New DWARVES LP drops JUNE 5! Hello, are you paying attention? ‘The JENKEM’ album harkens back to the hard, fast sound of the ‘Blood, Guts & Pussy’ era DWARVES! Thirteen short, sharp bursts of madness, and one mid-tempo classic to rope in the masses. Look for an avalanche of cool live and animated videos and a slew of cool 7″s! Get them all signed at thedwarves.com
Well, we’re a few months into a new year, and there’s already been plenty of quality new music, but I think there’s a big contender for album of the year already, up step Isle Of Wight finest the brilliant Grade 2 with the excellent ‘Talk About It’
This 3 piece are going from strength to strength and just keep getting better with every album. Being well into over a decade of making music from the earlier Oi! And Street Punk influence Grade 2 are now fully cementing themselves as one of the UK’s finest melodic high-energy punk rockers.
Sid (Vocals/Bass), Jack (Guitar/Vocals) and Jacob (Drums) are certainly honing their craft, and since singing to legendary Rancid frontman Tim Armstrong label Hellcat Records a few albums ago, they just keep stepping it up a notch. I could give lots more superlatives, but let’s get down to it, the new album.
First up we get one of the singles ahead of the release and it’s a banger ‘Cut Throat’ starts with guitar feedback and you immediately sense this is going to be aggressive and in your face and that it is, a opening guitar lick that will be stuck in your head and a brilliant and prominent bass line throughout that Matt Freeman would be proud of. This sounds huge and brilliantly produced, these boys aren’t messing about here with the message being even in this Cut Throat world, Grade 2 are here to stay.
Next up, we have the insanely catchy ‘Hanging On To You’ which showcases both Jack and Sid exchanging vocals on the verses, and with a chorus, I dare you to try not to sing along to.
‘Standing In The Downpour’ will surely have audiences bouncing up and down on the band’s current UK and European tour. I’ve had a smile on my face every time I’ve heard it, it took a few listens to notice, but when the chorus kicks in, I’m sure fans of The Clash will also have that same grin as well.
‘Better Today’ is up next and has a great message for anyone who’s struggling in this world, be it with mental health or loneliness. Speak to people, you are not alone, this is euphoric stuff.
Title track ‘Talk About It’ comes in close to the halfway mark and is my personal highlight, with a brilliant opening riff that bursts into a “Nah Nah Nah” right out of the Lars Frederiksen playbook, with the surprise of piano playing throughout, this 2:37 song will have everyone pogoing around the room, no doubt about it.
‘Don’t Worry About Me’ lyrically is brilliant and is a middle finger to the naysayers and people who try to push in certain directions. “I mean everything I say, I’m doing it my way, I never need anyone to validate me, so don’t worry about me”.
We’re getting deep into the album now and the next three songs “Crash And Burn”, “Smugglers Haven” and “Rotten” show off how tight this band have become, Jacob the man with the sticks keeps the pace up throughout and Sid’s bass-lines are right up front in the mix and of course there’s some monster riffs in here from Jack and some great vocal exchanges, this is like going back to the Rancid classic 2000 album and that’s a big compliment.
And to finish this superb album, we get a double salvo of the dark, brooding atmosphere of ‘Wasteland’, which tackles the dying towns and cities of the UK, whether it’s the Isle of Wight or the country in general, it’s very apt. The writing is on the wall indeed. This is followed by the light at the end of the tunnel, the excellent ‘Otherside’, which is a song full of hope and looking forward, not backwards, overcoming difficulties. Grade 2 have made it through to the other side and is exactly where they should be!!!!
There we have it, ladies and Gentlemen, 11 songs, 25 minutes, and we have one of the albums of the year with Grade2 and ‘Talk About It’. Once this album is in your head, it will be on repeat. Catch them on their current tour and buy yourself a copy, it’s an absolute banger.
