Listen to ‘Oblivion’ Here

Edinburgh, ScotlandOctober 06, 2023 – Following up the announcement of BILLY LIAR’s new album “Oblivion,” he has just dropped his first single “Oblivion” on all streaming platforms! CLICK HERE to listen to the song. Additionally, his album “Crisis Actor” is available for pre-order on the Pirates Press Records website.


“Billy Liar is one of my favorite songwriters. Powerful and honest.” – Tim Armstrong (Rancid)

That’s one hell of a statement coming from Armstrong, a guy who knows his way around a tune as one of the most beloved songwriters in punk rock history.

A single listen to Billy Liar’s new album “Crisis Actor” will have any listener agree with Armstrong. With this album, Billy Liar showcases his outstanding talent for storytelling and his ability to capture raw, unfiltered emotions that resonate with listeners on a deeply personal level. These songs are bold, brash, and destined to be played loud in any size venue Billy steps into, from a solo show at a DIY space to a full-band set on a giant festival stage and everywhere in between…all with fans screaming back every word!

From the outset of “Crisis Actor,” Billy Liar commands the listener’s attention. From the opening track “Oblivion,” he pulls no punches when he sings “The only way I win is by not giving in to oblivion.”

Throughout the album, Billy intricately weaves anecdotes, scathing social commentary, and self-realization to craft a record that will please old and new punks alike. Drawing the inevitable comparison to the legendary punk troubadour Billy, Mr. Liar shares Mr. Bragg’s ability to address society, politics, and the world at large through the lens of lived experience and deeply personal, confessional emotion.

And just to put “Crisis Actor” over the top, a friend turns up to lend his familiar voice to one of the record’s highlights: the one and only Frank Turner joins Billy on “Negroni,” adding his trademark powerhouse grit to Liar’s boundless, exuberant energy.

With “Crisis Actor,” Billy Liar is poised to step up as a central voice in a new wave of singer-songwriters ready to tell their tales to listeners across the world. Clocking in at just 28 minutes, this album is a proverbial uppercut to the jaw. It hits you hard and fast, but it is intricate enough to reward close repeat listens. This is fortunate, because you’ll find yourself dropping the needle on this one again and again!

Whether armed only with his guitar or backed by a full band, Billy Liar will be traveling the globe, commanding stages of pubs, clubs, and arenas alike with this new set of tunes ready to catapult him into the hearts – and record collections – of punks worldwide!

For more information on Billy Liar:
https://www.billyliarmusic.com/
https://www.facebook.com/official.billy.liar/
https://www.instagram.com/officialbillyliar/

John J. Presley announces UK headline tour dates for February 2024

Tickets available HERE:


New album ‘Chaos and Calypso’ due October 20th via God Unknown Records

Album launch show confirmed for October 18th at Third Man Records, Blue Basement in Soho, London. Tickets HERE:

Pre-order the album
HERE:

Listen to new single ‘Silhouettes’ HERE:

“This is so good, a brooding, bluesy work out which would sound quite good in a Peaky Blinders-esque epic, perhaps we should also pass that on to that nice Cillian Murphy fellow…” Steve Lamacq, BBC6 Music

“What a return, sounding so good…superb stuff.” John Kennedy, Radio X

“Beauty in the songwriting, with John J. Presley displaying Nick Cave-esque levels of vocal intensity.” CLASH

“A ferocious, belly-deep sound, but somehow tender with it.” The Guardian (Laura Barton)

Brighton based multi-instrumentalist John J. Presley returns with a new album ‘Chaos and Calypso’, due October 20th via God Unknown Records. Following a period of activity in May of this year, John broke a three-year hiatus with the brooding, hypnotic single ‘Sinnerman’ (a collaboration with friend Laura-Marty Carter from Blood Red Shoes), and live shows with Radiohead’s Philip Selway and Gaz Coombes (Supergrass).

