The new video follows a somewhat tragicomic musician whose relationship is on the rocks. In addition to the band members, actress Suvi Kosela also appears in the video.
‘Motorhome’ is one of the tracks from Plastic Tears’ upcoming EP ‘Old Treasures & Lost Pleasures’, which aims to showcase both new and older material performed by the band’s renewed lineup.
Hook up with Plastic Tears: Here
No not the seasonal cheer quite yet but those German Hardcore punk noisemakers, that Christmas. They have a new album out the first week in December and We recently had Max on the phone to talk briefly about the new LP and his band.
‘FEAR OF ROMANCE’ CHRISTMAS, once again, show off all the different facets of their self-created ‘Satanic Rock’ sound. The album is like a nihilistic Schwarzenegger movie: bursting with speed, action, power and humiliation. The protagonist is always the one who laughs last! ‘FEAR OF ROMANCE’ will be released on December 16th as an LP/MC. The album was recorded between February and April 2024 at “Tonstudio 45”. Production, recording, mixing and mastering was done by Michel Wern.
On The Podcast we talk about the new album and the band’s history. Hit the link and give it a play and if you’d be so kind why not share, like and follow the podcast and help us grow.
You can Pre-order the new album Here
![Dolium – ‘The Products Of Our Own Demands And Commands [4 CD Set]’ (Sister 9 Recordings)](https://rpmonline.co.uk/wp-content/uploads/2024/11/a2868002345_10-750x350.jpg)
To mark the 20th ANNIVERSARY of the label this year, SISTER 9 are proud to present a special LTD Edition 4 CD Set, which tells the story of Rhys Bloodjoy’s first band — lo-fi/post-punk/scuzz-rock label-founders, DOLIUM. Now take a deep breath and settle down comfortably because this is a mammoth journey in time with a whopping seventy-plus tracks on offer.
In their early days, Dolium caused quite a buzz on the UK underground music scene; first in 1999/2000 with their sonic assault on the city of Sheffield – and then some years later, when their 2004 DIY debut single (and the label’s first ever release under the name of Parlour 9) quickly caught the attention of BBC radio legend, John Peel.
The rest, as they say, is history…
To be fair this is a pretty epic collection and the style and production varies throughout the mammoth seventy plus tracks. from singles and BBC Sessions to unreleased albums worth of material the journey and discover is fascinating and rewarding. To have the band’s entire discography (all newly remastered by Rhys Bloodjoy in the S9 Studio), plus many unheard recordings, including their long-lost, unreleased third album, Brother Transistor is a real winner.
The story is presented in a striking full colour booklet, featuring art and photography, as well as extensive sleeve notes by the band and their management, plus one or two surprises! This is a real labour of love and a massive pat on the back for whoever did this painstaking research – excellent job.
To say they are a well kept secret is something of an understatement so I urge you to not let this pass you by. Get involved and jump on board there is something in here for everyone as the band had their own style but also touched upon many others in the process. The gothic undertones of the unreleased album also comes wrapped in a big glossy sheen that could have cut through and the Joy Division with a smile comparisons chime through as well on tracks like ‘VD On The Radio’ more in the vocal than the music.
The ‘Future In Hands’ is like a goth dark ‘My Sherona’ and I’m scratching my head as to how I’d never heard of them. Maybe I should expect the punk police to give me the five o’clock knock and reprimand me for not having my ear to the ground wide enough. I’m making up time for that now officer.
The early demos show how a band grew and were raging with creativity whilst they found their feet and niche. ‘Anaesthetic To Numb The Pain’ is a great study point. Theres a real charm to the demos compared to the studio suss of the album material. The underground crass like crossover of ‘Tattooed on it’.
Seventy six songs is some product and playing catch up is a well of musical depths that I’m more than happy to drop my bucket in. Join me and discover Dolium its pretty bloody good.