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Author: Christian Davies
The Digressions may well be on hiatus, The Role Models done and dusted, and The Loyalties a distant memory, but our favourite Canadian-born singer/songwriter who resides on this side of the pond is far from done with rock n’ roll.
Yes, Rich Ragany (Rags to those in the know) has roped in his friend and former Hanoi Rocks/current Michael Monroe bassist Sami Yaffa for a new project. Bringing along longtime drummer Simon Maxwell for the ride, they retreated to Sami’s studio in Spain to bash out a few tunes Rags had on the back burner. Something clicked, the stars aligned, and before you know it, they had an album in the bag, and The Sideshows were born.
Fast forward to 2026, and the power pop trio unleash their debut, self-titled album on an unsuspecting world.
If you are at all familiar with Rich’s past work, then you’ll be pleased to know The Sideshows don’t stray too far from that musical path. Opener and first single ‘Brand New’ feels like a statement of intent from the off. A low-slung, high-energy rocker full of Stiv Bators attitude and 70’s garage rock power. With hooks aplenty, killer vocals and pumping bass driving a song that delivers on all levels, it’s a fine start.
The sound of Rich’s influences is all over this album. The Replacements, Tom Petty and Johnny Thunders all come to mind, and that ain’t a bad place to be in my book. In fact, I’m sure Paul Westerberg would be proud to have written ‘Not Sorry’. Tribal beats and sloppy guitars build to an almost apprehensive verse onto a chorus with a hook you just don’t expect. It’s a great song.
The punkier ‘Our Love In The Shadows’ follows a familiar path, with a feel-good chorus that creates euphoria on first listen and demands the repeat button. A strong song for sure. ‘Rock n Roll Owes Me An Apology’ rounds off Side One nicely, rocking the fuck out with nice ringing guitars and no apologies.
Dropping the virtual needle on Side Two, we have ‘Say Goodbye On A Night Like This’. That may sound like a Bryan Adams song title, but it’s actually a power pop gem of a song. Urgent beats and a killer chorus are the order of the day, and The Sideshows keep the interest high, delivering heartfelt, anthemic and melodic in equal measures. I feel a theme going on with this band. Are you on board yet?
The flipside of the debut single is the more reflective and introspective ‘The Start’, a song that hits in the feels and is up there with the best of Rich’s discography. As with the following ‘This Could Be Everything’, the band create an early Hanoi vibe, emotive and haunting yet with added Billy Idol sneer thrown in for good measure.
The production, handled by Messrs Ragany & Yaffa, gives a very raw, live in the studio feel which lends itself well, especially to the rockers, like album closer ‘We’re Such A Shame’, an in yer face delivery which is surely gonna be a blast to witness live.
Whether it’s with one of his many past bands or as a solo artist, Rich Ragany has always impressed with his ability to deliver heartfelt songs that are uplifting, introspective and will simply brighten your day. ‘The Sideshows’ is another of those albums that delivers, and with the added attraction of the legendary Sami Yaffa on bass duties, it may open this troubadour’s songwriting talents to a whole new audience of fans that love real music played by real musicians who still have a story to tell and a song to share.
Here’s hoping this is the start of a band with an illustrious career, as this self-titled debut is a bit of a banger.
Digital Link Here
Author: Ben Hughes
DEAD PIONEERS ANNOUNCE NEW ALBUM ‘WAGON BURNER’ TO BE RELEASED JUNE 26TH VIA HASSLE RECORDS
PRE-ORDER HERE
NOW CONFIRMED TO PLAY THEIR FIRST UK FESTIVAL APPEARANCE AT 2000 TREES IN JULY
“No kings, No masters / Kick against fascist bastards”
Following their packed-out first EU and UK headline tour last month, Dead Pioneers, the Indigenous fronted band from Denver, are now preparing to unleash their third album ‘Wagon Burner’, set for release June 26th via Hassle Records.
