Berlins PABST share video for ‘Skyline’ ahead of new album

Berlins PABST share video for ‘Skyline’ ahead of new album

Berlin power-trio PABST share video for new single Skyline and announce new album ‘Deuce Ex Machina’

Berlin power-trio Pabst are today sharing the video for brand-new single Skyline, a track that was born from their frustrations with living in a city that is being rapidly gentrified. In what they describe as a “post-grunge hymn” on which their rage is manifested in a muddy, fuzzed-out wall of distortion, they bemoan being priced out of their own town, and condemn homelessness, greed and profit. Pabst, being three of a dying breed of non-riches in their city, are watching the development of theirs and other cities in disbelief, with Skyline erupting into its hook, “This city is no place for losers like us.” The band explains further.

“Although more than half of the world’s population lives in cities (and the trend is rising), they seem to be becoming more and more hostile places as they increasingly develop into “locations”. Especially in Berlin, where we come from, we have noticed vast changes in this direction in recent years. High fluctuation determines the cityscape and the housing market, with more and more furnished apartments being built. If you want to live somewhere, you often have to compete with hundreds. Houses classified as dilapidated will be demolished or fully renovated (’cause otherwise the price will not rise).

Nobody who owns the apartments really lives in them: students live there who stay in the city for a comparatively short time, tourists stay there for whom the apartments are converted into holiday homes, and above all; for people who can afford it. Everyone else has to move out of the city to where it’s boring and cheap. You know that, it’s nothing new. And, of course, this affects not only living space, but also the rest of the infrastructure. Many clubs and other cultural venues have to close because their rental contracts are passed on to the highest bidder, or because of a few residents who seemingly realized too late that the city apartment is not a country house by the lake.”

After releasing the critically acclaimed debut album ‘Chlorine’, playing too many gigs to count, supporting the likes of Bob Mould (Hüsker Dü) and Kadavar on tour – as well as making over 30 festival appearances in 2019 alone – Pabst return in 2020 with the announcement of their new album Deuce Ex Machina for release June 19. Lead single Ibuprofen was accompanied by visuals reminiscent of classic ’90s MTV music videos with pastel-grunge scenes, directed by Constantin Timm. Watch Ibuprofen HERE.

Pre-save / Pre-order the album HERE.

The Damned – ‘Fiendish Shadows’ (Cleapatra Records)

The Damned – ‘Fiendish Shadows’ (Cleapatra Records)

This fully restored and expanded set from Woolwich Coronet This 2020 version has been newly remastered and includes several tracks that were left off the original release! Includes all-new artwork with full liner notes and a personal message from drummer Rat Scabies !

Available on both digipak CD and a 2LP vinyl set in your choice of either RED or BLUE vinyl! I had this when it first came out many moons ago and loved it.  It captured the band at the time perfectly.  whilst they might have been at a commercial career-high the studio albums were a bit beige around the time of MCA but live they still had it and that tour was a blaze of fun.

Expanded to nineteen tracks this is well worth tracking down and getting hold of from the opening keyboards of ‘Curtain Call’ they were on fire. The quality of the recording is good as well not overdubbed nor flat this is a picture of a band living it large and doing it well. As you would expect there is a decent smattering of tracks from ‘Phantasmagoria’ and ‘Shadow Of Love’ particularly sound great. As does the much-maligned ‘Grimly Fiendish’ that I quite enjoy hearing live these days and back in the day or the mid-’80s to be precise it was quite a departure. It seems odd to hear tracks like ‘There’ll Come A Day’ played so fast and full of energy. that tour with The Fuzztones was exceptional and I have such fond memories of Cardiff New Ocean Club.

‘Gun Fury’ makes me smile as does the version of ‘Lust For Life’ 1985 seems like yesterday but its also so long ago.  when the Damned could have been and should have been we are left nuggets of pure Gold like this recording to remind us that it doesn’t matter what happened commercially because they were always the best and still are capable of amazing shows and the odd record that ignites a fire inside my heart and it seems odd to hear them end the set with a one two of ‘Disco Man’ Val Doonigan style followed by a rip-roaring slash of ‘Born To Kill’  If only all bands were this good.  Don’t think twice just buy it and revel in it. Fiendishly good!