INFO: CD1: “Kisses Fractures” (2005 Debut Album) + Bonus Tracks & “Teenagers EP” (2006) | CD2: “Hellhounds On The Prowl” (2008 Second Album) + Bonus Tracks & “El Vampiro Attack! EP” (2008) | CD3: “Brother Transistor” (Unreleased Third Album) + Bonus Tracks | CD4: “66.6 Miles And The F-Machine” (Early 4-Track Demos) + Rarities (1998-2003)
*** NOTE: A FREE SECRET BONUS ALBUM (20 TRACKS!) featuring a selection of demos, out-takes, rehearsal room recordings, live tracks and other rarities not included in the Box Set will also be accessible from within the sleeve notes of every CD purchase!
Buy Here
If Spotify is good for anything, it’s that, just occasionally, the logarithm recommends an artist that you’ve never heard of but suits your tastes almost perfectly. Et voila, this is how I first heard of Fleur.
If you also love garage rock, 60s pop of the French variety, Françoise Hardy and the more recent likes of The Courettes and Fabienne Del Sol, you’re in for a treat.
With two albums of laid-back 60s-influenced pop under her belt, this time round Fleur has set free her inner ‘Yé-Yé’ girl and the results are magnificent. All ten songs were written by Mark ten Hoor, of The Kryng, who certainly has an ear for the genre. However, Fleur is more than “une poupée” (puppet/doll). She inhabits these songs, making them her own, along with her image. You have heard it before, but rarely done this well.
I’d already heard ‘Tu Es Un Être Parfait’, on repeat, which is the perfect introduction for the album as a whole. It’s irresistible. The title track has more of The Troggs about it, suitably savage and abrupt.
Don’t worry if you don’t understand a word, just immerse yourself in the tunes and your world will become immeasurably more groovy.
In fact, I was a little surprised to realise that Fleur hails from the Netherlands, so perfect is her approach to the French language and culture. ‘L’amour!’ is sultry in a way that evokes the wonderful Emanuela and The Hillbilly Moon Explosion, which will give you some idea of the standard being set.
‘T’as Tort’ could easily be a rare Françoise Hardy song from 1965, while ‘Ta Faute’ ups the tempo and the fuzz to get the place swinging. There really is nothing to fault, the playing and production are exactly what the songs need to make them shine. ‘Tu N’es Rien’ adds the Stooges one-finger piano motif.
‘Je T’en Prie’ harks back to her previous, mellower albums, but also sits naturally amongst the harder edged tunes. A dreamy number. ‘Nous Continuerons À Marcher Ensemble’ lets rip, and your hips should follow. Consult your doctor if this is not the case. I’m running out of superlatives. This album has been lovingly created, the quality never drops. As a francophone, I also love the way she pronounces the lyrics clearly, so that I can understand everything.
‘J’en Perds La Tête’ would please Jacques Dutronc, sans doute. Another one to swing your pants to.
And with ‘Je Sais Ce Que Tu Veux’, it’s over too soon. After one listen, I ordered the vinyl, a rare thing for me. Available on LP, CD and cassette via Harry Records/Soundflat, get on over to Fleur’s Bandcamp page. It’s nearly Christmas, et tu le mérites.
Buy Here
Author: Martin Chamarette
Not my favourite venue in this thriving musically diverse city and tonight it looks to have been massively oversold to the point of it being quite uncomfortable and the fact the drunkest knob always manages to stand in my personal space but its been five years since I last saw Amyl And The Sniffers that time was in a pub just up the road where about 100 people witnessed a band on the rise, destined for great things with an infectious way about them that was both innocent and ruthless and to be fair they had the chops then and a pocketful of tunes in Amys Daisy dukes. Fast forward five years and a couple of albums as well as about a bazillion live shows Amyl And The Sniffers are well deserving of the fever pitch that greets them when the lights drop and they bounce on stage and being seventy minutes of no-nonsense punk rock that’s infectious and they now have even more worthy tunes to put out there.