Succeeding the album’s first statement with the initial single ‘Nazi Teeth’, a powerful attack on the upsurge of the far right and white supremacists, Dead Pioneers are back with a second single ‘No Kings’, which delivers an equally powerful punch to right-wing politics.
“Last summer, there were protests all over the United States called ‘No Kings’, in opposition of the current administration, the policies they’ve been implementing, and the rights they’ve been taking away from citizens,” explains frontman Gregg Deal. “While the issues are obvious, it’s important that we all say it out loud. It’s important that we show up and make our opinions known, that we won’t allow our inherent rights to be trampled upon for the benefit of the Epstein Class.
“Not unlike ‘Nazi Teeth’, ‘No Kings’ is meant to bring the points home,” he continues. “ICE, rights being taken away, mass shootings, greed over life, demonising immigrants, black, brown and queer people, widened economic gaps by the Epstein class, and the sincere frustration Americans feel over this. While this is happening, we realise that the right-wing politics coming out of the United States is emboldening conservative right-wing politics all over the world. We are against dictators, authoritarian regimes, Nazis, fascism or any other power structure, political, social or otherwise that seeks to take away the rights, freedoms or lives of human beings trying to live their lives. To that, we keep it simple: NO KINGS.”
Dead Pioneers is rooted in a 2020 piece called The Punk Pan-Indian Romantic Comedy, a deeply personal work that dealt with Deal’s upbringing. Following an embryonic performance of the piece, Deal secured a grant to expand it to include music created especially for the work. “The idea was to mix spoken word with punk music,” explains Deal, who hooked up with drummer Shane Zweygardt and guitarist Joshua Rivers during lockdown and began kicking the concept around.
A miraculous, natural chemistry made this supposed one-off project an actual band almost as soon as they cut what became their 2023 eponymous debut album (“We approached it like I approach my visual art: execute quickly, first thought is best thought,” Deal says), but they didn’t necessarily take it seriously until, unexpectedly, the outside world did. “I was like, we’ve made this record – what should I do with it? Put it online?” Deal remembers. The response was vigorously positive, and soon came demands to commit this noise to vinyl. A first thousand-copy pressing sold out in minutes. “So, then we pressed another thousand,” he adds, still marvelling at it all. “And then they were gone, too.”
What followed was “a series of strange accidents” that led to the group signing to Hassle, befriending Jello Biafra and touring with kindred spirits like Pennywise, Propaghandi, and even Pearl Jam. “Punk-rock had made everything seem so accessible when I was a kid,” says Deal. “Like, simply having the balls to get up on stage and stage dive and then be carried off by people that become your best friends once they get your feet back on the ground.” Now, punk-rock was reaching out its hands to Dead Pioneers and pulling them onto larger and larger stages. The group returned that favour by simply getting better and better: their second album, 2025’s PO$T AMERICAN, was sharper, angrier, funnier than the debut, a riot riveted with punch-a-Nazi thrills.
And now, Wagon Burner, their fearsome third album. Described by Deal as “more collaborative”, it’s a heavier, harder but also more accessible set, vicious hooks scattered among the punk-rock melee and guest appearances by kindred spirits Cheap Perfume (on the righteous ‘Nazi Teeth’), The Interrupters (on the shout-a-long anthem ‘Never Alone’) and, bringing it back to the group’s beginnings, Sleaford Mods (on the searing slow-burn of ‘The Worst Among Us’). The world might be darkening by the day, but Dead Pioneers are rising to that miserable occasion, casting their empowering light into the gloom.
Pre-order ‘Wagon Burner’ HERE
Co-produced by Dead Pioneers and Chris Beeble.
Recorded at The Blasting Room in Fort Collins, Colorado.
Dead Pioneers are:
Gregg Deal – vocals
Josh Rivera – guitar
Abe Brennan – guitar
Lee Tesche – bass
Shane Zweygardt – drums
See Dead Pioneers at the following dates in the UK and EU.