‘Chaos and Calypso’ features the first new music from Presley since his debut album ‘As The Night Draws In’ in 2019 and the vinyl only lockdown release ‘Albany Sessions’, which were both released to great acclaim. Presley’s music is hard to categorize but that is its strength – from folk blues noir moments to tasteful post rock walls of sound, – classic songwriting to improvised, experimental moments, Presley is constantly creating a tapestry that will engage, challenge, and inspire.

A diary piece that echoes a period of ill health, of spiralling vertigo and misdiagnoses, ‘Chaos and Calypso’ shows Presley’s trademark guitar tone in full effect with enough space in the mix to weave in a new palette of textures from drum machines and synths throughout. Presley plays guitar, bass and pedal steel on the new record and is an in-demand player too – Nadine Shah, Duke Garwood, Laura-Mary Carter, Juanita Stein and Smoke Fairies have all had him join their line ups.

Finally free of the confines of the studio, Presley is ready to bring ‘Chaos and Calypso’ to life in venues across the UK and following a special album launch show at Third Man in London on October 18th, will undertake a headline UK tour in February 2024.

Tickets are available HERE:

Full dates below:

18th October Third Man, London (special album launch show)

31st October The Prince Albert, Brighton

2024

1st February Edge of the Wedge, Portsmouth

4th February Strings Bar and Venue, Isle of Wight

9th February Ramsgate Music Hall, Ramsgate

22nd February Adelphi, Hull

23rd February The Golden Lion, Todmorden

24th February Le Pub, Newport

25th February Hare and Hounds, Birmingham

‘Chaos and Calypso’ album launch show confirmed for October 18th at Third Man Records, Blue Basement in Soho, London. Tickets HERE:

Pre-order ‘Chaos and Calypso’ HERE:

Follow John J. Presley online:

FACEBOOK

TWITTER

INSTAGRAM

BANDCAMP

SWN FESTIVAL

ANNOUNCE FINAL NAMES FOR 2023 EDITION

TAKING PLACE ACROSS CARDIFF – OCT 20th-22nd
49 NEW ACTS ANNOUNCED INCLUDE:
HAK BAKER
PICTURE PARLOUR
WILLIAM DOYLE
FLAMINGODS
TAPIR!
ZZZAHARA
OUR GIRL
ACID KLAUS
VIJI
THE UTOPIA STRONG


JOINING THE LIKES OF:
THE LAST DINNER PARTY, PIGSx7, SKINNY PELEMBE, BILL RYDER-JONES, MANDY INDIANA, BC CAMPLIGHT, DIVORCE, OPUS KINK, JESSICA WINTER, LYNKS, ETHAN P FLYNN, WESTERMAN & MOREDAY TICKETS + FINAL TIER WEEKEND TICKETS
ON-SALE NOW: 

https://swnfest.com/“There’s something for everyone at this charming festival – the only problem is deciding who to watch.” – The Guardian, 4/5

“Sŵn Festival is setting the benchmark for festival line-ups and really hammers in a ‘no more excuses’ approach when it comes to diversity on line-ups… A perfectly run event, glued together by beautiful, kind and community-driven people.” – Clash
Hot off the heels of the successes of its 2022 edition – and the announcement of their 20 For 23 highlighted artists earlier this year – Sŵn Festival today shares the latest and final batch of additions to complete the line-up for this year’s event, taking place across multiple venues in Cardiff from October 20th-22nd. An unmissable highlight of the live calendar, the award-winning tastemaker festival once again returns with a jam-packed bill full of established and upcoming artists, a celebration of the diverse, exciting nature of both British and Welsh music and beyond. It promises to be another year of nurturing the best local, national and international artists and offering a platform to bigger and better things.

Bringing the kitchen-sink realism of working-class life on the Isle of Dogs to the Welsh Capital is Hak Baker. The East London troubadour, with his street-level stories and confessionals of youthful nihilism and male vulnerability, has been described by Vice as “subverting what a British folk singer can be“. A vital, inimitable voice for those often denied one, Baker’s set promises to be a life-affirming wonder brought to you from the edge of armageddon.