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Author: Dom Daley

Dystophian Future  Movies-‘Inviolate’ (Lasairfhíona Records)

Dystophian Future  Movies-‘Inviolate’ (Lasairfhíona Records)

Just over two years ago, snowed in and listening to new sounds I had a link bounced over to me by Pity my Brain’s main man Jamie Richards, that stopped me in my tracks, the LP was called Time the band was called Dystopian Future Movies. Looking into the background after duly ordering said LP I found that the band’s mainstays were Bill Fisher & Caroline Cawley from the rather tasty Church of the Cosmic Skull (If you haven’t discovered them yet I suggest you get a shift on!!).

For this album Bill and Caroline are joined in the band, by Guitarist, Rafe Dunn and Bassist Oisin O’Doherty. The rather stunning artwork comes from an image of an abandoned Tuberculosis Sanitorium in Caroline’s native Ireland.

Dark indeed and that’s where I want to start this review, opener “Countenance”, eases it’s way out of the speakers, at times Intense, at times sparse, leading with a dark brooding sense of decay, Caroline’s vocals adding an almost otherworldly ethereal feels. Being honest if you try and pitch a particular style of genre, you’d be wrong! Taking a stab I’d say post-Industrial at times? Highlighting a time in the future, where dark paths have been taken. There’s an underlying dread, but maybe a sense of hope?

Moving on next up “wreckage” draws you in, the discordant acoustic lead demanding attention before the vocals lift it up a gear you start to get the feel of a story being played out musically, the counterpoint vocals giving it a depth before we’re drawn into an industrial-style framework, with Bills drumming starting to become incessant, demanding almost. Before we get lost in the wreckage we’re moved forward into “Rules” almost a taking stock of what’s happening, vocally this is a powerful performance, the voice setting the tone for the at times sparse orchestration that eventually pulls you upwards and into the story unfolding. “All the Light” is a coming to terms song what’s come before and a movement away from where we’ve been. Again the vocals lead over a discordant, sparse musical background drawing you indefinitely less is more giving this track both an intensity and fragility. This fragility comes to the fore within next track “Kathleen”, a real stand out.

Moving or easing forward into “Black cloaked” and we’re drawn back into a haunted past, unable to break free from what we’ve experienced, this is a seriously good track and really pins you back, probably the most intense on the album, distorted, discordant and driving in equal measures. Before we’ve come to terms with what we’ve heard we come to a conclusion with “Ten years” we’re now the observer overseeing the whole, removed no longer part of the story.

This is a seriously good LP, bursting with ideas, and me for one will look forward to seeing it translated into the live arena.

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Author: Nev Brooks

 

 

 

 

 

 

The Broken Toys – Sugar ‘N Spice (Still Unbeatable Records)

The Broken Toys – Sugar ‘N Spice (Still Unbeatable Records)

The complete debut tape in full length + one bonus track! First time ever available on extremely limited vinyl! Remastered from the original tapes! that came out in the late ’80s An instant rarity for vinyl lovers and punk rockers alike. If you like your punk rock raw and without frills then this is for you its old school alright coming on like classic voidoids from the song titles to the subject matter ‘Junkie For You’ sets the tone of teen love then follow it up with the undertones like ‘I Want You To Be My Boyfriend’ it has shades of early Misfits as well like it was recorded together live on the hoof to save time and money and because its punk rock god damn it!

‘Waves’ is a more gentle meander down the rock and roll highway with piano and acoustic strumming happening a real NYC Lower East Side feel for sure. ‘Back Of My Hand’ is more upbeat with clashing clanging guitars accompanying the snotty lyrics its vibrant and has stood the test off time. ‘Love Story’ isn’t at all soppy or slow in fact its the one most likely to be used in some B movie Warriors street fight scene.  A decent melody and what’s not to love about those Thunders string bending skills a song born to pull big shapes to in front of the bedroom mirror with the tennis racket and hairbrush.