July
8 – IE Róisín Dubh, Galway
9 – IE The Workman’s Club, Dublin
11 – UK 2000 Trees Festival
16 – DE Back To The Future Festival
17 – DE Adieu Tristesse Festival
18 – DE Seepogo Festival
Find Dead Pioneers online HERE:
Band Consists of Greg Norton (Hüsker Dü), Derek O’Brien (Social Distortion, Agent Orange, Adolescents) and Ryan Smith (Soul Asylum)
Ultrabomb have unveiled the music video for their latest single “no cap,” a melodic, driving anthem that balances urgency with hook-heavy punch. The track is the latest preview from their forthcoming full-length album The Bridges That We Burn, due May 1, 2026 via DC-Jam Records / Virgin Music Group.
Built on soaring guitar lines, driving rhythms, and a chorus that hits with clarity and conviction, “no cap” showcases Ultrabomb’s ability to fuse melody with muscle. The song channels frustration with the modern noise cycle into something focused and forward-looking — less about shouting over the chaos and more about cutting through it.
“There is a lot of noise to keep us distracted. Everyone has an opinion, informed, and not informed. I’m at capacity with all the bs, let’s start real conversations.” — Greg Norton
Ultrabomb brings together underground legends and alternative stalwarts:
Together, the trio channel decades of punk and alternative rock history into music that feels immediate and relevant rather than retrospective. Melody and momentum move in lockstep — sharp, anthemic, and emotionally direct.
As Magnet observed, Ultrabomb delivers “a swift blow to the sternum that harnesses both the speedy energy of Norton’s early Minneapolis days and the ragged hard-rock sensibility of Twin Tone-era Soul Asylum.”
The Bridges That We Burn was recorded at Creation Audio in Minneapolis and produced, engineered, and mixed by John Fields, with mastering by Justin Perkins (Mystery Room Mastering). The album broadens the band’s dynamic range while maintaining the tight, high-impact songwriting that defines Ultrabomb.
With “no cap,” Ultrabomb prove that conviction doesn’t require chaos — just clarity, melody, and the willingness to say what matters.
Follow ULTRABOMB
https://linktr.ee/ultrabomb
Label
DC-Jam Records / Virgin Music Group
www.dcjamrecords.com
New Album ‘Talk About It’ Out April 3 via Hellcat Records
EU / UK Tour Dates Confirmed
Grade 2 share new single “Better Today”, a track that explores the impact depression can have on relationships and the fragile process of recovery. The song contrasts the experience of hitting rock bottom with a more hopeful present, capturing both accountability and progress.
Guitarist Jack Chatfield explains:
“Better Today talks about the damage that depression can have on a relationship. It contrasts between the recent past of being at rock bottom to a now hopeful present.”
Listen to “Better Today” HERE.
The single is taken from the band’s fourth album Talk About It,setfor release on April 3rd viaHellcat Records. Over twelve years since forming as schoolmates, bassist Sid Ryan, guitarist Jack Chatfield, and drummer Jacob Hull reflect on growth, resilience, and the realities of life on and off the road.
Talk About It captures a defining chapter of growth for the band — shaped by touring through uncertainty, navigating relationships at home while building momentum on international stages, and channeling personal struggles into direct, honest songwriting. From festival appearances to sharing stages with longtime heroes, Grade 2 turn experience into urgency and reflection into songs built on grit and melody.
The album stands as a statement of survival and evolution — raw, focused, and forward-looking.
Grade 2 will hit the road in support of the new album, with UK dates kicking off at the end of the month before continuing across Europe throughout spring and early summer. The run spans Ireland, the UK, mainland Europe, and festival appearances, marking one of their most extensive touring periods to date. Please see below for the full list of dates. The tickets are available via the band’s Website.