Making a colossal entrance into the music scene – and what will be an even greater entrance into the streets of Cardiff – is the widely-lauded Picture Parlour. Observing their ravenously watchable live set that is fast becoming one of the hottest tickets in their native London, you might wonder if you’ve found yourself back in July 1976 awaiting a neo-noir screening. Be prepared for an interlude of mini motion pictures that vow to lure audiences with the lyrics of a born thespian, accompanied by a generous dose of spellbinding guitar and sleazy bass lines.Joining them for this year’s line-up is Acid Klaus, the moniker of cultural agitator and electronic innovator Adrian Flanagan – the man behind the curtain of The Moonlandingz and Eccentronic Research Council, and many more trailblazing sounds born from the North of England. Acid Klaus’ performance celebrates the “conceptual, alter ego-driven spectacular” (Loud and Quiet) that is his second album, Step On My Travelator: The Imagined Career Trajectory of Superstar DJ & Dance-Pop Producer, Melvin Harris. It’s a phenomenal vortex of excess, hedonism and vampires of clubland culture, and in Cardiff it all awaits you. 

A firm favourite on the festival circuit across the UK and Europe, London quartet Flamingods are in town bringing with them their distinctive take on psychedelia, new wave, electronica and punk, blending in influences from their unique cultural heritages and a shared penchant for 70s British rock ‘n’ roll. As The Guardian aptly put it when writing about them recently: “prepare to be bombarded with bliss!”

William Doyle, fka East India Youth, comes to town with one of the most critically acclaimed back catalogues of the last decade in his pocket. From his 2014 Mercury-nominated debut album, Total Strife Forever, right through to his 2021 art-pop masterpiece Great Spans of Muddy Time, Doyle has been one of the most innovative sonic auteurs in British music in recent memory. Expect a suitably wondrous set from him in Cardiff.

Immensely charming, folk-tinged sextet – and recent Heavenly signings – Tapir! join in the festivities and promise to bring a touch of whimsy to proceedings, while LA’s Zzzahara – a frequent collaborator with Eyedress – will scratch the itch for anyone in need of reverb-laced break-up bangers. In the mood for some grunge-tinged dynamism? Brighton trio Our Girl have you covered. Psychedelic, motorik meanderings that clash with techno-tinged beats? You’ll be wanting to catch the inimitable The Utopia Strong. Alt-pop full of hefty guitar lines and infectious RnB energy, that’s as influenced by Fugazi as it is Frank Ocean? Rising Speedy Wunderground artist Viji might just be the one for you.

Today’s additions join an already jam-packed line-up that includes the abundantly hyped The Last Dinner Party, the one-man maelstrom that is Skinny Pelembe, British indie treasure Bill Ryder-Jones, brutally abrasive post-punk noire crew Mandy, Indiana, Manchester-via-New-Jersey auteur BC Camplight, filth-funk merchants Opus Kink, explorative Turkish-Sri Lankan experimental pop game-changer BODUR, Nottingham indie heavyweights and new Gravity/EMI signees Divorce, futuristic rock ‘n’ roll quintet Fat Dog, Dutch singer-songwriter Pip Blom, YALA! mainstay and much-loved indie staple Willie J Healey, and London mutant disco meets post-punk trio MADMADMAD.

Earlier this year, the festival announced their 20 For 23, in which Sŵn highlighted a selection of the country’s most promising newcomers in its first line-up reveal of the year.

