The driving keyboard is what will get you in the end. Insanely catchy as the songs drive on mowing down everything in its wake. It’s like hypnosis through punk rock. ‘A Casual Death’ is anything but. Christ pre-pandemic (remember that?) there was a band out of Vancouver called The Corner Boys and they released one fantastic album then split. Another great record was Chain Whips well since Covid drummer/songwriter Patrick McEachnie has stayed as active as possible using his time to great effect by picking up a guitar and playing. Basically, he made an excellent record all on his own, and if you were paying any attention to his other releases you will know. Those who do just simply know what to expect, sure, of course, this is fucking right up there flat out excellent.
‘Coming After You’ is rapid and right to the point. Making a racket and finger-wagging and full of menace. The title track is a tub-thumping cross between some bedroom homage to the UK Subs and Tubeway Army it’s the synth that’s humming away throughout as the guitars sound like a twenty-year-old Tascam four-track at best only adds to the intensity and manic feel.
‘Two Sides Of Your Heart’ is akin to Chubby And The Gang in some ways – just thrashing away around a hypnotic melody and a blitzkrieg keyboard solo that is a face melter. The record isn’t hanging around either bopping til it drops with songs around the one and a half to two minutes long. Kick-off turn in an awesome melody – kick the listener in the tits then fuck off. Jobs a good un- Next!
When the tempo is turned down a shade (‘I’m No Sustitute’) it’s a killer with a twisted melody and that fuzzed-up synth. It’s not new at all, it’s not big or clever and it’s nothing to write home about if you’re after a polished modern production. Its infectious, banger after banger – twisted melodies layered upon thrashing guitars and monotonous melodies playing with your head. You know you like it but you haven’t the foggiest why? Is it the ripping pace? The Melodies? the mindless pogotastic beat? is it the Ramones love in of ‘Lost Cause’ and ‘Stay Away From Me’ reminding you what it was like to fall in love with punk rock? Of course, it’s all of it. A top tune is a top tune no matter what style it’s done in.
Hell, that was a blast! Ten songs in twenty-something minutes – perfect punk rock for the masses. Now how do we get to the masses? People need a face full of this DIY bad boy as soon as possible. Quality record – just buy it!
AS THE DOOMSDAY CLOCK HITS 100 SECONDS TO MIDNIGHT, THE ORIGINAL KJ LINE-UP ANNOUNCES THE:
‘LORD OF CHAOS’ EP
FIRST NEW MATERIAL IN 7 YEARS
KILLING JOKE confirms that all hope is probably lost (or at least missing) with their first new studio material in over seven years…
Enter the ‘LORD of CHAOS’EP – two brand new recordings, plus two re-workings of songs from the confrontational UK band’s last studio album, ‘Pylon’ (2015).
“I’ve never known anything like the time we are living in now; not since the Cuban Missile crisis but now in comparison we have multiple flashpoints. Lord of Chaos is about complex systems failure when technology overloads and A.I. misreads the enemies intentions.” – Dr Jaz Coleman.
To support and celebrate the arrival of new music, Killing Joke are set to undertake their first UK run in over three years, 2022’s Honour The Fire tour.
This11 date tour will start with a just-announced intimate warm-up show at the Frog & Fiddle in Cheltenham on Sunday, March 27th; it will conclude in London at the Eventim Apollo, Hammersmith on Saturday, April 9th which is being filmed.
Killing Joke is very much music as ritual – raw, uncompromising and precisely-targeted lyrically; and Dr Jaz Coleman, Geordie, Youth, and Big Paul, founding fathers of the group and an ongoing influence on both alternative music and (counter) culture in general, show absolutely no signs of mellowing.
With collective nostrils flared and righteous anger carried torch-high, The Fourcontinue to take their music of resistance to fresh levels.
Consider yourself warned.
* * * *
The full list of ‘Honour The Fire’ UK 2022 shows.
The Imbeciles are supporting on all dates (except Cheltenham) and Brix Smith is the special guest in London.
The ‘Lord of Chaos’ EP will be available on CD, digital and three vinyl formats on 25th March.
Tracks 1 & 2 – Produced by Killing Joke andMixed by Tom Dalgety – set the tone for the band’s next studio album, currently being worked on in Prague.