‘Doing In Me Head’ opens the set and the pit which pretty much is the whole of the floor in the O2 goes ape shit. There is very little time for small talk and the band kicks straight into most of their excellent new album ‘Cartoon Darkness’ as well as some of their fine back catalogue. ‘Some Mutts’ is a killer tune and the band who are clearly in sync from all the live shows they’ve played since the pandemic. Amy Talor is a ball of energy not standing still for a second patrolling every inch of the stage and beaming with ‘pinch me’ childlike enthusiasm that says fuck you to the haters and join me for those on board. I get that they’re not for everyone but their force is undeniable and I did think to myself that they won’t be playing these sized venues next time it’ll be the arenas of the circuit no doubt about it and they’re putting in the graft to make that happen as well.
Songs like ‘Security’ and ‘Knifey’ (which was a welcome change of pace) sit really well in the set alongside the tracks off the new album which they pretty much play in its entirety which is a bold move for any band and as headliners they have to play longer than forty-five minutes or do they?
I love their attitude but it does overshadow the songs and in Declan, they have a guy who seems to be of the school of Malcolm Young where it’s about the song and not the player. In Bryce Wilson and Kevin Romer, they have a rock-solid rhythm section that is tight and is driving this juggernaut onward and upwards. Standout tracks for me from the new record were ‘Pigs’ and by the time they hit ‘U Should Not Be Doing That’ and ‘Jerkin’, they were on fire and had the crowd eating out of the palm of their hands. they briefly left the stage before being returning with an olden yet golden ‘GFY’ which was charming before signing off with an impressive ‘Big Attraction’ finale of ‘Balaclava Boogie’ and they were gone.
All in all an impressive night’s work from Australia’s hottest property who are heading right for the top and there isn’t anything that is going to stop them. It’s been a pleasure seeing them go from strength to strength and hope they don’t change or lose that attitude and joie de vivre that has brought them this far. Good on ya you crazy potty-mouthed kids.
Author: Dom Daley
REBELLION FESTIVAL 2025 SET TO RETURN 7th – 10th OF AUGUST
AT THE WINTER GARDENS IN BLACKPOOL
PUBLIC IMAGE LIMITED CONFIRMED FOR HEADLINE SLOT ON SATURDAY AUGUST 9TH
THE POST PUNK LEGENDS RETURN TO THE FESTIVAL FOR THE FIRST TIME SINCE 2018
MORE INFO AND TICKETS AT REBELLIONFESTIVALS.COM
Rebellion Festival are excited to announce that post punk icons Public Image Limited will return to the event at its annual home at the Blackpool Winter Gardens in 2025. Having previously played the festival in 2012 and 2018, PiL are confirmed to headline on Saturday August 9th as part of their ‘This Is Not The Last Tour’ tour.
Led by former Sex Pistols frontman and punk originator John Lydon, PiL’s tour dates for 2025 come after Lydon thought the band might not tour again. His lifelong friend and manager, John Rambo Stevens passed away suddenly following the last PiL tour, in December 2023, soon after the death of Lydon’s wife, Nora, in April 2023. Lydon thought that might be the end of his touring days. However, he was overwhelmed by the love and support of fans when he undertook a spoken word tour of the UK in spring this year.
Lydon said: “I thought that might be it. After losing Nora, and Rambo, I couldn’t see a way through. I’d already committed to the spoken word tour, this spring, and I never let anyone down – I always stick to my word – so I had to do those dates.
“The thing is, people were so overwhelmingly positive, and they asked me to tour PiL again. With so many people asking and with the band meaning so much to them, I couldn’t just stay on my sofa and not tour – tempting though that obviously is.”
PiL are sure to treat Rebellion Festival to yet another captivating set from their vast back catalogue of classics and join an already stellar line up of punk and alternative icons and rising new talent at the fabled punk festival, set to return to the Blackpool Winter Gardens, August 7th – 10th 2025.
