of the Swedish music scene, Roger Arvidson (Vocals & Guitar) who featured in Arvidson and Butterflies, Remains and Sonic Walthers, Tomas Nilsson (Vocals & Guitar) who fronted Mop Tops and Flying cow, the two songwriters are complimented by a strong rhythm section who also have great musical form, Janne Borgh (Bass & Backing vocals) who has played bass with both Strindbergs and Moderns, last but no means least, completing the line up is Niclas “Tidaholms Ringo” Österberg (Drums), The Front Line Band, Moa Blucher Blues Band among many others.

The band breathes new life into the sixties styled nuggets with strong melodies and sweet harmonies. as ‘You’re The One Will attain. Facebook

 

Daddy Long Legs – ‘Pink Lemonade’ (Yep Rock Records) Lead track for the band’s long-players is released in the shape of ‘Pink Lemonade’ Facebook

TV Coma – Have A Party (Wiretap Records) one that caused us some intrigue was TC Coma and their ‘Have A Party’citing the likes of Pup and Weezer as influences are always going to get our interest.  not the most immediate of tracks even if the video is a bit odd and there is too much facial hair for our liking the song is a grower no doubt about that. Facebook

Royal Republic – Anna Leigh (Nuclear Blast, Arising Empire) The first track off the new long player ‘Club Magic’ is with us and again pushing boundaries is the name of the game for Royal Republic. Looks like they had a ball making the video at least but again a grower and not the most immediate of singles. Facebook

Mono In Stereo ‘The Conversation’ (Rum Bar Records) Taken from the Album ‘Can’t Stop The Bleeding’ this is a really well-crafted tune full of good ole Rock and Roll with great barroom sing-a-long chorus and enough ragged edges to warm the cockles of the coldest heart.  simple (or at least they make it sound), Honest (as the day is long) wholesome alt rock with a punk rock heart like Huser Du or the Replacements or even more recent artists like Role Models check em out – Facebook

 

Geoff Palmer – ‘All The Hits’ (Rum Bar Records) Another new Rum Bar release sees The Connections songwriter or 50% of the team Connections release his solo record ‘Pulling Out All The Stops’  out soon on Stardumb Records / Rum Bar Records (dual label release) and this is the hook being used to reel us in and what a hook too. Geoff Palmer continues to destroy us with his songwriting skills once it hits your ears you can’t shake it.  It sounds like The Ramones have been on heavy rotation during the writing sessions and what’s not to love about that? 1-2-3-4 let’s go its dumb fun and bubble gum catchy as hell and music with a smile. why don’t more band kick up a shit storm of pop-punk rock like this – it’s beautiful! RumBar Bandcamp
Spread Eagle – ‘Sound Of Speed’ (Frontiers Music)  Its cock Rock O’clock folks wind back those clocks or get in a time machine marked late 80’s  for Spread Eagle without a hint of irony sing about Birds, speed (as in fast cars) no wait, they’re playing at a go-cart track which we all know is cool as so all is forgiven now where are my high tops and wrist bands and its great that Spread Eagle take safety seriously and everyone is wearing crash helmets.  Well done guys you Rock!

Email: rpmonlinetcb@yahoo.com
Copyright 2018-2024 RPM Online