Meanwhile, Tracks 3 & 4 give a fresh spin to numbers from the ‘Pylon’ album – ‘Big Buzz’ having been Re-mixed by Dalgety and Nick Evans, and ‘Delete’ getting the full Dub treatment courtesy of KJ’s Youth, who has a longstanding reputation in thisarea.
Chicago’s Urge Overkill has been away a while in fact it’s a decade since we really heard anything from the pair but they’re about to put that to rights with the much-anticipated release of ‘Oui’ and its magnificent artwork. To be fair as soon as the needle dropped the artwork became a big part of the record and a painting certainly does paint a thousand words because this record is a beast.
Unfairly remembered by many as that band who did the cover of ‘ Girl, You’ll Be a Woman Soon’ but those who know simply know. They were much more than that (great tune and working of it as it was) the Grunge striding Rock of ‘Saturation’ was excellent (still is) and then ‘Exit The Dragon’ which saw the band call it a day for a while but with a varied catalogue of albums UO are a welcome return and its refreshing to hear a guitar album that’s just that – no tricks or gimmicks just great tunes recorded well and released in a timely undelayed fashion. Some might say a more mature-sounding band in 2022 but who cares, elder statesmen, survivers, rockers. It’s all good in my book and refreshing to hear a band just kick out the jams at their own pace in their own style.
Well, it’s been a while but Nash Kato and King Roeser are back in the groove with ‘Oui’, and what a return it is. Guitars are turned up and the pair sound right on it, enthused and full of energy ‘Oui’ is loud and focussed. There is a weird But here. The record does kick off in controversial style with a cover this time of the classic Wham! song ‘Freedom’ . Sure they give it the UO treatment and twist it to fit their style of old-school Radio friendly rock but I do wonder is it needed here? I’m not convinced (personally) but I’m happy to let it grow on me, besides it just sounds great to have a new UO record. Sure, it’s a great song – boundless energy and played with a cheeky playful smile but to open your first album in over a decade? Brave and controversial.
‘Necessary Evil’ is understated with cool hooks on the chorus with a finely distorted guitar chugging away under some smart licks and the vocals weave really well together to make for a great song. The tempo is maintained through the rockin’ ‘Follow My Shadow’. ‘How Sweet the Light’ has got a touch of the Who about it from the drum rolls to the building verses with some great drumming. ‘Forgiven’ has got an all-American riff that has been well worn by the likes of Mellencamp when he wanted a ‘Leg Up’ it’s a driving rhythm and the slightly croaky vocals work really well as the Blues are chased away.
It sounds like the band is enjoying writing and playing – there is no pretense or experimental moments just solid rock n roll Past Urge records always had at least one song where the band got silly or experimental. Here, it’s surprisingly focused. I do get the impression that this is a record that will continue to grow on me and moments where a fill changes the groove or tempo will jump out and prelong the journey which always makes for a slow-burning album that gets better with age.
Hopefully, ‘Oui’ will do well and people will lap it up and it won’t be another decade before we get another Urge Overkill record to champion.
Lucifer Star Machine released Rock ‘n’ Roll Martyrs in 2013. The record was released as a CD but never on vinyl. Now it’s time for some vinyl justice. The 25th of February they are reissuing the album on vinyl.
500 Copies on white vinyl with black splatter 100 Copies on Silver vinyl
The silver vinyl edition is available through Bandcamp and the Band. The splatter edition of the album is available through stores, mail orders and the label.
Lucifer Star Machine released their latest album ‘The Devils Breath’ in 2020 on the Sign Records. The album received a lot of praises and the band was just about to start playing a lot live all over Europe as the pandemic arrived. They’re reported to be in the studio currently recording the follow up which we’ll try to keep you up to date with.
Primal Scream’s ability to mix indie pop/Rock and dance broke down musical boundaries and opened all sides to what could be done in the ’90s, helping to push dance and techno into the rock mainstream.