Bands and artists already confirmed include Peter Hook & The Light, Hugh Cornwell, The Selecter, Bad Manners, Ferocious Dog, Neville Staple From The Specials, HR from Bad Brains, Anti Nowhere League, DOA, Los Fastidios, Crux, Buster Shuffle, Down By Law, The Undertones, MDC, UK Subs, Snuff, The Exploited, Riskee & The Ridicule, Voodoo Glow Skulls, 999, Millencolin, Pegboy, Toxic Reasons and many more.
Rebellion Festival 2025 is already hotting up to be one not to miss!
Head to www.rebellionfestivals.com for more information and updates.
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PAYMENT PLANS – Get your weekend ticket in October or November with our subscription plan, giving you 8 monthly instalments of just £28.75
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On November 15th The Silverlites proudly release their self-titled debut album on Sunyata Records distributed by Sony Music.
You might think so what who are these new kids on the block? Well, They might be a new band but wet behind the ears they most certainly are not. In the great traditions of a supergroup, This quartet includes Peter Buck (R.E.M.), Rich Robinson (The Black Crowes), Barrett Martin (Screaming Trees and Mad Season) and Joseph Arthur, a singer-songwriter who was first discovered by Peter Gabriel.
You’re gently eased into the world of Silverlites with ‘Still Don’t Know You’ which in a predominantly acoustic affair before the cool tones of an electric guitar fall in like rainfall on a misty evening. Sitting comfortably? ‘Forever And A Day’ has a dreamy Bowie-esk feel to it as it drifts in on a cool shuffle courtesy of Barrett Martin. Putting the supreme relaxed structure of the music as the interplay of the electric and acoustic guitars takes hold of the earworm that’s settling in nicely maybe its Arthurs vocals that are soothing and sounding like a hushed Scott Weiland to my ears.
The gentle laid back mood continues until the first single chimes in with a cool swagger, ‘Don’t Go Don’t Stay’ is the work of a band comfortable in their own skin who need to prove nothing and can therefore concentrate on making the best music they can together as a band. Excellent single and song that showcases their individual talents and their collective cool.
The Silverlites initial spark happened in 2015, when Barrett and Rich played together in the backing band for a tribute to Led Zeppelin guitarist, Jimmy Page. 4 years later, in 2019, Rich called Barrett to see if he was interested in assembling a new band that could create equally adventurous music. That’s when Barrett called Peter Buck, a long-time friend and collaborator, and Peter called Joseph Arthur, whom Peter had also worked with. The Silverlites debut album was recorded during the pandemic years between 2019-2021 in a series of recording stages.
It began with Barrett recording Rich and Peter in a hotel room in Nashville when they took out their acoustic guitars to write the initial songs. Barrett literally ran down to the local music store, bought a portable recording rig, set it up in the hotel room, and started recording these initial basic tracks. The following year, in 2020, the band recorded overdubs and vocal arrangements from the Nashville sessions, and they also recorded a few more new songs at Jack Endino’s studio in Seattle, WA. Barrett then collected, organized, and edited all the final overdubs and prepared 18 songs for mixing.
Final mixing happened in New York City in the summer of 2021 with Barrett, Joe, and mixing engineer Daniel Sanint. When it came time to sequence this huge initial offering, the band had differing opinions, so Barrett sent the mixes to his former bandmate, Mark Lanegan, singer of the Screaming Trees. Mark loved the songs so much that he offered to create the sequence you now hear, which includes the 12 song album, and a 6 song EP.
The album was delayed for release because of everyone’s incredibly busy touring schedules post-pandemic, but now the album is ready to be heard by everyone. The band has decided to release 2 singles in early October and early November, and then the full album will be released on November 15th, followed by the additional 6 song EP in March of 2025.
You can see why they broke the flow of the songs into the EP and the 12-track LP. It’s a lot of music to get through and the beauty of these supergroup projects is to create something that is outside of their wheelhouse I guess and that is certainly achieved here. There are times I’m thinking of Neil Young with the keys and acoustic combinations but the laid-back restrained percussive drums take it somewhere different, especially on the excellent ‘No Time’ and the countrified ‘Dark And Magic Skies’. The production is massive and adds a grande and confident feel to the songs and songs like ‘Looking For A Friend’ it’s easy to see how Mark Lanigan was so impressed and wanted to be involved in some capacity.