Flip this bad boy over and ‘The Lottery’ is up first full of piss and vinegar and a chorus even the most challenged glue bag fantatic can sing along to. The ante is upped on side two as ‘Let’s Have A Riot’ lights the oily rag in this Molotov cocktail.

As we Rock and Roll our way through side two there’s a bunch of energy still in these recordings and its a real trip checking out these tunes they deserve to see the light of day and be heard. The Broken Toys had it going on for sure and still don’t need ‘Drugs’ but we do need the snotty riffs and curled lips. We all have a debt to pay to the guys like Johnny Thunders and Broken Toys are paying it back with ‘Sugar ‘N Spice’ check it out its well worth it.

Buy Here  / Bandcamp

Author: Dom Daley

Therapy? – The Greatest Hits (Marshall Records)

Therapy? – The Greatest Hits (Marshall Records)

Enduring and endearing that’s the threesome that makeup Therapy? they’ve have never been ones to follow convention even when they do something quite conventional like releasing a greatest hits album.

‘The Greatest Hits’ takes tracks from throughout their career of highs and maybe not so highs. This their 30th-anniversary run sees this new album breathing a fresh breath of brutality into already fiery songs.  I’ve always seen Therapy? as an iron fist in a velvet glove kinda band.  they can write some right out and out abrasive in your face slabs of noise but they can also be touching and heartfelt whilst delivering that punch (if you know what I mean?)  Oh and before I forget it also comes with a bonus live album.  Always offering value for money. I always thought the old adage about Motorhead applied to Therapy? because they will survive after any holocaust along with the cockroaches then probably put on a show before feasting on the mites such is their dogged determination to push on and never stand still even when looking back at themselves and what they’ve achieved they twist it and push the boundaries rather than offering up some cut and pasted best of and that’s because they give a shit about their legacy, their fans and the future.

‘Teethgrinder’ is first up and with a sparkling production, it has to be said. The band worked with producer Chris Sheldon, who produced the original ‘Troublegum’ album as well as working on ‘Semi-Detached’, ‘High Anxiety’ and ‘Cleave’ so a safe pair of hands – someone who knew the band and what they were/are about and was able to give them that extra piece of x-factor needed on this project.  No cost spared as they headed for Abbey Road none the less and its paid off in spades.

The 12-track album includes all their UK hits including ‘Screamager’ and a reworking of ‘Diane’; Featuring James Dean Bradfield of the Manics.  I forgot how fuckin’ menacing ‘Turn’ sounds with that grinding bassline twisting the listener’s inner ear throughout.  The one thing that stands out is how damn fresh these songs sound.  They never suffered from a shit production but this is another level as 2020 sees songs reborn.  ‘Nowhere’ still sounds epic and a real rush of adrenaline.  I can’t help but feel there’s a little chuckle being made having James Dean Bradfield singing on ‘Die Laughing’  maybe they should have renamed it ‘Dai Laughing’.

‘Diane’ is one of my favourite song from the band and this new take is brilliant.  Welcome to the church of noise one and all and those old-timers this is a great celebration happening here and those new to this band you’re most welcome but where the fuck have you been you maniacs? Heres to the next milestone and something else from Therapy? Oh, I guess I should mention the bonus disc, well, that’s fifteen songs one from each album live as a bonus with the CD version. It’s a great time to be a fan of the band then with so much going on as they head out the door to promote their 30-year plan so you can see them after you’ve played this greatest hits package to death.

As far as greatest hits go this one is up there with the best in the noisy bastard genre. Still on fire – Still not compromising – Still doin’ the biz. Therapy? I love em

Greatest Hits (2020 Versions) here

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Author: Dom Daley

 

The Fuzztones- ‘Raw Heat’ (Bang Records)

The Fuzztones- ‘Raw Heat’ (Bang Records)

Before I start this review I have a confession to make, I’m a bit of a fan of the Fuzztones, Lysergic Emanations has been played to death as have virtually every other LP in their back catalogue, and my excitement levels went through the roof when this baby landed in my inbox, especially with the accompanying record company Blurb.