Recorded in 2015 at Levitation in front of underground rock fans from around the world, the LP marks the next release in The Reverberation Appreciation Society’s Live at LEVITATION series, which captures key moments in rock
This Primal Scream set shows the band’s undeniable creativity and unique place in music, combining psychedelic garage rock, kaleidoscopic pop, and acid house to create a sound that’s simultaneously of its time and ahead of it. But ask me if it’s as good as the band’s ‘Live In Japan’ album then the answer is no. This is one disc whereas Japan is a double album that includes some right crossover bangers that this album doesn’t include as well as their awesome take on The Heartbreakers ‘Born To Lose’.
Known for their explosive live sets, the recordings show why Primal Scream are at their best live and around this time they were on fire and to be fair this recording does a great job in capturing that moment and the fact that the production is less polished or rather still has the soundboard feel makes for better energy. Belting through tracks off of 1991’s ‘Screamadelica’, ‘Give Out But Don’t Give Up’, and the heavily electro-influenced favorite ‘XTRMNTR’. Making it a bloody good show and mixing up the techno with some raw electric guitars is excellent and pretty much essential for any collector of Primal Scream.
Over the past three and a half decades, Primal Scream has embraced everything from psychedelic pop to degenerate rock’n’roll; euphoric rave to industrial gloom. They’ve survived drug oblivion, personal loss when their beloved guitarist Robert “Throb” Young passed and captured the mood of the nation several times over. Throughout it all, they have always sounded like Primal Scream.
Exclusive versions are being pressed for the annual Ten Bands One Cause charity initiative, launching around National Breast Cancer Awareness Month in October, and benefitting Red Door Community where no one faces cancer alone.
If you were wondering if Mikkey Dee was keeping up his chops then worry no more because footage of one of our favourite Scandi rocking bands The Drippers teamed up with Mikkey to knock out a pretty impressive run through the epic ‘Iron Fist’
“Gently Towards The Light” is taken from Beechwoods latest album ‘Sleep Without Dreaming’ out on Alive Naturalsound and Sub Rosa Records and reviewed this week on rpm
Also coming this week is a review of the brand new MÄRVEL album “Graces Came With Malice”, released on The Sign Records
Dirty garage rockers the Dry Retch, welcoming you tonight to celebrate the release of yet more new material; the new album ‘Operation Uranus’. Made extra special by bands outgoing charitable nature for Punk 4 The Homeless who will receiving donations from the proceeds. All wrapped up in a bow in the form of this 4 band bill.
Mark Murphy Mark’s stripped-down acoustic tracks are brash and beautiful simultaneously. Sounding somewhere between Sunny Day Real Estate and Grant from Feeder. Not a bad place to be. He’s got that rare ability to give adults that feeling of being a teenager all over again, wry smile included. Playing a range of solo material and collected tracks from bands of his career, either way, the set is strong. His own stuff is top end, better than the exquisite Misfits cover that is thrown in. Mark’s songs stand taller than Glenn’s(wink wink). Vermin Suicides Bouncy street punk the way you like it with added singalong choruses. These guys know what they are doing and do it well. Influxes of power pop and even the odd ska-tinged riff and a Boney M punk cover? Just what a Saturday night ordered! BiteBack They want the truth. Or at least something that sounds like that. These guys bolster an anthemic heavy twang. They certainly get your attention at times, not quite hitting the spot for me but the crowd are certainly with them tonight. The songs have a throb and urgency and almost hits that anthemic edge. Definitely worth a watch, but a little repetitive tonight. The Dry Retch Relentless, pounding garage rock from our headliners. In their time away the guys have gotten more fierce, faster and somewhat embraced a hardcore element to their sound. Still keeping their intricate elements but with even more focus and agenda but with an added savage quality to the assault. The crowd is a bit restless at this point, perhaps tonight could have benefited from one less band on the bill. The band’s performance doesn’t falter though, every song is a potent wall of fuzz and muscle memory. As ever Merseyside’s hidden gem.
The Loyal Cheaters are an Italian/German Rock n’ Roll band formed in 2020, inspired and seduced by the 70s and 80s sound of bands like AC/DC, Runaways, Slade and the latest Scandinavian Action Rock. The band has signed a deal with Atomic Stuff for the worldwide promotion of their debut album.