Artists announced as part of 20 For 23 included pop disruptor Jessica Winter who crafts a world of gothic, dance-driven cabaret, the near-mythical Lynks whose your hook-up for ear-splitting bass with a queer punk ethos, subversive alt-pop visionary Ethan P. Flynn and the ever-fascinating Westerman, as well as hotly-tipped local talent including the romantic, driving post-punk of Slate and ascendant rapper Luke RV, a real gem at the centre of Wales’ burgeoning hip-hop scene.Speaking on the latest batch of names to join the 2023 edition of the festivalSŵn head of music Adam Williams shares“One thing that makes Sŵn so special and exciting to us is that we’re able to book the artists across the course of a full year. It means by wave three the focus is on those artists who have emerged in the past few months leading up to the festival like Viji, Picture Parlour, Trout and Flip Top Head. We also welcome better-known artists like Our Girl who make their long-awaited Sŵn Festival debut.”Keep your eyes peeled for more from Sŵn Festival as October approaches, but for now head to swnfest.com for more information and ticket pricing options. From today, single day tickets as well as two-day ticket bundles are available at the following prices: Friday – £20, Saturday – £40, Sunday – £30, Friday + Saturday – £55, Saturday + Sunday – £65. Early bird and tier one weekend tickets sold out before a single artist was announced, with tier two weekend tickets still on-sale.

Sŵn Festival is an award-winning multi-venue music festival based entirely in Cardiff’s city centre, which has been running since 2007. Since its inception, the festival has been focused on new music, emerging artists and homegrown acts.
Sŵn Festival – 2023 line-up (so far):Acid Klaus | Alaw | Alffa | Ani Glass | Artshawty | Baba Ali | Babymorocco | Banshi | BC Camplight | Bill Ryder-Jones | BODUR | Bonny Doon | Butch Kassidy | Car Boot Sale | CATTY | Cerys Hafana | Chilli Jesson | CHROMA | Cloth | Corella | Conchúr White | Crimewave | DasRADIAL | Death Cult Electric | Divorce | Elanor Moss | Ella Lockert | Ellur | Esther | Ethan P. Flynn | The Family Battenberg | Fat Dog | Ffenest | Flamingods | Flip Top Head | Frozemode | Getdown Services | Gillie | Grey FLX | Gwcci | Hak Baker | Half Happy | Hands Off | Hemes | Hex Girlfriend | Honesty | Hyll | The Itch | Jack Valero | Jasmine Jethwa | Jessica Winter | KEG | Lande Hekt | The Last Dinner Party | Living Body | Los Blancos | Luke RV | Lynks | MADMADMAD | Magugu | Malgola, No | Mandy, Indiana | Maria Uzor | Max Rad | Mercy Rose | Mickey Callisto | Minas | Moin | Monet | Morgan Harper-Jones | Murder Club | Muriel | The New Eves | New Wave Sound.Ent | Nookee | O. | Opus Kink | Oscar Browne | Oslo Twins | Our Girl | Pale Blue Eyes | Parisa Fouladi | Picture Parlour | Pigs Pigs Pigs Pigs Pigs Pigs Pigs | Pip Blom | Rosie Alena | Safari Gold | Sage Todz | Salti | Shelf Lives | The Shunkos | Skinny Pelembe | Saloon Dion | Slaney Bay | Slate | Sleep Outside | Sophie Jamieson | Tapir! | Thord1s | Tiny Camels | Treeboy & Arc | Trout | The Tubs | TVAM | Twst | The Utopia Strong | Vanity Fairy | Viji | Waterpistol | Westerman | William Doyle | William The Conqueror | Willie J Healey | Y Dail | Ziyad Al-Samman | Zzzahara

Ok folks sit up pay attention set your volume control at a respectably loud setting and pour yourself a cold one before slipping this bad boy on the turntable. Backstreet Girls are in the house and they are showing no sign of mellowing out or slowing down. From the get-go the boogie is set on the max and this Norwegian powerhouse is up for the gig.