 

“The Real Sound of “In Heat“: the disclaimer on the album states, “NOT produced by Shel Talmy” (The Who, Kinks). The original version of the album “In Heat” as it was intended to sound.”

 

For the uninitiated, THE FUZZTONES have been around for over 30 years, call them under-ground, call them psychedelic?  Call them the band that brought Garage Rock back into fashion.  Though originally from New York City, they were massively embraced by Europe, where the fuzzed out retro vibe really hits home. Now remember when In Heat first came out it was back in 1989 at the peak of the garage revival, when bands like the Chesterfield Kings, Lyres and Cynics were all the rage.

 

So here we go polished up, fuzzed out re-mastered and everything you could want from a modern day masterpiece, as this now sounds. What hits you straight away is how fresh it now sounds, and on first listen there are things that jump out for example “What you don’t know” comes from that classic Lords of the New Church Blueprint, before it takes off and moves into a huge guitar laden climax.

 

As I’m pulling thoughts together, smiling to myself, influences start to come to mind, Chocolate Watch Band, 13TH Floor Elevators, Strawberry Alarm clock from the psychedelic sixties, early 70’s, but blend them into a Stooges led Iggy, add in a definite punk rock and roll attitude “ala” the Cramps and you end up with the classic “In Heat”, worth buying the LP for this track alone!!! I mean any tracks with the opening lyric “I’m a big bad wolf, can’t you here me howl?’ how much more rock and roll could you be.

 

This LP deserves a place in every ones collection!! the swamp boogie, New Orleans sound of “Nine months later” with it’s nod to the bubblegum pop of the 60’s chorus is a real thing of beauty. While  “You must be a witch” is just garage rock perfection, the organ tempered down sitting properly within the song. I suppose this LP keeps drawing me into Cramps style comparisons, if you’re a fan of one then the other will definitely appeal. I could go on talking through the other tracks, but if you’ve read this far, this LP is definitely for you, what an LP, re-mastered, up to date, vibrant and in your face, now lets get them back into the UK preferably with the resurgent Hypnotics on the same bill, what a double header that would be, Happy days.

But ‘Raw Heat’ Here

Author: Nev Brooks

Dirt Box Disco – ‘TV Sex Show’ (Avenue Recordz)

Dirt Box Disco – ‘TV Sex Show’ (Avenue Recordz)

So here it is boys and girls, the seventh (or eighth if you include the ‘Hooray! Hooray!’ compilation) studio album from those lovable punk rock anti-heroes Dirt Box Disco and it’s also their first since the departure of singer Weab.

With news of the frontman’s decision to leave the Disco sending shock waves through the punk rock community back in early 2019 masked guitarist and songwriting dynamo Spunk Volcano decided (with the help of his bandmates; Maff Fazzo on drums, Deadbeat Chris on bass and Danny Fingers on guitar) that the time was right for him to step forward and grasp the microphone with both hands and ‘TV Sex Show’ is the result.

I guess some of you will probably be thinking, “oh it’ll just sound like Spunk Volcano & The Eruptions now”, and yes, on one of two occasions like on the foot to floor mosh pit fight starter ‘VDTV’ and (the first of two bonus tracks on the CD version) ‘Tizwatitiz’ you might have a point, as both of these tunes could (to my ears at least) very easily have been written as Eruptions songs. But, and this is huge BUT, within the context of the fourteen songs (there’s twelve on the vinyl) on ‘TV Sex Show’ this is still very much a Dirt Box Disco record.

Kicking off with ‘Unstoppable’, this a song that is destined to be an immediate live hit. It actually reminds me in many ways of ‘Rum & Cola’ from the band’s ‘Are You Ready?’ EP released back in 2011. It’s a rousing call to arms, a song of solidarity, and a clear message that Dirt Box Disco are not going to be messed about with almost a decade into their career.