Next up we have no less thann the 9th video off their debut album. Acid Blood are a Swedish punk rock band and you can pick up their debut album in Europe and North America. “Acid Blood” LP in Europe Here Ltd ed “Acid Blood” CD in the USA Here Digital version available on most platforms
Finally how about the third video from Ravagers? Cooler than an ice cube these cats have a new album out on Spaghetty Town and Wanda Records and this is the third video from the album
Cyanide Pills – ‘The Kids Can’t Be Trusted With Rock N Roll (Damaged Goods Records) Don’t know bout you but this pandemic seems to have gone on longer than expected and in its wake, it’s delayed the new Cyanide Pills album so for that reason alone it should fuck off pronto along with the Tory Government.
Two new tracks landed in the Singles Club jukebox and are like a breath of fresh air and right up to speed with the expected standard of tunage from these Yorkshire lads with the lead track. Mashing up The Beatles with the guitar break and some on-point cheeky lyrics all tacked down with a Ramones Undertones riff that doesn’t leave your head for days. But wait, ‘Do You Wanna Know’ is just as good as the A-side with an insanely catchy chorus. I love Cyanide Pills and on this evidence, the new album will rule, the only downside is it’s only two songs and not more. Still brilliant Record of the Month? Maybe. Buy Here
Steve E Nix & The Famous Lizards – ‘Motorcade EP’ (Damaged Goods Records) Holy Shit! I thought that Cyanide Pills having a new single out was a nailed on no brainer for record of the week, month, year and then This arrived! Steve E Nix has penned four new tunes (more is good) and they are trefuckinmendous. The lead track ‘Motorcade’ is an epic earworm and as it seeped into my brain I was grinning from ear to ear and punching the air like Rocky. What a stunning tune. It infectious, power pop with a bit of a rockin edge and the hook is to die for.
We all know who Steve E Nix is but the Lizards are bassist Kicks (also from The Briefs), guitarist Emi Pop and drummer Miles Freeborn and they deserve a tip of the hat because this band is awesome. ‘Hallways’ is slightly dreamy and very laid back almost Johnny Thunders meets Hanoi Rocks like in arrangement and delivery and that excites me big time. ‘Nite life’ is a retro thumper with a great riff and some top BV’s. Before this EP cuts and runs, there’s time for a bit of a rock and roller in the shape of ‘Avenue Child’. Cool hook and some punchy guitar licks all wrapped in some cool Chuck Berry twelve-bar not sounding a million miles from Toilet Boys. Nix and the band nail it and off the back of this, I hope there’s a long-player involved? because SEN&TFL are dredging some seriously good ground here.Record of the week/month? You bet! Buy Here
The Courettes – ‘Misfits & Freaks’ (Damaged Goods) What a hattrick this is from Damaged Goods or are they just showing off their roster of acts that are as diverse as this and yet still churn out banger after banger. ‘Misfits & Freaks’ is a brand new version of one of the standout tracks from the third killer album, Back In Mono. It comes backed with an exclusive new song ‘Killer Eyes‘.
‘Misfits & Freaks’ was penned after a bittersweet concert in France in 2020, on the last tour in the pre-pandemic world. They played at 9 pm then lockdown at midnight. What was a pandemic? and what the hell we were getting into, so people that day really partied as if there was no tomorrow. If you missed The Courettes latest album then you were well and truly locked down and in a bunker. It’s Rock and Roll baby and it’s got style and swing and is a fabulous song that really does sum up that bittersweet feeling the duo spoke of. On the B side its,- well more of the same really just a bit less focussed and perhaps a little hazy but a great arrangement and perfect delivery. another top single. Buy Here
Lammping – ‘Everlasting Moor’ (We Are Busy Bodies) purveyors of psych-rock, release the first single from their forthcoming album due out this March on We Are Busy Bodies. The highly anticipated EP Stars We Lost is a collection of 70’s soaked space-rock bangers that’ll surely win the hearts of fans of Black Sabbath, Blue Cheer, Spacemen 3, Stereolab, De La Soul, Kraftwerk, and Eels. It’s an infectious track that burrows into the ear canal and takes hold as it swirls around your head. It’s a headfuck of sounds alright and this track is the lead off of this five-track EP ‘Stars We Lost’ Buy Here
Drug Church – ‘Detective Lieutenant’ (Pure Noise Records) Lifted from the new album ‘Hygiene’ it’s a quirky track that builds into a wall of noise before falling back into a dreamy riff with a pavement-like vocal leading the way. Its an understated lead track off the new album but it does take time and if you invest you’ll be rewarded big time from a band I’ve got a lot of time for. Buy Here
Split System – ‘Hit Me’ (LeglessRecords)Melbourne punks Split System had only one jam together before lockdowns kicked in in Melbourne in 2021. 5 songs were written and with rehearsals and gigs on the back foot once again the only option was to record remotely via email. Everyone recorded their parts at home and Split System’s self-titled EP was recorded, ‘Hit Me’ is the first released and what a banger it is. The band is fronted by Jackson Reid Briggs on Vocals and members of Stiff Richards, Speed Week, No Zu and The Black Heart Death Cult.