The penultimate track on the LP is ‘No More’ which is the loudest track on offer and a nice contrast to the more laid back acoustic stuff. This will have intrigue and appeal to fans of their day job bands for sure and some will love it whilst others not so much but isn’t that the beauty of creating music? Me, I find it really impressive and very enjoyable now where did I leave those Josticks and my paisley rug? Catch you later you crazy kids, peace out!
The CD will be released with six more songs on January 10th.
The Party Punk Darlings of Madrid, AmyJo Doh & The Spangles, release their new album, Spangle Landia, through Strap Originals on Friday 8th November on Red Vinyl, CD and digital download. It is available to order Here. A new single, Rock n’ Roll, is released the same day.
AmyJo Doh says of Rock n’ Roll: “This was originally called ‘Despedida Rock N Roll’… for me personally this is a goodbye to the past. The old fears and shadows and the parts of that person that no longer serve us. Whatever you are saying goodbye to, let’s give them a good squeeze, thank them for the lessons learned and then kiss them goodbye! No hard feelings! Just a lot of love, and of course…. A lotta LOTTA rock and roll!”
The video for Rock n’ Roll, directed by Pablo Lopez, is a performance video with the song’s narrative brought to life by Spanish actress Raquel Saiz. Rock n’ Roll is the second single along with Arise to be lifted from the album.
In true Spangle style, the album brings together various EPs and members of the extended Spangle family, yet the energy and message remain coherent. It’s an eclectic mix of great songs which explore themes of love, rebellion, personal freedom, …and Jamón. The band remains unapologetically versatile. As AmyJo says, “Punk is not a musical style, it’s an attitude…..Every song is a universe in its own right.”
AmyJo Doh & The Spangles have toured with The Libertines and Peter Doherty and will be announcing tour dates and festival appearances shortly. In the meantime, they will be playing the following shows in Spain:
NOVEMBER
16th Madrid – Vermut en FunHouse
DECEMBER
13th Madrid – Sala Siroco
FEBRUARY
20th Madrid – La Corriente
MARCH
1st Zaragoza – Sala Creedence
21st Valencia – Sala Black Note
AmyJo Doh & The Spangles were formed in 2016 and inhabiting the beautiful, sometimes grubby streets of Madrid, they have quickly become a force to be reckoned within the underground scene. Led by the dynamic AmyJo Doherty, Peter Doherty’s older and on occasions, wiser sister, they released their debut album, Calle de Spangles, in 2018 and have since carved out a unique space for themselves with their eclectic sound and captivating stage presence. AmyJo’s music is an exciting blend of punk, rock, and indie, infused with her distinctive voice and powerful lyrics.
AmyJo Doh & The Spangles’ message is a joyful one and they want to share it live and LOUD! So, listen to the album, buy it, sing it, and share it; but whatever you do, don’t miss their show when it comes to town. It’s an experience you won’t want to miss.
The Spangles are: AmyJo Doherty (vocals) David Lancho (guitar) German Moderno (bass) Matty Tyack (drums)
“There ain’t no future, Halle-fuckin-lujah!” Spits Ally Dickaty two songs into the magnificent new opus from Macclesfield duo The Virginmarys. That diatribe sums up the frustration, the anger and the pent-up aggression of not just a small-town northern band, but the collective of a whole generation who face an uncertain future in 2024.
Right now feels like a time where bands with something to say will shine. Rubbing shoulders with the likes of Ren, Delilah Bon and Bob Vylan, The Virginmarys join a whole host of artists who are pissed off and shouting from the rooftops social/political commentary, tackling the subject paths others fear to tread.
For a band who came close to throwing in the towel a few years back, The Virginmarys sound invigorated and ready to take on the world with ‘The House Beyond the Fires’, their fourth album, produced by Ally and go-to-guy Dave Draper.