Tracklisting – Talk About It
Grade 2 – 2026 Tour Dates
20.03 | The Deers Head | Belfast
21.03 | Lost Lane | Dublin
28.03 | The Bodega Social Club | Nottingham
29.03 | The Key Club | Leeds
30.03 | The Deaf Institute | Manchester
31.03 | The Garage Attic | Glasgow
01.04 | Exchange | Bristol
03.04 | O2 Academy Islington | London
04.04 | Strings | Isle Of Wight
25.04 | Zakk | Dusseldorf, Germany
26.04 | Don’t Panic | Essen, Germany
27.04 | Hansa39 | Munich, Germany
29.04 | Arena Wein | Vienna, Austria
30.04 | F-Haus | Jena, Germany
01.05 | BETA Club | Copenhagen, Denmark
02.05 | Bahnhof Pauli | Hamburg, Germany
03.05 | Mikropol | Berlin, Germany
06.05 | Paradiso | Amsterdam, Netherlands
07.05 | Hall Of Fame | Tilburg, Netherlands
18.06 | Graspop Metal Meeting | Belgium
20.06 | Letzigrund Stadium | Zurich, Switzerland
For more information:
SICK SHOOTERS are a brand new four-piece garage rock ’n roll band from Utrecht, The Netherlands.The band members, all in their early 20’s, have already been battle-hardened by their experience playing in local punk bands like No Brains, Spurn and Ultragoblin.
This time, they decided to kill a punk for rock ’n roll and start a new band. SICK SHOOTERS are now ready to release their debut album titled “SUPER SONIC ROCK SAGA”. Out March 19th on vinyl and digital through Wap Shoo Wap Records.
The catchiness of the songs, the raw production and the complete lack of a bass-guitar give vibes of 90’s garagepunk bands like The Reatards and The Oblivians and gets mixed with hints of 70’s powerpop in the vein of The Nerves sure these guys aren’t reinventing the whell more like they’re just keeping it spinning and writing the best songs they can
The result is 11 sharp time-honoured power poppin’ snotty Garage rockers with hooks-a-plenty, ranging from straight-up punk rock blasters ‘Evacuation’, ‘Never Comin’ Home’ to more traditional garage-rock anthems like ‘Heartbreaker Soulshaker’, ‘Supersonic Lovin’ and the power pop love songs ‘Sweet Telephone’ and ‘Daisy’. The thing that shines through is the band’s passion and love for what they do – they wear it on their cut-off sleeve and carry it off with aplomb.
With the rain beating down outside and me waiting for the spring and some sunshine until then Rock n Roll will have to see me through, and honest to god, rockers like Sick Shooters will most definitely do. Go get some kids fill yer winkle picker boots.
Buy Here
Author: Dom Daley
Bright, bold and unashamedly glam with punchy synths but caustic time changes adding some Crass to the party. This is the second album from Daemönik Fonce. The album is my first introduction to the band, and whilst it doesn’t shy away from the Big Bowie Glam rock, it has hooks, big chords, swirling keyboards and a dramatic edge. Look no further than ‘Speck’, there is a 70s feel to proceeding, no doubt about it.
Whilst there is a dream-like quality to some of the arrangements, it doesn’t always agree with me, but that’s ok. It also has a down-to-earth working-class feel to proceedings, and if one can’t dream big, then why dream at all? The quirky sound on ‘On The Skids’ is very 70s in spirit, reminding me of Roxy Music and various hits from the Top Og The Pops albums you’d pick up in the 70s.
At the heart of Daemönik Fonce are twins Paul Summers (guitar) and Stewart Summers (vocals), whose rock ’n’ roll journey stretches far beyond the band itself. Raised on Welsh anarcho-punk, they cut their teeth in Shrapnel before moving through Ten Benson and The Sharp Tongues. Alongside this, they’ve travelled the world looking after countless other bands, from escapades in Lemmy’s dressing room to bowling with Jack White – sometimes reality can be more absurd than fiction.
But the brothers aren’t the only ones raised from the sewers of rock + roll. Bassist Sam Mansbridge was a member of The Rumblestrips, Keyboards and vocals Hannah Edgren previously served with the magnificently named Tits of Death and latest recruit Andy Prestidge weaves his drumming between Warning, Osiris Club and Angel Witch. All bringing their distinct personalities to the Fonce cat-faced table.