Vulture Lord – ‘Hark! The Hymns Of War’(Odium Records) We don’t get to cover some old-school black metal in the singles club very often but today’s our lucky day. Harking back to some Venom like Black MEtal Vulture Lord knock it out the park with this track lifted from their split (we love a split) with Black Altar ‘Deathiah Manifesto’. All Hail Vulture Lord because this is a banger. with four tracks each on the split, it’s VFM all day long. C’moooooooooooooon! As it stands I know fuck all about Vulture Lord but if there’s more like this then bring it on top-notch old-school black metal and the packaging is on point and extreme, brilliant. Hark! is almost as good as the stuff Midnight is knocking out and this is after an 18 year break. Welcome back Vulture Lord how can you not like a band that has a track called ‘Bloodstained Ritualknives’ – Brutal.
The Hollywood Stars -‘The Bottom’ (Golden Robot Records) After more than 40 years apart, they are performing together again and making new music and ‘The Bottom’ is the start of a new chapter as we move into 2022. It’s a rolling heavy distorted lick is akin to the likes of ZZ Top and tenuously Aerosmith (maybe) the band gets their groove on and jam out the tune.
It’s not the strongest track this session of the singles club but there are plenty of meaty notes beign bent out of shape on them there six strings.
Suicide Notes – ‘Trampstamp EP’ (Self Released) Opening this four track EP with the thumping bass line that signals a rollocking tune ‘Rolling With The Punches’ thats as good as anything the LA Guns street sleazy bands write. this Oxfordshire five piece kick up a shit storm on the opener with a really good tune that has all the chops and attitude youd expect. The only thing missing is some honking horns under the chorus but the breakdown is timely and I’d imagine this would go down a storm live. ‘Snake Skin Blues’ is more of the same with a more laid back less intense rhythm than the opener.
Theres time for a decent cover of ‘Dead Flowers’ that has some nice guitar breaks and a suitably sleazy tempo but if I’m being picky I’d rather have an original song than anothe rcover of this Stones classic even if it is very well executed. Wrapping things up with a very sweet acoustic song ‘Black Dog Howlin’, Suicide Notes offer plenty of variety in these four tracks on this here EP and three very varied original songs. the band shows they have talent aplenty and can craft some really good songs as well as being able to go through the gears if they need to. Very impressive EP indeed. I look forward to hearing more more more! Facebook
Feeder – ‘The Healing’ (Big Teeth) Nice to have the Welsh boys back making music this their first new music since 2019s ‘Tallulah’. Before the new album ‘Torpedo’ is released they offer up ‘The Healing’ via this rather cool video. the song is classic Feeder and builds as the three piece dish up an epic sounding slice of alternative rock.
Torpedo is released on March 18th and will be available on digital, CD and vinyl. Pre-order here.
Diplomatic Immunity – ‘The Hunt‘(Golden Robot Records), Hailing from Denmark they play big sounding rock’n’roll – and to be fair its catchy! The band successfully fuse the best elements of both U.S. and British rock to create one big sound. ‘The Hunt’ will be released on February 15th via Golden Robot Records on all digital platforms. Facebook
X-Plicit – The Party Is Hot’ (Sneakout Records) Sounding like Cock Rock was never wiped out by Grunge this rocking four piece are defying time and partying like its 1998. throwing out shaes not seen since skid row toured with white lion and Diamond Dave. oh hang on, the eighties called and they want their party dancers and jack daniels back and yes there is a lot of cowbell happening and it is called ‘The Party Is Hot’. Wow! Cowboy boots on and lets rock! Facebook
Pat Todd & The Rank Outsiders – ‘Tell Us All Story’ (I-94 Recordings) We had to end this sitting of the singles club on a high and what way to do that than with the most excellent PAt Todd & his rank Outsiders with ‘Tell Us All a Story’ an uptempo thigh slapping, harmonica honking slice of good times. It thunders along and leaves you wanting more. The guy simply doesn’t write bad songs so these two are most welcome with the B side ‘Prison Of Love’ being a smouldering rocker originally recorded by 60s band Frut.