This is the band’s 16th studio record since their 1984 debut and with the motto of If it ain’t broke don’t fix it, they boogie n Roll the living shit out of these ten songs. ‘Beef Chop Suicide’ gets proceedings underway with that familiar Petter Baarli raw overdriven tone and whisky and no filter cigarette rasp of Bjørn Müllers cool vocals the song ushers in the album by blowing off the doors rather than gently easing the listener in. Hell, the full-fat production from Stamos Koliousis is perfect for the DC meets Stones tones these boys love to knock out. It’s bullshit free baby and they’re up for a good time and not a long time. ‘Waste Side Story’ is bruising but the thunderous shuffle of ‘Boogie Woman’ (of course that’s what it is called) is like being clubbed over the head by a Les Paul and the guitar break at the end kind of stops which is a bit weird I wanted it to continue my tennis racket wasn’t finished yet and I was looking to do a knee slide for a finale. Shit, that is one dirty tone Baarli is chopping up on ‘Too Cool For You’ as the band eases back for one sloppy dorty fucker of a song, and who isn’t going to dig that riff on the chorus before easing back into the verse, quality overload beware anyone feeling a little feeble this might be too tough for you.

Sure theres nothing original going on here nothing at all its just a cadalac of style with the best sounding stereo on the strip ‘Sister Satan’ is a brooding beast of a song cruising round impressing the shit out of any impressionable young man or woman. The quality of whats on offer is right up there and ‘Norma Jean’ is like Lemmy fronting Cheap Trick using AC/DC’s equipment to impress a particularly good-looking lady.

The next few tunes are all about that guitar tone with ‘Rocky Lee’ cooking up a bitches brew that’s made with equal parts gasolene and gunpowder the licks n fills are fantastic at volume and on headphones it’s like being in the room as the band strikes up a chord knowing exactly how damn good at this they are.

Before we’re done ‘Not Sorry At All’ is a blast of fist-pumping before ‘Doomday Hell’ is a purposeful thump on the drums and the gang vocals to close it out are spot on, so put on your shades, buckle up the leather trousers and pour another cold one Backstreet Girls are dishing up a Rockin good time (of course they are) and it’s fantastic to hear a band just rockin out because that’s what they love hearing and nobody is gonna tell them there is anything cooler than this. Top band, Top album, Top class. Buy yourself ‘In Lust We Trust’ and rock the fuck out – you’re worth it.

Buy Here

Author: Dom Daley

After the start of the pandemic and Brexit, Christmas were perhaps the first punk band back on tour in the UK in 2021. To capture the experiences on video, the band captured the tour in a small clip in 2022. Enjoy ‘Fuck It Up’ from the current album ‘Hot Nights In Saint Vandal’ (released in 2020 on Kidnap Music and TNS Records) you can watch the band from the ferry to Quadrophenia Alley!

Buy Christmas Merch Here

If you prefer the US re-dubbed version of Mad Max, George Miller’s 1979 post-apocalyptic vision of the future, then hit the homepage button now, because C.O.F.F.I.N are about as Australian as every millimetre of Mick “Two Fingers” Simpson’s beer belly. Just take one look at the front cover of ‘Australia Stops’, the band’s fifth album to date, and there’s no disputing these madmen from the Northern Beaches of Sydney really do suffer for their art. I mean who has a mullet in 2023? Well, other than the members of Rough Gutts, obviously. (Ha!)

Yeah, these four guys are like a Cosmic Psychos and Asteroid B-612 jam band playing Bea Smith’s birthday bash at Boggo Road Jail, that’s how bloody Australian they are, and they sound totally bloody bonza too! Just take one listen to the album’s opening track (and lead video) ‘Give Me A Bite’ and tell me I’m wrong.  The opening guitar licks of this track slap you straight across the face before vocalist and drummer Ben Portnoy (no relation…I hope) literally spits the song’s lyrics in it too. There’s something very Hip Priests-like about the “spit in my wounds” refrain too, and that’s certainly no bad thing, eh pop pickers? 