The picked chords and sweeping strings of cinematic opener ‘White Knuckle Ride’ creates atmosphere in the same way ‘Ends Don’t Mend’ closed the debut album ‘King Of Conflict’ over a decade ago. Intentionally or not, maybe The Virginmarys have come full circle in that time? Sonically at least the duo retain all the fire and energy of a band on their first record. The big riffs, melodies and powerhouse beats remain as solid as the friendship of singer/guitarist Ally Dickaty and drummer Danny Dolan.
‘The House Beyond the Fires’ is a viscous snarling beast from beginning to end. The singles released in the lead up shine strong on first listen. ‘Northwest Coast’ with its stabbing power chords and bombastic drums is full of northern grit and bleak desperation, like a band teetering on the edge, pulling the pin from a musical hand-grenade with their teeth. It’s glorious.
Second single and second track on the album ‘There Ain’t No Future’ is quite possibly the best rock song of the year. If MTV was still a music channel, that striking video would be on heavy rotation, it’s a song that should be a standard on rock radio right now. Punchy as fuck, both lyrically and musically. And most recently ‘When The Light’s Go Down’, with its hi hat count and crunchy riff is about as AC/DC as you get in 2024, but the infectious melody and songwriting suss of Ally takes it to a different place entirely. The duo weave their sonic tapestry to great effect, creating dark atmospheres with urgent rhythms, effect-ridden guitars and clever use of space.
Elsewhere, ‘You’re A Killer’ is dark and edgy, punky goodness, ‘Trippin’ New York City’ is a funky curveball with killer dynamics and guitars that are sloppy as fuck, right up my street.
The intensity builds song after song culminating mid-album with the acerbic ‘Lies Lies Lies’ a brutal assault on the senses that just makes you wanna turn it up and turn it on.
Ally is one of those songwriters that has a knack of creating imagery in his songs and putting you in a certain mind frame, ‘Where Are You Now’ is a tune that does just that. The loud/quiet/loud formula is delivered with passion, emotion and angst in equal measures. The epic ‘Dance To The City’ then veers towards Trail Of Dead territory, before closer ‘Urban Seagull’ throws one last curveball.
‘The House Beyond The Fires’ is dedicated to Danny’s father Tommy who passed away last year. He was a big inspiration to Ally in his songwriting and the boys have done him proud.
Equal parts emotive and raging, passionate and powerful, The Virginmarys have delivered a masterpiece with ‘The House Beyond The Fires’. A modern rock record that is up there with the best albums this year. Essential listening.
Buy Here
Author: Ben Hughes
Bristol Punk Rock ‘n Rollers Split Dogs hit back with new single ‘Precious Stones’ out now via Venn Records
New album ‘Here To Destroy’ set for release on February 28th 2025 – pre-order HERE:
Listen/Buy HERE:
Rock’n’roll revivalists Split Dogs are doing things the old way and the best way. This is not a band content to sit behind laptop screens, fifteen second viral videos or digital marketing campaigns to spread their noise. No, Split Dogs are true road warriors, almost physically incapable of turning down a gig, they’ve spent the last few months playing every conceivable stage, space and venue to spread the word as they approach the release of their second album ‘Here To Destroy’, due for release February 28th via Venn Records.
And it’s working. The reputation for their own firebrand of frenzied, high-voltage rock ‘n’ roll is spreading fast and wide throughout the punk rock community and beyond and Split Dogs gigs are fast becoming eagerly anticipated events.
Today, the band follow previous singles ‘And What?’ and ‘Monster Truck’ with a brand new two-minute killer titled ‘Precious Stones.’
“The song shines a spotlight on the people that imply false authority in society based on their job title or financial position,” explains guitarist Mil Martinez. “From the obvious traffic wardens all the way up to entitled yoga instructors, nothing burns worse than being falsely reprimanded by another adult so they can attempt to assume dominance over you.”