Its not reinventing the wheel its just rolling along with plenty of rock to accompany that roll. Sounding as good as ever its in the vein on a cracking maincourse of Dave Edmunds meets Nick Lowe for some Rockpile with a side of Georgia Satellites – whats not to like? Always going to be a winner with those ingredients. pick it up Here
Possibly one of the greatest pop-rock bands of all time, Derry’s The Undertones have roots that go back 45 years to the 1977 punk explosion when they were beloved and championed by BBC DJ John Peel. Songs like ‘Teenage Kicks’, ‘Get Over You’ and ‘My Perfect Cousin’ are household staples beloved by millions across three generations of music listeners. The band’s reputation as recording artists and a brilliant live act has carried them through the recent two decades since they reformed in 1999 with new singer Paul McLoone. ‘Dig What You Need’ collects the best of their two reformation albums, 2003’s “Get What You Need” and 2007’s “Dig Yourself Deep”. Both albums have been digitally remastered and both are being released for the first time on vinyl. In addition, all tracks have been remixed by producer Paul Tipler (Stereolab, Elastica, Idlewild, Placebo, Julian Cope, The House Of Love).
Guitarist and founder member Damian O’Neill notes…“So dig this: Thrill Me / Oh Please / I’m Recommending Me / Dig Yourself Deep / Here Comes The Rain – all firm favourites on an Undertones set list these days, songs penned by John O¹Neill and Michael Bradley. So it’s a no brainer really that all these songs (and more) should finally be included on a best-of compilation taken from the two albums we’ve recorded withPaul McLoone. Even better is the fact we got producer/mixing maestro Paul Tipler to remix them with fresh ears and make them sound even better than the originals. Add to that the wonderful packaging and sleeve design courtesy of Bruce and Mary from Arthole and lo and behold we have a sonically cohesive bunch of nuggets waiting to be rediscovered all over again. So dig this compilation my friends – you know you won¹t be disappointed”.Since their reformation, the band has toured several times across the UK, Ireland, Continental Europe, Japan, Turkey and North America, with highlights that include Glastonbury and a pre-game performance at Celtic Park in Glasgow before a UEFA Cup play-off between Celtic and Arsenal. The band is much loved in all quarters of the British and Irish music media, with their debut album being voted into the Q Magazine Top 100 albums of all time. The band will spend March – May on the road with gigs across the UK, Germany and Scandinavia.
The Undertones dates in full:
March10 – Sheffield, UK @ Leadmill *
11 – Northampton, UK @Roadmender
12 – London, UK @ Electric Ballroom
17 – Brighton, UK @ Chalk
18 – Frome, UK @ Cheese & Grain ^
19 – Cardiff, UK @ Cardiff SU Great Hall ^
31 – Newcastle, UK @ Boiler Shop ^
April01 – Manchester, UK @Academy – ^
02 – Liverpool, UK @ O2 Academy ^
09 – Munich, Germany @ Feierwerk
10 – Weinheim, Germany @ Cafe Central
22 – Dublin, Ireland @ Academy
May13 – Bremen, Germany @ Kulturzentrum Lagerhaus
14 – Düsseldorf, Germany @ Zakk
15 – Hamburg, Germany @ Markethalle
17 – Malmo, Sweden @ Plan B
18 – Oslo, Norway @ Vulkan Arena
20 – Göteborg, Sweden @ Pustervik
21 – Stockholm, Sweden @Slaktkykan
22 – Copenhagen, Denmark @ Pumpenhuset
*Special guest Neville Staple Band ^Special guest Hugh Cornwell Electric
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