I must admit that when the band released their ‘Children In Finland Fighting In Norway’ (think about it) album a few back, I was already balls deep into a playlist featuring the likes of Stiff Richards, Private Function and Civic, so that record’s dozen tracks kind of passed me by, but here in 2023 with no such distractions to take my (bonk) eye off the C.O.F.F.I.N shaped prize, I’m all about the mullet maaaaan.

‘Cut You Off’ reminds me of just how great Airbourne used to be before they recorded the same album four times over, mixing the Rose Tattoo riffage with Motorhead attitude to absolute perfection. ‘City Sun’ meanwhile appears to be an ode to a man with the head of a horse, so I’m always going to love it aren’t I?

‘Keep It Dark’ and ‘Lovers Leash’ quickly follow and continue this four to the floor approach before ‘Beasts’ chugs its harp beating black heart past the record’s midway point, and I can’t help but think of Stevie Young’s old band Starfighters and their classic debut album every time I hear this one.   

For the second half of ‘Australia Stops’ the album’s title track introduces us to a further five song knuckle sandwich of punch drunk rock ‘n’ roll, the highlight of which (for me anyway) is the blistering one – two of ‘Through The Sewer’ and ‘Faceless’ a fine duo of tunes for the children of Generation Z to truly lose their shit over, just like they have been to the likes of Amyl & The Sniffers and The Chats.

Hotter than a rollin’ dice, C.O.F.F.I.N will hopefully be back soon to rule the roads of the UK (they did a run of shows back at the start of the summer) and promote ‘Australia Stops’ to the max, In the meantime we can all get excited about this mighty fine record hitting the record shop racks on September 15th.

Play it loud folks, PLAY IT LOUD!

You can pre-order ‘Australia Stops’ via the following link; http://coffin.lnk.to/AustraliaStops

Social links: Facebook / Instagram

Author: Johnny Hayward

I always get excited when I hear news trickling through the grapevine that Californias Bryan Smalls has assembled The Hangmen to record some new music and when I got the PR to say ‘Stories To Tell’ was indeed done and in the can, I couldn’t wait to get me some.

Getting straight to business, ‘Broken Heartland gets ‘Stories To Tell’ off to a flier with its solid tempo and some cool slide driving this Rocker onward and upwards. With some really nice solo work. With very little fanfare it’s on with the show and always a band who simply let the music do their talking. As far as openers go this is a thumper, no messing about just good honest Rock n Roll with a decent hook sweet playing and a melody on the chorus that locks in to your good vibe receptors of your brain making this addictive and oh so sweet.

Play on. With a nice round ten tracks on offer Smalls laid back exterior and style is no more aparent than ‘Midnight Riders’ with its widescreen vision as the sun drops out of the sky its such a quality tune. You’ve gotta love the melody as it battles with the music for what grabs you most but this is where The Hangmen sit best for me – it sounds effortlessly cool as you’re drawn in. They turn up the amps for ‘Last Time I Saw You’ as the riff chimes the band are rockin out here just cruising through the gears.

Another shift in tempo sees the laid back ‘On The Outside’ go country roots rock. The acoustic guitars are out and its time to sip a beer on the porch whilst the Rock n Roll eases back. Four songs deep and four sides to The Hangmen painting broad strokes with a thread throughout thats totally recognisable which isn’t easy to do. That Hangmen tone is what captures your attention. It’s raw as a seeping wound but sweet as honey, ‘Sinister Purpose’ hangs its melody on a big riff thats classic and modern but always quality. The cowbell is out on ‘Bayou Moon’ as Smalls leads his troops down a Stones rabit hole that oozes class. As the groove takes hold I’m gazing into the sky hoping we can all get some of this ‘Bayou Moon’. In fact The Stones are lurking in the DNA of Stories To Tell as the acoustic rocker of ‘Behind The Wheel’ will testify.