Imagine your influences are Thin Lizzy, Bowie, Bolan, Roxy Music and then the Pistols, maybe the energy of Stiff Little Fingers, and the edgy John Cooper Clarke, now the challenge is to mix these influences together and make a cohesive album that might not always make sense but offers the listener a good time and one they want to hear again and again. I particularly like ‘Solar Man’. It’s retro and nostalgic, and the time changes and sound changes can be bonkers, but in a good way. Besides, who doesn’t like hearing a wailing saxophone in their Rock n Roll?
The record is perfectly summed up by describing ‘DFII’ as a band embracing who they are: thinkers disguised as glam rockers, punks grown older but not quieter, and storytellers still in love with the noise that made them. Amen to that, go check em out at the link.
Buy Here
Author: Dom Daley
Led by Ukrainian-born singer/songwriter Eugene Hütz, gypsy punk collective Gogol Bordello have been thrilling crowds on the world’s stages since the turn of the century with their high-energy, theatrical live shows and political manifestos. Here, they follow up their defiant 2022 album ‘Solidaritine’ with the more optimistic new long player ‘We Mean It, Man!’, bringing a new sound with the help of Nick Launay & Adam Greenspan, who have produced such luminaries as Nick Cave, Amyl & The Sniffers and Idles.
First impressions stick like glue, and this opus exudes cool from every pore. With its street art-inspired album cover, assertive title, and impressive opening track, ‘We Mean It, Man!’ is an album that shouts its arrival from the streets with a clenched fist. The opening title track is a definite call to arms. Musical carnage where punk riffage and tribal beats collide with vocoder vocals and crazy sax. A killer refrain makes it an intense, instant and memorable opener. Gogol Bordello sure do mean it…man!
Next, ‘Life Is Possible Again’ brings it down with NIN electronica, euro pop vibes and optimistic lyrical suss. Then, ‘No Time For Idiots’ blends traditional rustic instrumentation with modern production values, the verses sound like early Hanoi Rocks meets The Clash and build to a catchy chorus that seizes the moment and triumphs.
Of course, Eugene Hütz is at his best when he is spouting political diatribes and the band is going off on one. Cue ‘Hate Liquidator’; a song that follows a familiar Gogol shaped path with disco beats, gang vocals and gypsy punk-tinged goodness. Its sure to be a live favourite, this is glorious stuff indeed.
While the ghosts of The Clash and The Pogues are always prevalent, there is a very definite European vibe to Gogol Bordello’s sound that makes them hard to pigeonhole into one particular genre. Take the gloriously upbeat ‘From Boyarka To Boyaca’ featuring the artist Puzzled Panther. What even is it? It could be the sound of a Tarantino crime thriller set in a Spanish tapas bar, or maybe it’s the sound of The Clash if Strummer & Co had been brought up on the Eastern Bloc rather than the East End? Whatever it is, it works.
Euro pop is prevalent on the likes of ‘Ignition’ where they mix up killer melodies with accordion, fiddle, big beats and thumping bass. Elsewhere, ‘Crayons’ amps up the guitars to 11 with frantic indie beats and an attitude to match.
The closing ‘Solidarity’ is an emphatic love letter to the Ukrainian people from one of their own, delivered with the passion and sincerity you come to expect from our ringleader.
On ‘We Mean It, Man!’, Gogol Bordello continue to do what they do best. I feel their brand of frenetic, gypsy punk is best experienced in a live setting, or at least with a glass of something strong in your hand. But the production team have managed to capture the live feel of this band well. Yes, Hütz and his band preach a serious message, and in these troubled time,s we need protest songs more than ever, but Gogol Bordello are also here to have a good time and ‘We Mean It, Man!’ is a testament to that.