‘Insomniac’ which is up next is where ‘TV Sex Show’ really shifts up through the punk rock gears though, and coupled with the trademark Volcano/Fingers six string chugger that is ‘Barebones’ I have to admit that after thinking I might well me doing a Judy Collins by now and asking “where are the clowns?, send in the clowns”, I’m not, and this has to be down to the strength of the songwriting with the likes of ‘I Want Out’, ‘Reminisce’, ‘3 Bottles Down’ and ‘Bitch Full of Stitches’ being some of the catchiest songs the band have ever recorded, and I’m not joking when I say that the Disco sound positively supercharged during the likes of ‘Dickhead And Hype’ and album closer (well if you have the CD anyway) ‘Wake Up’.

There are a couple of tunes that I’ve still yet to fully get my head around, namely ‘The Count of Monte Cristo Lives in San Francisco’ which whilst insanely catchy still has the ominous spectre of ‘Reminisce’ looking over its shoulder, and the same could be said of ‘Ain’t Life Grand’ which is the LP closer that has me thinking I’ll have to buy the CD too just to hear ‘Wake Up’ which really is this set of songs very own ‘Dirtbox Days’.

It would have been all too easy for Dirt Box Disco to have called it a day after Weab left, but it is to Spunk, Maff, Danny and Chris’ credit that they have risen to the challenge by releasing their strongest set of songs since their err.. legendary 2012 album ‘Legends’. So, my advice to everyone is get off your arses check it out sharpish. Pre-sales for ‘TV Sex Show’ are live right now via and if you want to secure one of the mega limited 500 only vinyl LPs you best get your skates on and get clicking the linky.

 

Buy ‘TV Sex Show’ Here

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Author: Johnny Hayward

Trash Knife – EP, EP (FDH Records)

Trash Knife – EP, EP (FDH Records)

Philly punks Trash Knife has put together a collection of trashy lo-Fi punk rock that enters the cranium via the ear and buries itself in the part of the brain that experts would designate as the pleasure zone. Tell me that ‘No Ones Dancing’ doesn’t cause involuntary twitches at the very least.

It’s not rocket science being performed here its punk rock n roll with a tonne of melody trashy guitars clashing with the drums that are taking a good hiding and some vocals that range from the softly whispered ear caressing to the fuck you and the horse you rode in on screams and shouts. The songs are between a minute or two long and that’s it.  wham bang ‘The Party Party’ to bass rumbling pogo of ‘Struggletown Freakout’ via the Damned like hands in pocket shuffle of ‘I’m Down’ this record is an explosion of colour and sound.  Like I said it might not be breaking any new ground but the path they take is well worn and they walk the walk so damn well.

 

Go throw yourself around to ‘Kill your Selfie’ and if anyone asks you to turn it down flip em the bird and let em know you’re playing Trash Knife for fuck’s sake!

If you’ve got a short attention span and like to have a soundtrack whilst you break things then hey jump on board this, no doubt about it. It’s perfect for a frenzied attack.  Who said punk was dead? Trash Knife ‘Ep/Ep’ get it.

 

FDH Website

Bandcamp

Author: Dom Daley

Motherfuckin’ Motherfuckers – ‘Dance Motherfucker EP’ pre orders are out

Motherfuckin’ Motherfuckers – ‘Dance Motherfucker EP’ pre orders are out

 

Released on April 4th those Motherfuckin’ Motherfuckers are at it again this time with a coloured 7″ EP containing four blasts of punked-up Garage Rock and Fuckin’ Roll.

Its three originals and another cover this time it’s ‘Crash Landing’ from the Violent Femmes.  There are only 170 of these bad boys available on coloured vinyl so be quick or be left out in the cold paying silly money on some record auction site in the months to come. Don’t say we didn’t warn ya.

Who are they you say? Four members of two of your favourite bands The Hip Priests and Bitch Queens from Shit Island and Basle Switzerland respectively. after their initial EP that was Fuelled by hangovers, More Lager, Nicotine, Bread and Cheese they tossed out six glorious sonic slices of Primetime, Pedal to the motherfuckin’ metal Overdriven, OD1 Scandi garage noise – smashing strings, skins and yellin’ as if their bullshit lives depended upon it. It was so good they reconvened and did it again first releasing the follow-up single ‘Trillion $ EP’ and now this ‘Dance Motherfucker EP’  so what are you waiting for get on it.

Pre Order Here

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