With a title track being a mid paced mid day rocker stretching itself out building to the chorus its just classic Hangmen and if you get it you’ll dig it and admire their class. Its a very impressive album with variety and moments left right and centre that purr with quality from the rockin opener to the almost baladlike ‘Runnin Kind’ that brings the curtain down on this excellent album. Don’t take my word for it. Head out there and pick up a copy or if you’re modern and like to stream then get on and pre save it so you can also marvel in the majesty that is the most excellent Hangmen. Winner!

Buy Here

Facebook

Author: Dom Daley

Marc Valentine, the unmistakably British singer-songwriter whose powerpop-fueled debut album was released last year to critical acclaim, returns with ‘Jinx Of Finchley Road’ – a digital single scheduled for release through Little Steven’s Wicked Cool Records.

Produced by Dave Draper (The Wildhearts, Ryan Hamilton, The Professionals), the song hints at nefarious and uncanny happenings in North London. Nostalgia and mystery meet in a basement full of hooks to create a single that sounds as if it was
plucked from the charts during the glory days of Britpop.

Having honed his craft over four albums with cult pop-rockers Last Great Dreamers, Valentine launched a solo career in 2022, his album ‘Future Obscure’ delighting fans and picking up praise from an array of publications.

‘Jinx Of Finchley Road’ marks his return to the spotlight, which looks set to grow even brighter through 2024.

Upcoming live dates 

Friday 15 September – Trillians, Newcastle 

Saturday 16 September – Fulford Arms, York

All links to buy and hear Marc Here

Website /Insta /Facebook

Ex-Humpers Scott Drake & Jeff Fieldhouse lead this group along with Saul Koll, guitarist also from Lovesores, 8-Foot Tender & The World’s Strongest Men bands with bassist Anna Andersen & drummer Tim Connolly. Vinyl and CD are coming down the track so until such a time we’ll have to go down the digital route. Now stop monkeying around and pay attention this is serious. What we have for you is ten whoppers bristling with energy, enthusiasm, and above all quality. Of course, when it carries that seal of quality that is Scott ‘Guerrilla Deluxe’ Drake you know it’s going to be good at the very least.

We’ve spent the last few years being drip-fed tunes from this beat combo but no full-length album and wondering with the changing times and pandemics maybe our expectations were too high but then it just dropped ‘Under The Dagger’ is a bit of a slow-burning beast. Ten slices of that wonderful garage Rock n Roll burning the punk rock at one end and the Rock solid timeless Rock n Roll the other, meeting in the middle for an explosive blaze of glory.

Guerrilla Teens are:
Deaf Jeff (guitar – vocals)
Teenage Tim (drums – vocals)
Guerrilla Deluxe (vocals)
Anna Bananas (bass – vocals)
Saul Teen (guitar) 

Buy Here

I only really started listening to “The Boss” when the Wrecking Ball album was released a very close friend of mine was a big fan and we tried to get tickets for Bruce’s infamous 2012 gig but alas we were not fortunate…Unfortunately, Nigel has passed and never got his chance to see him.

When he was announced for a couple of BST gigs in Hyde Park I had to get some tickets and through ticket companies going bankrupt and arguments with the bank, I managed to get there and had my friend’s wife and daughter accompany me. The sun is shining and many of us are enjoying a picnic outside the gates before the non-priority entrance time of 2 pm.

As we enter the Stadium everyone from security to the guys at the bar and the punters seem in a happy mood and it lifts the spirits…I even manage to smuggle some Rum which may have helped, Although to be fair to BST the prices, although expensive aren’t extortionate and are typical of London pub prices.

Frank Turner is a lot like Ginger Wildheart, a successful underground artist and legendary British Songwriter but more leaning toward folk with some punk, and a great back catalogue, seems a perfect act for the day. We find a spot and wait for Frank Turner &The Sleeping Souls.