Musically ‘Precious Stones’ drives along at a storming rate, building in power as it progresses, with singer Harry Atkins the architect of the intensity. The accompanying video conveys just that. Focused solely on Harry’s face, it’s an unflinching, uncompromising experience.
“The precious stones video was all about intensity, and hard intent,” continues Mil. “There’s no escape, feeling like it’s just you in the room and Harry has you cornered. Relentlessly demanding that you answer the question ‘why does it burn?’
Born from the frustration of seeing music become commodified and soulless, vocalist Harry Atkins and guitarist Mil Martinez had the idea to form a band as far back as 2015, with the name ‘Split Dogs’ pulled from the classic zombie film ‘Return of the Living Dead’.
In South London, a young Martinez would hear Status Quo, Bachman Turner Overdrive and Dire Straits on the car radio while his father drove him to school. At home he would invade his older brothers’ record collection which leaned towards the harder sounds of punk and heavy metal. Meanwhile in the Black Country, Harry’s mother instilled a love of Northern Soul, Slade and rock’n’roll, with stories of nights out at Club Lafayette and family singalongs at home. According to Martinez, “Our sound is a culmination of all those early influences and, to be honest, it really shows.”
It wasn’t until 2022 that Split Dogs officially arrived on the scene with bass player Suez Boyle joining the band in 2023. Already a prominent figure in the queer punk scene, Suez played the first ever Rebellion Festival at the tender age of 16 with her band The Walking Abortions. Up until that point, drummer Chris Hugall, an old friend of Martinez and former member of ska punks Mouthwash (signed to Rancid’s label Hellcat back in the day), was only on hand to help design artwork. It wasn’t until 2024 Hugall joined the band full-time cementing the current line-up.
The raucous live shows and infectious lyrics saw the four-piece make a name for themselves among the punks of Bristol, a scene that has always welcomed LGBTQ+ and marginalised people. As word spread, so did the gigging, and soon enough Split Dogs were playing to sold out rooms in mainland Europe, eventually grabbing the attention of UK label Venn Records (Gallows, Bob Vylan, High Vis).
‘Here to Destroy’ was recorded over three days at Middle Farm Studios by producer Peter Miles. All tracks were laid straight to a 16-track reel-to-reel tape machine, no autotune, no effects pedals, no computers. To add to the music’s authenticity, the album was recorded live, with Harry singing along in a vocal booth. No cutting and pasting, just nailing takes. According to Martinez, “It was a blast! We fully immersed ourselves, sleeping in a small apartment below the studio, cooking meals and listening to Pete’s extensive record collection”.
As the album title makes clear, Split Dogs are here to destroy, but they’re also here to rebuild and remind us of music’s essence. “We’re not beholden to the digital age, we don’t want to get famous on social media, we just want to show the world that rock’n’roll is alive and well”.
Split Dogs are:
Harry Atkins – vocals (they/them)
Mil Martinez – guitar (he/him)
Chris Hugall – drums (he/him)
Suez Boyle – bass (she/her)
Catch Split Dogs live at the following dates:
05/11 Exchange Bristol w/Zeke
06/11 Water Rats, London w/Desperate Measures
16/11 Phoenix, Exeter w/Sham 69
6/12 Railway inn, Redditch
7/12 Workman’s Cellar, Dublin
20/12 King Arther, Glastonbury
21/12 Cavern, Exeter w/GBH
29/12 Electric Bar, Bath
2025
11/01 100 Club, w/GBH
12/01 Con Club, Lewes w/Subhumans
26/02 The Hug and Pint, Glasgow
27/02 Gullivers, Manchester
28/02 Billy Bootleggers, Nottingham
01/03 The Grace, London
02/03 Daltons, Brighton
07/03 Rough Trade, Bristol
18/03 Supersonic, Paris
20/03 Café Central, Bruxelles
21/03 La Zone, Liége
22/03 Café The Jack, Eindhoven
23/03 Poppodium Volt, Sittard
9-12/07 2000 Trees Festival
Find Split Dogs online HERE:
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