Buy Here
Author: Ben Hughes
First Album In 8 Years Out March 27th via Hellcat Records
European Festival Tour This Summer
punk stalwarts The Casualties announce ‘Detonate’, their first new album in eight years, out digitally on March 27th via Hellcat Records and on vinyl/CD on July 17th. On the new record, David Rodriguez (vocals), Marc “Meggers” Eggers (drums), Jake Kolatis (guitar) and Doug Wellmon (bass), reignite their rage and cement their status as one of punk’s most enduring and uncompromising acts.
The Casualties also share the lyric video to the blistering title track, a scathing hardcore-punk blast of fury and frustration, suggesting we should blow it all up and start anew. “It stems from being overloaded,” Meggerssays. “You feel like your head is about to explode, which I think is what everybody is feeling these days. You’re pounced on day by day with terrible news and social media, and you just feel like you’re going to snap.”
Pre-Order & Pre-Save The ‘Detonate’ Album Here
Politics. Hatred. Endless war. These are just a few of the reasons why the title of The Casualties’ new album is Detonate. Instead of tearing each other apart, The Casualties punch back at authorities and systems that seek to divide, taking the chance to promote unity and camaraderie to all who feel alienated by the cruel state of the world.
Kolatis adds, “There are continuous wars and internal political battles. Everybody’s tearing each other apart. Detonate is saying we’re tired of all this division. With this record, we have a chance to say something and promote some type of unity.”
Detonate is the second chapter in a new epoch for The Casualties. As their second album with Rodriguez at the mic, it solidifies the vocalist’s partnership with Meggers and Kolatis. “It’s like a new era for the band,” Meggers says. “It solidifies that Dave is here to stay.”
As the follow-up to 2018’s Written in Blood and their first record for Hellcat Records — the Epitaph subsidiary curated by Tim Armstrong of Rancid — Detonate sees this new version of The Casualties locking into place. “We were in the studio for Written in Blood about eight months after I joined,” Rodriguez says. “With this new record, we really grew together. For me, it’s the proud moment where we clicked the three Legos together.”
Amplifying the punk ethos that The Casualties have embodied since 1990, Detonate is a powerful installment in the band’s rich history as a voice for the voiceless. “I want people to feel empowered when they hear this record,” Rodriguez says. “I want them to feel like they have a voice. I want them to feel like they’re with like-minded people when they come to a Casualties show. They can be themselves and not watch the show but be part of the show—scream with us, jump off the stage. We want them to feel like they’re part of something.
The Casualties Tour Dates – Tickets On Sale HERE
Mar 29 – Scarborough, UK – Scarborough Punk Festival
Jun 6 – Wels, Austria – Sbäm Fest
Jun 12 – Hagen, Germany – Torgau Ain’t Like You Festival
Jun 20 – Doneztebe, Spain – Ehuneko Bat
Jun 26 – Rennes, FR – Superbowl of Hardcore
Jun 27 – Münster, Germany – Vainstream Rockfest
Jun 28 – Tábor, Czechia – Mighty Sounds Festival
July 10- Prölsdorf, Germany – Krach Am Bach
Jul 18 – Rowy, Poland – Festiwal Urwanych Filmów
Jul 25 – Hohenems, Austria – Speedfest
Jul 27 – Brasov, Romania – Rockstadt Extreme
Jul 30 – Argenta, Italy – DLB Festival
Jul 31 – Sant-maurice-de-gaurdans, FR – Sylak Open Air
Aug 6 – Jaroměř, Czech Republic – Brutal Assault
Aug 7 – Ancora, Portugal – Praia Sonic Blast
Aug 8 – Duffel, Belgium – Brakrock
Aug 11 – Tolmin, Slovenia – Punk Rock Holiday
Aug 15 – Carhaix-plouguer, FR – Motocultor Festival
Aug 20 – Loburg, DE – Spirit Festival
Aug 22 – Oostkamp, Belgium – Parkpop
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