At 3 they walk onto the huge stage. And Frank starts with the great, acoustic-led I knew Prufrock before he was famous and this gets everyone swaying in the chill atmosphere, then into The Next Storm when people start dancing and waving their hands…When Frank addresses the audience you feel his nervousness and he is so humbled you want him to win the “Bruuuuuuuce” audience over….He doesn’t rush through his set and plays Haven’t Been Doing So Well, from his latest album FTHC, which he acknowledges his battles with Depression then onto my 2 favourite songs of his, Get Better and Be More Kind. He finishes on a high note with the lively and uplifting Four Little Words. Judging from the crowd’s response I could tell that Frank Turner & The Sleeping Souls went down really well and am sure they got a few more hits on Spotify, and hopefully some good old-fashioned merch and cd sales from new fans.

When The Chicks were announced I’d never heard of them, so quick Google and now I understand, previously The Dixie Chicks. Country music is not usually my thing but I like a bit of Folk so nice to be able to catch something different. I watched their Glastonbury performance so I could see what I had to look forward to…Didn’t offend, didn’t excite but they were having fun and so seemed the Glasto crowd…. They were due on at 5 and was looking forward to them as Frank Turner got everyone in the mood for a bit of dancing and with a couple of swigs of Rum, happy days….Well that didn’t last long, after a couple of songs it seemed as if any fun had been sucked out of the stadium, the only person on stage that seemed to be having fun was the Violin player. They looked like they were doing their gig by numbers and just taking the paycheck. Didn’t seem to me that anyone was particularly enjoying their performance, I’m sure they were, maybe in Gold or Diamond Circle.Gave it a couple more songs and thought Nah food time…Alas so, it seemed to have half the audience the queues were huge for any sort of refreshments….Maybe I should have stuck around but didn’t like the music too much, they didn’t seem to care, but as I say I’m sure people that enjoy them had a good time and that’s what matters.

Temperature still hot, and the audience has swelled massively, unlike my rum which must have disintegrated in the sun…Everyone shouting “Bruuuuuuuce” which I didn’t know was a thing until Frank Turner had mentioned it earlier in the day, a negative term of endearment like Primus Sucks..Love it.. Bruce came on stage around 7 and pretty much got on with it and it was like watching a local band of mates playing their songs and enjoying themselves and hoping all the people in the room were too. I won’t go through the setlist as A: I wanted to enjoy the show and songs and B: I didn’t know half of the songs…Or so I thought, song after song after song I seemed to know…Even the ones I didn’t know it seemed as if I had been listening to them for years (if that makes sense). ‘Letter To You’ was a particular highlight for me, as that’s my favourite album, and love that song…’ Wrecking Ball’ was played, and ‘Nightshift’ by Commodores worked well, in fact, I didn’t realise it was a cover (bad music “fan” ) whoops Finishing with ‘Thunder Road’. By this point, I had nipped to the loo and spent the last part of the gig further back and watched the encores..’ Born in the USA’ ,’ Born to Run’, and ‘Glory Days’ were all kept until the end.Why not go out with your biggest hits. He could get away without playing any of them and still, everyone there wouldn’t mind, I’m sure.

His interaction with his band and Audience alike is great to witness. You can see that the band get on and gel really well and I think they could bounce off each other for 6 hours, nevermind the 3 we get tonight. The way he mingles to the front rows and welcomes them like friends is also touching..You get a sense of his appreciation of his fans and tell that he loves what he’s doing.

I often see people complaining about gig prices and Ticketmaster etc for Stadium and Arena gigs and I totally understand it..But for £119 quid it was worth every penny, same as when I saw Pearl Jam last year at the same venue…. If people want to spend £400 for a “Diamond” seat, if they have the money, good luck to them, not something I’d personally want to do. Gone are the days of paying £20 for a stadium gig (remember that was 30-40 years ago) but if you see the right artist at the right venue, £120 is worth every penny.. I’m glad I went and am thrilled I got to spend it with the people I did. I am sure if Nigel was watching he would’ve enjoyed himself and think he would have managed to stay awake through it all, which for Bruce would be the biggest form of flattery. Cheers Bruce, I hope to see you again one day X X

Author: Gordon Lancaster